your style of rendering is unique and inimitable . You should always go ahead with experimenting and exploring new horizons . The future of carnatic music is safe in the hands of young brilliant musicians like you
+V. Chandra Sekhar Flawless?! Go learn the krithis yourself, and you'll realise how "flawless" his ananda natana prakasam is. It's fine to praise an artiste, but please, cut the hyperbole.
I am sorry to say that although there are music lovers in karnataka, many don't listen the music concerts with rapt attention and cause distractions and disturbance to the serious listeners too. The performer assess the quality of audience and accordingly switch to his advantage. We can see videos where Chennai audience create altogether a pleasant atmosphere to the musicians. Shall we try to improve??
Abisaik raghuram please send a comment to steady health that we do not have belly fat anymore but we do have other health problems that are more important to solve first.
excellent performance. i can listen to abhishek raguram concert hours to gether.. too much knowledge of music and too much gnanam, god bless him, he sings from his heart and he enjoys .
Sri Abhishek Raghuram has proved the inheritance of the DNA of his Grandfather, our favourite and very much loved Sir Lalgudi Jayaraman, with his Shruthi, Bhava and Laya. May the Almighty Lord, confer His invaluable Blessings on the upcoming Young Artist, to match the expectations of his illustrious Grandfathers.
Very Highly talented arist at a very young age and surely he will be the top artist in the carnatic field in the caliber of Dr M Balamuralikrishna in the years to come
Abhishek is a genius. No doubt. Salutations to his parampara. Pl let me know what is his contribution exactly if v remove RaghuSir and Lalgudi Jayaraman Sir. The anchor because of above the stalwarts he has became today's Abhishek.I oppose, Abhishek has done penance to bring out his own style.so v have to appreciate his hard work too. Namaskaram.
Very different interpretation of Natabhairavi...a raagam not explored in so much variation...at least I haven't heard...very soothing...very expansive...and the matching swarakkorvais...so good...:) Lucky to be able to appreciate such artistes...:)
Balaji you are right. This is what happens when they sing from their head and leave the heart out and are not yet philosophically mature to understand the deep meanings involved. But the audience are no different and their expectations are even lower. Ramesh
Dear Bharathiya Saamagana Sabha Organizers, Please select the performance announcers by their knowledge of Music and also the details about the musicians instead of how they look or how much they have contributed to your Sabha.This Girl failed to announce Sangeetha Kalanidhi U. ShivAraman. Just stopped at Umayalapuram with bad ponunciation.It is an insult to the artists, let alone forgetting their highly esteemed tittles. Secondly. she had no idea that violinist Sri H.N. Bhaskar is none other than the son of famous violinist, Mysore Music College Professor, Class 'A' AIR artist and dearest disciple of Parur M.S.Gopalakrishnan. Above all Sri Bhaskar is born and brought up in the beautiful musical city of Mysore which has given us World class Violinists. Somebody who knows the Lineage should orient and teach the youngsters. Otherwise it disappoints us who are are very staunch Karnatak Music Connosieurs who watch B.S.S. concerts regularly here in U.S.A. Thanks.
Abhilash Venkitachalam its interesting, but adding the "ri" of vasantha, technically becomes the prathimadhyama in khamas (contrary to the arohana/avarohana of khamas). Hence I felt it was little forced. Needless to say, amazing indeed !
SIVARAMAN-Hyderabad, age 70, 20-9-2015-I didn't know that he is maternal grand nephew of Lalgudi, the legend of legends and I know his grand father is Palghat Raghu. His voice modulation is at par with Chhembai another legend from Palghat. It is unusual that kedaram is sung, what an excellent ragam. People should have guts to sing as it sometimes close to mallary and Sankarabaranam. This youngster has a great future. My blessings are added to others. I wonder some great legacies are immortal.
Kindly check the kriti it is DHARAKASAM and not dharakaram and bahudara beda chodyam and not veda chodyam. Top musician must do their home work properly like MS amma
+Umamaheswaran Maheswaran Here are the charanam lyrics in karnatik.com. The artist has sung it correctly. bahuthara vedha chodyam is correct. Veetha raaginam aprameya advaitha prathipaadhyam Sangeetha vaadhya vinodha thandava jaatha bahuthara vedha chodyam
Sree Vallee was excellent - except, Natabhairavi kept wanting to spill over into Shanmukhapriya.. ...For someone of Abhishek's Gnanam, this was avoidable...(I don't mean he used any Pratimadhyama god forbid!, just that the general feel of the rendering was unsettling).
