@@12footchain Wanna go out, baby, too late at night. Lawdy mama, no need to worry. Wanna go out, baby, too late at night. I got a real funny feelin' You're gonna treat your daddy right. Love these lessons! Thanks for doing what you do.
Having a miserable time in boarding school in early 1968 when I first heard this and it just blew my mind - but I didn’t know why. I had to find out why this and Hendrix’s Red House were so compelling and that has taken me on a life long blues journey. Although I know Eric basically stole the whole thing, I’m still inspired by its near perfection.
Do you realize that every guitarist borrows from things they heard even Hendrix? What makes the great ones like Clapton ,Hendrix SRV is that they make the songs their own!
Basically everything that everyone has done, has already been done or invented. Even including the gods of rock n roll like Chuck Berry, Little Richard, Fats Dominos, etc.. Chuck Berry once said "We ain't doing anything that Mozart ain't already done" and like, it's true man. Even Mozart had his influences.
Thanks for explaining this song and not rushing through it. When you play something slow enough,not only is it easier to see how to play it,but it's easier to hear how it's supposed to sound.
Hi, this is beyond my skill level, but I really enjoyed your analysis and enthusiasm for this incredible song. I have lots of homework to do before (if?) I ever get to this level. Learning the scale is the first step, plus practice, practice, practice. Nothing worthwhile is ever easy. Gotta pay your dues, if you want to play the blues. A thousand mile journey starts with a single step. I’m out of cliches! Thanks for all of your excellent lessons. I enjoy your laid back, conversational approach. Very relaxed, very natural. I’m biased, but the music from the Sixties is the best!
My big sister had this record and I listened to Disraeli gears a lot (much older now). You bring out the nuances of the bends and fingerings. (The Hendrix chord is called E#9, sharp nine).
Here’s an odd one you might consider for a lesson, Savoy Browns “She’s got a ring in his nose and a ring on her hand”. I think I have it figured out but would love to see your take on it. The solo is short and sweet. I think the tone you are getting with the new Marshall would suit it. Really appreciate your lessons, your insights are spot on.
Me thinks the long wait, and the Mastering of the fingers perhaps ;-) were worth it. That tone is something else and you friend, now own it. Really enjoying your teaching style and material it is like quickly learning a new song with your buddies at the rehearsal space. Lay out the structure, explain any tricks and off we go!
That little riff you described as " a little bumpy" is a lot bumpy for me. I have been adding in a few extra percussive notes for the longest time. So to play like the record I have to re- learn it. Less is more.. Thanks so much for the lesson, and Gratz on your new gear. You nailed the tone of the record. Peace.
Great video. Ending chord (dissident) is Cmaj7\G (when played on 3rd fret). You’re right very cool sound. Well trained ear hearing that. 👍 Damn! now I have to look at all your vids 😅 and learn everything 😮
Dude, that Gibson in my opinion is the best looking one ever in its class. I have a 65 SG which I gave an overhaul [don't care if it lessens the value, it is a madman which plays better than ever with the gear installed],,, great lesson, great stuff!
Awesome. I love love love SGs. I love their balance point when you sit with them, love the neck / high fret access, they are light, thin, amazing tone. So versatile
As I am Brazilian and here we are used to complex and strange chords in our music, I believe that this strange chord you are demonstrating could be a C with an augmented seventh (or major seventh) but with the bass in G, or C7+
I've Always wanted to Learn and Perform this as well as BADGE!! Thanks!! A Possible Suggestion, The Waterboys: This Is The Sea - I Think it Might be in DADGAD....? It Sounds like an Open Tuning Possibly, and the REMASTERED Album Version sounds like there is a 12 String, as well. There is a Good Current Live Video Version on You Tube. I'm INTENSELY DRAWN to this Song for some reason. Appreciate Your Sharing these Lessons with us.
This is a great video! It’s helped me better master the minor pentatonic scale through practical applications. I don’t own a Marshall or a SG but I appreciate your elucidating the settings. I can mix my TS9, Blues Jr and Epi Casino to get an approximation. Thanks!
I want to do this live with / in my blues trio, so this is very helpful. Really looking forward to present our 15 minute Cream Session at the end of this month 🙂 Thank you very much for sharing... I might come back for some more 'goodies' - including visits to your Patreon site...
Dude, first of all, great tone! Also, I have Doug Grimes' book for Disraeli Gears, but I much prefer your take on most of the points. Thank you for sharing.
