What a wonderful gift to those of us who could not afford financially to receive a University Education. These lectures, all backed up by superb scholarship, love of their subject and good humour, only increase my respect and admiration for Hokusai. Thank you, thank you.
Professor Sarah Thompson's research on ukiyo-e is undoubtedly the most scholarly and outstanding. Her research also delves into the roots of today's anime and manga creation. Her work deserves to be more widely known around the world.
How wonderful! Hokusai is a newer artist to me, but I have loved his art long before I saw this. So really, I've enjoyed this art for some time. Thank you, again, for another amazing lecture. I feel so happy to have watched it and learned. Thank you! Paula
Thank you so much for the amazing lecture! The lecturer eradiates her love for the subject and it's really contagious. I will not stop until I watch all your lectures I can find:))))
Thank you very much for such a wonderful lecture. It has helped me greatly in preparation for my trip to visit the art museums in Tokyo. And I love your humorous anecdotes!
Although familiar with some of Hokusai's works, it was really interesting to hear all about his life and the history and culture of his time. Thank you for providing this fascinating lecture where people like me could see it!
Several years back the BBC made a video of Hokusai with a series of other famous art pieces. It gives an excellent background on his life. To paraphrase what he said toward the end of his life: If I had but 5, no 10 more years, I think that I could become a great artist.
At the Academy Awards ceremony, Akira Kurosawa said, "I still don't know much about movies," and I feel that his words have something in common with those of Hokusai.
I presumed the blue colour was Indigo, rather than Prussian blue. Though something to note about Indigo is that the colour changes over time because it is an organic pigment that changes with oxidisation.
Lovely talk but I wish the name of the prints (and the set they belonged to, if applicable) and the year were on the slides as well. Very helpful for all of us and especially for those who are deaf given the lack of subtitles.
First, the drawing would be made with ink on washi paper, then it would be turned backwards and pasted to a plank of (mostly cherry) wood. Then the key block would be carved from the image. Most of the paper would be rubbed off leaving the lines and the lines would be carved destroying the original drawing in the process.
Manga still provides young Japanese people with escapist fiction, which is important for a society which is still restrictive and oppressive, although in different ways to Edo Japan. The daimyo became CEOs, the samurai became management, and most of the farmers became ordinary workers. You still have a very stratified society.
It is unfortunate that you are reinterpreting the professor's academic talk with your own prejudices. This kind of art is born from "freedom," which is the opposite of oppression. The idea that "Japan = oppression" is a fabrication by the Western media, just like the idea that "Japan = racism." And you have simply been brainwashed by that stupid lie. According to your logic, America, which has the greatest abundance of commercial art for the masses in the world, would also be the most unfree and oppressed society in the world. What an absolutely stupid prejudice.
Modern Japan is far from being a "stratified society," it is the most non-stratified society in the world. I am sick of the stupidity of racists like you.
>the samurai became management, and most of the farmers became ordinary workers. Are you really stupid? Regardless of origin, samurai or farmers, the more educated became management, and the less educated became workers. Do you really live in a modern society?
@@001suisen4 Please don't make so many assumptions about me. It is unfortunate that you're interpreting my comment through the lens of your own prejudices and assumptions. I have lived in Japan, I'm married to a Japanese person and I'm not American. Very little of my opinion is generated by the "western media". Rather, it's based on personal observation while in Japan and extensive reading. I never mentioned racism, and nothing in my comment was intended to be racist. I've spent decades studying Japan. If you think that Edo society was "free" when it was extremely restrictive for anyone other than the samurai class, who had the power of life and death over most people of lower rank than themselves is a bit surprising to me. Contemporary Japanese society retains many of the prejudices from the Samurai era, and the top-down management approach stifles creativity and competition. Japan's work culture lead to the coining of a word for "death by work" as well as a term for people who shut themselves off from society. A lot of ukiyo-e was popular because it gave common people an affordable glimpse into a world which they idolised and could probably never experience themselves. In that respect, it was a kind of escapist fiction. Today, a lot of young people (mostly male) lose themselves in manga and anime to escape from an existence with little work-life balance; where they are a slave to the education system or their employer. Please don't tell me that this is an invention of the western media when I have had students falling asleep in classes because of lack of sleep due to the utterly unreasonable schedule they have every day. Don't tell me that the lack of work-life balance is an invention of western media when Japanese friends have had only Sundays as an option for anything social because they work most days until late at night and are as exhausted and time poor as the school and university students. My comment was simply about the manga which Hokusai created, compared to the manga which exists in contemporary Japan and is popular for similarities in the oppression of the ordinary workers in the Edo period and now. You're more than welcome to disagree, but please don't simply dismiss my opinion based on assumptions which you made no attempt to validate. Also - I am not pretending that "Western" society is better than Japanese society. There's lots of issues in "Western" countries too. It's not a question of "good and bad".
