That whole isolated piano part really brings me to tears; not bawling like a baby necessarily, but I have to be real careful when and where I'm listening to it lmao
I sometimes get this vague feeling of "wait that sounds japanese" and then try to figure out where that actually comes from music theory wise. This channel is definitely of great help with that, love the content. Thanks Gavin :D
I ended up watching the film because of this and I am astounded by the soundtrack. "Oyoste Aina" is sort of an unknown song In comparison to all the other pieces but I am so fascinated by it. If you may find it interesting as well, maybe it could make for an awesome breakdown or analysis video (and totally not because I cant figure out the sheet music for it for the last week or so) thank you to both you and Porter for introducing me to this film
I just discovered your channel through the C major anime video, and I am so happy this channel exists as someone who composed and loves anime music in particular. Thanks for existing 🙏
I tried to understand what the song meaning was by listening to your review, which I found a little bit confusing. I'm not that knowledgable about music notes and how they simply work, but I do know in my heart that Porter Robinson created a new masterpiece. To filled my heart with joy while listening with my eyes close.
This channel keeps covering all my favorite artists; I've never found a channel this close to my music tastes! It gives me a whole new level of appreciation for these pieces. Also, nice climbing treadmill you got there lol
I love this channel so much. Since i self taught myself music theory i know a whole bunch of terms and concepts without ever putting it into real musical contexts, but here I can learn that in the frame of music that i actually enjoy. Thank you so much for the content.
That makes a lot of sense. I already knew a lot of porter's music had a lot of Japanese influence, Nurture as a whole always makes me think of Galileo Galilei or Joe Hisaishi
Had no idea Porter Robinson made this type of music - great analysis Gavin, as always! Also, am I going crazy, or do I hear "the lick" in the background at 4:01?
the slight glitch effect on the track reminds me of alva noto and ryuichi sakamoto's piano glitch collaboration series of albums, check them out if you like wind tempos!
OMG I KNEW WIND TEMPOS FELT VERY JAPANESE MEADOWY WHEN LISTENING THROUGH NURTURE BUT I COULDN'T PUT MY FINGER ON IT. Thanks Gavin and keep up the amazing work! Can't believe I just saw this video now and sorry for all caps lol i was excited.
@@gavinleepermusic Btw, I just read in the other comments that you were the guitarist in Paper Void. I loved Increments and sent an email asking if you were ever coming to Philly, someone was nice enough to respond lol. Great stuff!
I am really appriciate with your explanation about proggresion chord in masakatsu takagi songs,,are you ever heard tenmon songs (just like oukashou, kumo no mukou yakushoku no basho) ?
Lors d'une cadence parfaite, il est commun de précéder le V par un V/V. La position classique de ces accords est la suivante : V et I sont tout deux à l'état fondamental, et le V/V est au premier renversement, puisque la sensible du V/V tend à se résoudre sur la fondamentale du V Néanmoins toute sensible pouvant se résoudre exceptionnellement en restant immobile ou en descendant d'un demi-ton, la sensible du V/V peut devenir la septième du V (que ce dernier soit pourvu ou non de sa fondamentale) ou bien la fondamentale du IV en descendant d'un demi-ton. Si un accord I au premier renversement suit les deux cas énoncés plus haut, on entendra à la basse une ligne chromatique. Il ne faut donc pas seulement considérer le V/V comme un accord préparant le V, mais comme un accord dont les mouvements obligés peuvent ou non être respectés pour surprendre l'auditeur et piquer son intérêt. Une telle idée peut être étendue à tout accord de dominante passagère.
@@gavinleepermusic woh, literally didn’t even know that was a thing. honestly i do kinda like it more than having to remember which number is for which inversion lol
(9:09) What would the supposed price be for learning about such a beautiful piece of music? I'd be willing to pay even if my wallet couldn't handle it :)
![{Transition Chords} & Contemporary Japanese Music - [Kashiwa, Kondo, et. al.]](http://i.ytimg.com/vi/OsCHcAe3GNQ/mqdefault.jpg)
![{Transition Chords} & Contemporary Japanese Music - [Kashiwa, Kondo, et. al.]](/img/tr.png)
That whole isolated piano part really brings me to tears; not bawling like a baby necessarily, but I have to be real careful when and where I'm listening to it lmao
Hahaha I know that feeling well!
100% same. if i get reminded of wolf children its over
I couldn't imagine that this channel would ever review porter robinson, I'm sooo excited let's goo
I love how inspired you always sound. You’re speaking about things that excite you not just uploading to make content. I truly appreciate that.
Thank you! Yeah I’m not pushing for a strict upload schedule, so I figure what’s the point if I’m not having fun 😊
It was only a matter of time before Nurture ended up on this channel... And with my favorite song on it!!! Great job as always Gavin!
Thanks so much Nik! It was fun material to cover!
