For my ear alder body and maple neck/fretboard sounds the best - open sound, lot of harmonics and the good rule of thumb is always the same. If the bass have too much high end you can always cut it out with eq but you can't add sth that doesn't exist. So probably my next bass will be alder/maple instead ash/maple. Thanks for great series!
I’ve found the most important aspect of the bass to me is the neck size/shape. I played a p-bass and my wrist was popping and causing all kinds of pain. I got a G&L Kiloton and it has a tiny neck, and I find it so comfortable.
Pickups and placement make a huge difference. Then strings. The wood? I own basswood, alder, ash, and even okoume bass bodies. Pickups and placement make the most difference in the sound. I know, opinions are like… but, that’s my opinion.
Jackson’s JS Series Concert™ Bass models rock seismic sound, style and affordability. The 34”-scale, four-string Concert Bass JS2 features a lightweight and resonant poplar body, bolt-on maple neck with graphite reinforcement and scarf joint, and a 12”-16” compound radius amaranth fingerboard with 24 jumbo frets and pearloid sharkfin inlays. Dual Jackson high-output humbucking bass pickups create a monstrous low-end growl, while a Jackson HiMass™ bridge provides rock-solid stability, improved sustain and bolder tone. This thunderous bass is available in Satin Black and Snow White finishes with black hardware.
Bad instrument selection. Who thought it was a good idea to compare and contrast basses with active and passive electronics? Or across different brands utilizing different pickup configurations? Or changing fingerboard AND body materials at the same time? Also it would be best to utilize multiple playing examples as some of the tonal differences become more apparent with say slap lines, or using a pick, as opposed to just fingerstyle. Please redo this with a bit more of a scientific approach. I think the talking points were fine but this could be done WAY better. Maybe also include tidbits on how relative hardnesses and densities of body/neck/fingerboard materials should affect resonance and sustain.
Yes, I found the tone to change most drastically when moving from a bass with humbuckers to a single coil, as expected. The wood made a lot less difference IMO. At least the strings weren't different between comparisons. It would be difficult I realize to find one bass pickup / electronics arrangement that had all of the wood selections.
That's a lot of really good info! Thanks for sharing and a great video too! 🤘
Are the pickups from all those bass guitars the same?
Not all woods are created equal...or are they? 🤔 Be sure to like and subscribe to see more series like this one!
wood is just a pricegenerating instrument. 0 difference, boyz
this series is particularly epic in a ver big way
For my ear alder body and maple neck/fretboard sounds the best - open sound, lot of harmonics and the good rule of thumb is always the same. If the bass have too much high end you can always cut it out with eq but you can't add sth that doesn't exist. So probably my next bass will be alder/maple instead ash/maple. Thanks for great series!
I’ve found the most important aspect of the bass to me is the neck size/shape. I played a p-bass and my wrist was popping and causing all kinds of pain. I got a G&L Kiloton and it has a tiny neck, and I find it so comfortable.
It really seems to be one common sound Great! Your rhythm makes the bass sound good though some are brighter. Some mid others warmer.
Pickups and placement make a huge difference. Then strings. The wood? I own basswood, alder, ash, and even okoume bass bodies. Pickups and placement make the most difference in the sound. I know, opinions are like… but, that’s my opinion.
Play as many as you can before you buy one and be open to the ones that feel best. For me. Spector
How about pecan, cherry, apple, for bodies
That's just too fruity😂
Lots of string buzz in the listening section. Argh. But thanks for talking about wood types. Would have liked to hear ebony too.
What tune was he playing? Sounds super East African.
Jackson’s JS Series Concert™ Bass models rock seismic sound, style and affordability.
The 34”-scale, four-string Concert Bass JS2 features a lightweight and resonant poplar body, bolt-on maple neck with graphite reinforcement and scarf joint, and a 12”-16” compound radius amaranth fingerboard with 24 jumbo frets and pearloid sharkfin inlays.
Dual Jackson high-output humbucking bass pickups create a monstrous low-end growl, while a Jackson HiMass™ bridge provides rock-solid stability, improved sustain and bolder tone.
This thunderous bass is available in Satin Black and Snow White finishes with black hardware.
Bad instrument selection. Who thought it was a good idea to compare and contrast basses with active and passive electronics? Or across different brands utilizing different pickup configurations? Or changing fingerboard AND body materials at the same time?
Also it would be best to utilize multiple playing examples as some of the tonal differences become more apparent with say slap lines, or using a pick, as opposed to just fingerstyle.
Please redo this with a bit more of a scientific approach. I think the talking points were fine but this could be done WAY better. Maybe also include tidbits on how relative hardnesses and densities of body/neck/fingerboard materials should affect resonance and sustain.
Yes, I found the tone to change most drastically when moving from a bass with humbuckers to a single coil, as expected. The wood made a lot less difference IMO. At least the strings weren't different between comparisons. It would be difficult I realize to find one bass pickup / electronics arrangement that had all of the wood selections.
It’s a fingerboard… it just happens to have frets on it. 🤨
Useless info but thanks for your efforts anyway