This collection contains the first 2 out of 8 'Telemann: Overtures' CD's. Let us know if you enjoy these and want more parts on UA-cam! Tracklist can be found here: 00:00:00 Overture in D, TWV55:D18 for two trumpets, timpani, strings and basso continuo: Ouverture 00:05:09 Overture in D, TWV55:D18 for two trumpets, timpani, strings and basso continuo: Menuet I - Menuet II 00:08:11 Overture in D, TWV55:D18 for two trumpets, timpani, strings and basso continuo: Gavotte (en rondeau) 00:09:47 Overture in D, TWV55:D18 for two trumpets, timpani, strings and basso continuo: Passacaille 00:13:26 Overture in D, TWV55:D18 for two trumpets, timpani, strings and basso continuo: Air: Lentement 00:15:03 Overture in D, TWV55:D18 for two trumpets, timpani, strings and basso continuo: Les Postillons 00:17:04 Overture in D, TWV55:D18 for two trumpets, timpani, strings and basso continuo: Fanfare: Très vite 00:19:17 Overture in G, TWV55:G10 ‘Burlesque de Quixotte’ for strings and basso continuo: Ouverture 00:23:37 Overture in G, TWV55:G10 ‘Burlesque de Quixotte’ for strings and basso continuo: Le Reveil de Quixotte 00:25:20 Overture in G, TWV55:G10 ‘Burlesque de Quixotte’ for strings and basso continuo: Son attaque des moulins à vent: Très vite 00:27:07 Overture in G, TWV55:G10 ‘Burlesque de Quixotte’ for strings and basso continuo: Ses soupirs amoureux après la Princesse Dulcinée 00:29:08 Overture in G, TWV55:G10 ‘Burlesque de Quixotte’ for strings and basso continuo: Sanche Panse berné 00:30:49 Overture in G, TWV55:G10 ‘Burlesque de Quixotte’ for strings and basso continuo: Le Galope de Rosinante - Celui d’ane de Sanche 00:33:14 Overture in G, TWV55:G10 ‘Burlesque de Quixotte’ for strings and basso continuo: Le Couché de Quixotte 00:34:27 Overture in C Minor, TWV55:c2 for two oboes, strings and basso continuo: Ouverture 00:37:41 Overture in C Minor, TWV55:c2 for two oboes, strings and basso continuo: Air: Vivement 00:38:57 Overture in C Minor, TWV55:c2 for two oboes, strings and basso continuo: Rondeaux 00:40:10 Overture in C Minor, TWV55:c2 for two oboes, strings and basso continuo: Fugue: Vivement 00:42:21 Overture in C Minor, TWV55:c2 for two oboes, strings and basso continuo: Gavotte I - Gavotte II 00:43:51 Overture in C Minor, TWV55:c2 for two oboes, strings and basso continuo: Menuet I - Menuet II 00:46:06 Overture in C Minor, TWV55:c2 for two oboes, strings and basso continuo: Gigue 00:48:16 Overture in D, TWV55:D4 for two oboes, recorder, two violins, strings and basso continuo: Ouverture 00:53:53 Overture in D, TWV55:D4 for two oboes, recorder, two violins, strings and basso continuo: Menuet I - Menuet II: Doucement 00:58:12 Overture in D, TWV55:D4 for two oboes, recorder, two violins, strings and basso continuo: Furies: Très vite 00:59:45 Overture in D, TWV55:D4 for two oboes, recorder, two violins, strings and basso continuo: Entrée 01:00:39 Overture in D, TWV55:D4 for two oboes, recorder, two violins, strings and basso continuo: Passepied I - Passepied II 01:02:06 Overture in D, TWV55:D4 for two oboes, recorder, two violins, strings and basso continuo: Loure 01:03:20 Overture in D, TWV55:D4 for two oboes, recorder, two violins, strings and basso continuo: Canaries 01:05:01 Overture in D, TWV55:D4 for two oboes, recorder, two violins, strings and basso continuo: Chaconne 01:08:03 Overture in D, TWV55:D4 for two oboes, recorder, two violins, strings and basso continuo: Air: Doucement 01:12:05 Overture in F, TWV55:F11 ‘Alster’ for four horns, two oboes, bassoon, strings and basso continuo: Ouverture 01:17:14 