Thanks Gavin-san! That was an interesting video
OwO
I sometimes get this vague feeling of "wait that sounds japanese" and then try to figure out where that actually comes from music theory wise. This channel is definitely of great help with that, love the content. Thanks Gavin :D
I ended up watching the film because of this and I am astounded by the soundtrack. "Oyoste Aina" is sort of an unknown song In comparison to all the other pieces but I am so fascinated by it. If you may find it interesting as well, maybe it could make for an awesome breakdown or analysis video (and totally not because I cant figure out the sheet music for it for the last week or so) thank you to both you and Porter for introducing me to this film
Why does this video have a few views? I love the way you react and explain. Really enjoy the video! love it
I just discovered your channel through the C major anime video, and I am so happy this channel exists as someone who composed and loves anime music in particular. Thanks for existing 🙏
Welcome! Glad to have you :)
I tried to understand what the song meaning was by listening to your review, which I found a little bit confusing. I'm not that knowledgable about music notes and how they simply work, but I do know in my heart that Porter Robinson created a new masterpiece. To filled my heart with joy while listening with my eyes close.
This channel keeps covering all my favorite artists; I've never found a channel this close to my music tastes! It gives me a whole new level of appreciation for these pieces.
Also, nice climbing treadmill you got there lol
Glad you’re enjoying the channel! Haha yeah my room mate is a serious rock climber :)
OwO Porter Robinson had been my biggest inspiration for my music, anyways can't wait for your colab video with Class_Shift
I love this channel so much. Since i self taught myself music theory i know a whole bunch of terms and concepts without ever putting it into real musical contexts, but here I can learn that in the frame of music that i actually enjoy. Thank you so much for the content.
That makes a lot of sense. I already knew a lot of porter's music had a lot of Japanese influence, Nurture as a whole always makes me think of Galileo Galilei or Joe Hisaishi
Thank you!
EYYY LEZGOOOOO FINALLY A PERSON THAT HAS THE SAME REACTION AS ME.. fr tho, porter robinson's Nurture album is just so astonishing
I really love your videos dude, please don't stop.... you make a difference to my compositions
Had no idea Porter Robinson made this type of music - great analysis Gavin, as always!
Also, am I going crazy, or do I hear "the lick" in the background at 4:01?
Thank you thank you! Haha it’s not quite the lick, but it has a similar articulation there
Yayyy a new video! Your voice is calming and reassuring 😊
the slight glitch effect on the track reminds me of alva noto and ryuichi sakamoto's piano glitch collaboration series of albums, check them out if you like wind tempos!
Just found your channel, your content is really great. Please keep up the good work!
OMG I KNEW WIND TEMPOS FELT VERY JAPANESE MEADOWY WHEN LISTENING THROUGH NURTURE BUT I COULDN'T PUT MY FINGER ON IT. Thanks Gavin and keep up the amazing work! Can't believe I just saw this video now
and sorry for all caps lol
i was excited.
literally the video i needed
Your videos are great. The jazz rendition of the Sword Art Online song (?) in the background of the explanation is a wonderful touch.
Glad you enjoy both! Welcome to the channel :)
@@gavinleepermusic Btw, I just read in the other comments that you were the guitarist in Paper Void. I loved Increments and sent an email asking if you were ever coming to Philly, someone was nice enough to respond lol. Great stuff!
PRDGM oh that’s awesome! Yeah I started Paper Void with some friends from college :)
Hey, great video, but I NEED this Crossing Field rhode jazz at 3:17!
I am really appriciate with your explanation about proggresion chord in masakatsu takagi songs,,are you ever heard tenmon songs (just like oukashou, kumo no mukou yakushoku no basho) ?
Lors d'une cadence parfaite, il est commun de précéder le V par un V/V.
La position classique de ces accords est la suivante :
V et I sont tout deux à l'état fondamental, et le V/V est au premier renversement, puisque la sensible du V/V tend à se résoudre sur la fondamentale du V
Néanmoins toute sensible pouvant se résoudre exceptionnellement en restant immobile ou en descendant d'un demi-ton, la sensible du V/V peut devenir la septième du V (que ce dernier soit pourvu ou non de sa fondamentale) ou bien la fondamentale du IV en descendant d'un demi-ton.
Si un accord I au premier renversement suit les deux cas énoncés plus haut, on entendra à la basse une ligne chromatique.
Il ne faut donc pas seulement considérer le V/V comme un accord préparant le V, mais comme un accord dont les mouvements obligés peuvent ou non être respectés pour surprendre l'auditeur et piquer son intérêt. Une telle idée peut être étendue à tout accord de dominante passagère.
5:46 Isn't the chord F#7b5? How does it function as a V/V
What does the A stand for in Va/V
Hey, Gavin! Have you listened to any album by Haruka Nakamura? Still Life (2020) really reminds me of all of these songs!
Thanks for the tip! I’ll have a listen to that album. The Haruka material that I’ve heard so far definitely is in this vein.
love this video! quick question, how come u notate first inversion with an (a) instead of a 6, with figured bass notation?
I used the British inversion notation for awhile. In more recent videos, I use figured bass
@@gavinleepermusic woh, literally didn’t even know that was a thing. honestly i do kinda like it more than having to remember which number is for which inversion lol
@@zakyuen2602 Yeah each convention has its strengths and weaknesses
😳❤️
Discord server link doesn't work :\
Thanks for letting me know! I just updated it. Can you check it again and let me know if it works now?
@@gavinleepermusic works now ~ thank you.
(9:09) What would the supposed price be for learning about such a beautiful piece of music? I'd be willing to pay even if my wallet couldn't handle it :)
If you’re interested in lessons, feel free to email me at the business email address listed on my profile page, or hit me up via IG.
@@gavinleepermusic Will do!