Create Vibrant Abstract Landscape Paintings | Acrylic Painting Demo
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- Опубліковано 28 лют 2024
- In this acrylic painting demo, I show how you can create abstract landscape paintings using a vibrant palette of colors. For the focal point, I used dried acrylic skins. I’ll take you through a relaxing process of crafting a vibrant minimalist abstract landscape painting that's sure to captivate your senses. My palette for this creation revolves around using bright aqua green, Prussian blue, titanium white, cerulean blue, and lime green acrylic paint, however, you can choose your palette. These vibrant colors come together to form a composition that's both lively and soothing to the eye.
-LINKS-
➡️ MORE PROMPTS TO GET YOU GOING - 50 Abstract Warm-Up Painting Prompts - www.etsy.com/listing/16615441...
➡️ Liquitex Professional Matte Gel Medium - amzn.to/3ws8lVX
➡️ Silicone Bowl Scraper - amzn.to/3I1UrMP
➡️ Silicone painting brushes (Color shapers) amzn.to/3oMpd6w
➡️ Silver Mop White Oval Brush - amzn.to/3Hjo9Ni
*The product links above are affiliate links and I may earn a small commission when you click on the links at no additional cost to you. As an Amazon Affiliate, I earn from qualifying purchases.
The journey of this acrylic painting demo is not just about mixing colors; it's about exploring the depth and emotion that abstract landscape painting can evoke. The vibrant colors chosen for this piece are deliberate, aiming to create a visual experience that's both immersive and expressive. The focal point of this vibrant abstract painting is created using acrylic skins, a technique that adds texture and depth, making the landscape come alive. A bit of cadmium orange is added to the focal point at the end to introduce a contrast that draws the eye and completes the composition.
This acrylic painting tutorial is designed to be simple, yet impactful, showcasing how minimal elements can create a profound effect. Throughout this acrylic painting demo, I share tips and techniques that will help you understand the nuances of creating an abstract landscape painting. Whether you're a seasoned artist or a beginner, this video serves as a comprehensive acrylic painting tutorial that easily demystifies the process of creating vibrant abstract paintings.
Remember, the beauty of a vibrant abstract painting lies in its ability to convey emotions and stories through colors and textures. As you follow along with this tutorial, I encourage you to embrace the process, experiment with vibrant colors, and let your creativity flow. By the end of this video, you'll have the knowledge and inspiration to create your own vibrant abstract landscape paintings that reflect your unique artistic voice.
And remember, keep on painting!
➡️Find me on Instagram: / chrisloudart
➡️Find me Etsy (where I sell my warm-up paintings) www.etsy.com/shop/ChrisLoudArt
#landscapepainting #abstractlandscape #acrylicpainting #abstractart #abstractpaintingtutorial #painting #vibrantart - Навчання та стиль
I enjoyed watching the magic of your use of the mop brush
Hey Susan! Glad you enjoyed it. 😊🖌️
Loving your colour palette ❤
Thank you, Rose!
I like the way you keep on working at it until something interesting emerges and then you follow that through. A good lesson to remember!
Thanks, Paul! There's always something in there, it's just a matter of finding it.
It's enjoyable to watch your thinking process as the painting evolves. This is how I most enjoy painting, too.
Thanks, Carole! It's definitely an enjoyable way to approach painting❤️
I worked at the Royal Academy of Art in London for 2o years and as a member of staff would go the the evening class at the RA school that is at the back of the Academy, we often had RA’s to come and watch and comment (rarely) on our work. One evening I was drawing a nude in pastels, the RA stopped at my work and said “good here is an artist who is not afraid to change their work”. I work like you constantly changing until its right no matter what, its risky but its the only way to go. This is such a good bit of teaching (I am a retired art teacher/lecturer) by showing the number of times you change the work until it feels right and also the original(to me) idea of using acrylic skins is brilliant. It’s never too late to learn and never to throw anything away you never know when you will want it…thank you for the tip.