Chem zard I do not particularly dislike such spill over. It is entirely up to the musician to interpret Natabhairavi, as long as he is not blatantly violating the scale with mishrafication. Experiments may sound odd with Kambhoji, but Natabhairavi is OK. Many people have not heard it long enough.. I think such experiments should be encouraged, as long as shruti shuddham is not compromised, which several other musicians have trouble with.
+Dilip Subramanian -grha bedham in carnatic music is welcome. In RTP you can notice this, heseini to bhairavi and back to huseini. This kid attempts many sangadhis with his own style. Who sings the kirtana properly, as most of the singers are tamils, therefore his small mistake can be excused -V.S.Sivaraman, Hyderabad. a
+Chem zard Yes, the Da Ni Ri pattern is commonly used in Shanmukhapriya..but as long as the artist doesn't sway from the essence of the original raga, such experiments only make the rendering interesting. Don't you think?
Yes. Here is my opinion: I think every artiste should be allowed to explore the ragas as they want. The "classicism safety net" is surely a good thing, and should be adhered to, while rendering a composition. When the singers may not be native singers of that language, the safety net can help there. But, there should be absolutely no rules (can be opinions, of course) about how a raga is delineated.
An irreverent and even not a relevant one : but a pestering one ever for me: why the prose part of the concert program is rendered by the management and the artist in English? എന്ത്കൊണ്ടാണ് ഇത്തരം പരിപാടികളുടെ സംഗീതം ഒഴികെ ഭാഷ ഇന്ഗ്ലീഷ് ആയിരിക്കുന്നു.? പ്രാദേശികഭാഷ പുറത്തു നിർത്തപ്പെടുന്നത് ........കാര്യങല് ഇവിടെത്തെ പ്രാദേശികഭാഷയായ തമിഴിൽ ഒട്ടും തന്നെ പരയുന്നില്ല?! അതു ആറ്മഭിമാനത്തിന്റെകൂടി പ്രശ്നം അല്ലെ?
Must be heard to experience the glory of music. nothing comes close.R.S.C.Murthy, Los Angeles.
Abhishek a gem of a singer!
Excellent performance at a very young age.all the vry best to reach greater heights. May God bless u
your style of rendering is unique and inimitable . You should always go ahead with experimenting and exploring new horizons . The future of carnatic music is safe in the hands of young brilliant musicians like you
Most fabulous singer - combines melody with gyana and manodharma in a mesmerizing way - Keep going, Abhishek.
Excellent and flawless rendering of difficult kritis. A mesmerizing voice. Great experience and worth the time spent on watching this video.
+V. Chandra Sekhar Flawless?! Go learn the krithis yourself, and you'll realise how "flawless" his ananda natana prakasam is.
It's fine to praise an artiste, but please, cut the hyperbole.
Excellent. Eagerly awaiting upload of part 2 of this concert.
I am sorry to say that although there are music lovers in karnataka, many don't listen the music concerts with rapt attention and cause distractions and disturbance to the serious listeners too. The performer assess the quality of audience and accordingly switch to his advantage. We can see videos where Chennai audience create altogether a pleasant atmosphere to the musicians. Shall we try to improve??
ThanksThanks quite as
Abisaik raghuram please send a comment to steady health that we do not have belly fat anymore but we do have other health problems that are more important to solve first.
Fantastic Trenendouds Excellent Melodious performance 👍👌🌹🌷🙋
Best young musicians sitting behind.. All the best Vaibhav Ramani and Pradeshachar
Not to mean Abhishek is less.. he is considered senior class
excellent performance. i can listen to abhishek raguram concert hours to gether.. too much knowledge of music and too much gnanam, god bless him, he sings from his heart and he enjoys .
Sri Abhishek Raghuram has proved the inheritance of the DNA of his Grandfather, our favourite and very much loved Sir Lalgudi Jayaraman, with his Shruthi, Bhava and Laya. May the Almighty Lord, confer His invaluable Blessings on the upcoming Young Artist, to match the expectations of his illustrious Grandfathers.
Abhishek is the grandson of Palghat Raghu Sir.
It is always a distinct pleasure to listen to Abhishek Raghuram.
