While i totally agree that the technical standard has digressed.. I'm shocked by how many negative comments there are on this performance. This is the problem with why opera seems unaccessible for most. The attitudes and know-it-alls make it appear that way. Yes things have changed and I wish the golden era of technique was still the baseline standard, but there is still beautiful singing happening and artists are trying their best while accommodating to a completely different lifestyle that wasn't even possible 100 years ago (traveling constantly, meeting the demands of the stage and the theater screen, being more versatile in acting, etc.). You have to weigh all of these tough factors into what a career takes before harping on the fact that someones vibrato may sound a little wobbly... We should all be a little more kind to the people who are taking the risk to expose themselves in order to communicate beautiful music and story telling.
Aaron Cooker You are absolutely right! There are many fine singers today, and I’m happy to pay good money to see them in the theater. Angela Meade is one of them. If you go to any opera clip on UA-cam, you’ll often find losers who live only for the past. And even worse, the Callas-worshippers who are suffering from cult psychosis. If Callas farted, they’d say it’s the most musical artistic fart they’ve ever heard!
@@wotan10950 I couldn't agree with you more, I got the opera bug at the age of 16 and I'm 25 now. I love some of the singers of the past but I also love the singers of today such as mead, dessay, damrau, netrebko and so on. I hate looking at klips on youtube and seeing all these nasty comments from people who seem to think that opera is ment to be kept in the past and I'm sorry but I'm not a big fan ofCallass either. I don't understand why so many people are.
Hailey Hoopes It’s always great see new opera fans. I hated opera till I went to college and accidentally saw a performance. I enjoy many of today’s singers very much. As you said, I don’t understand the Callas worship. I think she was awful, and the same people who genuflect would laugh and boo her off the stage if she made her debut now.
@@wotan10950 I'm blind so I can't see her but her voice is lovely and its people such as the people in these comments that make so many in my age group think opera isn't for them and that pains me very much. I'm just wondering, do you think its silly for a blind person to injoy opera as I do?
Hailey Hoopes I don’t think your enjoyment is strange at all. One of my most amazing memories is attending the Met to see La Boheme. At the end of the performance, I heard a soft bark near me. It turns out that a blind lady attended the performance with her Seeing Eye Dog, a German Shepherd. He sat silent under her seat during the entire show.
Maybe she was too closely miked. There is a monochrome quality to the tone. This voice will no doubt thrill in the concert hall like in this performance but if captured specifically on tape or recorded for posterity all the flaws will be badly exposed.
4 роки тому+2
@@chatbud excuses excuses... not a mic setting, just bad technique
Listen to her in the bel canto repertoire. Her Ermione is wonderful. In Paris she has just had a triumph in this terrible part. A real drammatico di agilità.
What??!!! She left the stage without shaking hands with the conductor or concert master? I for one, think that is very bad form. Or perhaps it was edited out of this video clip?
At least she wasn't out of tune - like Netrebko. That being said, this isn't a patch on Renata Tebaldi, Leontyne Price, Antionetta Stella, Maria Callas, even Mirella Freni and Montserrat Caballe.
@@whatyalldoing7012 yes you can LMAO in fact, in opera you're SUPPOSED to have both: great low and high notes. ill do ya one better, i'll name singers who can sing better than her. WATCH ME GO Maria Callas, Birgit Nilsson, Zinka Milanov, Montserrat Caballe, Renata Tebaldi, Kirsten Flagstad, Claudia Muzio, Eileen Farrell, Margaret Harshaw, Ghena Dimitrova, Magda Olivero, Edda Moser, Cristina Deutekom, Giulietta Simionato, Elena Obraztsova, Fedora Barbieri, Tatiana Troyanos...
Altonahh10 you’re very clearly obtuse. They are saying she doesn’t articulate the word Maledizione. She is ending up saying “malezione” instead. I mean fuuuck, I know some sarcasm is lost in text but c’mon...
