F.J. Haydn: Symphony nº 101, "The Clock" - Egarr - Sinfónica de Galicia
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- Опубліковано 30 чер 2013
- Franz Joseph Haydn: Sinfonía nº 101, en re mayor, Hob. 1:101, "El Reloj"
I. Adagio - Presto (0:28)
II. Andante (8:42)
III. Minuetto - Allegretto (16:23)
IV Vivace (23:53)
Orquesta Sinfónica de Galicia - Richard Egarr, director
Grabación realizada en el Palacio de la Ópera de A Coruña el 9 de mayo de 2013.
Realización de Antonio Cid / RDC Producciones
Sonido de Pablo Barreiro / Radio Galega
www.sinfonicadegalicia.com
Hermosa sinfonía, excelente interpretación!.
No hay palabras para descifrar tanta belleza en esta gran Sinfonía de Haydn. Cómo no recordarla si mi padre que en paz descanse la tenía en el disco long playing y solía ponerlo en el toca discos para disfrutar las notas musicales que son un deleite al oído humano. También a mis perritos 🐶🐶 les gusta la música clásica. 😘🎵
El amor a la música es la mejor herencia que me dejó mi padre, las emociones que me proporciona no se compara con todo el oro del mundo. Sin la bella música, la vida sería un páramo.
MAGNIFICA interpretación por esta prestigiosa orquesta gallega de la Sinfonía "El Reloj" compuesta por el austríaco F.J Haydn que junto a W.A.Mozart es un gran maestro del Clasicismo. BRAVO !!!
Eine meiner liebsten Sinfonien - ich habe sie in dieser Aufnahme wieder sehr gern gehört und dank des Filmteams auch dem wunderbar musizierenden Orchester zuschauen können. Muchas gracias a todos!
Outstanding Iversion of a marvelous symphony. I have never heard the timpani and brass parts so clearly and they contribute much to the effectiveness of the work and its performance. You can see that the conductor is completely involved in the score and the orchestra responds fully. Breath-taking!
This is another masterpiece of Haydn, the elegance, harmony and grace are amazing. The author was really the symphony father. The music are sublime and divine. Viva Haydn and his musical genius. The orchestra and direction are magnificent. Thanks for this remarkable recording.
Excelente tarea de la orquesta y muy buena interpretación del director. Bravo 💪👌
Bravo por la sinfónica de Galicia. FANTÁSTICA 👏🎼👍
Bella Sinfonía de HAYDN , me encanta la SINFONICA DE GALICIA
Me encanta esta Orquesta Sinfónica de Galicia. Son verdaderos profesionales y maestros. ¡¡¡ Bravo !!!
Es la primera vez que escucho esta obra y la encuentro magnifica.
Wonderful performance. Many congratulations to the Maestro, leader & musicians for this magnificent performance.
A musical side note. This symphony gets its name due to its ingenious second movement, Andante. But, back in the Esterhazy palaces and houses where clocks chimed every hour, and half hour. The music for these chimes was composed by one FJ Haydn. Hence one of the reasons why Papa Haydn was never forgotten after he passed. Which, of course, led to that other event of Haydn's missing head.
Once again, fantastic performance of this symphony.
Haydn was a genius in orchestration; The famous second movement proves it widely !!!!!!!!
Yes.
I really love the great combination of the splendid orchestra and the conductor.
This performance is wonderful. You can feel the running of notes so smoothly as if on water.
Талант Гайдна чувствуется в каждом звуке. Стиль произведения своеобразен, может это и отображает его название.Но звучит оно достаточно современно и к тому же весьма мелодично. Можно сказать ласкает слух.
Сегодня нам явно не достает таких композиторов. Привет из Киева.
Briskly paced and also crisp and cleaned played.A treat for Haydn Symphony lovers! Thank you for the excellent photography in the video.
Excelente!! Magnifica interpretacion... Muchas gracias
You looks like hillary clinton
Marabillosa interpretación Sinfónica de Galicia del maestro Haydn, muchas gracias por tanta belleza.
Muchas gracias
Great performance , great sound quality !!! Thanks !!!
Great Composer, Great Work,Great Interpretation, Great Performance, Great Audience, Great Uploading, Great Quality.
God Bless you all.
