💖WOW!! WHAT A GREAT EPISODE!!💖 Cowboy Bebop Season 1 Episode 1 REACTION! "Asteroid Blues"

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  • Опубліковано 28 вер 2024
  • Right before hitting play, I expected to see cowboys and maybe some music, and boy, was I surprised with what I did see! It was fun, sad, and very stylistic. This is going to be a wonderful ride💜💜💜
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КОМЕНТАРІ • 17

  • @petrusjnaude7279
    @petrusjnaude7279 8 місяців тому +17

    This is one of the rare shows where the dub is just *chef's kiss*. Also, the music... the music is excellent.

    • @kaylzshter6153
      @kaylzshter6153 7 місяців тому +3

      Could not agree more, this show was aired during some formative years for me back in the early 2000's, it will always be near and dear to me. The dub is fantastic!

    • @petrusjnaude7279
      @petrusjnaude7279 7 місяців тому +1

      @@kaylzshter6153 When I first started watching anime, I was lucky enough that this was one of the first ones I watched. And it was so worth it. I still rewatch it from time to time. I also still listen to some of the soundtrack.

    • @theguy8412
      @theguy8412 5 місяців тому

      Eh I like the original more, the dub is okay but it just doesn't hit the same on certain scenes for me

  • @nickelakon5369
    @nickelakon5369 4 місяці тому +1

    The bloody mary conversation is code, which is why some of it doesnt exactly make sense. Asimov set up a conversation with the barkeep before hand, or its just a standard one used by a lot of people who sell illicit goods. Its more about saying the right reaponses to ensure the person youre talking to is who you're looking for and vice versa, along with a couple of further responses for confirmation.
    So basically:
    I'll have a bloody mary, make it a double (we are here to sell drugs)
    Ive got the vodka, but im afraid im out of tomato juice (I am looking to buy)
    Im sure theres one can in the back room (take me somewhere private to exchange)

  • @tet4650
    @tet4650 8 місяців тому +2

    There are a certain anime thats just better when watched in dub. Cowboy bebop is one of em.

  • @BoKnowsBrains
    @BoKnowsBrains 3 місяці тому

    you'd be surprised. a lot of the guys i got bringing in my cattle look like they just put down the xbox controller. . modern cowboys are doing some sleeper shit.

  • @Brimmy21
    @Brimmy21 8 місяців тому

    Yes this is an episodic anime there's not really an over arching plot? there's a backstory that comes into play at some points but others its just crazy fun times :3
    Dub fantastic, i was gonna slog through this if it was sub cuz i'd never seen this subbed yet XD
    is it really an anime opening if people aren't running everywhere?

