Only Schubert can turn a dance, into a lament. Only Sokolov can truly take out all of the colours and deep emotions inside a short piece, like he did with Schubert's Hungarian Melody D.817.
I've heard nearly all Sokolov's recordings and consider him the most complete keyboard artist of the era. And considering the quality of many young pianists coming up now, that's saying something!
Tut mir Leid...Ich meinte Schuldaufdeckungsangst! Also sprach…I love it....very well reasoned, too! "Ebenmäißgkeitsentzückung…. Rindfleischetikettierungsüberwachungsaufgabenübertragungsgesetz!" Herzlich, Mexikaner Donaudampfschiffahrtsgesellschaftskapitän
Même lorsqu’on s’est grisé pendant des années et des années de l’interprétation merveilleuse et indiscutable de Edwin Fischer dans ces impromptus, force est de reconnaître que l’interprétation que nous propose Sokolov ici a un charme incroyable et témoigne d’une sensibilité extrême où l’on retrouve pleinement le Schubert des dernières années .
А Соколову еще не хотели давать Гранд При на конкурсе Чайковского.Только благодаря настойчивости Эмиля Григорьевича Гилельса парень получил ее. Великий Гилельс рассмотрел в 16-ти летнем парне огромный талант. Светлая ему память!
Indeed. Aside from his irreproachable pianism, I truly admire Maestro Sokolov's humility. At the end of a performance he typically takes one single bow (with one hand on the piano, as if sharing the applause with the instrument) and in a very dignified manner leaves the stage.
Der bezaubernde "Rappel des oiseaux" ist für mein Empfinden zu schnell. Die beste Interpretation, die ich kenne, und eine deutlich langsamere, ist die von Marcelle Meyer, aufgenommen 1954 und gleichfalls auf UA-cam zu finden.
Is it possible to upload 1st part of the recital?????!!!!!!!!!!!!! I admire Gregory Sokolov and complete revcital would be the complete gift for all of us!!!!
reminds me of those desserts that you put away after 2 bites because they are too sweet. It is a pianistically masterful but overexpessive interpretation that robs Schubert of his natural poetry.
@@amirmotahari6186 -- Your quibble reminds me of the very end of the SECOND movement of Rakhmaninov's 2nd Concerto: Everyone, even Richter, plays it with restraint, even delicacy, but Weissenberg, in one recording, positively hammers the closing chords (it is after all marked 'Forte') to grand effect. It's fascinating, all the different 'takes' on a single written score.....from Cortot to Prats! Greetings from México…..
@@steveegallo3384 well, I would not call it "Quibble", its a known fact that Russian pianists (there are exceptions like Richter, Volodos) overdo German composers. Its not trivial when a pianist forgets about the style of the composer and does things to the music that does not suit the composition at all.
Every single note has a meaning in Sokolov's world. He is telling a story; we are just guests on his journey to eternity.
Un commentaire indiscutablement poétique qui vaut sans doute pour tous les grands pianistes.
Only Schubert can turn a dance, into a lament. Only Sokolov can truly take out all of the colours and deep emotions inside a short piece, like he did with Schubert's Hungarian Melody D.817.
Totally agree. He is my Number One!
The Rameau pieces are exquisitely performed.
I've heard nearly all Sokolov's recordings and consider him the most complete keyboard artist of the era. And considering the quality of many young pianists coming up now, that's saying something!
wonderful pianist. takes me to a different dimension when i listen to him
Genio.
Великий!
Браво Маэстро!
Superb pianist.
Ich höre die Stücke wieder und wieder. Einfach wunderschön!
Tut mir Leid...Ich meinte Schuldaufdeckungsangst! Also sprach…I love it....very well reasoned, too! "Ebenmäißgkeitsentzückung…. Rindfleischetikettierungsüberwachungsaufgabenübertragungsgesetz!" Herzlich, Mexikaner Donaudampfschiffahrtsgesellschaftskapitän
Ich auch.
Sokolov has a great CULTURE and his technics serves that .... I have not enough words to express ....
Спасибо большое за этот концерт Григорию Соколову. Желаю долгих творческих лет! ❤
Même lorsqu’on s’est grisé pendant des années et des années de l’interprétation merveilleuse et indiscutable de Edwin Fischer dans ces impromptus, force est de reconnaître que l’interprétation que nous propose Sokolov ici a un charme incroyable et témoigne d’une sensibilité extrême où l’on retrouve pleinement le Schubert des dernières années .
Edwin Fischer?! Vous etes tres drole.
