One of the WORLD'S MOST TALENTED Mastering Engineers!
Вставка
- Опубліковано 26 лип 2024
- ➡️➡️Click here to learn more about Peter Doell: producelikeapro.com/blog/pete...
➡️➡️Click here to lean more about AfterMaster Audio Labs: aftermaster.com/
Peter Doell is one of the most talented and best known mastering engineers in the world. He has more than 35 years’ experience and has mastered/engineered hundreds of chart-topping records, film scores, and TV spots. Over the decades, Pete has been an engineer for some of the world’s most prestigious studios, including Universal Mastering, Sunset Sound, Capitol Studios, and Sony Pictures.
A few of his many, many credits include: Josh Groban, Frank Sinatra, Kurupt, John Waite, Glenn Frey, Celine Dion, Dave Coz, Miss Saigon, Miles Davis, Brian McKnight, Toto, Dwight Yoakam, Marilyn Manson, Los Lobos, Harry Connick Jr., The Beach Boys, Dashboard Confessional, Willie Nelson, and Sheryl Crow.
He has also worked on feature film scores including Road To Perdition and Black Hawk Down, and mastered the music for prominent TV productions such as American Idol and The Voice.
Pete is also the first-call mastering engineer at Shelly Yakus’s AfterMaster Studios here in Hollywood, which is one of Los Angeles’s state-of-the-art recording and mastering destinations for the industry’s top talent!
❤️My Favorite Plugins:
➡️Waves MV2: waves.7eer.net/c/1205870/2868...
➡️Waves RBass: waves.7eer.net/c/1205870/2868...
➡️Renaissance Vox: waves.7eer.net/c/1205870/2868...
➡️Renaissance Compressor: waves.7eer.net/c/1205870/2868...
❤️GEAR:
➡️Stealth Sonics: stealthsonics.com/?aff=3
➡️UK Sound 1173: vintageking.com/uk-sound-1173...
➡️Apollo x16: u.audio/apollox16-plap
➡️Apollo Twin: u.audio/apollotwin-plap
❤️❤️Free 3 Part Mixing Course:
• Happy Christmas! Here'...
Sign up here to get exclusive videos and content producelikeapro.com
#ProduceLikeAPro
#HomeRecording
#MasteringEngineer
Giveaway Winners: www.producelikeapro.com/givea...
Produce Like A Pro is a website which features great tips to help the beginning recordist make incredible sounding home recordings on a budget.
Who is the artist you dream of working with most?
To just watch Vai engineer a mix. oh my would that make me smile a wide mile!
So obvious! With you Warren! Although, being a member of the PLAP community, I have sometimes the impression to work a little bit with you, so... ;-)
Devin Townsend, Mattias IA Eklundh, Igudesman & Joo, Billy Sheehan, Tommy Emmanuel, Adrian Legg, Gavin Harrison and so on.
Muse, Avenged Sevenfold
Mick Gordon :) So inspiring!
What a LEGEND, Pete is!
"When you think of something to play, don't play"! - Miles
HAHAHA awesome!
kkkkk lol.That made my day !
This is the best interview I've seen you do so far! I could talk all day to this amazing guy. And he worked on Skyscraper! Ten out of 10. Thank you!
What a storyteller, an amazing history and resume.
Fascinating that EMI and Capitol would have engineers starting out on mastering, to then know what not to do as an engineer. As a student, I've always found mastering appealing, but thought that I had to learn to be a great engineer before I went anywhere near it. Really great insight!
Yes, they were of course working under amazing people!
Abbey Road did this too. New engineers started out with mastering.
Love these interviews, so interesting to get a glimpse of history and how the experienced guys worked in their day.
Now this is without any doubt important to learn from! I say it again and again, but the information laid down is always awesome!