They usually were chucked as soon as they were too warn to print from, and a new block was carved (often decades later) whenever the series was to be reprinted. Source: David Bull, expert 浮世絵 (ukiyo-e) artist & historian.
It was customary as the process dictated, to glue the original to the block and cut the master block, destroying the original. Hokusai originals do exist, often insets, where it never proceeded to the woodblock stage. These were not highly valued as art, but more like graphic novels or magazine covers these days. As far as the master block, they were made from cherry and often "re-used" by sanding them flat and cutting a completely new print image on the block. Some well known or prints designated as more valuable were used and re-used to the point of being worn on the edges or warped. This can be seen on some woodcuts where the fine line edges don't have the fine razor sharp edges that are a feature of earlier prints. Old blocks are extremely rare and seeing that Hokusai alone created tens of thousands of unique printings in his lifetime, it's easy to see why.
Oh right, it's the woman who refuses to say centuries, but says something hundreds instead. I can't take any lectures by this person seriously as a qualified person myself. It's an insult to the profession.
What a wonderful gift to those of us who could not afford financially to receive a University Education. These lectures, all backed up by superb scholarship, love of their subject and good humour, only increase my respect and admiration for Hokusai. Thank you, thank you.
Professor Sarah Thompson's research on ukiyo-e is undoubtedly the most scholarly and outstanding.
Her research also delves into the roots of today's anime and manga creation.
Her work deserves to be more widely known around the world.
How wonderful! Hokusai is a newer artist to me, but I have loved his art long before I saw this. So really, I've enjoyed this art for some time. Thank you, again, for another amazing lecture. I feel so happy to have watched it and learned. Thank you! Paula
Fascinating!❤
Love these lectures. It would be amazing to have more of these for Japanese artists. Personally I'd love to see Kiyochika, Hiroshige, etc etc
Thank you so much for the amazing lecture! The lecturer eradiates her love for the subject and it's really contagious. I will not stop until I watch all your lectures I can find:))))
Hokusai: "Just an old craftsman, crazy for drawing"
I collect Ukiyo-e Wood Block Prints. Ms. Thompson is the best to explain Japanese wood block prints in depth!
Thank you very much for such a wonderful lecture. It has helped me greatly in preparation for my trip to visit the art museums in Tokyo.
And I love your humorous anecdotes!
I own a Hokusai....my parents bought it in Japan in 1955
Wonderful lecture. Even though I just tuned 80 I realize that is still much to learn.
Although familiar with some of Hokusai's works, it was really interesting to hear all about his life and the history and culture of his time. Thank you for providing this fascinating lecture where people like me could see it!
the second lecture I have been listening those days and both are really amazing. The picture are high-quality and so is the voice of the speakers.
Love it ! Thank you very much !
Several years back the BBC made a video of Hokusai with a series of other famous art pieces. It gives an excellent background on his life. To paraphrase what he said toward the end of his life: If I had but 5, no 10 more years, I think that I could become a great artist.
At the Academy Awards ceremony, Akira Kurosawa said, "I still don't know much about movies," and I feel that his words have something in common with those of Hokusai.
Enjoyed this so much. She's wonderful
fantastic presentation and really engaging !!!
Indeed, green one! ^^
lovely.. watched this over three mornings
Fantastic presentation
Love this!!
I presumed the blue colour was Indigo, rather than Prussian blue.
Though something to note about Indigo is that the colour changes over time because it is an organic pigment that changes with oxidisation.
It was Prussian Blue brought from Europe into Nagasaki
Japanese man , the father of animation and cartoon of the world across
Lovely talk but I wish the name of the prints (and the set they belonged to, if applicable) and the year were on the slides as well. Very helpful for all of us and especially for those who are deaf given the lack of subtitles.
30:00 - bookmark
eye opening
Did Hokusai use pencil to sketch/design a paint? I means, there is complex perspective? How did he designed it?
First, the drawing would be made with ink on washi paper, then it would be turned backwards and pasted to a plank of (mostly cherry) wood. Then the key block would be carved from the image. Most of the paper would be rubbed off leaving the lines and the lines would be carved destroying the original drawing in the process.
He used the brushes to sketch/design, I think.