YESSS...and that my friend is the real MacClapton if there ever was one....bluepeint to all minor pentatonic blues gutar.....AND totally MY thing..... i love my strat...but humbucking gibsons are the proper sound.....hahaa.. thx mate...and cheers...love it.
not sure, I don't think it's that, I feel like I hear the open A string in there. good point though, the way i have it it is basically a Cmaj7 with an open A. but within the context of an A based 1/4/5 I feel like it's some kind of A modified chord name, but who knows
With the SG …that trill roll off well for me ring finger on the B string pull of slightly you got that perfect ..love yr tutelage …I’m picky with these types of channels yours my friend …I watch subscribed enjoy …I thank you🤙🏻🤙🏻🤙🏻..Ps older guy 68 playing a long time ….man I miss my 50 watt plexi …68….if I only knew 😂
Hey, perhaps a video on the FREYETTE and what was the Other one..??? PF100??? I'm Contemplating what to get in this Category. The FREYETTE is really up there, for me - I mean that usually my Limit on a Guitar - I did that with First Ever, Fender Player Series LEFTY STRAT in Tidepool Blue - and I really Love it, it's the Dominant Sound I want and the Neck Fits my head, the best I've ever had. So, I'm hoping for something Half or Less, than the FREYETTE. Just a Thought....
I thunk that final chord is an A9 Not hearing that low G note in there........try this. It's like a Cm7 with the 5th and 1st strings open. 6 - x 5 - open 4 - 5th 3 - 4th 2 - 5th 1 - open
Chord names...come on, man. #9 chords. They aren't considered minor chords due to having a major 3rd in the mix. It's a tension. More UA-cam misinformation that will end up being gospel if enough people watch. Fantastic.
While it's nice to hear a young Clapton channeling Albert King, Felix Pappalardi deserves the most of the credit for this tune. It was a snooze-fest before he reworked the melody and lyrics.
@@12footchain hey buddy, I watch most of your videos! I am retired so my career now is a solo classic rock performer! I play about half or more of the tunes you show so I always watch to see if there’s any tips or licks to help me improve! Good to see you love the same music as me and keep it alive!
Thanks!
wow - thank you Joe!
@@12footchain Wanna go out, baby, too late at night.
Lawdy mama, no need to worry.
Wanna go out, baby, too late at night.
I got a real funny feelin'
You're gonna treat your daddy right. Love these lessons! Thanks for doing what you do.
Having a miserable time in boarding school in early 1968 when I first heard this and it just blew my mind - but I didn’t know why. I had to find out why this and Hendrix’s Red House were so compelling and that has taken me on a life long blues journey. Although I know Eric basically stole the whole thing, I’m still inspired by its near perfection.
Do you realize that every guitarist borrows from things they heard even Hendrix? What makes the great ones like Clapton ,Hendrix SRV is that they make the songs their own!
Basically everything that everyone has done, has already been done or invented. Even including the gods of rock n roll like Chuck Berry, Little Richard, Fats Dominos, etc.. Chuck Berry once said "We ain't doing anything that Mozart ain't already done" and like, it's true man. Even Mozart had his influences.
Great lesson bro! Thank you, I'm learning it on my new sg custom , it's white 2 pickups. Clapton and cream, wow it doesn't get better.
Thanks for explaining this song and not rushing through it. When you play something slow enough,not only is it easier to see how to play it,but it's easier to hear how it's supposed to sound.
Hi, this is beyond my skill level, but I really enjoyed your analysis and enthusiasm for this incredible song. I have lots of homework to do before (if?) I ever get to this level. Learning the scale is the first step, plus practice, practice, practice. Nothing worthwhile is ever easy. Gotta pay your dues, if you want to play the blues. A thousand mile journey starts with a single step. I’m out of cliches! Thanks for all of your excellent lessons. I enjoy your laid back, conversational approach. Very relaxed, very natural. I’m biased, but the music from the Sixties is the best!
The Perfect Rig For The Perfect Song!! I love this song, so much fun to work on!!
Always grateful for the chord charts, regardless how simple they may be. Thank you. Great lesson!
it took decades till strange brew was taught here. for my generation one of the most significant Cream songs. many thanks
Again, these 2+ step bends and these British guys! Great lesson, thanks! I've forgotten how foundational this song is.
that tone is spot on
Glorious tone! I really enjoy your lessons - the theory is very helpful.
My big sister had this record and I listened to Disraeli gears a lot (much older now). You bring out the nuances of the bends and fingerings. (The Hendrix chord is called E#9, sharp nine).
Or 'augmented 9' if you want to be old fashioned!
That weird chord is a C maj 7 over A?
Ha ha! Sounded like you said it was a “fry it” power conditioner!