Too bad sound engineers don’t know how to mic and record performances nowadays. The singers from Lincoln Center NEVER sound the same on these recordings as they do in the theatre and it does them and the art from a HUGE disservice. Posting performances which misrepresent the artists vocal ability and actual sound in the hall makes me sad for great voices like Ms. Meade, who deserves a better quality recording of her work.
Did anyone ever hear of ROSA PONSELLE? This performer is a LYRICO SPINTO as heard by her bottom notes.Making a louder tone DETRACTS from the basic quality of the voice.
Njce voice... but it isn't dark enough or she sounds too light for this and ghis needs more voice or a dense voice. Didn't like it. I don't think it is an illness but she has gained weight. I really don't care about sizes when someone has an incredible voice but is too much!
There are so many good recordings - why should they be added by another mediocre production? I find Meade a bit vulgar with a voice that´s always going to be too forte instead of balancing it. So there´s a lot of "big mouthing" but not enough soul. Not to mention the intonation and some other flaws.
Whenever a singer is singing loud people applaud. Meade at least understands that concept. Her different Leonoras only have one message: Loud, louder, the loudest!
better in this rep than bel canto. the voice is more cutting, in-your-face. she doesn't have the polish for bel canto, not by a long shot. I'd like to here more of her in this rep. the voice sounds more at home.
Joy Juaneza It's not. Maybe too bright but voice is big if you listen to her in opera ensambles. This aria is not about producing a big sound except for maybe the final note. Her voice has a spinto size but a lyric timbre.
callastoujours Absolutely right! And while I don't think Callas's 'Pace' is vocally at the level of Ponselle or Tebaldi, she is the one who invests so much truth into the entire narrative that I am absolutely convinced by her interpretation.
My favorite singing on this aria "Pace Pace Mio Dio" in order of my goosebumps: Caballe, Price, Tebaldi, Ponselle, Ghregouri, Callas barely makes the grade for my ear, though she is always hailed as the epitome Leonora!!!!!!! That's on the big stage in the big houses; step down just one notch to NY City Opera and you have one of the best Leonoras to ever sing Pace Pace, the late great Miss Alpha Floyd. Move on to the west coast and there the great Ella Lee! There have been some divas out there that can sure enough do this aria without any orchestral edit in order to be grand with the final B-flat!
Leontyne Price is 90. Should we stop going to opera ? Angela Meade is one of the few exciting sopranos today. She is not perfect, she is better than that.
The standard has been dropped ridiculously in Opera. This woman has not lost absolutely anything in any operatic stage. Also, while she may be a big girl, she is an authentic lyric soprano farrrrrrrr from a Spinto! She also lacks finese, her voice is all over the place. Her singing is not classy or interesting - she is singing wrong repertoire.
Callas was superhuman. What she achieve vocally will NEVER again be repeated, ever and this with an actual authentic dramatic voice. Not a Spinto voice, Callas had a solid dramatic voice with natural coloratura. Listen to this recording with headphones: ua-cam.com/video/okWyIUHTDHQ/v-deo.html&app=desktop Then come back to me with somebody who comes close to her toes!
@@wotan10950 you can make the case she had an unusual or unappealing voice, but she was a fantastic singer. many opera singers record better live. listen to her redordings from the 50s (particularly the early ones) not 60s and 70s.
@@beachfanatic2010 She wobbles on the high notes and always did. She pushed her voice to an unhealthy degree. She is not and never was a dramatic soprano in the classic sense, but used her voice dramatically. Her career was quite short because of oversinging very strenuous repertoire. But as an artist and musician, worthy of the highest respect.
While it's great to see some full figured people back in the spotlight Meade's voice is rather monochromatic much like Radvanovsky's. With the pitch problems already surfacing I doubt she'll be around for very long.
The difference is that Sondra actually possesses a real Spinto instrument in her while this Meade woman has a light lyric instrument forcing it to be a Spinto due to her massive size.