Manga still provides young Japanese people with escapist fiction, which is important for a society which is still restrictive and oppressive, although in different ways to Edo Japan. The daimyo became CEOs, the samurai became management, and most of the farmers became ordinary workers. You still have a very stratified society.
It is unfortunate that you are reinterpreting the professor's academic talk with your own prejudices.
This kind of art is born from "freedom," which is the opposite of oppression.
The idea that "Japan = oppression" is a fabrication by the Western media, just like the idea that "Japan = racism."
And you have simply been brainwashed by that stupid lie.
According to your logic, America, which has the greatest abundance of commercial art for the masses in the world, would also be the most unfree and oppressed society in the world.
What an absolutely stupid prejudice.
Modern Japan is far from being a "stratified society," it is the most non-stratified society in the world.
I am sick of the stupidity of racists like you.
>the samurai became management, and most of the farmers became ordinary workers.
Are you really stupid?
Regardless of origin, samurai or farmers, the more educated became management, and the less educated became workers.
Do you really live in a modern society?
@@001suisen4 Please don't make so many assumptions about me. It is unfortunate that you're interpreting my comment through the lens of your own prejudices and assumptions. I have lived in Japan, I'm married to a Japanese person and I'm not American. Very little of my opinion is generated by the "western media". Rather, it's based on personal observation while in Japan and extensive reading. I never mentioned racism, and nothing in my comment was intended to be racist. I've spent decades studying Japan. If you think that Edo society was "free" when it was extremely restrictive for anyone other than the samurai class, who had the power of life and death over most people of lower rank than themselves is a bit surprising to me. Contemporary Japanese society retains many of the prejudices from the Samurai era, and the top-down management approach stifles creativity and competition. Japan's work culture lead to the coining of a word for "death by work" as well as a term for people who shut themselves off from society.
A lot of ukiyo-e was popular because it gave common people an affordable glimpse into a world which they idolised and could probably never experience themselves. In that respect, it was a kind of escapist fiction. Today, a lot of young people (mostly male) lose themselves in manga and anime to escape from an existence with little work-life balance; where they are a slave to the education system or their employer. Please don't tell me that this is an invention of the western media when I have had students falling asleep in classes because of lack of sleep due to the utterly unreasonable schedule they have every day. Don't tell me that the lack of work-life balance is an invention of western media when Japanese friends have had only Sundays as an option for anything social because they work most days until late at night and are as exhausted and time poor as the school and university students.
My comment was simply about the manga which Hokusai created, compared to the manga which exists in contemporary Japan and is popular for similarities in the oppression of the ordinary workers in the Edo period and now. You're more than welcome to disagree, but please don't simply dismiss my opinion based on assumptions which you made no attempt to validate.
Also - I am not pretending that "Western" society is better than Japanese society. There's lots of issues in "Western" countries too. It's not a question of "good and bad".
The original print must be m$ stuff. But can anyone say where the main block is kept?
They usually were chucked as soon as they were too warn to print from, and a new block was carved (often decades later) whenever the series was to be reprinted.
Source: David Bull, expert 浮世絵 (ukiyo-e) artist & historian.
It was customary as the process dictated, to glue the original to the block and cut the master block, destroying the original. Hokusai originals do exist, often insets, where it never proceeded to the woodblock stage.
These were not highly valued as art, but more like graphic novels or magazine covers these days.
As far as the master block, they were made from cherry and often "re-used" by sanding them flat and cutting a completely new print image on the block.
Some well known or prints designated as more valuable were used and re-used to the point of being worn on the edges or warped. This can be seen on some woodcuts where the fine line edges don't have the fine razor sharp edges that are a feature of earlier prints.
Old blocks are extremely rare and seeing that Hokusai alone created tens of thousands of unique printings in his lifetime, it's easy to see why.
nice place, if you go to indonesia don't forget to visit museum of fine arts in old town of jakarta
#krishanantodaily
QUEEFIE love Hokusai!!
47:00
SKIP TO THE 9:00 MARK. CHRIST.
18:30
12:20
Uhhhumm
Y
Uhn ah, em, tsk... mcdonald's.
A woman talking about one of the most important artist of ancient Japan.... I don´t believe so this is fake
What the hell are you talking about?
Oh right, it's the woman who refuses to say centuries, but says something hundreds instead. I can't take any lectures by this person seriously as a qualified person myself. It's an insult to the profession.
You keep posting this idiotic comment on all of her lectures - hard to take YOU seriously. Keep focusing on the big stuff
The same information is communicated. Can you explain why it matters? Sounds like elitist nonsense to me.
What's up with centuries?