Thank you for your kind words! What a wonderful experience you must have had working at the Royal Academy of Art! I imagine you picked up quite a bit of skill and technique working there. It's definitely a slippery slope changing a painting this much, but I agree-it's the best way to paint in my opinion. It also makes it more enjoyable feeling free enough to go where the painting takes you. Cheers!
In reply to Chris and everybody else, I start of with a vague idea of what I want to do, but most of the time its almost like I am watching another person working not knowing what comes until the brush pastel clay or whatever medium I am using starts to work. There is one tip I can pass on but would think the majority of you now know this. I am old at 83 so have been an art teacher for many years, I realised getting people to start to work with the wrong hand totally relaxed them, gave them the permission to make mistakes and not care. It also works for professionals who had seized up. I sometimes still do this when my work has become too ‘tight’
I love that idea and tried that while making initial marks on a painting this week. Funny, you are the second person to suggest that in the last couple of days. I'm all in and plan on using my non-dominant had for my next warm-up painting. That will definitely keep my painting loose as I typically am not very functional when it comes to my other hand and art.
@@chrisloudart my main reason for doing this on the very first art class wherever I was in the world, was this. Everybody especially new students who would take a look at the paper in front of them and freeze, knowing lots of people are around them and do not want to draw something silly. By making this the first piece of work, it meant every student could relax knowing that everybody was using the wrong hand so it did not matter, consequently it turned out to be the best drawing…the first exercise was drawing their hand lifesize that way they could not cheat and did not feel they had too, it worked every time the first drawing with the wrong hand had sensitive marks and lines and always was a very good drawing, the second with the hand they always used, was awful, slick, hard and no sensitive marks.
Another thing I taught right at the beginning was the copyright mark, a circle with a small c inside it. We all own the copywrite to our work even when we have sold the work, if the buyer wants the copyright which they will realise you have by putting the circle with a c inside it, they will have to buy that off you. If you do sell the copywrite it means the buyer can make cards, calendars use the painting for anything, so always remember the c inside a circle.
Also plagiarism, If you copy another artists work must always put the artists name in.e. Picasso . You put After Picasso, followed by your own name i.e. Fred Johns. You cannot sell a copy of anybody’s work. After a hundred years I think that changes…but you need to check. Also check on the things I have put here are still correct I taught for many years …but at 83…one does forget things. Loveday
P.s. always, always date everything and put your signature and the c inside the circle , because quite often looking back at your work, you will suddenly realise ‘oh my god that really is quite good”. Loveday
Another real treat and an adventure... you really lost your way in this one, Chris😂 i absolutely loved the 4 minute zone because i have trouble of my own in keeping things simple and focused. The skins were fabulous. And you got to laugh when you went back in with a ton of green. You magicked your way through yet again. 🎉 thank you
😂😂😂Thanks, Emmanuel! I get lost and magic my way through more paintings than I would probably like to admit.
Wow - love watching all your changes and shifts to the end result. Beautiful painting!
Thank you so much, Cheryl! Glad you enjoyed it 😊
I saw this on IG earlier today. I like the green on the top! Fun piece!
Thanks, Laurie!
Loved this on IG, looked like a crevice with small rocks. Just love this. So happy to see you paint it!! What a treat. Thanks.
Thanks Kathy! Glad you liked it. I was so happy to paint it! 😁
Absolutely loved the result here and loved watching you make it. It must be glorious to have such creative vision. New subscriber 😊
Thanks so much, Kate!❤️ I appreciate your kind words. It all develops from playing with paint and trying new things over and over again.
Danke !
Thanks for watching!
J'avais envie de vous dire d'arrêter à 7.06 min ...à ce stade je trouvais ca tellement beau...bravo pour vos vidéos toujours trés interressante ...merci
Merci, Sonia! I did really like the painting at that stage as well. I appreciate you watching and your comments.😊
Bonjour Chris merci à vous ❤❤❤ c'est magnifique ❤️ ❤️ ❤️
Merci beaucoup Martine!❤️
Super cool! Thanks for sharing!