Very Highly talented arist at a very young age and surely he will be the top artist in the carnatic field in the caliber of Dr M Balamuralikrishna in the years to come
Great artist.Blessed artist.nothing more to say
Abhishek is a genius. No doubt. Salutations to his parampara. Pl let me know what is his contribution exactly if v remove RaghuSir and Lalgudi Jayaraman Sir. The anchor because of above the stalwarts he has became today's Abhishek.I oppose, Abhishek has done penance to bring out his own style.so v have to appreciate his hard work too. Namaskaram.
RTP - 37:33
RAGAM : Khamas
THAANAM :
1:04:24 - Khamas
1:21:27 - Vasantha (gruha bhedam) - Ma to Ma
1:26:00 - Husseni (gruha bedham) - Ri to Ri
♥
simply excellent. khamas in particular was scintillating.
Hats off raghuram sir🙏🙏🙏
Wonderful rendition 👏👏👌
Great performance !!! God bless Abhishek.
First. Continuewation of last reply. I did not put the continuewation of last reply in capital letters. Hope you read this carefully. From Kavya.
: ಎಂಥಾ ಮನೋಭಿವ್ಯಕ್ತಿ,ಇದು ಆ ಮಹಾದೇವನ ಕೃಪೆಯ ಸ್ಟೆ,,chennaagiri ಸಾರ್ ,ನಮಗೆ ನೀವು hrudayaananda ನೀಡುವ ಸುರಭಿ ನೀವು 🙏🙏 ಮತ್ತು 🙏
Beautiful! Well done!
Great sound quality in this video. Pls take notes from this video if you wish to upload Carnatic music videos to youtube.
fantastic..no words to say.
Very fine rendition .👌👌👌👌
Very different interpretation of Natabhairavi...a raagam not explored in so much variation...at least I haven't heard...very soothing...very expansive...and the matching swarakkorvais...so good...:) Lucky to be able to appreciate such artistes...:)
never tired of listening to him
Genius at work!!
0l⁰⁰⁰
BEAUTIFUL
Stunning perfomance
Balaji you are right. This is what happens when they sing from their head and leave the heart out and are not yet philosophically mature to understand the deep meanings involved. But the audience are no different and their expectations are even lower. Ramesh
. .suppose there is no "deep" meaning at all ... ??? .. just pure joy of singing ... ??? ...
Fabulous voice
very pleasing rich voice ...flawless performance...may god bless him...
Very nice!
Excellent as usual
fantastic performance
the violinist is awesome
2:45 to jump straight to the music.
I love his voice.
takla3210 iii
Very nice
Genius... !Abhishek...!.
ragsanoor d
fabulous...
excellent.
Soulful
Dear Bharathiya Saamagana Sabha Organizers,
Please select the performance announcers by their knowledge of Music and also the details about the musicians instead of how they look or how much they have contributed to your Sabha.This Girl failed to announce Sangeetha Kalanidhi U. ShivAraman. Just stopped at Umayalapuram with bad ponunciation.It is an insult to the artists, let alone forgetting their highly esteemed tittles.
Secondly. she had no idea that violinist Sri H.N. Bhaskar is none other than the son of famous violinist, Mysore Music College Professor, Class 'A' AIR artist and dearest disciple of Parur M.S.Gopalakrishnan. Above all Sri Bhaskar is born and brought up in the beautiful musical city of Mysore which has given us World class Violinists.
Somebody who knows the Lineage should orient and teach the youngsters.
Otherwise it disappoints us who are are very staunch Karnatak Music Connosieurs
who watch B.S.S. concerts regularly here in U.S.A. Thanks.
dear sabha organisers, from were u paradrop such an announser?
Devine music
I am sorry but who is the violinst ? He is very great o_O
+Praveen Sarangan Bhaskar (listed at the start of the video)
Neelesh Shah
Thank you Neelesh Shah :)
Kedaram - Ananda nata,, Amazing
+ravi seetharam Agree, vakram and slow is not possible i thought !
superb kedaram
Vasantha sruthibhedam in Kamas! Genius! _/\_
Abhilash Venkitachalam Forgive my ignorance. How many notes did he move shadjamam by? Did he move Sa to Ma?
