Interview with Warren Huart: Recording Techniques in High-end Studios | Plugged In Podcast #05
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- Опубліковано 26 лют 2024
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On Episode #05 of Sweetwater’s Plugged In podcast, Mitch is joined by none other than Warren Huart, the prolific industry force who wears numerous hats, including producer, recording engineer, mixing engineer, composer, songwriter, and multi-instrumentalist. His work has made him a multi-platinum producer whose work throughout the decades transcends lines of genre and style, in addition to scoring several major Hollywood, film, and television projects. To put it mildly, Warren knows quite a bit about recording, and he was joined by Sweetwater’s studio scholar, Mitch Gallagher, during a recent excursion to Sweetwater Studios. Dive in with Warren and Mitch for a multifaceted discussion on miking techniques, the nuances of recording guitars, how to record amps in high-end studios, and more. Perhaps most intriguing, however, is the subject of amp modeling. What does it mean for the modern studio, the history of recording techniques, and the evolution of sound? Mitch and Warren cover all this and more on this episode of Plugged In!
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Chris Benson, Warren Huart & Mitch Gallagher nerd out on pedals, gear, and more 👉 • Chris Benson, Warren H...
Warren Huart on the secrets of mixing with headphones 👉 • Warren Huart on What Y...
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Where do you stand on the amp modeling debate: all in, amps only, or something else? Tell us in the comments below, and be sure to drop by Sweetwater for all your studio and recording needs! 👉 sweetwater.sjv.io/Studio-Recording
It's another tool, an amazing one that allows people to create a different guitar sound
Very well said!@@timbrown7652
Whatever works best for the song works for me!
Indeed@@timbrown7652 very true
Agreed 100%!@@plapclips6799
...Such a rewarding and fortunate time in history to be alive. having access to a conversation of THIS breadth & caliber, with men of passionate interest...for FREE....is priceless!
Agreed 100%! Thanks ever so much for the great comment!
Warren is such a humble and amazing person. I have him and Phil McKnight to thank for all my guitar and studio knowledge 🤟🏻❤️
Thanks ever so much!
These two guys are so inspiring. I'm not changing any studio habits, but I'm definitely growing some sideburns! 🙃 Thanks for letting us eavesdropping. It was a brilliant conversation!!!
Haha Thanks for the great comment!
Superb interview! Mitch you get the best out of everyone
Mitch Rules!
The Tone Master amps are phenomenal. I did a gig last year that had them as backline, and paired with my drive pedals of choice, it sounded fantastic!
I agree! Love my ToneMaster!
What a cool interview. Learned so much :)
Thanks ever so much
Mitch is a wonderful interviewer
Great interview🤘 I use my tube amps when recording and I have just switched to HX Stomp & 2-2x12 cabs for my live rig.
Thanks ever so much for sharing!
Mitch and Warren =Nicest people
You're very kind! Mitch Rules!
Great interview you guys! Great articulation on the subject Warren!
Thanks ever so much! I really appreciate it
Bought my Synergy stuff from Sweetwater and, Warren, I still have it and more.
Marvellous! Thanks for sharing Loren!
I thought of Brian May and his use of the Deaky and Pignose.
Yes, amazing guitar sounds!
I’ve learned tons from Warren, have watched him for years! great interview!
Thanks ever so much Mike!
Great video! Thanks Mitch and Warren
Thanks ever so much!
Agreed
Thanks ever so much!@@metalman3227
Great interview! Thanks!
Thanks ever so much!
Really great interview, loads of nuggets. Top stuff. I'm an ITB guy, working mostly with Nembrini products plus a few from ML Sound Labs.
Thanks Stellar! I appreciate it
Awesome!!!❤❤💯💯
Thanks ever so much!
This is So Amazing two of my Favorite Guys With so Much Experience Sharing Tons of Recording Techniques Totally Awesome👌👌
Thanks ever so much! I really appreciate it
Agreed!
Very cool interview...something a bit different. Sweetwater are good people.
Thanks Brian! Yes, they are
I absolutely love amp sims and modelers. I have zero desire to perform live and am happiest in my home studio. Neural DSP, and Logic’s Amp Designer are a gift from heaven as far as I am concerned.
Thanks ever so much for sharing!
Nice
Thanks ever so much!
Mitch Rocks!
Mikko 2 from ML soundlabs seem to have a solution to the monotony introduced by set and forget IRs. You can literally tweak it like you’re almost micing a cab from scratch.
Thanks ever so much for sharing!
🤓 cool conversation
Thanks ever so much
I think okay for producing recorded music but prefer regular tube amps for live music. Things have changed.
Thanks for sharing! I love Tube/Valve Amps!
Definitely a player's prerogative - but there are MANY touring guitarists that have switched over SIMPLY because on a large scale tour you often have to contend with: Fly Dates, Backline struggles, maintenance issues, irregular power, and even the move to lower and lower stage volume (amps either baffled or moved COMPLETELY off stage) - so they make a lot of sense for SOME situations. But still can't beat standing in front of a tube rig 👍🏻
Agreed@@bigkickleo I saw Johnny Marr was using a floor unit I believe through a Kemper or something similar! If Johnny can do it then anyone can!
I find the opposite to be true.
Whatever works for you!@@KasperViggoJensen
I feel like the question becomes were the O.G. guys committing because they had to or because that’s the better way to go? I think if they had options they would have taken advantage of it.
Agreed! Jack Douglas would have used the best equipment available!
It's a great interview but Warren's hair is really distracting. 😅
Haha sorry! Always had crazy hair, pink, blonde, mohawk, you name it! Luckily I work in the music industry and I'm not a chartered accountant!
kein Problem, sieht cool aus haha (Y) @@Producelikeapro
Haha, gut zu hören!@@DaniArrow
Since there is no profit to be made from publishing music anymore, there is no investment to be made towards recording in a production studio. Therefore most of what he talks about is irrelevant. Probably that is why 99% of the conversation is focused on historical anecdotes or working with the millionaire musicians of yesteryear who have money to burn.
There are so many ways to make money in music and many successful people doing it! You may personally not be successful, however there are many, many people who are.
@@timbrown7652 What are you selling.
agreed@@timbrown7652 when you aren't successful yourself you look around and just see the worst in things. I know so many successful music people, from Producers to engineers, to mixers, to mastering engineers, to TV and Film composers to everything in between, not to mention all of 1,000s of jobs in the music business at labels, publishers, agents, radio stations etc etc
Do it for fun I just wish there beside the computer there are more multitrack standalone recorders but with the advent of the laptop and everything cheap I just don’t like it that way I don’t mind it but I believe it’s this guy who said if you’re not a producer don’t fall trip to it meaning to many changes that you might not have made ..attempted to do things you wouldn’t do if you could play and sing how you clean up the DAw you might sound like Céline Dion and you shouldn’t do that if you believe your good enough , a The whole thing is that you practice practice to be Good that’s the point is all! DAW is a great but yeah it was this gentleman who said the opinions are overwhelming for young musician you make manipulate things and ends up not even being your own anymore I was lucky editing and I have muscle memory at 46 and play the piano and I did it the hard way which now I would love to learn how to use daw but it’s to much Without somebody helping me believe it or not in the stand-alones are good they just don’t make them good enough to last because there’s other things that are cheaper but they sound good enough for a piano player who sings wish L-12 zoom was something that lasts but they don’t I simply play my parts break it up like I did in the olden days and sometimes I’ll take songs that already put together and just play my part and sing Not for money for fun but yeah DJWS I would know what to do with all those options
The last thing Warren literally said was, "it wasn't expensive gear; it was the creativity." Seems as if you've missed the point...