Ha ha! Sounded like you said it was a “fry it” power conditioner! 24:02
Here’s an odd one you might consider for a lesson, Savoy Browns “She’s got a ring in his nose and a ring on her hand”. I think I have it figured out but would love to see your take on it. The solo is short and sweet. I think the tone you are getting with the new Marshall would suit it. Really appreciate your lessons, your insights are spot on.
Great lesson, and an SG to die for.
I was going to comment on that beautiful SG & the tones from that Plexi, wow, wall to wall BROWN!!
Yes, I do like what I saw and heard. And the sound is right on the money. Nice job. Thanks for taking the time.
John Paiva aka Snugg Fitt
That chord at 10:24 is a Cmaj7 with a G bass note if you play it
This
The mahogany in that beautiful SG has got that glorious mid range overtone combined with the plexi, wow bro, great lesson, glad I subbed 😃
Me thinks the long wait, and the Mastering of the fingers perhaps ;-) were worth it. That tone is something else and you friend, now own it. Really enjoying your teaching style and material
it is like quickly learning a new song with your buddies at the rehearsal space. Lay out the structure, explain any tricks and off we go!
Congrats on the new amp!! Gotta love new toys! Thanks for the lesson.
That SG is awesome. I love the 3 pickup SG's and Les Pauls.
woah this is some real playing! great job man!
That little riff you described as " a little bumpy" is a lot bumpy for me. I have been adding in a few extra percussive notes for the longest time. So to play like the record I have to re- learn it. Less is more.. Thanks so much for the lesson, and Gratz on your new gear. You nailed the tone of the record. Peace.
Today is indeed a great day! Thanks for this awesome lesson
Great lesson, the Hendrix chord in this tune is E7#9. The final chord looks like an Em7/G. Very accurate leads and great guitar tone. Thanks.
I always loved that fat rhythm work, almost like a bank of Sax's! Great analysis and lesson as always mate.
Great video. Ending chord (dissident) is Cmaj7\G (when played on 3rd fret). You’re right very cool sound. Well trained ear hearing that. 👍 Damn! now I have to look at all your vids 😅 and learn everything 😮
Dude, that Gibson in my opinion is the best looking one ever in its class. I have a 65 SG which I gave an overhaul [don't care if it lessens the value, it is a madman which plays better than ever with the gear installed],,, great lesson, great stuff!
Awesome. I love love love SGs. I love their balance point when you sit with them, love the neck / high fret access, they are light, thin, amazing tone. So versatile
Thanks for another amazing Clapton lesson!!!
As I am Brazilian and here we are used to complex and strange chords in our music, I believe that this strange chord you are demonstrating could be a C with an augmented seventh (or major seventh) but with the bass in G, or C7+
Great lesson. Made learning this song at a 90% level relatively easy. Last 10% is Clapton. That takes forever. And that’s the idea.
Exactly! Thanks
I've Always wanted to Learn and Perform this as well as BADGE!! Thanks!! A Possible Suggestion, The Waterboys: This Is The Sea - I Think it Might be in DADGAD....? It Sounds like an Open Tuning Possibly, and the REMASTERED Album Version sounds like there is a 12 String, as well. There is a Good Current Live Video Version on You Tube. I'm INTENSELY DRAWN to this Song for some reason. Appreciate Your Sharing these Lessons with us.
This is a great video! It’s helped me better master the minor pentatonic scale through practical applications.
I don’t own a Marshall or a SG but I appreciate your elucidating the settings. I can mix my TS9, Blues Jr and Epi Casino to get an approximation.
Thanks!
The sustain on the guitar is incredible
No pedals too. Unbelievable, but Marshalls from the 70's happen to be awesome too.
Nice! Love it. Classic!
Thnx 🎸
I love the detail you get into.
Try CMaj7 for that very last chord.
This video was amazing!
Thank you for all you do in breaking the guitar tunes.
Love to see some Eddie money Trinidad or any steely Dan.
Nice! I’m really enjoying 12 Foot Chain!
I want to do this live with / in my blues trio, so this is very helpful. Really looking forward to present our 15 minute Cream Session at the end of this month 🙂
Thank you very much for sharing... I might come back for some more 'goodies' - including visits to your Patreon site...
great to hear. And for SURE you'll want to check out the lesson I'm putting out later this week then.
Dude, first of all, great tone! Also, I have Doug Grimes' book for Disraeli Gears, but I much prefer your take on most of the points. Thank you for sharing.
Cool, thanks!
Yess ..........now that's a tune 👍
Excellent!
I love it ,great tutorial,keep it coming
Sweet looking SG!