Where is the lie? This woman is too big to be true! She looks extremely unhealthy! Not a good role model for any singer and she is so young. Even Caballe had a slender curvy figure at Meade’s current age. Caballe became a hippo much much later when she was in her 60’s. This woman’s voice is horrible!
non rispetta la partitura. una interpretazione freddissima ,tutto calcolato nessuna spontaneità artistica. questa bellissima giovane donna deve cantare Turandot... non mi piace affatto .
deve cantare turandot?? sempre ho saputo che lei era un po' sordo ma adesso.. anche pazzo??? lei ha una bella voce, pero' piccola.. nel suo requiem gia' non la ascoltavo niente nel Libera me...adesso, una voce per Turandot??! behh
@@rnerse il fatto che sei un Grande ignorante lo sano tutti . visto che non sai leggere tra le righe ... solo un dilettante volgare del tuo genere può ''immaginarsi '' che questa vocalità può interpretare Turandot. hai una immaginazzione infinita caro mio giovane dilettante . piccolino ignorante , io parlavo dell'interpretazione freddissima ! ... non vedi i puntini alla fine del mio commento o sei cieco ?!... e basta seguirmi , ti sei innamorato di me piccolino ?!... trova ti un'altro ''amore'' ... il vecchio P.S. prima di darmi del ''pazzo'' quarda ti nello specchio ...
shameful.. she bottoms out in the lower register.. its like a splat! so many singers just ignoring the beauty of a complete vocal line!! way too much weight in the sound... its hindering her spin and her vibrato is uneven because of it. met worthy? i think not.. unfortunately, I haven't heard too many who are.
MrSkylark1 Absolutely no wobble! But she's got a vibrato which not everybody likes. On some recordings it can sound almost rabbit like but not always. Her coloratura and upper extension is sometimes just fabulous!
terryble..... shameful and she is the winner of the Metropolitan Opera’s 2012 Beverly Sills Artist Award and the 2011 Richard Tucker Award. Poor opera!!!! What could we do? It's terryble...
There is wrong balance in her voice, making it too sharp too much through the nasal space/mask.. Rendering low notes inaudible, must say the only note that is endurable is the first note, which lies around the middle voice and the only note that sounds balanced. Too much on the face, not enough support from the body. Terrible...
Horrible singing, lack of all fundamentals of a good voice, like squillo, appogio, chiaroscuro, chest voice, open throat and I can continue... Shame how these modern singers have destroyed the long tradition of amazing operatic voices. Try listen this aria with Callas, Tebaldi, Caballe, Souliotis, and so on
Amazing! !!! mind officially blown...
That last note shoot me out of my apartment 😃 actually that last note was so good that the rest of it didn't matter.
Brava Angela!!! Grande voce!!!
While i totally agree that the technical standard has digressed.. I'm shocked by how many negative comments there are on this performance. This is the problem with why opera seems unaccessible for most. The attitudes and know-it-alls make it appear that way. Yes things have changed and I wish the golden era of technique was still the baseline standard, but there is still beautiful singing happening and artists are trying their best while accommodating to a completely different lifestyle that wasn't even possible 100 years ago (traveling constantly, meeting the demands of the stage and the theater screen, being more versatile in acting, etc.). You have to weigh all of these tough factors into what a career takes before harping on the fact that someones vibrato may sound a little wobbly... We should all be a little more kind to the people who are taking the risk to expose themselves in order to communicate beautiful music and story telling.
Aaron Cooker You are absolutely right! There are many fine singers today, and I’m happy to pay good money to see them in the theater. Angela Meade is one of them. If you go to any opera clip on UA-cam, you’ll often find losers who live only for the past. And even worse, the Callas-worshippers who are suffering from cult psychosis. If Callas farted, they’d say it’s the most musical artistic fart they’ve ever heard!