    • @rissareactions
      @rissareactions  8 місяців тому +4

      My daughter was adamant I had to do sub for Jujutsu and dub for Cowboy Bebop

    • @Brimmy21
      @Brimmy21 8 місяців тому

      @@rissareactions Smart daughter

  • @Mark-Elf
    @Mark-Elf Місяць тому +1

    Cowboy Bebop was produced by Sunrise and aired from April to June 1998, with some of the series' 26 episodes. In September 2001, a theatrical version, Cowboy Bebop: Door to Heaven, was released. It won the TV award at the 3rd Kobe Animation Festival in November 1998, and the Nebula Award in the Media category at the Japan Science Fiction Convention in 2000.
    Set in the solar system centered on Mars in 2071, this space western anime follows the adventures of bounty hunter Spike Spiegel and his crew as they travel aboard the dilapidated spaceship, the Bebop. It features stylish dialogue, cool visuals, and thrilling mecha and gun action. The main story has a hard-boiled touch, but the style varies depending on the episode, with a wide range including suspense, horror, slapstick comedy, and cyberpunk. As the title "Bebop" suggests, the series uses a variety of music genres, including jazz, blues, rock, and techno, and this, combined with its unique worldview, creates a unique style that was not seen in existing science fiction works.
    Director Shinichiro Watanabe said, "I made this by putting in everything I had wanted to do up until then but couldn't," and "I thought I was making a 20-minute movie each time." When it was first broadcast, many people said it was similar to "Lupin the Third," but according to Watanabe, it is more similar to the TV drama "Detective Story," starring Yusaku Matsuda, which was popular in Japan in the 1970s (including the narration for the next episode preview).
    Another feature of this work is that the racial characteristics of the characters are well reflected in the design of the world setting. According to character designer Toshihiro Kawamoto, this was because director Watanabe gave permission.
    The production was handled by Sunrise Studio 2. The core staff was made up of people from the network of Watanabe and producer Masahiko Minami, who had previously been involved in Mobile Suit Gundam 0083: Stardust Memory, Mobile Fighter G Gundam, Macross Plus, and Escaflowne. After the TV series was produced, Minami and his team left Sunrise to found Bones, which produced the film.
    Sunrise is originally a studio that produces many original robot animes with the intention of commercializing toys, but the idea for this work also came from an offer from Bandai Hobby Division, who saw a spaceship boom coming with the resurgence in popularity following the release of the new Star Wars trilogy, to make an anime that could be developed into spaceship plastic models. When Minami asked Watanabe if he had any ideas, he was inspired by the work of American bounty hunters and immediately came up with an idea for a stateless action movie set in space in the near future. The concept was "space jazz" rather than space opera, and the project title was "Shooting Star Bebop!" .
    However, the unique style of the work was met with a negative response from those around, and it was almost lumped together with another project that Sunrise was working on at the same time. The sponsor almost dropped the project, saying, "This won't sell spaceships," but with the cooperation of Bandai Visual, the show was able to be aired. The record company releasing the soundtrack opposed the idea, saying, "How many jazz records do you think sell in Japan?" (Music director Yoko Kanno also said that she initially thought, "Jazz will never sell"), and those involved who watched the first episode before it aired commented, "It's too dull. It won't sell."
    With no prospect of royalty income from the toys, a detailed plan was devised to recoup the investment through music CDs and video packages. As a result, the software was a hit, and Sunrise stated that this work "achieved sales of videos and music CDs comparable to those of the Gundam series." According to producer Minami, the production costs were so high that the president of Sunrise said to him, "Minami, are you trying to ruin the company!?"
    The opening and ending songs and background music in the film were all composed by Yoko Kanno, with the exception of a few, and performed by The Seatbelts, a group that included Kanno and other musicians from Japan and abroad. In addition to the ending song, vocal songs were used extensively.
    The first soundtrack won the Animation Album of the Year award at the 13th Japan Gold Disc Awards.
    The theme song, Tank!, was used in the short program of Canadian male single skater Kevin Reynolds at the 2016 Canadian Figure Skating Championships (with costumes by Spike Spiegel).
    The terrestrial broadcast version was subject to self-censorship, and violent and sexual content, as well as flashing lights, were revised or cut. This was due to the fact that between the start of production and the broadcast, there were violent crimes committed by minors, such as the Kobe serial child murders and the Tochigi female teacher stabbing incident, and TV Tokyo's regulations were strengthened due to the "Pokémon Shock." The final episode, a compilation titled "Yoseatsume Blues -
    A Collection Blues," is a protest against these restrictions and cuts in the form of monologues by the main characters, and unlike regular compilations, it makes almost no reference to the story itself. The ending concludes with the provocative message, "THIS IS NOT THE END. YOU WILL SEE THE REAL "COWBOY BEBOP" SOMEDAY!" This episode has been excluded from subsequent rebroadcasts and has not been included on video software such as DVDs.
    In the United States, the series was first released on video and DVD, and was broadcast nationwide (TV-14: ages 14 and over only) on the Cartoon Network's Adult Swim slot from September 1, 2001, where it gained popularity. However, the depictions of fake blood and naked women were edited out for this broadcast, and episodes 6 (as they were reminiscent of the Columbine High School shooting), 8 (hijacking), and 22 (building bombing) were not broadcast on the first episode due to broadcasting codes and the influence of the September 11 terrorist attacks (though they were aired in a rerun immediately after).
    The evolution of the theme songs is as follows 😌
    Opening theme "Tank!"
    Composed by Yoko Kanno / Performed by The Seatbelts (THE SEATBELTS)
    Ending theme "THE REAL FOLK BLUES"
    Lyrics by Yuho Iwasato / Composed and arranged by Yoko Kanno / Sung by Mai Yamane
    "SPACE LION" (#13)
    Composed by Yoko Kanno / Performed by The Seatbelts (THE SEATBELTS)
    "BLUE" (#26)
    Lyrics by Tim Jensen / Composed and arranged by Yoko Kanno / Sung by Mai Yamane
    Here's the OST 😀
    [COWBOY BEBOP SOUNDTRACK 1]
    Released May 21, 1998 (VICL-60201)
    Won the Grand Prize in the Animation Album category at the 13th Japan Gold Disc Awards.
    [COWBOY BEBOP VITAMINLESS]
    Released June 3, 1998 (VICL-60248)
    Mini album in a paper jacket. Includes the full version of the ending theme.
    [COWBOY BEBOP SOUNDTRACK 2 - No Disc]
    Released October 21, 1998 (VICL-60202)
    [COWBOY BEBOP SOUNDTRACK 3 - BLUE]
    Released May 1, 1999 (VICL-60203)
    Only the first limited edition has the "As you like" jacket.
    [Cowboy Bebop remixes music for freelance]
    Released June 2, 1999 (VICL-60371)
    A remix album of soundtrack songs. The five previous albums have sold 800,000 copies.
    [COWBOY BEBOP Knockin'on heaven's door Ask DNA]
    A maxi single of the movie theme song. Limited edition vinyl version available.
    [FUTURE BLUES〜COWBOY BEBOP -Knockin' on heaven's door]
    The soundtrack for the movie. Includes the Mai Yamane version of "Rain (DEMO ver.)" that was played in Session #5.
    - Regular edition (VICL-60756)
    - The first limited edition (VIZL-54) comes with an 8cm CD "COWGIRL ED O.S.T.". The six songs included are "Goodnight Julia," "PAPA Plastic," "Telephone Shopping," "Kabutogani Kodai no Sakana," "Slipper Sleaze," and "Episode 23."
    ...Sorry for the long message 😅