Thank you once again for your insight 12, as it is always appreciated ♪♫♪♫♪
YESSS...and that my friend is the real MacClapton if there ever was one....bluepeint to all minor pentatonic blues gutar.....AND totally MY thing.....
i love my strat...but humbucking gibsons are the proper sound.....hahaa..
thx mate...and cheers...love it.
It's just FUN!
Tremendous LIKE for me!!! Excellent Tutorial! A++++++++++++
I love. Amazing
Thanks man 🙌
Excellent breakdown of the song. Wonderful guitar tone. The V chord is an E7#9. Thanks for the great lesson.
"that note" was the sharp 9... Good call!
Sweet jesus.... nailed it.
...great stuff man; thanks brother
Nice ax..... the three pickup Les Paul SG is on my wishlist.....
Thinking of selling it, for real. Let me know if your interested
great lesson. your tone here is so tasty! bravo
Very cool- nailed it!
Great lead work by EC - and essentially lifted from Albert King's "Crosscut Saw". That last chord - Cmaj7, open position?
not sure, I don't think it's that, I feel like I hear the open A string in there. good point though, the way i have it it is basically a Cmaj7 with an open A. but within the context of an A based 1/4/5 I feel like it's some kind of A modified chord name, but who knows
Awesome tone! Try using a Variac at 90 volts you will be surprised
Awesome 😎
keep them coming. these are great. could you do hendrix 'are you experienced' or 'stone free'?
Sounds like some Buddy Guy’s licks to me…you’re damn right I’ve got the blues.
👍🏻👍🏻👍🏻 Yea ! Thank you
With the SG …that trill roll off well for me ring finger on the B string pull of slightly you got that perfect ..love yr tutelage …I’m picky with these types of channels yours my friend …I watch subscribed enjoy …I thank you🤙🏻🤙🏻🤙🏻..Ps older guy 68 playing a long time ….man I miss my 50 watt plexi …68….if I only knew 😂
Thanks - much appreciated
Hey, perhaps a video on the FREYETTE and what was the Other one..??? PF100??? I'm Contemplating what to get in this Category. The FREYETTE is really up there, for me - I mean that usually my Limit on a Guitar - I did that with First Ever, Fender Player Series LEFTY STRAT in Tidepool Blue - and I really Love it, it's the Dominant Sound I want and the Neck Fits my head, the best I've ever had. So, I'm hoping for something Half or Less, than the FREYETTE. Just a Thought....
Is the store still running? I tried to click through, but the link didn’t work. 😢
No, I shut it down. Maybe one day will come back, but I shut it down for now.
Out of curiosity I used a chord namer site for "that chord" and it suggested A7sus2/G.
Great. Love it. I was thinking, isn’t the mystery chord an Em chord (D-shape first inversion) + the A (4th,) thus Em 11? 😅
could be. I feel like since the song is in A, that it should be some kind of A modifier or in context of A, but you may be right.
Yes. So in A that would be ending on the five chord in that case.
It’s just like this ……… baaaaauuuu !
I thunk that final chord is an A9 Not hearing that low G note in there........try this. It's like a Cm7 with the 5th and 1st strings open.
6 - x
5 - open
4 - 5th
3 - 4th
2 - 5th
1 - open
Thunk. Awesome
11:50 lead intro
And Eric redid it for the rhythm of “Eyesight to the blind” in the movie Tommy,,,
Chord names...come on, man. #9 chords. They aren't considered minor chords due to having a major 3rd in the mix. It's a tension. More UA-cam misinformation that will end up being gospel if enough people watch. Fantastic.
They are 7th chords (with a Sharp 9th), in the key of A.
Actually an E7th#9, the Hendrix chord. D9th, A7th
✊✊✊👊
While it's nice to hear a young Clapton channeling Albert King, Felix Pappalardi deserves the most of the credit for this tune. It was a snooze-fest before he reworked the melody and lyrics.
Ha ha! The “fry it” power supply!!!???
fryette power station
@@12footchain hey buddy, I watch most of your videos! I am retired so my career now is a solo classic rock performer! I play about half or more of the tunes you show so I always watch to see if there’s any tips or licks to help me improve! Good to see you love the same music as me and keep it alive!
Talker video
umm
6 minutes into this video you haven't shown a goddamn thing I'm turning this crap off
Please use proper chord names.
you screw up, man - you don't hear the rhythm
Zero interest in Clapton anymore.
Don’t get so in depth describing everything
Thks!,Great tune live!, that weve seen before color TV's were out,lol.
That is a excellent guitar
The lead guitar work isn’t really a template from Eric, it’s a template from Albert King. The licks are pure Albert King.
I wish you took a little more time explaining this song
Thanks!
Thank you!