Overture in F, TWV55:F11 ‘Alster’ for four horns, two oboes, bassoon, strings and basso continuo: Die canonierende Pallas 01:19:33 Overture in F, TWV55:F11 ‘Alster’ for four horns, two oboes, bassoon, strings and basso continuo: Das Alster Echo 01:21:34 Overture in F, TWV55:F11 ‘Alster’ for four horns, two oboes, bassoon, strings and basso continuo: Die Hamburgischen Glockenspiele 01:23:45 00:00:00 Overture in F, TWV55:F11 ‘Alster’ for four horns, two oboes, bassoon, strings and basso continuo: Der Schwanen Gesang 01:26:32 Overture in F, TWV55:F11 ‘Alster’ for four horns, two oboes, bassoon, strings and basso continuo: Der Alster Schäffer Dorff Music 01:27:32 Overture in F, TWV55:F11 ‘Alster’ for four horns, two oboes, bassoon, strings and basso continuo: Die concertierenden Frösche und Krähen 01:29:33 Overture in F, TWV55:F11 ‘Alster’ for four horns, two oboes, bassoon, strings and basso continuo: Der ruhende Pan 01:33:27 Overture in F, TWV55:F11 ‘Alster’ for four horns, two oboes, bassoon, strings and basso continuo: Der Schäffer und Nymphen eilfertiger Abzug 01:36:03 Overture in B-Flat, TWV55:B5 ‘Völker’ for strings and basso continuo: Ouverture 01:40:17 Overture in B-Flat, TWV55:B5 ‘Völker’ for strings and basso continuo: Menuet I - Menuet II: Doucement 01:44:32 Overture in B-Flat, TWV55:B5 ‘Völker’ for strings and basso continuo: Les Turcs 00:46:58 Overture in B-Flat, TWV55:B5 ‘Völker’ for strings and basso continuo: Les Suisses: Grave - Vite 01:48:37 Overture in B-Flat, TWV55:B5 ‘Völker’ for strings and basso continuo: Les Moscovites 01:49:23 Overture in B-Flat, TWV55:B5 ‘Völker’ for strings and basso continuo: Les Portugais: Grave - Vite 01:51:46 Overture in B-Flat, TWV55:B5 ‘Völker’ for strings and basso continuo: Les Boiteux alternat 01:53:12 Overture in B-Flat, TWV55:B5 ‘Völker’ for strings and basso continuo: Les Coureurs 01:55:41 Overture in D Minor, TWV55:d2 for oboe, strings and basso continuo: Ouverture 01:59:41 Overture in D Minor, TWV55:d2 for oboe, strings and basso continuo: Rondeau 02:00:47 Overture in D Minor, TWV55:d2 for oboe, strings and basso continuo: Irlandoise 02:01:54 Overture in D Minor, TWV55:d2 for oboe, strings and basso continuo: Réjouissance 02:03:15 Overture in D Minor, TWV55:d2 for oboe, strings and basso continuo: Sarabande 02:05:07 Overture in D Minor, TWV55:d2 for oboe, strings and basso continuo: Les Scaramouches 02:05:54 Overture in D Minor, TWV55:d2 for oboe, strings and basso continuo: Menuet I 02:07:27 Overture in D Minor, TWV55:d2 for oboe, strings and basso continuo: Menuet II: Doucement 02:08:45 Overture in D Minor, TWV55:d2 for oboe, strings and basso continuo: Entrée 02:10:35 Overture in B-Flat, TWV55:B7 for two oboes, bassoon, strings and basso continuo: Ouverture 02:14:01 Overture in B-Flat, TWV55:B7 for two oboes, bassoon, strings and basso continuo: Réjouissance 02:15:45 Overture in B-Flat, TWV55:B7 for two oboes, bassoon, strings and basso continuo: Loure 02:17:29 Overture in B-Flat, TWV55:B7 for two oboes, bassoon, strings and basso continuo: Rondeau 02:18:32 Overture in B-Flat, TWV55:B7 for two oboes, bassoon, strings and basso continuo: Menuet - Trio 02:21:22 Overture in B-Flat, TWV55:B7 for two oboes, bassoon, strings and basso continuo: Gigue
He was a master of what was known as the French Overture but was so much more. A wonderful orchestrator. and so prolific. I listen to You Tube at the age of 80 and have listened to baroque music for 70 years but still discover compositions by him I have never heard before and they are played wonderfully here.