@@wotan10950 I couldn't agree with you more, I got the opera bug at the age of 16 and I'm 25 now. I love some of the singers of the past but I also love the singers of today such as mead, dessay, damrau, netrebko and so on. I hate looking at klips on youtube and seeing all these nasty comments from people who seem to think that opera is ment to be kept in the past and I'm sorry but I'm not a big fan ofCallass either. I don't understand why so many people are.
Hailey Hoopes It’s always great see new opera fans. I hated opera till I went to college and accidentally saw a performance. I enjoy many of today’s singers very much. As you said, I don’t understand the Callas worship. I think she was awful, and the same people who genuflect would laugh and boo her off the stage if she made her debut now.
@@wotan10950 I'm blind so I can't see her but her voice is lovely and its people such as the people in these comments that make so many in my age group think opera isn't for them and that pains me very much. I'm just wondering, do you think its silly for a blind person to injoy opera as I do?
Hailey Hoopes I don’t think your enjoyment is strange at all. One of my most amazing memories is attending the Met to see La Boheme. At the end of the performance, I heard a soft bark near me. It turns out that a blind lady attended the performance with her Seeing Eye Dog, a German Shepherd. He sat silent under her seat during the entire show.
Excelente!!!!
"Podrás superar a tu ex pero NUNCA está nota final..." #Bravisima!
BRAVA!!!😮☺️
Magnífica k extensión de voz brabo Estados Unidos
She is thrilling! Thank God there are current singers who are still able to take your breath away!
BRAVA~! Meade is a true force of nature!
magicmonkichi leaving behind all the fantastic singers of the past.... Angela Meade is one of the best today
At least to me.
?????????.....
But as sheer sound, Ms. Meade's voice is not beautiful; the final B-flat is little bit out of control.
Wow voice ❤❤❤❤
her semi low registers and pianissimo is stupendous, smooth mezzo voice, and delightfully brisk high notes, bravo
an andy but she’s a soprano though.
That was awesome!
Very unattractive vibrato to my ears...so much spread in such a young voice.
Maybe she was too closely miked. There is a monochrome quality to the tone. This voice will no doubt thrill in the concert hall like in this performance but if captured specifically on tape or recorded for posterity all the flaws will be badly exposed.
@@chatbud excuses excuses... not a mic setting, just bad technique
Desmond P T nothing to do with mikes
Gundam Thunderbolt brought me here. Amazing how that works.
I love how the voice always always has a core/pin point focus....squillo
there is no squillo in this voice. it is nasal and has ugly metallic noise because of constriction.
theodore braden whaaaaaat! There isn't a tiny tiny bit of squillo/focus in this voice
Es bellísima👏👏👏👏👏👏👏
WTF I really need go to hear Renata tebaldis version , what’s Regis weak version with fake and woofy voice
That mic was hot! Beautiful singing though!
A viva voces👏👏👏
Che voce incredibile! Grandissima
AMAZING AMAZING AMAZING ! THIS GIRL IS UNBRAITHE TAKING!
After Leontyne price.....someone finally got it 👏👏
One of the greatest sopranos singing today. Every technical challenge of this fiendishly difficult aria were mastered beautifully.
Quelle puissance vocale!! Impressionnant!
Listen to her in the bel canto repertoire. Her Ermione is wonderful. In Paris she has just had a triumph in this terrible part. A real drammatico di agilità.
What??!!! She left the stage without shaking hands with the conductor or concert master? I for one, think that is very bad form. Or perhaps it was edited out of this video clip?
I was surprised with the audience's ovation. Great singer but they went crazy..
At least she wasn't out of tune - like Netrebko. That being said, this isn't a patch on Renata Tebaldi, Leontyne Price, Antionetta Stella, Maria Callas, even Mirella Freni and Montserrat Caballe.
XxSaruman82xX Angela Gheorghiu has the best version of this area!
this is supposed to Spinto/dramatic sopranos, no?
