@@RyanKao can you comment more on the battery life of the monitor? I'm really interested in it and would like to know average times you get with the NPFs! Great video btw!
BEST BLACK MAGIC RIG EVER!!!! Toying with purchasing the BMPC 4K with the new Mac mini M1 setup. For now using the Canon 90D and Sigma lens 18-35mm etc. for I may rig that out for now to see how I get on. Thanks Ryan.
This is the video I've been looking for! I picked up a BMPCC 6K in January. To say that I've been intimidated is an understatement. What a great rig, Ryan. Thank you for hipping me to the Portkeys monitor. It'll be a game-changer!
I just loved watching you assemble everything! Such a satisfying feeling hearing all these clicks while locking everything in place. Even though there are quite a few things attached to the camera you really managed to build a well organized rig. Good job man 🙏🏻🔥
Black magic makes such a solid product. I haven't put my hands on one but it seems like the majority of people that make videos on them love them. Thanks for this video sir!
Love that setup man! I’ve been tempted to get this camera but am hesitant because I have a feeling BlackMagic will release a successor soonish. I hope!
Some people say it doesn't do well in low light but, the camera does if you use the false color and shoot at 1250 iso. At least for me. At 1250 I have been able to record footage at night with little to no noise. Though this is with the pocket 4k, I'd imagine the 6k can do the same if not better.
yezziirrr, I love slow tools, it teaches content creators to step into a cinematographers shoes. I went through the same thing, I love the image for the price and that mini matte box does dummy good work and portkeys makes fire monitors
You can also flip de direction the Nucleus Nano focuses, using the hand wheel, there is an option in the menu. So it does not matter how you mount the focus motor.
First time in here! Thanks man. That video was awesome 👏. Big thumb up! I am definitely in LOVE with the image quality that the bmpcc offers. I’ve been using the EOS R for almost 2 year but I wanna change, and..., I don’t really know what to do, but I’m definitely in love (again) with this camera!!! Thanks for your video 🙏
I've used Sony for as long as I can remember and last year I had to film a documentary with the Pocket 4K. It surely is a different beast and comes with its limitations, but the picture it produces, oh man, it's incredible. I probably won't just to BM anytime soon, and I'm gonna stick with Sony, but for story driven content, the Pocket brings out the best of most cinematographers in my opinion. Great video, Ryan! Keep them coming!
The only problem I have with the black magic cameras is that when is out of warranty there’s no parts for it so you literally have to get a new camera. When it decides not the power on anymore. Black magic does not make any replacement parts for any of the cameras
When it's out of warranty, you can still send it in for repair. I cracked my screen and they fixed it for a very reasonable price. My friend fried his HDMI port and they also fixed his outside of warranty.
Great video man! Note for anyone considering the matte boxe with an 82mm+ lens: filters will NOT fit inside the matte boxe. Truly awful design by Tilta, but otherwise it's great for lenses like the 18-35
I'm looking into the monitor and some of the other stuff. I have my 6K G2 version rigged out as well some of the same stuff. Small rig cage, two rods, same base plate, I'm using a portable phone charger to power mine overall cost was less than anything else I could find. I do wish I didn't buy the battery grip waste of money. Not that the grip is bad or can add extra battery life but just like all the reviews it makes it too tall, too heavy and only certain cages would work
Love the video! Really torn apart between the 6k and the a7siii, currently rocking the a7iii and I don't really know yet in which direction I want to go with my videos
this made me so happy man 🥺 I've been at a across roads lately between the BMPCC 6k and the A7III, I didn't know which to pick then you came along smh, now I really want it, but.... no photos 😭
@@dna8269 But you lose af, battery life, tilt screen, ibis, stills, and general reliability. For a fast event like a wedding bmpcc is a no go in most cases.
@@PhillipSimango Ok, just know that bmpcc cameras are prone to fails and glitch often. Also any part of your rig can fail too, so you better have a backup.
Most cinima cameras dont have auto focus. Unless you got the red komodo which does have auto focus but isn't as good as a typical camera. Great rig man i appreciate the the fact thst is really neat.