Keshav Magge yes, he moved Sa to Ma.. Ma ni dha ni Re in kamas will become sa ma ga ma dha in vasanta :)
Abhilash Venkitachalam its interesting, but adding the "ri" of vasantha, technically becomes the prathimadhyama in khamas (contrary to the arohana/avarohana of khamas). Hence I felt it was little forced. Needless to say, amazing indeed !
SIVARAMAN-Hyderabad, age 70, 20-9-2015-I didn't know that he is maternal grand nephew of Lalgudi, the legend of legends and I know his grand father is Palghat Raghu. His voice modulation is at par with Chhembai another legend from Palghat. It is unusual that kedaram is sung, what an excellent ragam. People should have guts to sing as it sometimes close to mallary and Sankarabaranam. This youngster has a great future. My blessings are added to others. I wonder some great legacies are immortal.
Kiran Rajagopalan Rightly pointed!
Good concert. "Sri Valli" appeared to be a bit rushed and a bit of acrobatics was involved. Thanks.
Irony know how many sishayas he has why his knowledge to continue for young artists to
why do some people always see the negative side and don't appreciate the positive side! pity such people.
1:08:03
Great
Fantastic rendering
Vasantha&huseni bhedam👌👌👌👌🙏🙏
Vln Murth
tongue-tied
+Yamini Kalluri nice to see you here :D
+Aditya Ravikanti what's that supposed to be?
VV nic
🥰👏
lol not ramana balachandran sitting backstage
Kindly check the kriti it is DHARAKASAM and not dharakaram and bahudara beda chodyam and not veda chodyam. Top musician must do their home work properly like MS amma
+Umamaheswaran Maheswaran Here are the charanam lyrics in karnatik.com. The artist has sung it correctly. bahuthara vedha chodyam is correct. Veetha raaginam aprameya advaitha prathipaadhyam
Sangeetha vaadhya vinodha thandava
jaatha bahuthara vedha chodyam
Look for big picture. Enjoy the flow
What is the RTP Ragam?
P Krishnan RTP is not ragam.. it refers to ragam tanam pallavi
RTP is in Khamas
Sree Vallee was excellent - except, Natabhairavi kept wanting to spill over into Shanmukhapriya.. ...For someone of Abhishek's Gnanam, this was avoidable...(I don't mean he used any Pratimadhyama god forbid!, just that the general feel of the rendering was unsettling).
Chem zard I do not particularly dislike such spill over. It is entirely up to the musician to interpret Natabhairavi, as long as he is not blatantly violating the scale with mishrafication. Experiments may sound odd with Kambhoji, but Natabhairavi is OK. Many people have not heard it long enough.. I think such experiments should be encouraged, as long as shruti shuddham is not compromised, which several other musicians have trouble with.
Subu Kaundinya I agree... such experimination should be actively encouraged. Music will thrive and prosper only as it re-invents itself over time...
+Dilip Subramanian -grha bedham in carnatic music is welcome. In RTP you can notice this, heseini to bhairavi and back to huseini. This kid attempts many sangadhis with his own style. Who sings the kirtana properly, as most of the singers are tamils, therefore his small mistake can be excused -V.S.Sivaraman, Hyderabad.
a
+Chem zard Yes, the Da Ni Ri pattern is commonly used in Shanmukhapriya..but as long as the artist doesn't sway from the essence of the original raga, such experiments only make the rendering interesting. Don't you think?
Yes. Here is my opinion: I think every artiste should be allowed to explore the ragas as they want. The "classicism safety net" is surely a good thing, and should be adhered to, while rendering a composition. When the singers may not be native singers of that language, the safety net can help there. But, there should be absolutely no rules (can be opinions, of course) about how a raga is delineated.
K2
An irreverent and even not a relevant one : but a pestering one ever for me: why the prose part of the concert program is rendered by the management and the artist in English?
എന്ത്കൊണ്ടാണ് ഇത്തരം പരിപാടികളുടെ സംഗീതം ഒഴികെ ഭാഷ ഇന്ഗ്ലീഷ് ആയിരിക്കുന്നു.? പ്രാദേശികഭാഷ പുറത്തു നിർത്തപ്പെടുന്നത് ........കാര്യങല് ഇവിടെത്തെ പ്രാദേശികഭാഷയായ തമിഴിൽ ഒട്ടും തന്നെ പരയുന്നില്ല?! അതു ആറ്മഭിമാനത്തിന്റെകൂടി പ്രശ്നം അല്ലെ?
Very nice!