Ustad Shahid Pervez - Pndit Vijay Ghate Raga: Jog and Des

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  • Опубліковано 29 вер 2024
  • Basant Bahar concert at Berkeley Ca. on 11- 02- 89 Part 2 of 2
    recorded by haidar adina
    Note: The purpose of this non monetized upload is to preserve this great music, if for any reason you wish this should not be shared please contact us.

КОМЕНТАРІ • 17

  • @ami9433480965
    @ami9433480965 7 років тому +7

    Ustadji is an unique individual . Great maestro . May God give him long life . Kya baat hain .

  • @romitgupta9977
    @romitgupta9977 5 років тому +5

    This is well before Ustaad ji had become famous in any way or properly recognized (he's obviously still supremely underrated). But this Berkeley performance, with the Yaman in the first half, might be one of the best recordings I've heard. Interesting that now he plays a higher scale sitar I believe.

  • @govindarajulu-kasturi9614
    @govindarajulu-kasturi9614 7 років тому +2

    Classic
    God Bless the Maestros
    Thanks
    Kasturi G

  • @arindamguha7204
    @arindamguha7204 Рік тому

    Sahid je ka hat me Jadu Hai

  • @killerdadu99
    @killerdadu99 8 років тому +1

    Thats why i love that exemplary , sir vijay ghate , salut

  • @tombauer-tbach
    @tombauer-tbach 7 років тому +1

    so beautiful to have this to listen to, thank you!

  • @muniswamyb208
    @muniswamyb208 8 місяців тому

  • @ranjitbhattacharji1360
    @ranjitbhattacharji1360 4 роки тому

    Wah maza aa gaya. Jug jug jio. Tabla bhi, kya baat hai....isko kehte hai mumbaiya baaz. Dono ki jodi salamat rahe.

  • @ranjitbhattacharji1360
    @ranjitbhattacharji1360 4 роки тому

    After 48.30 min. Des started.

  • @Aman-fg6qf
    @Aman-fg6qf 4 роки тому

    Damn 37:30.

  • @uttaramanandhar6543
    @uttaramanandhar6543 5 років тому

    jai hos both ustad ji ko

  • @ranjankumarghosal6758
    @ranjankumarghosal6758 4 роки тому +2

    Any discerning listener may compare Ustadji playing Jog in 1989 and 2018, both versions available in youtube and realise what crass commercialisation has done to Hindustani classical music. Ustadji himself may hear this rendition again to retrace the lost young sitar master. The class of audience is the key.