I am a Blues musician who plays the electric bass but my father introduced me to Telemann many years ago and I really like it. Excuse my ignorance but it seems not as "Heavy/serious as a lot of classical music It makes a change from the Delta/North Mississippi/Chicago/Texas Blues!
The most sought-after, valued, and highly-paid musician of his day. Dear friend of Bach, Handel, Quantz, Godfather to CPE Bach and the most prolific composer of all time. What a guy!
Longevity of poisonous opinion and downright gossip about some superbly talented artists is staggering to me. Exceedingly talented AND productive Telemann is a victim of such thing. For centuries he was delegated to stew in shadows just because a bunch of jelous, inept and far less succesful colleagues seriously damaged his stellar reputation as composer by creating idiotic opnion that he is just that frivolous, decorative and superficial hack, that was churning out some unimportant tunes. That is why, thanks to the Early Music revivalists, who saw things for what they are only relatively recently reputation of Herr Telemann is seem to be on a mend. His music is performed, recorded, listened to and enjoyed. Immensely in my case. His music is approachable but highly sophisticated and exceptionally crafted. A joy to listen to. Let alone the evenly high level of quality in writing of each even small piece. This sensitive stylish recording does a good justice to the fantastic material Herr Telemann provided. Danke, Maestro Telemann!
I have always been an avid fan of Handel, Bach and Mozart for decades. I play their music endlessly in shuffle mode on my Sony 5-CD player (I'm old). Anyway a few years back I stumbled across Telemann. Now I wish I had a 25-CD player (Internet streaming is too costly up here where I live so far). I live in the mountains of central Idaho and when I fire up the CD player and enjoy this great music it complements perfectly the seemingly endless beauty by which I am surrounded. Life is good.
1:24:32 Whoooooooooooooooooooooo-eeeeeeeeeeeee! Now, THERE'S a change of pace! Love the way he goes galloping off in all directions! And another nice start to the following piece! Not bad, this Alte Deutschlander!
Telemann is just great as well as Handel,Scarlatti and Vivaldi,but J.S.Bach is simply perfect.Only ones who can understand it are those who tried to play their music.Everything is in organization of tones and its beauty.High praise to all of them nowadays when true music slowly dies.
For years I've been looking for CDs to increase my collection of Telemann's wonderful overtures. And now I see the super-budget label recording a complete set. I'm sure, when completed, the box set will be extremely affordable. Which is why it totally breaks my heart that Brilliant chose an ensemble that "despite the search for authenticity, CIB plays on modern instruments." What rubbish! As if there are not enough period ensembles to support. CD collectors who spend real money will do well to avoid this set. Leave it to the casual Spotify listeners seeking background music.
I think this was wonderfully recorded.. There's not thing wrong with modern instruments. However, if you want original instruments, you can get various recordings of Telemann's works (Trevor Pinnock and the English Concert recorded two discs of Telemann Overtures).
In Germany he is often denounced as "Tengelmann", a word which sounds like "Telemann" but means a big food store chain, as if you would call him in the United States "Walmart". But I think he wrote very much, but I have never heard something of low quality written by him. He is really one of the great composers who made transcendent music. The light texture which his music often possesses is only surface, in the depth it is wonderful richness filigreed and delicate into the smallest harmony line, wonderfully transparent and fascinatingly flexible. It is a little bit like Mozart's music, with a wonderful surface for untrained listeners and with a rich harmony background for the real connoisseurs.
Yes ... but the are often to quick. They play very virtuoso but they sometimes forget that they are only the interpreters.They often show that they are very exercised, but are a little bit slick and often a little bit like a Prussian military band. The Virtuosi Saxoniae or these musicians of Brugge found a better way to approach. They better show the imaginativeness of the particular piece and prevent to make pure showpieces. Some pieces are showpieces, no question, for example Bach's Badinerie. But to make every piece a pure show is a misinterpretation of baroque music. Accurately understood the serenity and severity of this music is comparable with Mozart, Brahms or Schubert.