Wow, wow, wow! Thanks so much, Warren and Pete for this video! Pete's resume is world-class and having him share his experience, as well as some anecdotes, is a real treasure for the community. Of course, I am personally thrilled to see a fellow Western New Yorker achieve so much in the industry. Having been lucky enough to meet him, I can tell the viewers that he's a very nice and generous gent in person. Thanks again! Warmest Regards from South Wales, NY, USA! - chaz
Thank you warren! Priceless
What an amazing honor it has been to enjoy listening to this interview with probably the Greatest Mastering Engineers ever . Thank You
Thankyou both. Very interesting viewing.
nice to hear.. I'm another Rochesterian!
Warren, this has to be one of the most insightful interviews I have had the privilege of watching. A big thanks to both you and Peter, Bro.
You're very welcome Bill! Peter rules!! I'm so glad to be able to help! Have a marvellous time recording, many thanks Warren
It never fails. I watch all these wonderful interviews and every time I gain another invaluable perspective on mixing. In this one it was the middle-side eq-ing discussion... giving separate attention to the sonics of the outside vs. the middle. Thanks again, Warren!
Aw shucks thanks ever so much Ed! You Rock!!
A wonderful interview and interviewee.
Yes, absolutely another session with this amazing man please.
Thanks ever so much Gary!
That Sinatra reveal was awesome, if you weren't a singer you would think it was diva; I totally get it, stuck in a booth, the disconnect with the song is palpable.
Great interview, space for the stories, you're a natural. 😎🎙✅
Such a great interview, thank you!!
Great interview, thanks.👍
This was absolutely brilliant. I took two days to get through it all, but very well worth it. There is so much gold in this interview!
Fantastic stories! Thanks Peter and Warren =)
I think of all the videos I have watched from this site I would say this was on of my favourites
I love hearing the stories of masters like Peter. Thank you, Warren!! PS: Love his coffee mug :)
Thanks again Warren! Always love hearing the different workflow methods of top level people like Pete!
Beatledave7 thanks ever so much my friend!!
That is so true about the monitoring volumes, effect on vocals. I learned this from listening to live mic nights two rooms away. Consistently people seemed to feel like they needed to scream, and having just been in the room they were in, I could see why. Thank you Peter and Warren!
Yet again,amazing insight!
Fantastic interview. Thank you Peter. Great stories and info. Love the quote, "Get at the root not the fruit."
Volume tip! There's always a gem in these interviews. Thank you!
Brilliant insights! Thank you!
The wealth of insight is grand ! You can’t beat experience and wisdom like that. Like all your videos and interviews, I glued to the iPad like a kid watching cartoons !
Thanks as always !
Gunars
This is just lovely!!
Fantastic interview, the behind the scenes stories of what actually was done on these big records is as interesting as the technical information, especially when theory and practice are sometimes not always the same, lol! Thanks!
Thanks ever so much Dave!! I really appreciate it!
The History is beautiful!
Much more fun than being an MD. Bright funny guy. Many thanks to both of you. Only got to see Cage once. What a TRIP!
Please do more with this treasure. Warren,your work should be in the Smithsonian.
Great stuff
Learning all the time
Hey you guys! The electric company was 🗣f 🗣un fun!
MORE MORE MORE!!!! Yes please do more, his Miles stories alone kept me riveted and when he started in with side chain, I learned more from him then a month in school!!! Now on to your question, I'm rather old at 61 in this field but I would love to record the venerable Peter Gabriel, or Sting. Reason, I'm a drummer first, a bassist second, and a guitarist third and I feel what they do as if i'm in their heads. I relate to the time signatures and mood swings as well as a spatual space with relation to the vocals always moving in unexpected ways. Well, a man can dream can't he? Mr. Huart, Your fantastic, thanks, your friend Greg
Awesome. Great to see more of Shelly's studio. Excellent interview. Thank you folks!
Fantastic interview, he's got the greatest stories. Fantastic hearing about working with Tom Dowd. He's maybe my greatest hero in music. (present company excluded). Thank you Warren and thank you so much Peter. Warren, please have Eric post the picture of the parking spaces.
Nice to see!
Would be fun also to know a little more about the room itself, how he designed it and/or treated it to sound so good.
Mesmerizing! TY
great interview man, keep em coming...excellent
So great, thanks!
Hey Warren, this is why I subscribed to your channel and hit the bell! Thanks for opening the door to the real recording world!