It is nice to see an orchestra enjoy the music they play. Perhaps this is one reason it is such a good performance.
Браво оркестр Галисии! Вы настоящие молодцы! Растете как на дрожжах. Значит у Вас хорошие дирижеры.
И репертуар что надо. Привет из Киева.
Devo esprimere il mio compiacimento nei riguardi del direttore d'orchestra e di tutti gli orchestrali,che senza sapere di me mi hanno offerto il piacere di ammirare l'arte musicale in uno dei suoi più alti esponenti,Haydn.Ho notato anche la grazia delle violiniste, della flautista, della violoncellista, che hanno dato un tono di ulteriore finezza ed eleganza alla" Sinfonia 101". .Grazie.
BRAVO. BRAVO. BRAVO. Excellent
An excellent orchestra, excellent interpretation. They may play Haydn.
Wonderful symphony, wonderfully played.
And to think a work like this was written three centuries ago. Just as alive and fresh as when Haydn penned it.
sorry, closer to two centuries ago.. 1790s not 1720s!
Desde la muerte del "Bach de Londres", Johann Christian Bach, en 1782, la música de Franz Joseph Haydn en esa ciudad había ido progresivamente en ascenso hasta llegar a un punto en que "difícilmente se producía un concierto que no contara con alguna pieza de su autoría", según señala un historiador de la época. En consonancia con ello, numerosos habían sido los esfuerzos por lograr la visita del ilustre compositor, los que siempre toparon con la negativa de Haydn, debido a que el maestro no quería por nada del mundo incomodar a su patrón Nikolaus Esterhazy, a quien sirvió por más de treinta años, en calidad de kapellmeister, aunque fuera en la corte de un remoto palacio aislado en la campiña húngara.
Pero con la muerte de Nikolaus, en 1790, las responsabilidades del maestro se vieron aliviadas. Sucedió a Nikolaus su hijo Anton, un príncipe poco dado a las artes que se desprendió de la mayoría de los músicos, si bien conservó a Haydn en su cargo, aumentándole incluso la pensión, y sin pedir nada especial a cambio. Ante el nuevo escenario, Haydn aprovechó de largarse a Viena en cuanto pudo. Al poco tiempo, se apersonó en su casa el violinista nacido en Bonn, Johann Peter Solomon, quien estaba haciendo carrera en Londres como organizador de conciertos y bramaba por el concurso de Haydn. El maestro no pudo negarse: las condiciones eran magníficas. Así, a los 58 años, Haydn abandonó por primera vez su país natal: el primero de enero de 1791 cruzaba el canal y veía el océano por vez primera...
Colaboración de la página: labellezadeescuchar.blogspot.com
Gracias por compartir la historia de grandes genios de la música más hermosa
Estimado Dagoberto Espinoza es un placer poder leer tus valiosos comentarios e información ya que pocos son los que nos gusta leer, que sabemos escuchar este tesoro de obras musicales como es el caso del Maestro Franz Joseph Hayden, esperando que la humanidad no las entierre en el futuro ya que es la esencia de nuestro creación misma como humanos habitantes de este planeta. Gracias por contribuir a la educación académica artística musical. Se aprende mucho y es lo que nos hace ser cada vez mas grandes seres de luz y mucha pazUn abrazo desde México. Atte: Maxwell Alexandro (pianista concertista).
Salomon (recte).
Handel was also particularly important in England throughout the eighteenth century.
JC Bach was known as the ‘English Bach’ - as described in Mozart’s letter to his father noting JC’s death in 1782.
Obra sublime, interpretación Muy Buena
magnífica interpretación... excelente orquesta
Parabéns Orquestra da Galicia!! Paulo Marchetto do Brasil.
Sounds great, even on modern instruments. It is all in how you approach it; as a job to do or as a labor of love. Clearly they did it the right way!
In the "second" introduction 1:45-2:05, the missing vibrato in even the leading-on harmonies creates a hunger in the ear, suspense. Very effective!
¡Qué calidad!
Haydn "The Clock", splendida sinfonia...
Das Orchester hat einen sehr schönen warmen, vollen und dennoch transparenten Klang!
Mehr davon!
Delightful! Thank you.
Vigorous, brilliant performance. Even a bit too weighty, but far better like this rather than so many ball-less performances inspired by a false image of Haydn!