I have discovered again the old Heidelberger Kammerorchester recordings, spurned in times of rising historical informed practicing, but better than their reputation. Performed with heart and hand and not with hand alone: ua-cam.com/video/XBW_2pnKjwU/v-deo.html
I appreciate your insights, jkr. But this presentation is stately and dignified, which I find very satisfying. When I listen to it, I sit up straighter!😷😌
This collection contains the first 2 out of 8 'Telemann: Overtures' CD's. Let us know if you enjoy these and want more parts on UA-cam!
Tracklist can be found here:
00:00:00 Overture in D, TWV55:D18 for two trumpets, timpani, strings and basso continuo: Ouverture
00:05:09 Overture in D, TWV55:D18 for two trumpets, timpani, strings and basso continuo: Menuet I - Menuet II
00:08:11 Overture in D, TWV55:D18 for two trumpets, timpani, strings and basso continuo: Gavotte (en rondeau)
00:09:47 Overture in D, TWV55:D18 for two trumpets, timpani, strings and basso continuo: Passacaille
00:13:26 Overture in D, TWV55:D18 for two trumpets, timpani, strings and basso continuo: Air: Lentement
00:15:03 Overture in D, TWV55:D18 for two trumpets, timpani, strings and basso continuo: Les Postillons
00:17:04 Overture in D, TWV55:D18 for two trumpets, timpani, strings and basso continuo: Fanfare: Très vite
00:19:17 Overture in G, TWV55:G10 ‘Burlesque de Quixotte’ for strings and basso continuo: Ouverture
00:23:37 Overture in G, TWV55:G10 ‘Burlesque de Quixotte’ for strings and basso continuo: Le Reveil de Quixotte
00:25:20 Overture in G, TWV55:G10 ‘Burlesque de Quixotte’ for strings and basso continuo: Son attaque des moulins à vent: Très vite
00:27:07 Overture in G, TWV55:G10 ‘Burlesque de Quixotte’ for strings and basso continuo: Ses soupirs amoureux après la Princesse Dulcinée
00:29:08 Overture in G, TWV55:G10 ‘Burlesque de Quixotte’ for strings and basso continuo: Sanche Panse berné
00:30:49 Overture in G, TWV55:G10 ‘Burlesque de Quixotte’ for strings and basso continuo: Le Galope de Rosinante - Celui d’ane de Sanche
00:33:14 Overture in G, TWV55:G10 ‘Burlesque de Quixotte’ for strings and basso continuo: Le Couché de Quixotte
00:34:27 Overture in C Minor, TWV55:c2 for two oboes, strings and basso continuo: Ouverture
00:37:41 Overture in C Minor, TWV55:c2 for two oboes, strings and basso continuo: Air: Vivement
00:38:57 Overture in C Minor, TWV55:c2 for two oboes, strings and basso continuo: Rondeaux
00:40:10 Overture in C Minor, TWV55:c2 for two oboes, strings and basso continuo: Fugue: Vivement
00:42:21 Overture in C Minor, TWV55:c2 for two oboes, strings and basso continuo: Gavotte I - Gavotte II
00:43:51 Overture in C Minor, TWV55:c2 for two oboes, strings and basso continuo: Menuet I - Menuet II
00:46:06 Overture in C Minor, TWV55:c2 for two oboes, strings and basso continuo: Gigue
00:48:16 Overture in D, TWV55:D4 for two oboes, recorder, two violins, strings and basso continuo: Ouverture
00:53:53 Overture in D, TWV55:D4 for two oboes, recorder, two violins, strings and basso continuo: Menuet I - Menuet II: Doucement
00:58:12 Overture in D, TWV55:D4 for two oboes, recorder, two violins, strings and basso continuo: Furies: Très vite
00:59:45 Overture in D, TWV55:D4 for two oboes, recorder, two violins, strings and basso continuo: Entrée
01:00:39 Overture in D, TWV55:D4 for two oboes, recorder, two violins, strings and basso continuo: Passepied I - Passepied II
01:02:06 Overture in D, TWV55:D4 for two oboes, recorder, two violins, strings and basso continuo: Loure
01:03:20 Overture in D, TWV55:D4 for two oboes, recorder, two violins, strings and basso continuo: Canaries