Nice camera rig! But what if you would like to change lenses quickly, I think, it would be probably very inconvenient, right? And how do you like handheld work with bmpcc6k?
This is a great (also p4k) camera to start with and rig it put slowly. It can grow along with you I still don't even have half of the required funds to buy a p4k... Someday baby someday
i liked your video to a specific point, good mellow vibe and all, im glad you got into the Blackmagic Camera World, but in the last 2 Minutes you actually made 3 critical errors, that should be corrected, at least in the comments. I understand you are new to the camera, so its natural to make some mistakes. 1. Its not an insane camera in low light... its actually a pretty fantastic Camera, especially in low light, using the dual Iso setup to its fullest. 2. You have to get your exposure correct in camera - nope, thats actually what braw is for, and you can change it later in the edit if you did not hit it correctly. 3. This cant take photos, technically. Well, especially the 6K shoots incredible looking 21,2 Megapixel DNGs... its also a very good photo camera. Hope you enjoy the cam.
Hey man, really appreciate the feedback! I’m glad you at least enjoyed the video for a bit. Regarding some of your thoughts; In terms of low light, you are right. It’s certainly decent. The dual native ISO does give you good flexibility, however it’s no “fool proof” low light capability that many mirrorless cameras have which many of us are used to shooting on. I’m referring to 6400-12800+. Exposure with this camera is also more tedious as locking down you ISO ranges and best understanding how the camera handles in terms of highlight and shadow detail recovery for the given lighting situation is important. The camera has fairly significant changes in dynamic range, color and noise patterns throughout the ISO ranges. Nailing your lighting in camera, keeping in mind your contrast ratios, all plays a huge role in getting good images out of the camera. And lastly with still, yes. You can take basic stills with the sensor, however it lacks many “stills” capabilities that modern photo cameras have, with regards to autofocus, drive modes, flash sync, shutter speed ranges, etc. So I didn’t mean to say it CANT be a still camera, but it’s certainly not intended for it!
Did he just say "blocking lens flares"?! *JJ Abrams enters the chat* Rig looks awesome honestly. Can't make my mind up whether I'll invest in this as my next upgrade or to go with a Sony A1/A7S/FX6 setup.... SO MANY OPTIONS 😫
Coming back to this a year later, the real question is… did the bmpcc 6k get some prime shelf space with the A73? Both now looking at the Komodo like… 👀😂
Definitely just earned yourself a new subscriber mate, really really nice video 🙏🏻 what is the tiny rubber cable holder called that you’ve used for the SSD cable? Quality little gripper
Yes the whole setup is decently heavy, however weight is a great thing, as it contributes to the stabilization of the camera. It’s important for handheld work to remove micro jitters when shooting
I can build it up in probably 5 minutes or so if I’m unpacking on location! I love it. And honestly the a7siii is just a totally different use case for me. Both amazing in terms of image. I’ll do a comparison soon
its the simplest ideas that make you go...why didnt i think of this obvious solution that are the best! The tie downs for cable management...i literally have been looping cables around and around stuff trying to make it look neater and then boom...cable ties. duh...thanks OH and that power supply...genius. I have the c70 and i didnt want to add a vmount that would block usage of the screen but this NPF idea is perfect. it sits low enough where you can still access the screen and i have plenty of those batteries lying around from purchasing for lights and monitors! Now time to spend all my coins on new accessories!
Cool rig. Do you ever switch lenses on a shoot, though? It must be a pain to quickly switch lenses on that rig. So I guess you're pretty much limited to a zoom lens like your Sigma.
Good video. I kind of respectfully disagree. The 6k does not give you enough 4k options. As you have stated - you have to rig it out. No IBIS. and the BIG ONE - A7S III actually has autofocus that is usable. I love the way that the BM Raw footage looks but I am really not sure it is worth all the extra effort. Also, BM RAw is not optimal for FCPX.
I would've never noticed that bread tie if you hadn't pointed it out haha :) Even after you pointed it out the first time I had to rewind twice to try to figure out what you were talking about lol
Nice build Ryan!! I recently picked up the BMPCC 6K. I edit in Premier and downloaded the plugin for BRAW. I experimented with some BRAW 6K shots and they looked very grainy compared to the pro res 4K. Does editing BRAW in Resolve make a difference compared to Premier?