Huh that's amaizing!😮
Barva barava!😌🎶
Very Good interpretation but the deep resounding richness that surrounds the notes will come in time. Bravo.
She is for Verdi ~ Well done~
Her chest voice is very weak.
Her whole voice is weak. Shame, she had a big potential when she started, but modern quackery of pedagogies ruined it all.
You can’t have it all but she is still fucking great name some singers that can sing like her exactly
@@whatyalldoing7012 yes you can LMAO in fact, in opera you're SUPPOSED to have both: great low and high notes. ill do ya one better, i'll name singers who can sing better than her. WATCH ME GO
Maria Callas, Birgit Nilsson, Zinka Milanov, Montserrat Caballe, Renata Tebaldi, Kirsten Flagstad, Claudia Muzio, Eileen Farrell, Margaret Harshaw, Ghena Dimitrova, Magda Olivero, Edda Moser, Cristina Deutekom, Giulietta Simionato, Elena Obraztsova, Fedora Barbieri, Tatiana Troyanos...
Who's conducting?
Emmanuel Villaume
what does 'malezione' mean? what happened to the the lady's neck?
other than that i like this version
"Maledizione"... is something like Goddammit. A maledizione is a curse.
Yes I know... but the question was what 'malezione' is supposed to mean;)
It was a rhetorical question BTW ;)
It´s a curse spoken upon you by somebody else. It´s not cursing for yourself.
Altonahh10 you’re very clearly obtuse. They are saying she doesn’t articulate the word Maledizione. She is ending up saying “malezione” instead. I mean fuuuck, I know some sarcasm is lost in text but c’mon...
WOW!!!!
she's got it
DİVA
Too bad sound engineers don’t know how to mic and record performances nowadays. The singers from Lincoln Center NEVER sound the same on these recordings as they do in the theatre and it does them and the art from a HUGE disservice. Posting performances which misrepresent the artists vocal ability and actual sound in the hall makes me sad for great voices like Ms. Meade, who deserves a better quality recording of her work.
Marsha Marsha Marsha it sounds bad because she has bad technique lol
I always thought that Tebaldi Callas Price are best performers of this aria now I can add another name to the list brava meade
Me too!!!!
I heard her as a student, she is maturing nicely.
one of my favorite renditions. such. poise.
Did anyone ever hear of ROSA PONSELLE? This performer is a LYRICO SPINTO as heard by her bottom notes.Making a louder
tone DETRACTS from the basic quality of the voice.
She did good but Leontyne will always be the standard.
+Geronimo Larson In that case, what does "Pauce" (the first word sung by LP) mean?
Price was certainly right at the top, but you could say the same for Ponselle and Tebaldi.
Njce voice... but it isn't dark enough or she sounds too light for this and ghis needs more voice or a dense voice. Didn't like it. I don't think it is an illness but she has gained weight. I really don't care about sizes when someone has an incredible voice but is too much!
Unfortunately this is the type of voice that will only make it to the stage but won't make it to the studios...
There are so many good recordings - why should they be added by another mediocre production? I find Meade a bit vulgar with a voice that´s always going to be too forte instead of balancing it. So there´s a lot of "big mouthing" but not enough soul. Not to mention the intonation and some other flaws.
The vibrato…this is not a free voice.
Perhaps if I hadn't just finished listening to someone else sing this so very beautifully.....
That was terryble in so many ways that i don't know what to say...
Whenever a singer is singing loud people applaud. Meade at least understands that concept. Her different Leonoras only have one message: Loud, louder, the loudest!
Her high B flat is not really loud, louder, is it ?
No, it´s not loud. The entire aria is not well-balanced.
She's a dramatic... they're not "loud" in volume, it's just the amount of resonance she has.
She's singing with dynamics..
Allie Johnson She doesn't sound like a dramatic soprano though.
What's wrong with today's vibrato technique? It sounds fabricated and hollow.
