hello! thanks for posting this! I want to ask you if you know the translation of what she saying? and also, I know theres a studio vertion (with the lady singing), I had it a few years ago and its lost. do you know where I can get it ? thanks so much!
@@na0h1t0n2 thank you so much! I couldnt finde the CD booklet or anything in the web. so if you have it by chance and you can please please please in some way can take a photo ans send it to me , I will be so GREATFUL! its super important for me im searching it for years!!!! my mail is : abg,method@gmail,com .....
hello! thanks for posting this! I want to ask you if you know the translation of what she saying? and also, I know theres a studio vertion (with the lady singing), I had it a few years ago and its lost. do you know where I can get it ? thanks so much!
1) i na kan( your mother told you). 2) i fa kan( your father told you ).3) dinin bèrètè sissè kan di I kana sissè kan taa( the child should not take the chicken neck).
It's amazing how many of these native drummers are on You Tube. Equally amazing is the fact that they all sound virtually the same. I can only figure that it takes very little talent to do that.
Much talent and years of playing in all situations. They all learn with their masters, they study, play everyday and push the limits of the physical body. Phrases and the sounds become traditional over lifetimes and passed from one generation to the next. Each drummer and dancer here has a role and must combine and play with each other as they know how. There is room for improvisation but within the music of the song and the rhythm. Famoudou Konaté is the oldest and the master featured here in his courtyard with his drummers and dancers, many have been with him since childhood. Everyone here loves each other and the traditional rhythms they play, the songs they sing and the dances they perform. You are watching the greatest djembéfola of our time in Famoudou Konaté with his family at his house in Simbaya Gare, Guinea 🇬🇳
Much talent and years of playing in all situations. They all learn with their masters, they study, play everyday and push the limits of the physical body. Phrases and the sounds become traditional over lifetimes and passed from one generation to the next. Each drummer and dancer here has a role and must combine and play with each other as they know how. There is room for improvisation but within the music of the song and the rhythm. Famoudou Konaté is the oldest and the master featured here in his courtyard with his drummers and dancers, many have been with him since childhood. Everyone here loves each other and the traditional rhythms they play, the songs they sing and the dances they perform. You are watching the greatest djembéfola of our time in Famoudou Konaté with his family at his house in Simbaya Gare, Guinea 🇬🇳
@@AlanTauber-DrumConnection "You are watching the greatest djembéfola of our time" I'm sure the miniscule details are important to those involved, the same as McDonald's hamburgers and Wendys think their sesame seeds are totally different than each other. But if you are saying that only those who can tell the difference between these drummers and dancers should be watching this video - you should put a warning on it. The general public doesn't care and moreover probably gets bored quickly. Personally, I taught elementary school percussion and my kids sounded like this within a half hour of playing.
Saludos desde México, me gusta mucho su ritmo y su música, conocí a Mamady Keïta en Monterrey, (QEPD)
Was proud playing Djembe in Famadous Band 1993!
Merci beaucoup konate kounda.
Fantastic.je suis fière d'être malinkê et mère d'un 🤴 Konaté.
Super starlights
love it!!
Bravo hamana bravo kouroussa
R.i.p Fanta Djawara
hello! thanks for posting this! I want to ask you if you know the translation of what she saying? and also, I know theres a studio vertion (with the lady singing), I had it a few years ago and its lost. do you know where I can get it ? thanks so much!
If you can find CD Hamanah Mandenkono,there is booklet shows lyric and meaning inside. Thank you very much for this video! Very special
@@na0h1t0n2 thank you so much! I couldnt finde the CD booklet or anything in the web. so if you have it by chance and you can please please please in some way can take a photo ans send it to me , I will be so GREATFUL! its super important for me im searching it for years!!!! my mail is : abg,method@gmail,com .....
I knew her well. She had a spirit and a voice and of course could make the clouds open up with delight! RIP All Love.
Oh. My god fanta Diawara rip.
hello! thanks for posting this! I want to ask you if you know the translation of what she saying? and also, I know theres a studio vertion (with the lady singing), I had it a few years ago and its lost. do you know where I can get it ? thanks so much!
CD with Famoudou Konaté - Hamana Mandenkönö
(patrick.nordner@gmail.com)
Hi zohar.are you interested to translate the world.if yes i'll be very happy to do it for you.
1) i na kan( your mother told you). 2) i fa kan( your father told you ).3) dinin bèrètè sissè kan di I kana sissè kan taa( the child should not take the chicken neck).
What's is the really meaning ( do not disobey your parents)
La culture mandeng
It's amazing how many of these native drummers are on You Tube. Equally amazing is the fact that they all sound virtually the same. I can only figure that it takes very little talent to do that.
You’re a friggin ignorant idiot
Much talent and years of playing in all situations. They all learn with their masters, they study, play everyday and push the limits of the physical body.
Phrases and the sounds become traditional over lifetimes and passed from one generation to the next. Each drummer and dancer here has a role and must combine and play with each other as they know how.
There is room for improvisation but within the music of the song and the rhythm.
Famoudou Konaté is the oldest and the master featured here in his courtyard with his drummers and dancers, many have been with him since childhood. Everyone here loves each other and the traditional rhythms they play, the songs they sing and the dances they perform.
You are watching the greatest djembéfola of our time in Famoudou Konaté with his family at his house in Simbaya Gare, Guinea 🇬🇳
Much talent and years of playing in all situations. They all learn with their masters, they study, play everyday and push the limits of the physical body.
Phrases and the sounds become traditional over lifetimes and passed from one generation to the next. Each drummer and dancer here has a role and must combine and play with each other as they know how.
There is room for improvisation but within the music of the song and the rhythm.
Famoudou Konaté is the oldest and the master featured here in his courtyard with his drummers and dancers, many have been with him since childhood. Everyone here loves each other and the traditional rhythms they play, the songs they sing and the dances they perform.
You are watching the greatest djembéfola of our time in Famoudou Konaté with his family at his house in Simbaya Gare, Guinea 🇬🇳
You show ignorance and disrespect to the Mandé culture and should remove your hurtful and ignorant post.
@@AlanTauber-DrumConnection "You are watching the greatest djembéfola of our time"
I'm sure the miniscule details are important to those involved, the same as McDonald's hamburgers and Wendys think their sesame seeds are totally different than each other. But if you are saying that only those who can tell the difference between these drummers and dancers should be watching this video - you should put a warning on it. The general public doesn't care and moreover probably gets bored quickly.
Personally, I taught elementary school percussion and my kids sounded like this within a half hour of playing.
No need for foreign or man made instruments,,,the hands of mother n