Raw footages are generally grainier than compressed codec like prores. Editing in Resolve or Premiere would mostly differ in its workflow, not so much on quality. But definitely it is much easier to edit BRAW in Resolve
Great video! Is it possible to screw the niceyrig baseplate directly into the cheese plate on the bottom of the titla cage without using the quick release plate?
"Many people think that these are just for show" - proceeds to use circular filters, effectively making the matte box "just for show" Not saying matte boxes are just for show, but this one definitely is.
@@jacksongary Sure, but the sigma 18-35 comes with a lens hood (like every zoom lens) which is far more effective than the matte box at blocking flares in situations like this, because it was designed specifically with that lens's image circle in mind. Also, all his clips show him shooting outside. It's easy to predict what direction the light is coming from, because it's always coming from the sun, so if you reeeaaally don't want flares then don't shoot towards the sun, otherwise you're going to get flares regardless of what type of matte box or lens hood you're using. There's no situation where adjusting the top flag will help him with flares more than the lens hood that comes with the lens. As far as blocking light goes, matte boxes are most useful in situations where you have lots of different light sources, and no time/ability to control them. Example: shooting a narrative indoors. Space/time limitations might make throwing a side flag on the camera faster/better looking than panning a light or blocking out a window. Bottom line: Filters? Lighting your production? Lens kit? Matte box. Screw on filters? Filming in sunlight with no modifiers? Photography zoom lens? No matte box. This matte box is pure fluff. Same with the wireless follow focus. In a professional environment; if a production doesn't require a piece of gear to be on the camera, it will not be on the camera. Simple as that. Source: Professional cam op and cam assist, I've used plenty of matte boxes with plenty of DPs in plenty of different lighting situations.
Hi Ryan ! Great rig you have and nice breadown video. One question though, what's the filter thread outside the matte box to know if I have the right ND size ? ahah
This is the cleanest rig I've ever seen.
Right
🙏🏼🙏🏼🙏🏼 thank you sir
@@RyanKao can you comment more on the battery life of the monitor? I'm really interested in it and would like to know average times you get with the NPFs! Great video btw!
My new 6k pro rig is taking shape. Gone down the small rig route. Just need the bm5 monitor niow for accesd to the camera
BMPCC gang ✌🏼 Love how simple your rig is dude. Has everything you need and nothing you don’t. Well done man!!
Ayooo BMPCC rig checkkk 😤 thanks man! So happy with how well it fits into my workflow
Solid Rig! I'm always a huge fan of BMPCC content!
My man! Much love bro
It's so satisfying using the velcro ties. Good stuff
BEST BLACK MAGIC RIG EVER!!!! Toying with purchasing the BMPC 4K with the new Mac mini M1 setup. For now using the Canon 90D and Sigma lens 18-35mm etc. for I may rig that out for now to see how I get on. Thanks Ryan.
Thanks for watching!!
And now Blackmagic released the 6k PRO
Yep, pretty annoyed by that. It was a month after i got the 6k that the 6k pro was released.
This is the video I've been looking for! I picked up a BMPCC 6K in January. To say that I've been intimidated is an understatement. What a great rig, Ryan. Thank you for hipping me to the Portkeys monitor. It'll be a game-changer!
So glad it helped Adam!! Thanks man
Super clean cable management ! Thanks for good tips and explanation.
I just loved watching you assemble everything! Such a satisfying feeling hearing all these clicks while locking everything in place. Even though there are quite a few things attached to the camera you really managed to build a well organized rig. Good job man 🙏🏻🔥
Thank you so much Bobby. Glad you enjoyed!
Black magic makes such a solid product. I haven't put my hands on one but it seems like the majority of people that make videos on them love them. Thanks for this video sir!
Thanks for watching Chase!
super valuable video for someone, who is slowly looking to get into cinema camera + riggs
Very clean presentation. Nicely done
Love from Kenya, Africa...Ryan i never miss any of your vids!! amazing content you got
Thanks so much man!
