Der Leiermann
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- Опубліковано 6 жов 2024
- Der Leiermann, 24th Lieder from Die Winterreise, Music by Franz Schubert to a poem by Wilhelm Müller, performed by Dietrich Fischer-Dieskau (baritone) and Alfred Brendel (pianist).
If you enjoyed this and wish to see/hear more, please buy or rent a full account of the song cycle, whether it is from this specific DVD, or from another recording,
My mum used to sing this song to me as a child when I couldn’t sleep. I remember thinking about those lyrics for hours and hours, a hauntingly beautiful melody
That is an....interesting choice for a lullaby.
It’s a rather horrifying and nihilistic song for a lullaby, no??
@@danielakerman8241 Germans really like writing nihilistic songs for children, like "Ich hab' die Nacht geträumet" which is a folk song written for children about having a dream about your lover dying.
Scary lullaby.....hard to sing it pp !!
@@s1nd3rr0z3 this song wasn’t written for children. It was written for the 19th century music parlor or the recital hall. Schubert wrote the song knowing that he was dying and the song depicts a cold, unfeeling world and implies the protagonist’s ultimate demise from his broken heart… not sure why anyone would sing their kids to sleep with that! 😝
If this music doesn't break your heart, you have no heart. Incredible.
The story is sad. But I found it hilarious that some guy thought the lyerman was the most pitiful thing ever and wrote a song roasting him talking about how no one wants him not even the dogs. Almost 200 years ago the writer of this song must've hated that guy.
@@PyroniusRex
Obviously you did not listen to the complete Winterreise and don't understand what this lied is all about.
Also, besser mal nichts schreiben.
@@humanbeing1675 Das Lied ist super, aber ein klares Nein zum Leierhass
Even though I'm not European, but love the song very much, it's make very sad but love it
@@PyroniusRex nah I believe he finds comfort in the lyermann and asks is he will walk with him until he dies?
He did more than just sing, he took us to the scene.
Dear Opera Life-oh yes. The song plus that stare and intense face conjures up the image of freezing a pitiful death.
He was the GOAT
I relate to this song in ways I fear I shouldn't.
When I was a kid, I knew well the songs of beggars grinding away at their guitars' strings as the winter cold set in. I was told to not even make eye contact with them by my parents.
But then, when I started to run away from school, they were the among only people I could turn to and trust.
And so I went with the strange old men, and to their songs I lived the darkest years of my life.
When I was a child in Paraparaumu in New Zealand there was a tramp known as Mr Hoskings. He always had sweets for the kids. No children feared him. No parents feared him. When he appeared there was a lot of noise. In hindsight (2024) these were good times.
His face froze with the tragic of the song, mesmerzing, fixating, devastating. No one else can ever interpret this song better.
Forever Dietrich Fischer-Dieskau !
Blixa Bargeld
ua-cam.com/video/pze4NxCOjg0/v-deo.html&t=1m55s
This Version is also nice in my opinion
@@dennisvlasten1258 Very nice, indeed. Quasthoff conveys the sadness in the song very beautifully. But DFD gives you that too plus he makes you realise it's minus 10 and freezing....
@@dennisvlasten1258 Thank you!
Great words.
This one is for eternity.
A song that tears at the soul, sung with all the heart and wrenching emotion by an artist who can match the majesty of this tale of grief.
What gets me about this song is in the last line, which changes the viewpoint from us pitying the leierman to us, the poet/composer/singer casting our lot with his. It is our song the world disdains, it is we who stand in the cold, singing the only song we can.
Excellent performances from all.
absolutely right. not many can see this...
+Sebastian Meyer I just saw it and I got the Schubert Lieder at last. The poet deserves credit too for such an amazing piece.. hard to imagine anyone singing more effectively either.
I rather see death himself talking to him in the last line...
+Wonziba I'm inclined to think both interpretations are correct. The theme od Die Winterreise is a descent into despair and death, but a lot of Schubert's frustration as an artist shows in this piece.
*Der Leiermann was a necromancer, summoning evil spirits ! That's why dogs were snarling around him !*
Few besides Schubert could use simplicity so powerfully as in this song. Hearing it sung by one of history's greatest talents is a real treat.