Sharing some galleries... and all the amazing artists that display ...Stremmel Gallery, Hindell Brooks Gallery. Louise Forbush😊, Jerry Iverson and Amanda Stone...ect. wow ...Ann, Florida fan
Thanks, Ann! I saw works by Jerry and Louise-both are AMAZING! Quite inspiring. I couldn't find anything by Amanda on either gallery website. Thanks for sharing!😊
Something that caught my eye while you were carving out the horizon, I noticed the dark spot at bottom which to me looked like a hole had been dug in order to plant a tree! Just an observation....at 7:55 you covered it with turquoise blue/green.
Hey Kathryn! I almost left that dark area, but kept feeling it was pulling away from the rest of the painting. Now looking at it again I think it actually worked being in the painting. 🤦♂️
Superrrr!!!!!!
Thanks so much, Ouahiba!
LOVE this one!! I was surprised to find that I changed my orientation preference to the one at the end; normally I prefer them the way that you start them, but wow! Great palette colors! 😍🥰🎯🎯
I really appreciate it, Gina! Its funny, I actually like all the orientations for this one. Normally on abstract landscapes like this I typically like the horizontal orientations best.
OK, now, this is more like when I subscribed back whenever.... U paint with fabulous colors and design 😊. Ann,Florida fan
Thanks so much, Ann! I'm happy you like this one.😊
Great abstract landscape Chris!
Thanks, Yolande!❤️
Loved watching but I actually like it upside down! 😂
Thanks, Deborah! 😂 Upside down has been growing on me as well.
You are an inspiration!
Thank you, Stephen! I appreciate kind words.
Hi Chris!
Beautiful and vivid demo.
Poesis pictura!
Great to use this technique of upcycling collage!
Your palette could also be printed on another painting!
Hey Marie! Thank you so much! I have the dried palette set aside to use in another piece coming up.😊
@@chrisloudartSuper! how to revive dry painting in the creative flow!
Hi Chris! I was excited to watch this demo because I thought I was one of the only artists using acrylic skins!!!! I actually do full collages with them. I love your finished piece. Can you tell me, do you wash out that blending brush in between each use? It seems like it would get quite stiff if you didn't. I've never used one, it makes blending acrylic look a lot easier!
Thanks, Leslie! I love using acrylic skins for a splash of color, texture and collage. They're so versatile! Plus I hate throwing such colorful material away. I have three blending brushes, so as I'm painting I'll end up using all three, then wash them out. They do become quite stiff. I'm in a dry climate so that happens pretty fast. I will occasionally squirt a little water on what I'm blending and that helps. They are a lot of fun to play with 😊
Are all his videos black screen or is it my ipad? Oh,now the colors, very pretty.
Thanks Nancy! 😊
Hi Chris, what weight of paper do you paint on? I have 140-lb. watercolor paper asn also 65 and 70-lb. sketch/drawing paper. Diggestions? I am ordering from Amazon many of the tools and products you use, and am especially thrilled over the mats with the clear slip covers. I do the local art tour here along with several art shows and realize I'm shooting myself in the foot by not having small grab-n-go pieces of work. ANyway, you are a huge inspiration! Thanks for making your techniques and experience available!
Thanks, Carole! That's very nice of you to say.
My go to paper choices are these two:
Grumbacher 9" x 12" Acrylic Paper Pad with In & Out Pages, 140 lb./300 GSM - amzn.to/3pPFgkI (this is nice because you can pull the paper out, gesso it and put it back in the notebook if you want to)
Canson Fluid Mixed Media Sketchbook 90lb/250 gsm - amzn.to/3EN3jod
The mats/sleaves are great for small pieces and they have a finished, professional look to them. I've put several of my warm-up pieces in these and am always surprised just how nice they look. Good luck with your art tour and sales!
@@chrisloudart Thanks, Chris! The Grumbacher in and out paper is ideal. Starting set-up, ordering a few supplies...and excited.
😊👍interessante...
Thank you, Paola!
Why did you cover up that beautiful orange?
Hey Monica! Well, I wasn't sure it was going to have a chance to peek through when I started the painting, but I wanted to have it there just in case. I do the same thing with other similar types of paintings and many times it works well letting the orange come through.