Love that setup man! I’ve been tempted to get this camera but am hesitant because I have a feeling BlackMagic will release a successor soonish. I hope!
Some people say it doesn't do well in low light but, the camera does if you use the false color and shoot at 1250 iso. At least for me. At 1250 I have been able to record footage at night with little to no noise. Though this is with the pocket 4k, I'd imagine the 6k can do the same if not better.
yezziirrr, I love slow tools, it teaches content creators to step into a cinematographers shoes. I went through the same thing, I love the image for the price and that mini matte box does dummy good work and portkeys makes fire monitors
Thats sweet Ryan! Great rig
Oh yes, nice rig ! I'm on the GH5, I'm think a lot to get the bmpcc 4k or 6k. Happy to know more about your experience with this camera !
Thank you!
You can also flip de direction the Nucleus Nano focuses, using the hand wheel, there is an option in the menu. So it does not matter how you mount the focus motor.
Ahhhh. Okay that makes sense lol. I was like there HAS to be a way to do this
@@RyanKao haha, yes! Just press and hold one of the arrows to get in the menu and you'll find it. :)
My goals for this year baby
Thanks for sharingthis great setup!!! Great video!!!
Thank you!!
Love the continuation from the last video 👌 U are so creative! Keep it up! 🙏
Thanks again! 🖤
New sub. Love the flow of this video. Can’t wait to binge on more.
yes!!! I was waiting for this video after the sunset video u did on December
Yoo thanks Joseph!!
This is a great video. Well produced. Would love a camera like this one day.
Nice set up dude. Btw, with the nucleus, you can switch the focus direction through the menu so you don’t have to physically move the whole thing
First time in here! Thanks man. That video was awesome 👏. Big thumb up! I am definitely in LOVE with the image quality that the bmpcc offers. I’ve been using the EOS R for almost 2 year but I wanna change, and..., I don’t really know what to do, but I’m definitely in love (again) with this camera!!! Thanks for your video 🙏
Thanks for watching, I’m glad you enjoyed!!
@@RyanKao Man, I loved it!!! Thank YOU!
I can’t believe how clean your setup is! I’m going to have to rethink my BMPCC 4K setup!
Hey thanks Matthew!
Clean setup, my g!
Wow Jackson approves 🥺
I've used Sony for as long as I can remember and last year I had to film a documentary with the Pocket 4K. It surely is a different beast and comes with its limitations, but the picture it produces, oh man, it's incredible. I probably won't just to BM anytime soon, and I'm gonna stick with Sony, but for story driven content, the Pocket brings out the best of most cinematographers in my opinion. Great video, Ryan! Keep them coming!
Interesting. I’ll check that one out too. Does the camera give the videos that movie look it is that fine in editing software like devinci relative or
@@Suave26 it sure does, if you know how to use it. A speedbooster and a Sigma 18-35 makes it look insane.
You’re 100% right. Very different cameras, but they both shine. Thanks a ton Svetlin!
@@RyanKao Right on! You're welcome, man! :)
I find that the BMPCC 6K works perfectly with canon lenses. I use the canon 24-105mm lens
I believe you can change the direction the follow focus turns in the hand controller menu.
Hands down the best rig I’ve ever seen.
Nikolas, thanks man!
Your rig is Bananas bro... AWESOMENESS!!!!
Thanks!!
The only problem I have with the black magic cameras is that when is out of warranty there’s no parts for it so you literally have to get a new camera. When it decides not the power on anymore. Black magic does not make any replacement parts for any of the cameras
So? Just send it to them and they'll fix it themselves.
When it's out of warranty, you can still send it in for repair. I cracked my screen and they fixed it for a very reasonable price. My friend fried his HDMI port and they also fixed his outside of warranty.
Love your work, keep up ❤️.
Much love Jamelah!!
Thinking about getting the 4K this year. Cool to see another rig for inspiration.
You are filming in my back yard at Canon Beach...love it bro
really nice Video Dude!
Beautiful rig, I’ve been noticing it in your vids. Cool to hear the breakdown.
