Thanks james, another great piece from Tuba Skinny! It's amazing to see the joy and energy with which this band still plays together after so many years.
What a masterpiece. 😊 I enjoy it so much. Fortunately they recorded it on their new album "Hot Town" 2023. The dba concert from April 15th this year gets more and more one of my favourite sets. Maxwell did an amazing job. Thank you so much for filming and sharing this fabulous night at the dba. 🙏
Many thanks, James. This piece was composed in 1929 by Cecil Scott and his pianist Don Frye. We need only listen to the original recording made in New York that year by Cecil Scott and His Bright Boys ( ua-cam.com/video/U3I9ve13xjM/v-deo.html ) to appreciate how carefully and respectfully Tuba Skinny have produced their rifacimento. The clever little syncopated and percussive touches are there; and, like Scott, they choose the key of F. Scott had a different line-up, with a piano, more reeds and two trumpets, but Tuba Skinny have adapted his melodies and breaks very skilfully to suit their resources. They choose to end the piece surprisingly peacefully, replacing the dramatic syncopated climb of the original Scott with a gentle descent. It helps greatly throughout that Tuba Skinny have Robin tackling the percussion and Todd so brilliantly emulating the contribution of Mack Walker on the brass bass in the 1929 recording.
Thanks james, another great piece from Tuba Skinny! It's amazing to see the joy and energy with which this band still plays together after so many years.
What a masterpiece. 😊
I enjoy it so much.
Fortunately they recorded it on their new album "Hot Town" 2023.
The dba concert from April 15th this year gets more and more one of my favourite sets.
Maxwell did an amazing job.
Thank you so much for filming and sharing this fabulous night at the dba. 🙏
And " the legend continues" thanks James, greeting from Argentina, hug 😊
Thank you 🙏 James 👍Tuba 🪕🎸🎺🎷🎻🎼🪘skinny 💃🏼🕺🏼yeah 🎺🎺☝️👏👏👏🙏
Many thanks, James. This piece was composed in 1929 by Cecil Scott and his pianist Don Frye. We need only listen to the original recording made in New York that year by Cecil Scott and His Bright Boys ( ua-cam.com/video/U3I9ve13xjM/v-deo.html ) to appreciate how carefully and respectfully Tuba Skinny have produced their rifacimento. The clever little syncopated and percussive touches are there; and, like Scott, they choose the key of F. Scott had a different line-up, with a piano, more reeds and two trumpets, but Tuba Skinny have adapted his melodies and breaks very skilfully to suit their resources. They choose to end the piece surprisingly peacefully, replacing the dramatic syncopated climb of the original Scott with a gentle descent. It helps greatly throughout that Tuba Skinny have Robin tackling the percussion and Todd so brilliantly emulating the contribution of Mack Walker on the brass bass in the 1929 recording.
As educational as always!!! It is a pleasure to enjoy your knowledge, thank you Pop's take care, greeting from Argentina, hug ❤
Yes, thanks again Pops.
Cuanta Energia = Esto es la Felicidad en vivo. Gracias.
Wow and Wow Again many Thanks all
Just great!
👏🎶📽️🖋️📖🖌️🎨🎸🎸