OlDoinyo Yes, and in this song the piano has a minimum intervention, suggesting the old hurdy gurdy sound and the misery of the musician. What is more heartbreaking is that the poet's question remains unanswered.
The great film In Bruges brought this great Lied of Schubert's to a wider audience. Both deserve recognition for their exceptionality.
I'm thankful he was here, but I still can't believe he's gone. That whole generation that taught me how to love music. Nearly all of them gone.
So so sad; heart-wrenching; and yet somehow so beautiful too. What a song! Genius Schubert! Fischer-Dieskau just perfect!
That to me - is the Beauty of the Catharsis that the song so poignantly delivers
Exellent concetration and he has the story in his eyes all the time
just so poignant and beautiful and that teutonic fixed gaze is just something to behold ..
truly a master-class performance, it really is the little things that make it, things that go beyond musical talent. his icy dead stare he never breaks, or the way he tremolos and rolls his R as he sings of snarling dogs, truly beautiful.
such a beautiful simplicity to the fixed gaze
What wonderful tone on that piano. Like bells. Fischer-Dieskau is amazing as always.
What an artist the man was! My only problem with his singing of lieder is that I have difficulty listening to anyone else singing them- his voice and interpretation are so much in my head, and he reaches such perfection. I know it isn't fair, and I have heard other great performances, but only Fischer-Dieskau reaches this level of perfection to me.
l agree you
I agree but dfd has a particular voice, and other versions can be good to acknowledge all the aspects of Schubert’s music. Hermann Prey or even tenors like Wunderlich have very good interpretations.
A Toon's Legacy: Oh, yes, absolutely, agree so much with what you are saying!
Give Ian Bostridge a listen, well worth your time, in my opinion ua-cam.com/video/tnuvs2w7ges/v-deo.html
I feel exactly the same. I cannot hear any other singer now. He was the greatest.
How can something be so painful and beautiful at the same time? Such are paradoxes of great art.
Schubert's piano accompaniments to his songs are one of the things that lifts them to the heights of greatness. That little grace note and mournful scrap of melody that the piece opens with really set the mood.
Greatest songwriter of all time. Wonderful performance.
Ich habe versucht es zu singen aber an so eine Leistung komme ich weiß Gott nicht heran. Einer der großartigsten Baritone die diese Welt gesehen hat.
There, behind the village,
stands a hurdy-gurdy-man,
And with numb fingers
he plays the best he can.
Barefoot on the ice,
he staggers back and forth,
And his little plate
remains ever empty.
No one wants to hear him,
no one looks at him,
And the hounds snarl
at the old man.
And he lets it all go by,
everything as it will,
He plays, and his hurdy-gurdy
is never still.
Strange old man,
shall I go with you?
Will you play your hurdy-gurdy
to my songs?
Why are your lyrics different to the ones in the video? Which is right
In Bruges is a great movie. But like usual, the overwhelming greatness of a single, brief musical selection leads one, intrigued, down an unexpected alley towards something timeless; an overgrown, lamp-lit path from times gone by that won't leave one's soul alone, and that one must seek out...
sowohl zu dieser komposition als auch zu dieser stimme kann ich nichts mehr sagen. mir fehlen wie immer die worte, wenn ich dieses stück höre! ein wahres meisterwerk.
Ich bin türke und finde, dass dieses lied absolute weltklasse ist.
What an extraordinary performance! The range of color, and nuances are just stunning. Such a haunting piece, in this interpretation.
Dieskau was a god. I am utterly devastated in the best way by his performances. Brilliant and beautiful.
yes
I shiver at the first chord. Wonderfull music.
Danke, Herr Fischer-Dieskau ganz herzlich für die Tolle Musik. Ruhe in Frieden.
We have lost such a beautiful voice. Thank you, Dietrich, for sharing your gift with us while you lived. You have been a huge inspiration to me in my own study and performance.
Abfallende Quinten, die die Trauer und Verlorenheit symbolisieren. Sehr schön und mit tiefen kongenialen Verständnis gesungen. Dietrich Fischer Dieskau Schubert Interpretationen und sängerische Ausdruckskraft haben Standards gesetzt für alle nachfolgenden Sänger des romantischen Repertoires. Großartiger Sänger und hervorragende Interpret.