Thank you Tucker!
I got the 6k pro a month ago, and boy oh boy, the control of the color in Davinci is incredible!
Dayum, such a dream setup! it looks so profesh! Nice one
Thanks so much man!
I loved watching this, I always wanted to rig out my A7sii but I haven't been shooting as much with it to warrant putting one together
Love the video bro! I’m curious what’s the body support system you have clamped to the top handle?
Great video man! Note for anyone considering the matte boxe with an 82mm+ lens: filters will NOT fit inside the matte boxe. Truly awful design by Tilta, but otherwise it's great for lenses like the 18-35
Thanks man!
its actually great in lowlight, you can use 400 and 1250 iso at pretty much no noise
I'm looking into the monitor and some of the other stuff. I have my 6K G2 version rigged out as well some of the same stuff. Small rig cage, two rods, same base plate, I'm using a portable phone charger to power mine overall cost was less than anything else I could find. I do wish I didn't buy the battery grip waste of money. Not that the grip is bad or can add extra battery life but just like all the reviews it makes it too tall, too heavy and only certain cages would work
Bro love all of your videos 📹 keep grinding!
Thanks so much dude!
@@RyanKao Absolutely 💯 We are grinding ourselves! Best thing we ever did was add a video production component to our existing business!!!
Love the video! Really torn apart between the 6k and the a7siii, currently rocking the a7iii and I don't really know yet in which direction I want to go with my videos
Me too! What did you end up getting? I’m leaning towards the 6K pro
The most satisfying part of that rig : all that gosh darn sexy & clean cable management 👌
That was the goal! Haha I'm glad you enjoyed.
i hope to see more video's with and from this beast! Rea;lly hyped
Working on it! Thank you.
this made me so happy man 🥺 I've been at a across roads lately between the BMPCC 6k and the A7III, I didn't know which to pick then you came along smh, now I really want it, but.... no photos 😭
A7III army will miss you.
BMPCC6K murders the a7iii. Isn't even close in terms of image quality. Different galaxy
@@dna8269 But you lose af, battery life, tilt screen, ibis, stills, and general reliability. For a fast event like a wedding bmpcc is a no go in most cases.
@@arealgoodJoe True but still weddings only applies to a fraction of the entire videographer/filmmaker market
@@PhillipSimango Ok, just know that bmpcc cameras are prone to fails and glitch often. Also any part of your rig can fail too, so you better have a backup.
BRO PUT HIMSELF IN A MOVIE🤯that’s cool af
Circular filters on a Matt box. Hmmm I think that’s where I’ll go. It’s so frustrating using/ buying the rectangular ones
Most cinima cameras dont have auto focus. Unless you got the red komodo which does have auto focus but isn't as good as a typical camera. Great rig man i appreciate the the fact thst is really neat.
Thank you man!
Such a clean setup
Thank you William!
Satisfying 9.52 minutes of life!
🖤🖤
OK, whats your hack with the Tilta matte box? I cannot get a step up ring to thread into the 77mm. Thanks for sharing your rig man, nice build out!
Nice camera rig!
But what if you would like to change lenses quickly, I think, it would be probably very inconvenient, right?
And how do you like handheld work with bmpcc6k?
i really love your color grading ;)
Glad you like it!
I'm glad to see you're not powering your camera and monitor with the same battery, so many bmpcc4/6k users do that and burn out their hdmi port.
Amazing video ❤️❤️
Thank you!!
This is a great (also p4k) camera to start with and rig it put slowly. It can grow along with you
I still don't even have half of the required funds to buy a p4k... Someday baby someday
So dope! Gonna have to build this up!
Thanks Eric!!
I love Blackmagic! however, I film on the Nikon Z6. The RAW files aren't as amazing as Blackmagic, but they still create a great image.
Really nice rig! :D I also want some stuff you are using! Haha!
Yoo glad you enjoyed!
woooow that is clean!
