i can surely say 'we never hear...' in this case :-)
3 роки тому+1
@@AndreyRubtsovRU Indeed! The world needs more double-concertos which combines string and wind instruments! We have viola/clarinet, violin/oboe and this piece for violin/horn, but not so much else (at least that I'm aware of)...
@ yeah. i am working on that here too but wasn't too succesful. It works more for double combinations with piano, but not with double combinations with orchestra somehow. I guess orchestras don't like to explore and risk.
Yes the player plays one note and sings another and it produces a chord. Weber uses the technique in is Horn Concertino. It’s very hard to bring off satisfactorily.
Yep it's called multiphonics, it's not easy to do but once you get the hang of it it's not that bad. The main issue is that you have to play and to sing really in tune to make the 3rd or 4th note resonate, and you also need the right amount of singing and the right amount of buzzing which can be a bit of a challenge at first
Very cool piece. Love the second movement especially.
Very interesting work, it is not everyday we hear a double-concerto for this combination of instruments! Inspiring! Thank you for uploading this!
i can surely say 'we never hear...' in this case :-)
@@AndreyRubtsovRU Indeed! The world needs more double-concertos which combines string and wind instruments! We have viola/clarinet, violin/oboe and this piece for violin/horn, but not so much else (at least that I'm aware of)...
@ yeah. i am working on that here too but wasn't too succesful. It works more for double combinations with piano, but not with double combinations with orchestra somehow. I guess orchestras don't like to explore and risk.
Marvellous representation!!!!
Second movement actually begins around 9:40
Whooops, thanks, fixed! :)
3:48
Interesting notation of the 'sung' horn chords in the finale
I'm not even sure what's happening in those measures... Do you think the hornist is singing?
Yes the player plays one note and sings another and it produces a chord. Weber uses the technique in is Horn Concertino. It’s very hard to bring off satisfactorily.
Yep it's called multiphonics, it's not easy to do but once you get the hang of it it's not that bad. The main issue is that you have to play and to sing really in tune to make the 3rd or 4th note resonate, and you also need the right amount of singing and the right amount of buzzing which can be a bit of a challenge at first
@@antoninteissier9762 I was referring to the notation . There is clearly a bass clef missing in the lower part at 74.