4:59 God damn that part is amazing, it's like the notes are just flying off the page
Rhythms
My favor 💖
Lala lala la lalalalala
~~~~~~
Wonderful 😊
Reputedly based on the tune he wrote for the clock he bought for him, was anybody ever so happy?
I like not only cloks but this musik.The time goes and everything is changing
Bela interpretação.
This sort of music wasn’t composed for the likes of me back in the day but I thoroughly enjoy it anyway... Listening to this piece by Haydn and watching it performed too on UA-cam was a wonderful experience and a privilege... 1:45 to 2:05 is gorgeous....
the part that you said was gorgeous reminds me of Beethoven 4th symphony :)
Keith Harris
You are actually mistaken in thinking that it wasn’t composed for the likes of you; Haydn’s London audiences were very different from those he knew at the Eszterhaza court or in Vienna.
In England, whilst he went to meet the King and Queen at Windsor and met the Prince Regent many times, in fact royalty, the aristocracy, and the Church - in contrast to much of Europe - were almost irrelevant.
Haydn spent most of his time writing music for the much more important middle classes and ‘ordinary’ people buying tickets to his concerts - in fact, a big contrast with Beethoven back in Vienna who had to spend a lot of his time trying to secure aristocratic patronage and support.
In short; Haydn’s music was for everyone.
which was somewhat later than this - chicken or egg
Me encanta Haydn Tito
Excellent performance.
Superbe interprétation ! Bravo !
Joseph Haydn, maitre incontesté de la Symphonie!
# Rouse M/ En la parte superior abajo del titulo viene la mencheta con el nombre de la obra , la orquesta , quien la dirige, y los movimientos de la misma, pulsa donde pone mostrar mas y te sale.
Excelente de princio a Fin.!!!!
Andante muito lindo!!!
Bravo 👏👏👏👏👏
Tes français
perfect!
Second and third movement too fast but i am judging against Karajan which i consider to be the standard imo. But its still a joy to listen to. Appreciate this so much.any haydn is good haydn.
More evidence that Haydn is right there with Mozart as an apex composer..
In places, I see phrases that are common to the music of later periods.
¡Bravo!
Чудова музика, слухати - саме задоволення
Quelle Belle symphonie ! On n'entend pas assez Haydn !!!
Me encanta el gesto del primer violín en el minuto 9:20 jaja es gracioso al ritmo de la música
This sounds a lot like the young Beethoven! But Beethoven was inspired by the later works of Haydn and Mozart so it figures.
I'd say Haydn was a major influence over Beethoven.
Maxwell Kaye
Be careful with the modern mis-usage of the word ‘inspired’; Beethoven noted, studied, and thought carefully about much of the music of his two great predecessors, and then did his own thing…but can that really be described as ‘…inspired by’ ?
I think not.
Regarding your excellent substantive point: Beethoven noted (better than inspired) not just Haydn’s later works; he copied out the whole of the string quartet Opus 20 No 1 for example which Haydn had written over twenty years earlier in 1772.
Spot on!... Even more so when listening to Haydn's 90th symphony, for example. Beethoven once said in a fit of rage "I never learnt anything from Haydn!".... lol... but he also showed great respect towards Haydn at other times in his life... good old tempremental Ludwig. I think Mozart was of less influence to Beethoven though.. as far as style is concerned.
@@clavichord
Some good points, Beethoven copied out part of the later Symphony 99 as well.
Just be careful about repeating the ‘...never learnt anything from Haydn’ out of context.
Beethoven was not talking about Haydn per se, he was complaining about having to complete hundreds of dry counterpoint exercises taken from Fux’s manual on counterpoint, Gradus ad Parnassum.
Haydn was too busy to correct most of these, and this has always been held against him in much of the literature.
To be fair to Haydn, he certainly discussed Beethoven’s errors with him, but from the extant work, it is clear that the formal marking was lax.
Albrechtsberger - who took over and continued the lessons on Haydn’s recommendation after he left for his second London trip - also dosed Beethoven with Fux.
Two interesting speculations:
(i) Outside poring over Fux, what *did* in fact Haydn and Beethoven actually discuss ?
(All the biographies of both composers are thin in this).
