I’ve recently started watching your videos and I’m getting a lot out of them, thank you! As an aside, the production quality is always excellent and especially this one. Just beautiful
Thank you for sharing what you've learned with us. It is much appreciated and I am beyond thankful to live in a time where this kind of information is available to us nobodys :)
I am always grateful for your wisdom Paul. My two years in your atelier forever changed my approach to creating work. Though I chose to leave after two years only it was still a wonderful experience that I felt was more valuable than any other acquired knowledge in painting
Thanks Paul, I really liked your palette, it is where im trying to go in regards to mine. Thinking in color in terms of chroma, value and hue makes it easier to hit the notes specially if you have a palette with just the right colors for that. Winsor & newton and rembrandt are good color makers its true, some of the other brands are way overpriced. Looking foward for the next video Paul!
He didn't talk about the blues or greens he used just reds and yellows. Short of flying to Boston to learn with him in trying to find out what the best pallet would be.
Thank you again, Paul. In my online class with teacher Camille Przewodek, I'm finding trouble painting blocks in sunlight, as the light changes so quickly.
Paul a split primary palette is where there is a cool and warm of each of the primaries, such as a warm and cool red (Cad. Red Light + Alizarin Crimson), cool and warm yellow (Cad. Lemon + Cad. Yellow Deep) and a cool and warm Blue (Ultramarine + Cobalt or Phthalo)
I do think of mine that way but never make very much of a point of it. You are right .of course. I like the better simplicity of limiting it that way. Warm/cool thinking expands it as well. Good. Thanks.
I don't know if you read comments, but where did you get your wood palette, and how did you seal it? I sealed mine with linseed oil mixed with liquin and I noticed it just takes forever to wipe away stained color when cleaning
Hi Paul:) i've been thinking of expanding my own palette from brown/blue to colour and wanted to ask if you have some advice regarding the opacity of paint. To be more specific: schould the pigments used in a palette be of the same opacity/transparency to make the wet into wet blending more manageable?
I’ve recently started watching your videos and I’m getting a lot out of them, thank you! As an aside, the production quality is always excellent and especially this one. Just beautiful
Glad your there, Rick.
Thank you for sharing what you've learned with us. It is much appreciated and I am beyond thankful to live in a time where this kind of information is available to us nobodys :)
I am always grateful for your wisdom Paul. My two years in your atelier forever changed my approach to creating work. Though I chose to leave after two years only it was still a wonderful experience that I felt was more valuable than any other acquired knowledge in painting
Winsor Newton uses mixtures of Linseed and Safflower oil or Safflower oil now (less yellowing). Great video Paul! :)
Thanks Paul, I really liked your palette, it is where im trying to go in regards to mine. Thinking in color in terms of chroma, value and hue makes it easier to hit the notes specially if you have a palette with just the right colors for that. Winsor & newton and rembrandt are good color makers its true, some of the other brands are way overpriced.
Looking foward for the next video Paul!
He didn't talk about the blues or greens he used just reds and yellows. Short of flying to Boston to learn with him in trying to find out what the best pallet would be.
Thank you again, Paul. In my online class with teacher Camille Przewodek, I'm finding trouble painting blocks in sunlight, as the light changes so quickly.
Paul a split primary palette is where there is a cool and warm of each of the primaries, such as a warm and cool red (Cad. Red Light + Alizarin Crimson), cool and warm yellow (Cad. Lemon + Cad. Yellow Deep) and a cool and warm Blue (Ultramarine + Cobalt or Phthalo)
I do think of mine that way but never make very much of a point of it. You are right .of course. I like the better simplicity of limiting it that way. Warm/cool thinking expands it as well. Good. Thanks.
I only wish this was three times as long because I woke up at the end and needed to get back to sleep.
Rude and stupid.
I don't know if you read comments, but where did you get your wood palette, and how did you seal it? I sealed mine with linseed oil mixed with liquin and I noticed it just takes forever to wipe away stained color when cleaning
Hi Paul:) i've been thinking of expanding my own palette from brown/blue to colour and wanted to ask if you have some advice regarding the opacity of paint. To be more specific: schould the pigments used in a palette be of the same opacity/transparency to make the wet into wet blending more manageable?
ok paul