Her voice has no squillo. See, actual natural vibrato and squillo go together.
because it is. the voice can't vibrate naturally if it's constricted.
This is fached up!
Canta bene! Ma purtroppo non è suo repertoiro! Lei non è un soprano lirico
Very bad Italian but what a voice !!!
Big wobble.
better in this rep than bel canto. the voice is more cutting, in-your-face. she doesn't have the polish for bel canto, not by a long shot. I'd like to here more of her in this rep. the voice sounds more at home.
I agree. Her voice is much too light for this role and perhaps for all of Verdi's heroines.
Joy Juaneza It's not. Maybe too bright but voice is big if you listen to her in opera ensambles. This aria is not about producing a big sound except for maybe the final note. Her voice has a spinto size but a lyric timbre.
Dragan Vidic she is miked lol
Sorry .......and the winner is Leontyne Price!
We have winners and losers? Like the Kentucky Derby? Honestly, Ponselle and Tebaldi were just as great as Price. And Meade ain't chopped liver either.
Of course not. The winner is every soprano who can stand and deliver with technique and passion to touch the audience.
callastoujours Absolutely right! And while I don't think Callas's 'Pace' is vocally at the level of Ponselle or Tebaldi, she is the one who invests so much truth into the entire narrative that I am absolutely convinced by her interpretation.
My favorite singing on this aria "Pace Pace Mio Dio" in order of my goosebumps: Caballe, Price, Tebaldi, Ponselle, Ghregouri, Callas barely makes the grade for my ear, though she is always hailed as the epitome Leonora!!!!!!! That's on the big stage in the big houses; step down just one notch to NY City Opera and you have one of the best Leonoras to ever sing Pace Pace, the late great Miss Alpha Floyd. Move on to the west coast and there the great Ella Lee! There have been some divas out there that can sure enough do this aria without any orchestral edit in order to be grand with the final B-flat!
Leontyne Price is 90. Should we stop going to opera ? Angela Meade is one of the few exciting sopranos today. She is not perfect, she is better than that.
The standard has been dropped ridiculously in Opera. This woman has not lost absolutely anything in any operatic stage. Also, while she may be a big girl, she is an authentic lyric soprano farrrrrrrr from a Spinto! She also lacks finese, her voice is all over the place. Her singing is not classy or interesting - she is singing wrong repertoire.
chosentenore And you consider Callas’s voice the standard?? I will never understand what motivates the Callas worshippers. I can barely listen to her.
Callas was superhuman. What she achieve vocally will NEVER again be repeated, ever and this with an actual authentic dramatic voice. Not a Spinto voice, Callas had a solid dramatic voice with natural coloratura. Listen to this recording with headphones: ua-cam.com/video/okWyIUHTDHQ/v-deo.html&app=desktop
Then come back to me with somebody who comes close to her toes!
Dave Glo well that just shows YOUR poor taste. I bet you adore Meade AND Netrebko.
@@wotan10950 you can make the case she had an unusual or unappealing voice, but she was a fantastic singer. many opera singers record better live. listen to her redordings from the 50s (particularly the early ones) not 60s and 70s.
@@beachfanatic2010 She wobbles on the high notes and always did. She pushed her voice to an unhealthy degree. She is not and never was a dramatic soprano in the classic sense, but used her voice dramatically. Her career was quite short because of oversinging very strenuous repertoire. But as an artist and musician, worthy of the highest respect.
While it's great to see some full figured people back in the spotlight Meade's voice is rather monochromatic much like Radvanovsky's. With the pitch problems already surfacing I doubt she'll be around for very long.
The difference is that Sondra actually possesses a real Spinto instrument in her while this Meade woman has a light lyric instrument forcing it to be a Spinto due to her massive size.
chosentenore Wow! It’s okay to denigrate a heavy woman, but if anyone dares to say anything about gays you’d go nuts! Actually, you’re already nuts.