Great interview!
This is pure gold! I wish I had seen this when I was starting out wanting to be a mastering engineer, many moons ago.
I could listen to this guys stories and knowledge for hours. What a legend.
"Iron is - meat and potatoes." So true. Guitars amps also. Transformers can make a huge difference. These interviews are "marvelously" interesting and important. Keep 'em coming... Warren you're the best.
This was an amazing little venture and you guys should defo do more!
Thanks! Yes, love Pete
@@Producelikeapro Love you more Warren because you facilitate all of this nourishing info!.. I'm just starting off and your videos are really helpful..Thank you!
Superb interview! Thank you Warren. What a wonderful musical history and life experience 😁
Wow! Excellent interview, Warren. Impressive!
You’re very welcome
The artist I dream of working with is the one I connect with beyond the business
That was great!
Awesome Session!!!
Thanks ever so much!!
Great interview guys!
When this video started, I was like " get to the gear already". When you finally got to the gear I was like " no, not the gear, more stories.
Loved this interview, could've sat through another hour and a half easy. Great job.
I’m a Jazz guy and love hearing these stories. Thanks so much.
Hi James Slater me too! I loved talking to Peter! I learned so much!!
The adult in me is like: -"What an accomplished and down-to-earth guy. I'm aspiring to get to his level." The kid in me on the other hand is going: -"The Zamboni?! Whoaaa! I'm so jealous. O.o"
Lasse Huhtala haha I hear you!!
Nice cup!
Peter is brilliant, hilarious, and tremendous info Warren; thank you team PLAP one of the best videos I've seen
Thanks ever so much!!
Great interview. The Prince `1999` story was insightful too.
Thanks Warren and Peter for a very enjoyable interview! I would love to see a part two diving more into his mechanics of mastering. Maybe Peter would be willing to make an academy exclusive mastering video of one of the best academy mixes. Sort of like a "Feedback Friday - Mastering Edition" where he could talk us through what he his hearing and what adjustments he would make to take the mix to next level.
Phenomenal interview!
Thanks ever so much!!
Awesome!
Very interesting, thank you!
A+ interview, Gents!!! Bravo!
Thanks ever so much Harry!
loved it guys
Fine man, with an amazing record and an also very fine chat.
Thanks Peter! Agreed 100%!!
Shuh Dah Fuh Cup - I have the same EXACT same coffee mug in front of me (but mine is full at the moment). Really enjoyed the interview. I remember when many of the albums Pete worked came out. Informative as always. Thanks Warren and Pete!
Thank you Warren, this stuff is amazing! (and from today I will cut tracks right before the downbeat!)
Laughing hard at the coffee mug in the background.
haha it is rather fun indeed, isn't it? Haha
Great video as always, and than you ever so much! I love his coffee mug! "SHUH DUH FUH CUP" XD
Thanks ever so much!!
Great episode!!!!
Thanks ever so much Don!!
Nice to see Lipinski’s in the spotlight, they are still the best and not real expensive vs other brands (for mastering), I love my L-707s
Yes, that was rather marvellous indeed!!
Great !!
What a lovely man! ....And his modesty far belies his incredible talent
Yes, agreed 100%!!
Only two volumes (loud and dim) wasn't quite working for me so the 2400 Audio Imperium was a similar but more flexible solution; static, unchanging levels for total consistency, but 8 total level selections allow checking 8 volumes quickly. Plus it has 8 stereo outs so I'm able to provide clients with the brand of monitor they're familiar with; we have ATCs, Amphions, NS-10s, Auratones, Mackie's, etc, all at the touch of a button, with pristine sound. But for mastering I can absolutely understand his "only two levels" solution. Simplicity! Great interview! Kudos!
Fun stories! Thank you!
Amazing interview. In the same class as Eddie Kramer, Shelly Yakus, Jack Douglas. Such incredible tips. Love this kind of history lesson... wow.
Thanks ever so much Paul!! Yes, Pete is truly wonderful!