01:05:01 Overture in D, TWV55:D4 for two oboes, recorder, two violins, strings and basso continuo: Chaconne
01:08:03 Overture in D, TWV55:D4 for two oboes, recorder, two violins, strings and basso continuo: Air: Doucement
01:12:05 Overture in F, TWV55:F11 ‘Alster’ for four horns, two oboes, bassoon, strings and basso continuo: Ouverture
01:17:14 Overture in F, TWV55:F11 ‘Alster’ for four horns, two oboes, bassoon, strings and basso continuo: Die canonierende Pallas
01:19:33 Overture in F, TWV55:F11 ‘Alster’ for four horns, two oboes, bassoon, strings and basso continuo: Das Alster Echo
01:21:34 Overture in F, TWV55:F11 ‘Alster’ for four horns, two oboes, bassoon, strings and basso continuo: Die Hamburgischen Glockenspiele
01:23:45 00:00:00 Overture in F, TWV55:F11 ‘Alster’ for four horns, two oboes, bassoon, strings and basso continuo: Der Schwanen Gesang
01:26:32 Overture in F, TWV55:F11 ‘Alster’ for four horns, two oboes, bassoon, strings and basso continuo: Der Alster Schäffer Dorff Music
01:27:32 Overture in F, TWV55:F11 ‘Alster’ for four horns, two oboes, bassoon, strings and basso continuo: Die concertierenden Frösche und Krähen
01:29:33 Overture in F, TWV55:F11 ‘Alster’ for four horns, two oboes, bassoon, strings and basso continuo: Der ruhende Pan
01:33:27 Overture in F, TWV55:F11 ‘Alster’ for four horns, two oboes, bassoon, strings and basso continuo: Der Schäffer und Nymphen eilfertiger Abzug
01:36:03 Overture in B-Flat, TWV55:B5 ‘Völker’ for strings and basso continuo: Ouverture
01:40:17 Overture in B-Flat, TWV55:B5 ‘Völker’ for strings and basso continuo: Menuet I - Menuet II: Doucement
01:44:32 Overture in B-Flat, TWV55:B5 ‘Völker’ for strings and basso continuo: Les Turcs
00:46:58 Overture in B-Flat, TWV55:B5 ‘Völker’ for strings and basso continuo: Les Suisses: Grave - Vite
01:48:37 Overture in B-Flat, TWV55:B5 ‘Völker’ for strings and basso continuo: Les Moscovites
01:49:23 Overture in B-Flat, TWV55:B5 ‘Völker’ for strings and basso continuo: Les Portugais: Grave - Vite
01:51:46 Overture in B-Flat, TWV55:B5 ‘Völker’ for strings and basso continuo: Les Boiteux alternat
01:53:12 Overture in B-Flat, TWV55:B5 ‘Völker’ for strings and basso continuo: Les Coureurs
01:55:41 Overture in D Minor, TWV55:d2 for oboe, strings and basso continuo: Ouverture
01:59:41 Overture in D Minor, TWV55:d2 for oboe, strings and basso continuo: Rondeau
02:00:47 Overture in D Minor, TWV55:d2 for oboe, strings and basso continuo: Irlandoise
02:01:54 Overture in D Minor, TWV55:d2 for oboe, strings and basso continuo: Réjouissance
02:03:15 Overture in D Minor, TWV55:d2 for oboe, strings and basso continuo: Sarabande
02:05:07 Overture in D Minor, TWV55:d2 for oboe, strings and basso continuo: Les Scaramouches
02:05:54 Overture in D Minor, TWV55:d2 for oboe, strings and basso continuo: Menuet I
02:07:27 Overture in D Minor, TWV55:d2 for oboe, strings and basso continuo: Menuet II: Doucement
02:08:45 Overture in D Minor, TWV55:d2 for oboe, strings and basso continuo: Entrée
02:10:35 Overture in B-Flat, TWV55:B7 for two oboes, bassoon, strings and basso continuo: Ouverture
02:14:01 Overture in B-Flat, TWV55:B7 for two oboes, bassoon, strings and basso continuo: Réjouissance
02:15:45 Overture in B-Flat, TWV55:B7 for two oboes, bassoon, strings and basso continuo: Loure
02:17:29 Overture in B-Flat, TWV55:B7 for two oboes, bassoon, strings and basso continuo: Rondeau
02:18:32 Overture in B-Flat, TWV55:B7 for two oboes, bassoon, strings and basso continuo: Menuet - Trio
02:21:22 Overture in B-Flat, TWV55:B7 for two oboes, bassoon, strings and basso continuo: Gigue
Brilliant Classics. Thank you.