Thanks Saeed!
i liked your video to a specific point, good mellow vibe and all, im glad you got into the Blackmagic Camera World, but in the last 2 Minutes you actually made 3 critical errors, that should be corrected, at least in the comments. I understand you are new to the camera, so its natural to make some mistakes. 1. Its not an insane camera in low light... its actually a pretty fantastic Camera, especially in low light, using the dual Iso setup to its fullest. 2. You have to get your exposure correct in camera - nope, thats actually what braw is for, and you can change it later in the edit if you did not hit it correctly. 3. This cant take photos, technically. Well, especially the 6K shoots incredible looking 21,2 Megapixel DNGs... its also a very good photo camera. Hope you enjoy the cam.
Hey man, really appreciate the feedback! I’m glad you at least enjoyed the video for a bit. Regarding some of your thoughts; In terms of low light, you are right. It’s certainly decent. The dual native ISO does give you good flexibility, however it’s no “fool proof” low light capability that many mirrorless cameras have which many of us are used to shooting on. I’m referring to 6400-12800+. Exposure with this camera is also more tedious as locking down you ISO ranges and best understanding how the camera handles in terms of highlight and shadow detail recovery for the given lighting situation is important. The camera has fairly significant changes in dynamic range, color and noise patterns throughout the ISO ranges. Nailing your lighting in camera, keeping in mind your contrast ratios, all plays a huge role in getting good images out of the camera. And lastly with still, yes. You can take basic stills with the sensor, however it lacks many “stills” capabilities that modern photo cameras have, with regards to autofocus, drive modes, flash sync, shutter speed ranges, etc. So I didn’t mean to say it CANT be a still camera, but it’s certainly not intended for it!
@@RyanKao Looking forward to what your going to create with it :)
Did he just say "blocking lens flares"?!
*JJ Abrams enters the chat*
Rig looks awesome honestly. Can't make my mind up whether I'll invest in this as my next upgrade or to go with a Sony A1/A7S/FX6 setup.... SO MANY OPTIONS 😫
LMAOO
I'm asking myself the same lmao. Idk what i need for high quality travel videos
When right camera reaches in the right hand 🔥🔥🔥
Ayy thank you!!
@@RyanKao Your absolutely welcome!
Any recommendations on storage cases for logistical transport that would hold the camera, 2 lenses and all of the pieces of the rig? Thanks.
Coming back to this a year later, the real question is… did the bmpcc 6k get some prime shelf space with the A73? Both now looking at the Komodo like… 👀😂
Definitely just earned yourself a new subscriber mate, really really nice video 🙏🏻 what is the tiny rubber cable holder called that you’ve used for the SSD cable? Quality little gripper
Great stuff man! Will you do a follow up video of alternatives to this rig?
Thanks man. I'm planning on doing a comparison to other cameras!
Love this rig and the gear breakdown! Quick question: what cable and attachment are you using for the T5?
Tilta
So neat bro! One thing tho,
Is it abit front heavy because of the form factor of the camera?
Yes the whole setup is decently heavy, however weight is a great thing, as it contributes to the stabilization of the camera. It’s important for handheld work to remove micro jitters when shooting
How much time does it take you to rig the bmpck ?? also how do you feel bout it in comparison to the a7siii ??? amazing vid btw
I can build it up in probably 5 minutes or so if I’m unpacking on location! I love it. And honestly the a7siii is just a totally different use case for me. Both amazing in terms of image. I’ll do a comparison soon
Nice. Your rig corners like it is on rails.
Thanks 👍
its the simplest ideas that make you go...why didnt i think of this obvious solution that are the best! The tie downs for cable management...i literally have been looping cables around and around stuff trying to make it look neater and then boom...cable ties. duh...thanks
OH and that power supply...genius. I have the c70 and i didnt want to add a vmount that would block usage of the screen but this NPF idea is perfect. it sits low enough where you can still access the screen and i have plenty of those batteries lying around from purchasing for lights and monitors! Now time to spend all my coins on new accessories!
I’m glad you were able to take some tips from this! Thanks for watching. 🙏🏼🙏🏼🙏🏼
Cool rig. Do you ever switch lenses on a shoot, though? It must be a pain to quickly switch lenses on that rig. So I guess you're pretty much limited to a zoom lens like your Sigma.