Never heard this before!!! just wow can't stop listening to it..Outstanding voice.
Superb - very atmospheric and strange and beautiful piece of music to end Schubert's great and mysterious song cycle
Fischer - Dieskau und Thomas Quasthoff sind für mich die besten Interpreten dieses Liedes. Zwei ganz Große der Liedinterpretation, die berühren !!!!
"Wunderlicher Alter, soll ich mit Dir gehen?"
Die Antwort ist dann wohl ja.
RIP Fischer-Dieskau.
Einfach unglaublich schön gesungen Bravoo
A masterpiece! When the artist being Schubert or Muller or Dietrich Fischer, etc. looks back, in late life and takes stock of his existence, his hard journey, his losses, the perception of his contemporaries of him and his work, and his sad ending and oblivion. It’s like Dietrich is singing for himself and recalling a personal experience he had two hundred years ago, composed by Muller and Schubert.
I feel that too very much, his disabled brother starved during the war and his wife died in childbirth - his son was named after him.. just seeing his 2000 mile stare.
Wenn ich dieses Lied höre, fühle ich mich schmerz. Er sing sehr kalt und berührt mein Herz tief, obwohl er nicht mit dem schwungvollen Gefühl singt. Man verfallt sich in Einsamkeit und findet das Selbst.
THE LIEDER OF SCHUBERT, THE TALES OF WINTER ARE MY FAVORITES. TRANSMIT A FEELING MELANCHOLY OF SEASON AND GERMAN. DER LEIERMANN is GORGEOUS! AND SUNG BY DIETRICH IS SPECIAL.
THE MOST BEAUTIFUL OF ALL Der Lindenbaum is! THANKS FOR THE POST! BRAVOOOOOOOOOOO
Grandios! Niemand konnte und kann so singen!
Mehr Ausdruck und Gesang geht nicht.
Well My name is SOUHAIL ELMAKHLOUFI IM FROM MOROCCO 🇲🇦 , KENITRA CITY AND THIS My favourite music ever
IS THERE ANY Moroccan knows this song or just me 🙄 ?
Nobody is able to encapsulate such deep pain through music the way Franz Schubert did.
A magnificent performance by two magnificent performers. Bravo.
RIP to this wonderful musician. His legacy will live on for many generations.
I love the sound of German and I speak very little of it. I LOVE german opera.
Atemräubend, breathtaking, sublime...
There is a kind of medieval feeling to this lieder, what a powerful interpretation.
Candid Falcon the leier or hurdy gurdy is a medieval instrument
I never before heard this song so beautiful! My greatest respect! Truly outstanding!
Stunning! It is a struggle to summon the literary skills to provide an accurate word picture of the bleak scene that this rendition evokes. So profoundly haunting! The expression on the face of DFD is so telling.
"Magico vecchio, devo venire con te? Vuoi far girare la tua ruota per accompagnare il mio canto?" Il grande Fischer-Dieskau ci accompagna ancora con la sua arte.
This is just tearjerking. Especially when you consider that this is _the last composition that Schubert ever wrote._
Can't have enough of this song. Superb lieder!
He does nothing with his arms or body. Only his eyes shine with hope or fade in the end. Он ничего не делает телом, руками... Только его глаза загораются надеждой или гаснут к концу... Гениальное просто.
Die Winterreise von Schubert ist eines seiner ergreifendsten Werke. Mir geht's unter die Haut .
Dem stimme ich voll zu, und so wie es Dietrich Fischer-Dieskau singt, berührt es das Herz. Ich musste es jetzt 4 mal hintereinander anhören und ansehen, so eindrucksvoll wirkte es auf mich. Und die Tränen strömen über mein Gesicht.
Ich werde alt. Da werden diese Lieder bedeutender als alles Sinfonien.
Du hast recht veilleicht ha
I love this song, I don’t know a word of German, but this is just beautiful to me. I really enjoy hearing it from various individuals on this You Tube forum, just great!!!
Very beautiful.
absolutely AMAZING performance, heavenly...
RIP, Dietrich. Obrigado por ter existido.
