Requires an overcommitted attempt to grasp that can be further amplified by tori adding their dropping weight outside of uke's elongated structural frame.
The tricky part with this as a functioning principle is getting the "leading" into the form to break balance whilst managing enough connection without a "jerk" that may break the link or cause reactionary tension in uke.
Very easily ends up a cooperative dance, its hard to get students (and i speak from experience because Im guilty of this too) to "attack" with enough genuine intention to make it work, as opposed to making a uncommitted grab then taking an easy breakfall.
View Dunken Francis sensei full playlist here : ua-cam.com/play/PLA520V4pOPWJ-cYbNIWgUe9saWQsHUn3B.html&si=ORoSqvscwmHFcP5_
So many layers to this, including your body language as well as thing like timing, how you offer your hand etc.
remember the session where sensei showed kokyu using a folded belt? That was an eye opener.
Beautiful move... well explained!!! Thank you Sensei!
you are most welcome Joseph
Requires an overcommitted attempt to grasp that can be further amplified by tori adding their dropping weight outside of uke's elongated structural frame.
Agreed, definitely falls into "exercise" category but without doubt useful for training the concept of redirection
The tricky part with this as a functioning principle is getting the "leading" into the form to break balance whilst managing enough connection without a "jerk" that may break the link or cause reactionary tension in uke.
Very easily ends up a cooperative dance, its hard to get students (and i speak from experience because Im guilty of this too) to "attack" with enough genuine intention to make it work, as opposed to making a uncommitted grab then taking an easy breakfall.
👍👍
breath power throw or breath throw?
I guess breath power throw technically a more accurate translation