Very nice!
Thank you! Very nice.
Merci! 太感謝了！
Telemann!!!!! Gracias!!!!!
He was a master of what was known as the French Overture but was so much more. A wonderful orchestrator. and so prolific. I listen to You Tube at the age of 80 and have listened to baroque music for 70 years but still discover compositions by him I have never heard before and they are played wonderfully here.
I totally agree. I read that Telemann wrote about 3,500 pieces. This is huge.
Cheers to you! From Québec, a big fan of Telemann
I am a Blues musician who plays the electric bass but my father introduced me to Telemann many years ago and I really like it. Excuse my ignorance but it seems not as "Heavy/serious as a lot of classical music It makes a change from the Delta/North Mississippi/Chicago/Texas Blues!
Telemann is mostly majestic, festive.
The most sought-after, valued, and highly-paid musician of his day. Dear friend of Bach, Handel, Quantz, Godfather to CPE Bach and the most prolific composer of all time. What a guy!
Longevity of poisonous opinion and downright gossip about some superbly talented artists is staggering to me. Exceedingly talented AND productive Telemann is a victim of such thing. For centuries he was delegated to stew in shadows just because a bunch of jelous, inept and far less succesful colleagues seriously damaged his stellar reputation as composer by creating idiotic opnion that he is just that frivolous, decorative and superficial hack, that was churning out some unimportant tunes. That is why, thanks to the Early Music revivalists, who saw things for what they are only relatively recently reputation of Herr Telemann is seem to be on a mend. His music is performed, recorded, listened to and enjoyed. Immensely in my case. His music is approachable but highly sophisticated and exceptionally crafted. A joy to listen to. Let alone the evenly high level of quality in writing of each even small piece. This sensitive stylish recording does a good justice to the fantastic material Herr Telemann provided. Danke, Maestro Telemann!
The immortal and still underrated Telemann.
TELEMANN composed some really brilliant music! What a privilege to hear his works!
Underrated yet prolific composer thank you for sharing
Wohlklingend !!! Erstaunliche Vielfalt an Ouvertüren!!! Tepper Michael.
I have always been an avid fan of Handel, Bach and Mozart for decades. I play their music endlessly in shuffle mode on my Sony 5-CD player (I'm old). Anyway a few years back I stumbled across Telemann. Now I wish I had a 25-CD player (Internet streaming is too costly up here where I live so far). I live in the mountains of central Idaho and when I fire up the CD player and enjoy this great music it complements perfectly the seemingly endless beauty by which I am surrounded. Life is good.
Enjoy!
Listening to the Telemann Overtures is a transcendent moment to my mind and spirit. Especially during the December month.
You are right thanks for sharing that thought.
Durante la pandemia de la COVID-19 esta colección animó nuestro espíritu para seguir adelante aquí en México...
Abraham Sánchez Ruiz
-- De acuerdisimo.....SALUDOS, amigo....desde San Agustinillo, Oaxaca!
Acústicamente, plausible. Muchas gracias por compartir la obra de Telemann.
Telemann is so brilliant! Thanks for posting! More please.
아름다운 연주곡 잘 들었습니다~감사합니다~🎵🎻🎺📯🌿🍀☘🌹🌹☘🍀🌿❤❤
Absolutely magnificent! Thanks so much for uploading!
I would gladly listen to even more parts.
Brilliant, wonderful and elegant. Thank you for member me that master, lately not visited too much by me.
1:24:32 Whoooooooooooooooooooooo-eeeeeeeeeeeee! Now, THERE'S a change of pace! Love the way he goes galloping off in all directions! And another nice start to the following piece! Not bad, this Alte Deutschlander!
The Season to spoil our minds with resonant melodic sounds of beauty...
Warm wishes to everyone during these December days.