The way he shows emotion with his eyes...
A true performer. Even a continuous close-up of 4 minutes long keeps exciting.
He sings this song perfect. He has so much raw emotion going into it. I'm in love
a truly stunning performance. Thank you for uploading.
Beautiful, and the drone on Brendal's piano is so evocative.
What a beautiful and moving song! Thank you for posting.
vous restez dans nos coeurs, nos oreilles et nos âmes pour l'éternité...
Schubert is a genius to come up with this simple depiction of a hurry-gurdy player rather than try to set the text in a more typical, melodic manner. Chilling!
The Hurdy-Gurdy Man: certainly the strangest & darkest tune Schubert ever penned!
Ce lieder me coupe le souffle...
La traduction qui suit est de Gil Pressnitzer :
« Là-bas, derrière le village, il y a un joueur de vielle / Et de ses doigts gourds il joue ce qu'il peut. / Pieds nus sur la glace, il va chancelant çà et là / Et sa petite sébile reste toujours vide. / Nul ne daigne l'entendre, nul ne le regarde / Et les chiens grondent après le vieil homme. / Mais il laisse tout filer, / advienne que pourra, il joue, et sa vielle jamais ne se tait. / Étrange vieillard, dois-je aller avec toi ? / Voudrais-tu faire tourner ta vielle pour mes chants ? »
#Schubert
#FischerDieskau
#AlfredBrendel
#Lieder
#DerLeiermann
#Music
Thibault Marconnet Merci pour ce texte. Mais à la fin, il demande plutôt: puis-aller avec toi? Ce qui n'est pas pareil que dois-je aller avec toi. Enfin, c'est comme chacun le ressent bien sûr.
A moi aussi ce lied me coupe le souffle et de plus, me fait monter les larmes aux yeux... C'est un lied très dur, pathétique, presque tragique.
Amitiés.
Bonsoir, C'est curieux, mais j'ai plutôt l’impression que l'homme supposé jeune, donnerait une ultime chance à cet homme dans le dénuement total de partir avec lui pour en faire son musicien pour accompagner ses propres chansons.
Car pourquoi voudrait-il partir vers la mort avec un vieillard? Mais sans doute suis-je ignorante et que le texte d'origine est ce que vous dites. Je ne le connais pas; mais je comprends un peu l'allemand. Ce qui n'est pas une garantie non plus bien que le texte soit simple, populaire.
Ma mère qui était Allemande, n'est plus, mais j'entends encore ses expressions. Par jeu, je vais tâcher de réfléchir :-) , à moins que quelqu'un ne vienne nous éclairer...
Bonnes Fêtes; amicalement.
Je sens que nous allons casser les pieds des autres personnes ici, avec nos mères Allemandes et nos avis!
La mienne, venait de Saxe, où je suis née aussi. Elle nous parlait toujours en allemand bien qu'elle ait très rapidement appris le français, en 6 mois, écrire aussi. Entendre le son, les mots, j'adore cette langue viscéralement. C'est comme une peau collée sur moi. Mais je n'ai pas votre culture littéraire, du tout, hélas.Respects! Je connais tous ces auteurs de noms, ainsi que leur renommée.
Toutefois, j'aurai changé juste quelques mots tout de même. L'homme plus jeune veut donner sa chance au vieillard, il a surtout besoin de lui.
Wilhelm Muller avait dix-huit ans quand il a écrit ce texte., je l'ai découvert au conservatoire, j'avais 23 ans. je me suis, de suite, identifié au premier vers du cycle : " étranger je suis arrivé, étranger je m'en vais.", mon professeur, Monsieur Girard, trouvait cette littérature médiocre et André Charlet en disait à peu prés la même chose. Quelle surprise, dix ans plus tard quand Roland Barthes , me parlant de ce texte employa le terme de chef-d'oeuvre. Ainsi, tout est ouvert, chacun porte cette chanson dans son coeur. Pour ma part, je n'ai jamais osé la chanter, malgré son apparente simplicité. C'est trop grand pour moi.
@@sucredorge6361 "sollen" a le caractère d'une obligation morale ;"dois-je" me paraît donc bien traduire l'idée ;pour ma part, c'est ce que j'ai choisi. Mais il arrive bien souvent que la théorie et l'usage...