Sweet minimal cinema rig setup there 👍😊
Thanks! 👍
damn this rig is just fire
Much love!!
@@RyanKao im now a big fan! keep the contents coming. Your work just inspire me to finally push forward with learning and pursuing filmmaking
Good video. I kind of respectfully disagree. The 6k does not give you enough 4k options. As you have stated - you have to rig it out. No IBIS. and the BIG ONE - A7S III actually has autofocus that is usable. I love the way that the BM Raw footage looks but I am really not sure it is worth all the extra effort. Also, BM RAw is not optimal for FCPX.
I would've never noticed that bread tie if you hadn't pointed it out haha :)
Even after you pointed it out the first time I had to rewind twice to try to figure out what you were talking about lol
An ooof on my part lol, thanks David!
@@RyanKao It was a funny addition to the video though, it definitely added more than took away
Does the screw to mount the cage to the camera comes separate? because I did not see any screws in with the cage
Nice build Ryan!! I recently picked up the BMPCC 6K. I edit in Premier and downloaded the plugin for BRAW. I experimented with some BRAW 6K shots and they looked very grainy compared to the pro res 4K. Does editing BRAW in Resolve make a difference compared to Premier?
Raw footages are generally grainier than compressed codec like prores. Editing in Resolve or Premiere would mostly differ in its workflow, not so much on quality. But definitely it is much easier to edit BRAW in Resolve
Pocket 6K Pro just came out, bro!
Saw that! Considering... but I have a lot to think about since I'm mostly satisfied with my current set up!
@@RyanKao Yeah! Your rig is dope anyway, bro. Cheers 🍻
Just curious how long the NP-F970 Battery lasts on the camera? Was planning on V-mount, but this has me thinking! Thanks for the vid!
Nice video! What laptop are you using to edit the 6k footage!??
I was considering the C70 but I think I’ll do some more research on this one. Footage looks great and the rig is awesome. Nice work Ryan 👌🏾
Much love Rahiem!
2:37 Is the equivalent of shouting silence(the small text to ignore that thing)
Great video! Is it possible to screw the niceyrig baseplate directly into the cheese plate on the bottom of the titla cage without using the quick release plate?
Sweet rig. Gonna look into that monitor.
Thanks Jason!
I love your videos 💯🤙
Thank you manny!!
gotta try out the Sigma fp bro.. it gets slept on so hard
"Many people think that these are just for show" - proceeds to use circular filters, effectively making the matte box "just for show"
Not saying matte boxes are just for show, but this one definitely is.
Matteboxes are great to help with flares, even if you're not using mattes.
@@jacksongary Sure, but the sigma 18-35 comes with a lens hood (like every zoom lens) which is far more effective than the matte box at blocking flares in situations like this, because it was designed specifically with that lens's image circle in mind.
Also, all his clips show him shooting outside. It's easy to predict what direction the light is coming from, because it's always coming from the sun, so if you reeeaaally don't want flares then don't shoot towards the sun, otherwise you're going to get flares regardless of what type of matte box or lens hood you're using. There's no situation where adjusting the top flag will help him with flares more than the lens hood that comes with the lens.
As far as blocking light goes, matte boxes are most useful in situations where you have lots of different light sources, and no time/ability to control them. Example: shooting a narrative indoors. Space/time limitations might make throwing a side flag on the camera faster/better looking than panning a light or blocking out a window.
Bottom line:
Filters? Lighting your production? Lens kit? Matte box.
Screw on filters? Filming in sunlight with no modifiers? Photography zoom lens? No matte box.
This matte box is pure fluff. Same with the wireless follow focus. In a professional environment; if a production doesn't require a piece of gear to be on the camera, it will not be on the camera. Simple as that.
Source: Professional cam op and cam assist, I've used plenty of matte boxes with plenty of DPs in plenty of different lighting situations.
Hi Ryan ! Great rig you have and nice breadown video. One question though, what's the filter thread outside the matte box to know if I have the right ND size ? ahah
Great video, what’s the name of the song?
great video. p.s. it can take photos, there is a photo button next to the record button