The inclusion of the Vietnamese was very nice and it showed more of his personal history and gave the show another layer. I really loved this collection.
Thank you for posting this. That was the first HL show that was been a worthy successor to the original. Such a difficult assignment, but he executed well. 💛🖤💛♥️
Jah & Jahes love. I LOVED every ounce of this fashion show. I especially loved the intro and outro with the Yello cab because I lived in one kinda when I was growing up. My father dropped out of College and drove a Yellow Cab in NYC during the 1970s and 80s before he died. Anyway. I loved the choreography the music, and the words, and some of the pieces were to live for. I cannot wait to buy one someday. His clothes feel like I could live in them for long periods. I loved the feeling that they gave me, as if each piece would fold me into their cocoon and protect me-while giving me an aura of being stylish and cool. I gotta get some pieces soon. Blessed love. #1804#Ayiti#ToutMounseMoun#AbolishCPS#AbolishPoverty#DefundFosterCare#ProChoice#RawVeganforLife#HRES40NOW#220YearsFREE#FreeAyiti#NoNewOccupationofAyiti#BwaKale!
That was spectacular. It felt Helmut Lang all the way, but you could easily say that it was done by Peter Do. Loved the Vietnamese text, the neutrals, the prints, tailoring was superb. The bondage reference with the stripes, Maggie and Sasha in a single runway. AAA+
It looked very fashionably New York City and that was the only "forced" part about it. When I was growing up in the 1980s, the cool folks who were real New York City born people would probably wear these pieces. And, I am now a real Helmut Lang lover.
The inclusion of the Vietnamese was very nice and it showed more of his personal history and gave the show another layer. I really loved this collection.
Thank you for posting this. That was the first HL show that was been a worthy successor to the original. Such a difficult assignment, but he executed well. 💛🖤💛♥️
Finally a good show..
Jah & Jahes love. I LOVED every ounce of this fashion show. I especially loved the intro and outro with the Yello cab because I lived in one kinda when I was growing up. My father dropped out of College and drove a Yellow Cab in NYC during the 1970s and 80s before he died. Anyway. I loved the choreography the music, and the words, and some of the pieces were to live for. I cannot wait to buy one someday. His clothes feel like I could live in them for long periods. I loved the feeling that they gave me, as if each piece would fold me into their cocoon and protect me-while giving me an aura of being stylish and cool. I gotta get some pieces soon. Blessed love. #1804#Ayiti#ToutMounseMoun#AbolishCPS#AbolishPoverty#DefundFosterCare#ProChoice#RawVeganforLife#HRES40NOW#220YearsFREE#FreeAyiti#NoNewOccupationofAyiti#BwaKale!
Nice clothes but can u change camera shooter cant catch details clothes good enough and make much dizzy😢
That was spectacular. It felt Helmut Lang all the way, but you could easily say that it was done by Peter Do. Loved the Vietnamese text, the neutrals, the prints, tailoring was superb. The bondage reference with the stripes, Maggie and Sasha in a single runway. AAA+
How am I supposed to enjoy this collection if more than half the shots are bird eye views??
Wow you are fast!
I don’t know
they shoulda used some new york drill music
please tell me the name of the song at the beginning? / скажите пожалуйста название песни в начале?
вообще ни о чем ,ни чего своего и нового от слова совсем
Could not match the original Helmut. This looks forced, vacuous, pretentious, ugly. Helmut would not approve.
It looked very fashionably New York City and that was the only "forced" part about it. When I was growing up in the 1980s, the cool folks who were real New York City born people would probably wear these pieces. And, I am now a real Helmut Lang lover.