ça fasse deux. Amicalement.
What a voice this man had! I have loved it since I was a young man, 65 years ago, at least.
Braaaava wunderschön eine fantastische gesantechnick und tolle aussprache woow einfach diskau
Adieu Maestro ,et mille fois merci
Immenso interprete.
Ipnotico.
Dieskau is a true master . . . he was born to sing this cycle . . . born to sing Schubert . . . among others . . . Die Winterreise is, by far, my favorite song cycle by any composer . . . and this my favorite song of the cycle
Wasn't this the great baritone's last taping of the song cycle? Even so he brings a lifetime of living with this wonderful music. In the 70's he came to Los Angeles twice, once for this music and later a performance of Das Lied with Jon Vickers who unfortunately was ill he evening I went and was replaced by Helge Brilioth who had great promise but alas flame out. Still hearing DFD is something I will never forget.
My God, so much power, emotion and metaphoric meaning, with so little musical fuss!
Schubert put even the pedal note of the hurdy-gurdy to sound during the entire music, masterpiece.
Absolut großartig!
The celestial and the dark merge in this wonderful piece of music
I will always be frustrated and sad that Schubert died too young. It's just not fair, really not fair....
2:42 Uhr. Ich kann dieses Lied nicht loslassen. Müsste eigentlich schlafen. Doch es ist zu schön.
Ich musste es mir jetzt 5 mal hintereinander ansehen und anhören, so hat es mich gefesselt. Eindrucksvoller geht es nicht.
The late Dietrich Fischer-Dieskau was known as the finest interpreter of Suchubert in our time.
There's a reason for that.
Divino, transcendental.
A timeless masterpiece where composition and performance align in perfection.
Whenever the lonliness overwhelms me i come here.
The first notes always give me intences emotions. Music of the Soul
Die Todessehnsucht spiegelt dieses Lied wieder. F.Schubert wurde nur 31.Jahre jung!!!!
Das ist sehr kaltes trauriges Lied. Ich bekomme fast Schmerzen.
One likes to think that both Schubert and Maestro Dieskau have found rest in heaven.
ich finde teilweise ist deutsche oper ein wenig schwer zu verstehen wenn ein ganzes orchester dabei ist... :) aber ich finde es schön das es auch menschen in (America?) gibt die der meinung sind das die deutsche sprache schön ist... :) ich liebe deutsche sprache... :) danke :)
"Wonderful" is not enough.
@Jonathan Beck Evidently, the mask is blocking the passage of oxygen to your brain....
I’m on the verge of tears.
„Er sang uns nun mit bewegter Stimme die ganze ‚Winterreise‘ durch. Wir waren über die düstere Stimmung der Lieder ganz verblüfft, und Schober sagte, es habe ihm nur ein Lied, ‚Der Lindenbaum‘, gefallen. Schubert sagte hierauf nur, ‚mir gefallen diese Lieder mehr als alle, und sie werden euch auch noch gefallen‘; und er hatte recht.“ - so berichtet Spaun, was in Frühjahr 1827 passiert hat. Kein Wunder, dass mehrere Leute heute auch genauso fühlen und "Lindenbaum" wie ein Volkslied beliebt wird.
Das stimmt. Und Schubert schickte seinem Freund Lachner mit sechs Liedern von Winterreise für Verleger Haslinger. Haslinger zahlte ihm nur einen Gulden für jede Lied. George Grove nannte die Verleger als "Blutegel"
SO Beautiful Thank You
The 79 dark, ignorant, and soulless entities who voted this thumbs down must be insane.
I'm currently learning this song. Its so beautiful.
I am also, have you done well?
R.I.P. und vielen Dank.
Amazing I just can't comprehend why anyone would dislike this
Next to his 1948 interpretation of "Ständchen" from Schubert's "Schwanengesang," this is easily my favorite Lied. He puts tremendous emotion into the song. Clearly, he identifies profoundly with its theme.
There's a tendency for people to long for Olden Days when people were happy.
-if you listen to "Die Winterreise" and maybe read "Crime and Punishment", you can cure yourself of this pretty quickly!
Beautiful.