I forgot to say... editing tape with scissors... WHAT!!!! I’m great friends with the editing block and got deep satisfaction from a great, undetectable 2inch tape edit back in the day but doing that with scissors/freehand! Yowser!!! 😱😱😱😱😱
Paul Motion haha we’ve all had to do some crazy tape edits! I don’t miss those!
the Ole Blues eyes story about Babs was the highlight for me. I am old I guess between Him Sammy Dino Eddie had to very special. Loved the input about I got be with the boys!! and a hand held!!!!
Edit a 16th note before the down beat. If I walked away with nothing else I would consider this an 1:33.39 well spent. Glad the rest is equally as great. Terrific interview.
Indeed! Great information!
18:55 that is actually a cool idea, because SSL always sounds bit muddy in the low end.👌
Thanks ever so much for sharing
Wow! That guy has got storys to tell.
Hi georgyj111111 yes he has!!
The best one yet....
Gary Mallaber is amazing. Listen to all those great (MONSTER) drum parts in Steve Miller songs. "Fly Like an Eagle", "Swingtown" and others. Killer drummer. From Buffalo, NY.
And this is why PLAP is my fave youtube channel
Thanks ever so much!!
a cool man thank you warren
One of the genuine people I know. 😊
There’s a lot of grease in Memphis. Audio Lunch Bunch will be exceptional.
Marvellous indeed!!
Cool interview. Usually send our music to pro mastering engineer , but last couple of releases have self mastered. A different art in itself.
Always cool ....and i always learn something. thank you. I do have a Mackie big Knob, and i have gaffer tape on it in 3 spots. I believe it was Sylvia Massey that i saw do that.....anyway, it does work and i try to not change the volume too much . i hope at some point i can leave it at just one spot. i have 3 spots 'marked' off because i am in a very small room, and i have zero idea how good/bad my room is.
I've always wanted to hear a good long form interview with Doell. Great job!
The Sinatra story at 41:30. I saw numerous situations like that go down in my early days as a cartage guy in the 80s....OOOOH BOY!! :-o
Back then I was told stories about Prince working at Larrabee. They would have just finished a tracking session, with everything setup for tracking, then Prince would say, "ok I want to mix", and he meant RIGHT NOW!. Guys would be diving over the console to re-patch things to his liking, maybe put up other mons if that's what he wanted at that moment.......and you did NOT argue with him. Just like Sinatra, he got what he wanted when wanted it, period end of story!
Editing at 52:40.....truth be told, I was gutted first time I heard about all the editing that occurred on those early jazz records. I've gotten over that now ;:-) .........so many amazing stories!!
"Get it at the root not the fruit"....golden sage words!
Need to take some time to absorb, then watch it again! ;:-)
Thats true about the weather on Rochester . I live in the Buffalo area which is 2 hours from Rochester and you only get like 4 months of sun ....the rest is winter .
What a man(Peter),what a History,What a so much amount of Knowledge.I would sit down on a Mat and listen to his Stories all Day.This Music thing we do is so uplifting. THANKS Warren for your time.
Yes, agreed 100%! Peter is the man!
Great stories!
Pesky question here: can you elaborate more on how the age of professional mixing and mastering engineers can or can not affect the quality of their work along with years passing by? How can you deliver a good audio product alongside with a natural hear loss due to the age? How the experience and the feeling of a good master can overcome the reality of not hearing certain frequencies in your late 50's and over? And how can you professional audio engineers protect your hearing year after year? Thanks for all your top notch content Warren!
Hey, I'm from Rochester!!
I'm an audiophile and we often discuss mastering engineers, yet I've not heard of Mr. Doell. I will hunt for something he mastered.
Born to be Blue WOW !!! Thanks Pete
What a great interview! Got little correction. Rudy Van Gelder engineered and mastered Coltrane's A Love Supreme, not Tom Dowd. Dowd was working at Atlantic and only did the Coltrane records, that were released on that label. Giant Steps was Tom Dowd.
You are very correct indeed! The great Rudy Van Gelder did record those absolutely amazing albums!!
Shu Duh Fuh Cup
1:13:12 for those who like looking at gear then listen to the interview. lol