Where is the lie? This woman is too big to be true! She looks extremely unhealthy! Not a good role model for any singer and she is so young. Even Caballe had a slender curvy figure at Meade’s current age. Caballe became a hippo much much later when she was in her 60’s. This woman’s voice is horrible!
This couldn’t be a more uninformed and inaccurate comment. 😂
She's got one of the most beautiful and unique voice techniques in this century's opera world.
Canta bene, purtroppo non è suo repertorio , la voce sia troppo leggere
it was okay.. her vibrato was too widely spread, like if she had old vocal chords, yet she's young...
She’s really BEAUTIFAT and has a great voice ❤️‼️
non rispetta la partitura.
una interpretazione freddissima ,tutto calcolato nessuna spontaneità artistica.
questa bellissima giovane donna deve cantare Turandot...
non mi piace affatto .
deve cantare turandot??
sempre ho saputo che lei era un po' sordo ma adesso.. anche pazzo???
lei ha una bella voce, pero' piccola.. nel suo requiem gia' non la ascoltavo niente nel Libera me...adesso, una voce per Turandot??! behh
@@rnerse
il fatto che sei un Grande ignorante lo sano tutti .
visto che non sai leggere tra le righe ...
solo un dilettante volgare del tuo genere può ''immaginarsi '' che questa vocalità può interpretare Turandot.
hai una immaginazzione infinita caro mio giovane dilettante .
piccolino ignorante , io parlavo dell'interpretazione freddissima ! ...
non vedi i puntini alla fine del mio commento o sei cieco ?!...
e basta seguirmi , ti sei innamorato di me piccolino ?!...
trova ti un'altro ''amore'' ...
il vecchio
P.S.
prima di darmi del ''pazzo'' quarda ti nello specchio ...
Mais c’est inacceptable !!!
De?
shameful.. she bottoms out in the lower register.. its like a splat! so many singers just ignoring the beauty of a complete vocal line!! way too much weight in the sound... its hindering her spin and her vibrato is uneven because of it. met worthy? i think not.. unfortunately, I haven't heard too many who are.
She is WOBBLING from PUSHING the VOICE to acquire a LARGER sound, the DOWNFALL of all singers.
MrSkylark1 Absolutely no wobble! But she's got a vibrato which not everybody likes. On some recordings it can sound almost rabbit like but not always. Her coloratura and upper extension is sometimes just fabulous!
Anna Netrebko is doing the same thing.
Dragan Vidic that is called a wobble my friend. If her voice was not constricted she would have normal/good vibrato
Horrendously bad. Callas's owns this aria
Crazy organist , actually Leontyne Price owns it .🤔
@@victordunson719
Callas, Tebaldi, Chiara, Nilsson own this aria, but Price doesn’t.
le falta práctica..
terryble..... shameful and she is the winner of the Metropolitan Opera’s 2012 Beverly Sills Artist Award and the 2011 Richard Tucker Award. Poor opera!!!! What could we do? It's terryble...
Simply awful. Meade has no clue on how to sing Verdi.
i don't like this. Her voice doesn't have the depth required to achieve the effect we like to hear
What a horrible joke of a singer. And she only gets worse.
Boring. Not the voice for Aida.
Terry Cloth this is "La forza del destino" not Aida
Very poor rendition.
Horrible
There is wrong balance in her voice, making it too sharp too much through the nasal space/mask.. Rendering low notes inaudible, must say the only note that is endurable is the first note, which lies around the middle voice and the only note that sounds balanced.
Too much on the face, not enough support from the body. Terrible...
Horrible singing, lack of all fundamentals of a good voice, like squillo, appogio, chiaroscuro, chest voice, open throat and I can continue... Shame how these modern singers have destroyed the long tradition of amazing operatic voices. Try listen this aria with Callas, Tebaldi, Caballe, Souliotis, and so on
🐷🐖🐽
That pair of watermelons tho.