Sinfoniae Instrumentalia II - CSRO / Sempé
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- Опубліковано 11 вер 2024
- Part 3 - Capriccio Stravagante Renaissance Orchestra - Collegium Vocale Gent - Skip Sempé
Terpsichore 2015 - Concert de cloture - Église Saint-Louis-en-l’Île, Paris - 30 novembre 2015
3ème d'une serie de 4 vidéos du concert entier / 3rd of a series of 4 videos of the entire concert
Sinfoniae Instrumentalia II
0:50 - Heinrich Scheidemann - Praembulum (Benjamin Alard, orgue)
3:08 - John Dowland - Pavan : Sir Henry Umptons Funerall (1604)
8:02 - Michael Praetorius - Passameze (CCLXXXVI)
10:09 - Michael Praetorius - Gaillarde (CCLXXXV)
11:29 - Michael Praetorius - Ballet des Baccanales (CCLXXVIII)
12:27 - John Dowland - Paduan (Simpson, ‘Taffel Consort’, 1621)
17:27 - Michael Praetorius - Ballet des Matelotz (CCLXXX)
18:10 - Michael Praetorius - Gaillarde (CCCVII)
19:30 - Anthony Holborne - Pavan : Paradizo (1599)
22:57 - Michael Praetorius - Gaillard (CCLXXXVII)
24:58 - William Brade - Ein schottisch Tanz (1617/XVI)
27:19 - Michael Praetorius - Ballet des cocqs (CCLIV)
Capriccio Stravagante Renaissance Orchestra - Skip Sempé
Tuomo Suni, Jacek Kurzydło - violon
Nick Milne, Julien Léonard, Andreas Linos, Josh Cheatham, Benoît Vanden Bemden - viola da gamba
Julien Martin, Marine Sablonnière, Benoît Toigo, Evolène Kiener, Vincent Courrier - flûte à bec
Doron Sherwin, Josué Meléndez - cornetto
Jasu Moisio - bombarde
Evolène Kiener - dulciane
Simen van Mechelen, Joost Swinkels, Claire MacIntyre - sacqueboute
André Henrich - luth
Françoise Johannel - harpe
Skip Sempé, Olivier Fortin - virginal
Yoann Moulin - virginal / clavecin
Michèle Claude - percussion
Benjamin Alard - orgue (Bernard Aubertin, 2005)
Collegium Vocale Gent
Annelies Brants, Griet De Geyter, Magdalena Podkościelna, Chiyuki Okamura - soprano
Sofia Gvirts, Cécile Pilorger, Alexander Schneider, Piotr Olech - alto
Johannes Gaubitz, Benjamin Glaubitz, Vincent Lesage, Stephan Gähler - ténor
Stefan Drexlmeier, Matthias Lutze, Sebastian Myrus, Bart Vandewege - basse
Stunning concert. How rare to get a chance to see a hear how this glorious music was probably performed at one of the larger European Courts around 1600. Wonderful stuff
Capriccio Stravaganze Renaissance Orchestra is out of this world, and Skip Sempe is definitely a wizard !
Waking up listeners - Capriccio Stravagante is world-renowned for their memorable interpretations of Renaissance and Baroque music. Founded in 1986 by Skip Sempé, the ensemble of three to seventy performers incorporates Capriccio Stravagante, the Capriccio Stravagante Renaissance Orchestra and Capriccio Stravagante Les 24 Violons. By the mid 1990s, the ensemble had built up an extensive discography for which they received international acclaim and had performed in major concert halls and festivals worldwide.
Nonchalance & Power - The ensembles seek a musical aesthetic whose values have been nearly lost to contemporary musical life. Unlike many other early music ensembles, they adhere to traditional principles of articulation, rhetoric, scholarship, imagination and talent to break down conventions that have little to do with historical practice, particularly those originating in twentieth-century ‘Baroque’ performance practices. Capriccio Stravagante has recorded extensively for the Paradizo, Deutsche Harmonia Mundi, Astrée, Alpha and Teldec labels.
Man-made beauty - The Capriccio Stravagante Renaissance Orchestra offers virtuoso performers on a highly distinctive musical instrumentarium that includes violins, viols, recorders, cornetti, sackbuts, krummhorns, shawms, lutes, harps, harpsichords, virginals, organs, and percussion. Derived from the instrumental virtuosity that sixteenth-century music demanded, their playing techniques are completely unknown to classically trained instrumentalists and mainstream audiences today. The ensemble is the largest and most luxurious gathering yet assembled for the performance of masterpieces from this Golden Age of musical creativity.
Awards & Rewards - Capriccio Stravagante’s exceptional chamber ensemble playing has inspired three generations of musicians, many of whom have gone on to enjoy international careers. The Capriccio Stravagante Prize was created by Skip Sempé in 1997, and served to encourage numerous musicians in their early careers. It is particularly touching that many of those musicians have now become an integral part of Capriccio Stravagante’s activities. Sempé receives lasting inspiration from the key members of these renewed generations.
I can’t thank you enough for posting this music.
Great late Renaissance program! Excellent performance as this music should be played. The original instruments and the vocal ensemble were just fantastic!Thank you for sharing, I would love to go to such concerts! 🎼
Wonderful! So much Renaissance music today is done with tiny consorts of 4 or 5 players, robbing much of the color and verve of this music, often associated with courts where they could afford to hire a good number of skilled musicians. The ornamenting here is fantastic too.
Wonderful concert. I enjoyed listening tremendously. Thanks for posting this for us all.
Such wonderful, original instruments. Such talented, passionate musicians reaching so deeply into their souls.
A beautiful program. Thanks so very much for sharing.
Infinis remerciements à vôtre générosité, pour ce double partage, capté, émis, des images de ces sourires et volutes sublimes. Can't wait for Capella II...
Great piece of music
Maravilhoso, digno de intensos aplausos e elogios sem fim!
Stunnung concert, thank you for sharing! A small note about the title: "sinfoniae instrumentalia" is grammatically incorrect Latin. Sinfoniae is feminine, instrumentalia is the neuter form of the adjective instrumentalis; it should actually be "sinfoniae instrumentales."
Son la máquina del tiempo !!!
♫♫♪ 💕
mejor imposible
Immer noch schön .der gegenentwurf zu den charts und superhits .und was so alles für moden und trends gibt .ist nicht hip nicht trendy .nicht cool .muss nicht .ich stehe bewusst auf diese schöne uncoole musik .bewusst .auf eben diese zeitlosen klänge .die niemals aus der mode kommen.
Meine evangelische seite kommt zum klingen .altlutherische orgelmusik ..das ist .zuhause .
In which church is this performance ?
Saint-Louis-en-l’Île, Paris