  • @bobriemersma
    @bobriemersma 8 місяців тому +3

    This is a wild ride, you're gonna carry that weight! Just take it all in, it is hard to say a lot without spoiling something.

  • @chrishunn3872
    @chrishunn3872 8 місяців тому +6

    The special beef and peppers has no beef, because they didn't have enough money after paying the bills Spike racked up from their last job. Fun fact, Adult Swim was created just so they could broadcast this Anime in America and ran it 15 years straight! The overall vibe is ironic violence with sexy jazz, in my opinion. Hope you enjoy this show as I have!

  • @bmkmymaggots
    @bmkmymaggots Місяць тому

    There is only 3-4 Animes you need to watch with dub. This one is one of them. Good choice

  • @PeDr0.UY131
    @PeDr0.UY131 7 місяців тому +1

    Yesssss ,an absolute classic❤👍👍👍

  • @Nickel_The_Wise
    @Nickel_The_Wise 8 місяців тому

    Bad business, every time... still, the beef's good for it~
    Good luck in this one, Rissa, and enjoy your time! I'm gonna enjoy it once again, alongside you.

  • @ゆずちゃん-x7d
    @ゆずちゃん-x7d 8 місяців тому

    おすすめの作品です。オリジナルと違って、キャラクターのイメージがかなり変わりますね。勿体ないです。
    どうぞお楽しみ下さい😊