Wonderful works, wonderful recording!! 🤩🤩
Très belle interprétation. Merci
Herrlich, einfach nur herrlich.
1:17:13 Perfection begins
Wonderful! Thank you for posting this.
So excellent!!! Thank yew!!
this is GREAT we want more
ahaha there is 9 hours of it!
🌻Thank you!🌻
Que recuerdos gloriosos de mi juventud en Stgo de Chile¡
Thanks! Beautiful!
Wonderful! Thank you!
Sounds like music for Kings!
Muito bom! O cara manda bem demais.
Muito bonito! Obrigada pela partilha.
Marvelous!
Güzel Müzikler. Teşekkürler. ( Beautiful Mussic. Thanks.)
Wonderful !!!
I really enjoyed it.Thanks for the uploadet.
Telemann is a Father of Television
what?!?!
@@katherineparadis-chateaune8004 Joke
Telemann is just great as well as Handel,Scarlatti and Vivaldi,but J.S.Bach is simply perfect.Only ones who can understand it are those who tried to play their music.Everything is in organization of tones and its beauty.High praise to all of them nowadays when true music slowly dies.
I PREFER TELELMANN TO BACH
Bravo music super
Thank you, as always posting the best overtures.!.......... Thank you for the details Btw.
thank you for posting this Teleman It helps me going on translating. ( hat's my job!)
❤❤eccellenza
Absolutely Magnificent !🎶🎶🎶👏👏😃Bravo,Bravo.Thank you so much for sharing.🎧Btw,what is the name of this lovely painting?Thank you
I like this part 33:14
Those Baroque melodies ;.....D
💕💕💕👌
💗🙏
For years I've been looking for CDs to increase my collection of Telemann's wonderful overtures. And now I see the super-budget label recording a complete set. I'm sure, when completed, the box set will be extremely affordable. Which is why it totally breaks my heart that Brilliant chose an ensemble that "despite the search for authenticity, CIB plays on modern instruments." What rubbish! As if there are not enough period ensembles to support. CD collectors who spend real money will do well to avoid this set. Leave it to the casual Spotify listeners seeking background music.
So in other words, you love it then?
I think this was wonderfully recorded.. There's not thing wrong with modern instruments. However, if you want original instruments, you can get various recordings of Telemann's works (Trevor Pinnock and the English Concert recorded two discs of Telemann Overtures).
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May I know what painting is used for the cover of this CD?
An afternoon muse
Telemann composed more than Bach and Haendel together !
In Germany he is often denounced as "Tengelmann", a word which sounds like "Telemann" but means a big food store chain, as if you would call him in the United States "Walmart". But I think he wrote very much, but I have never heard something of low quality written by him. He is really one of the great composers who made transcendent music. The light texture which his music often possesses is only surface, in the depth it is wonderful richness filigreed and delicate into the smallest harmony line, wonderfully transparent and fascinatingly flexible. It is a little bit like Mozart's music, with a wonderful surface for untrained listeners and with a rich harmony background for the real connoisseurs.
chào buổi sáng tốt lành
Samuel eckert
Wonderful....but, don't forget Bach.....!!!!
It’s ouvertures, not overtures. Someone out there needs educating.
Mitch from LawnGuyLand
meh... Akademie fur Alte Musik Berlin gives a better performance. More lively tempos. Take it from me. I'm a real period instrument geek.
Yes ... but the are often to quick. They play very virtuoso but they sometimes forget that they are only the interpreters.They often show that they are very exercised, but are a little bit slick and often a little bit like a Prussian military band. The Virtuosi Saxoniae or these musicians of Brugge found a better way to approach. They better show the imaginativeness of the particular piece and prevent to make pure showpieces. Some pieces are showpieces, no question, for example Bach's Badinerie. But to make every piece a pure show is a misinterpretation of baroque music. Accurately understood the serenity and severity of this music is comparable with Mozart, Brahms or Schubert.
I have discovered again the old Heidelberger Kammerorchester recordings, spurned in times of rising historical informed practicing, but better than their reputation. Performed with heart and hand and not with hand alone: ua-cam.com/video/XBW_2pnKjwU/v-deo.html
I appreciate your insights, jkr. But this presentation is stately and dignified, which I find very satisfying. When I listen to it, I sit up straighter!😷😌