(ii) Why had Beethoven’s counterpoint studies been apparently so neglected in Bonn ?
(Beethoven was almost 22 years old when he arrived in Vienna in November 1792 to commence the counterpoint lessons with Haydn, and when Haydn set off to England for his second visit in January 1794, the counterpoint lessons were continued - on Haydn’s recommendation - by Albrechtsberger).
#nuncaenfermedades #nuncafantasias #nuncagarotas #nuncaescarchas
I have seen a number of performances on U tube by this very fine orchestra and typically a large number of empty seats.. what gives??
!Es imposible escuchar el segundo movimiento sin reirse!
Y qué te parece tan gracioso?
+Alvaro Gonzalez Es que en Hydn era frecuente esa pizca de humor escondido en muchas de sus obras...Este Andante es el que simula el tic tac de un reloj...de ahí el sobrenombre de la sinfonía y lo risueño placentero.
Buen día! me dirijo a ustedes de manera cortés.. para que me digan los nombres de las personas que tocaron en ese concierto. por favor.!!!! es para un trabajo de la universidad ..
The second movement reminds me of Salvador Dali's painting, The Persistence of Memory.
Haydn " Clock" #101
GRAN COMPOSITOR DICE JORGE ALBERTO BARON
삼성 대단히 고맙습니다. 나는 78세 먹은 은퇴 사업자 입니다만 아직도 내가 하고 싶은 아무것도 못한 중에 사회에 저렇게 나오는 젊은이들에게 도움을 줄수 없는가 하는 일에 할수 것이 준비되어 있지 못한것을 속상해 하고 있던 차에 이런것을 삼성에서 준비해 주고 있다니 나자신 부끄럽기도 하고 고마움도 드리고 싶으네요. 삼성 고맙습니다.
0:28 8:42 16:23 23:53
Lo mismo que a Alvaro, quieren demostrar cuanto saben, la flautista hoy es una de las mejores solistas, pero también es humana.
So beautiful. How ever AZTECA INTERFERANCE is so undesirerable. Don't come back if they can't promise control over them
because the end is repeated?
Piola
for a moment i thought that was Beethoven conducting the symphony!
Isn't he dead?
puedes. subir. otro. video
Bellissima esecuzione di una bellissima sinfonia. Peccato, ed è una vergogna che si debba interrompere sul più bello il video per mandare in onda banner pubblicitari che nessuno legge. Non potrebbe UA-cam trasmetterli magari fra un movimento e l'altro dell'esecuzione?
Amico, non ti sei ancora dotato sul tuo browser di una semplice estensione Adblock anti-pubblicità? Non è mica difficile installarlo, dai...
sin dudas se advierte influencia de esta obra en las primeras sinfonías de Beethoven.
TIO Oscar, é preciso uma grande imaginação para dizer o que afirmou. Onde encontra você as influências? E logo nas "primeiras" sinfonias de Beethoven! Há certamente influência de Haydn na obra beethoveniana, mas nada que resulte desta Sinfonia.
It is like "bande organisée"
Salvo el error de la flautista,es muy buena versión del Andante de la Sinfonia no101,"El Reloj"..
En el minuto 12:41 para ser exactos :)
Colais el mosquito y os tragais camello
I noticed it too.
I worship Ludwig van Beethoven but this man cannot be ignored. I sense similarities. They, or rather, Beethoven, did not get along I hear?
H h h h h h
My favor 💖
From Numbers Nursery
2:22
#instrumentosmesadepool
Una delicia
Français ???????
Advert before 4 minutes up don't waste your time
Et noget langt og slidsomt værk med variationer.......
#instrumentos convertilos en ajedres
the clock was too fast
숙 아 하 이 든 시 계 잘 알 고 있 지 ?
#nuncaopera
Qué vergüenza interrumpir la música por los inútiles comerciales. No lo puedo creer!!!
12:39 - the flute enters too early. Overall, it's a pretty good performance.
a yellow leaf in a glorious forest of ten thousand trees.
she plays so beautifully that one little extra note from her is welcome. I think it was George Bernard Shaw who advised Heifetz to make at least one mistake every day, so as not to annoy God.
La vida sin musica seria un error
Terrible
Llegaban tarde a cenar...por eso la prisa con la que han tocado.