@@paulparoma ua-cam.com/video/o0HCjZiafTs/v-deo.html
А Соколову еще не хотели давать Гранд При на конкурсе Чайковского.Только благодаря настойчивости Эмиля Григорьевича Гилельса парень получил ее. Великий Гилельс рассмотрел в 16-ти летнем парне огромный талант. Светлая ему память!
На конкурсе 1966 года гран при не было. Он получил 1 премию.
@@СветланаКоломыйченко-ц1ж ошибся немного, это не беда. Гдавное что вырос колоссальный Мастер!
Слушать его игру-это большое счастье.
Знаменитая соната Моцарта до мажор. Я столько нового услышал в его исполнении чего раньше не слышал ни у кого. Великий пианист!!!
Изумительно прекрасно. У великого маэстро музыка - воистину "живая речь".
Beethoven said that Music is the greatest of the Arts because it expresses things which cannot be put into words.
Genius
Selection of pieces are very peaceful,calm,soothing and relaxing too. A great recital. Arun dey
The Monk of Piano! the creative Interpretation and perfect Play!
Indeed. Aside from his irreproachable pianism, I truly admire Maestro Sokolov's humility. At the end of a performance he typically takes one single bow (with one hand on the piano, as if sharing the applause with the instrument) and in a very dignified manner leaves the stage.
Grigory Sokolov The Titan The Giant of The piano! Emil Gilels ( The King). Artur Rubinstein ( The God)
@@RaineriHakkarainen ... the god.
Such a treat! Thank you very much!
I Second the Motion....BRAVO 图朵DorothyTu….from México !!
un maestro de la interpretación y que manera de hacer vivir la música con talento incomparable
He plays Schubert like I imagine Schubert played Schubert
Perhaps even better.
0:25 шуберт играл только на гитаре. Пианино купил незадолго до смерти и его продали как раз чтобы устроить приличные похороны! 1:24
QUE LE SEIGNEUR VOUS BENISSE!
VOUS AUSSI!
MERCI!
잘 들었습니다 Thank you for sharing
thanks!!!!
Bellos 😍 Imprountus.
Прекрасная музыка!
KLASS!
👏🏻
Wow!
Der bezaubernde "Rappel des oiseaux" ist für mein Empfinden zu schnell. Die beste Interpretation, die ich kenne, und eine deutlich langsamere, ist die von Marcelle Meyer, aufgenommen 1954 und gleichfalls auf UA-cam zu finden.
Совершенно другой пианиизм, другая природа красоты, чем при использовании музыки 18века,но так же мощно и глубоко
Il est le plus subtil ! Comme l’était Fiorentino ....
¿Cómo se llama la obra del minuto 35:23?
@Angelo Miceli ¡Muchísimas gracias, estimado!
Is it possible to upload 1st part of the recital?????!!!!!!!!!!!!! I admire Gregory Sokolov and complete revcital would be the complete gift for all of us!!!!
democolor42 ua-cam.com/video/JEAl0YG3bgU/v-deo.html ：）
How can the recital consist of only 4 Schubert impromptus with the rest being encores? I think the first half is missing
Gewiss, der Anschlag beim ersten Impromptu ist wunderbar zart und locker, doch leider fehlt das Tänzerische und Leidenschaftliche.
У. Шопена. В. Конце. Он. Ушёл. В. Потусторонний. Мир. Такие. Миры. Я. Видела. Только. В. Картинах. Художницы. Эсте р. Зибель
Las letras están alreves.
Recuerdlos inborrabes de mis cases de piano.
reminds me of those desserts that you put away after 2 bites because they are too sweet. It is a pianistically masterful but overexpessive interpretation that robs Schubert of his natural poetry.
you must be Sokolov
Esta pésimo pésimo para las respuestas pongo una respuesta yES INJTil escribir nio vuelvvl a contestar.
Extraterrestre
Please drop Schubert from your program !
Why would you want that done?
@@steveegallo3384 he is not the best for Schubert, he tends to overdo it! its like playing Mozart like Rachmaninov!
@@amirmotahari6186 -- Your quibble reminds me of the very end of the SECOND movement of Rakhmaninov's 2nd Concerto: Everyone, even Richter, plays it with restraint, even delicacy, but Weissenberg, in one recording, positively hammers the closing chords (it is after all marked 'Forte') to grand effect. It's fascinating, all the different 'takes' on a single written score.....from Cortot to Prats! Greetings from México…..
@@steveegallo3384 well, I would not call it "Quibble", its a known fact that Russian pianists (there are exceptions like Richter, Volodos) overdo German composers. Its not trivial when a pianist forgets about the style of the composer and does things to the music that does not suit the composition at all.
Vehemently disagree as well on so many levels!!