So glad you used the best recording, too: Andreas Scholl and Ensemble 415. They strike an incredible balance between a forward-moving tempo and the occasional dramatic rubato for Scholl--this music needs to move! But it's not a train 😅it has to breathe, too
Andreas Scholl. Pure culture. Great talent. Knows every note what is it for, what is its meaning in the whole picture. But he does not sing notes. He sings music as composer intended.
Why is this version not more popular than the Pergolesi? Frankly, only the first movement of this last version has any merit while the Vivaldi is excellent from beginning to end. Especially the 7th part is a stroke of genius, just violins and violas without bass. It is almost minimal music.
I love both, and they are both very popular works, perhaps Pergolesi's is only more popular because Bach did a arrangement of the work... just a guess. Also Pergolesi's Ave Regina is coming soonish, I already complete the score video for it ages ago.
I disagree. I think Pergolesi's Stabat Mater is much better from the beginning to the end. But Vivaldi's setting is still very enjoyable. Of course it's just my opinion and I respect yours.
0:01 Stabat Mater dolorosa 2:53 Cuius Animam gementem 4:43 O quam tristis et afflicta 6:37 Quis est homo 9:27 Quis non posset contristari 11:30 Pro peccatis suae gentis 13:20 Eia Mater, fons amoris 16:07 Fac ut ardeat cor meum 17:43 Amen
Do you have any songs in this genre that have moments like 1:42 - 2:05 that you can recommend? Everything about that moment there, and later on in this just does things for me that I can't fully put into words.
@@dzinypinydoroviny There are too many works that use a similar progression to name.. but the autograph manuscript score of Zelenka's C Minor Miserere (ZWV 57) utilises it in the opening and closing movements, score here: ua-cam.com/video/HtbENq_Oxc0/v-deo.html
@@TheOneAndOnlyZeno It may even be the most typical baroque chord progression (well, I don't have any research behind that claim but if it's not this, then I don't know what is). However, the Miserere is my favourite example ❤️
I think i know what you mean... i recommend Vitali´s Chacone, but look for the version played by Heifetz accompanied with an organ. Another one is Albinionis Adagio, in which i recommend listening first to the one directed by Von Karajan; Also, Bach Violins Sonatas B minor BWV 1014 and 1016, performed by Grumiaux.
El Señor Jesucristo los continúe bendiciendo grandemente, la voz del contratenor es perfectamente afinada, estoy maravillado de como un varón pueda cantar tan agudo como la contralto. Solo a DIOS la gloria, nuestro maestro Bach perfeccionó la técnica del contratenor. El Señor JESUCRISTO los bendiga. Amén ❤❤❤😊😊😊😊
I just realized, for baroque singers, they have to retrain their singing pitches for A=415Hz, no? That must be quite the feat, if you have years of singing in the A=440-443Hz range.
Listening to my neighbors fucking and my other neighbors celebrating the new year, whatever A any baroque singer uses is respectable to me. Happy 2023.
The score has errors of notes ...they are not the same of what sounds....compas 2, it is written in the last two beats, a G, but it sounds an A flat.... And it is presented in several parts later ...
Bei Vivaldi sangen das damals die teuersten Sänger der Welt, es waren glaube kastrierte Männer oder eher……ich hoffe das ist jetzt kein Schimpfwort! Es sangen die sogenannten Eunuchen.
My other score-videos of Vivaldi > ua-cam.com/play/PLafpqg3vsKmdME7CunDm5ziflieQ3li03.html
Amazing - no words to describe the beauty of this piece of music!!
So glad you used the best recording, too: Andreas Scholl and Ensemble 415. They strike an incredible balance between a forward-moving tempo and the occasional dramatic rubato for Scholl--this music needs to move! But it's not a train 😅it has to breathe, too
Needs to move but not a train😂
Andreas Scholl. Pure culture. Great talent. Knows every note what is it for, what is its meaning in the whole picture. But he does not sing notes. He sings music as composer intended.
Andreas Scholl voce sublime che adoro!
Still my favourite recording of this piece, ever since it first came out. Thank you for the score-video (always interesting)
Wunderschön!! ❤ 😊
Wonderful piece and exquisite execution.
Quelle merveille!!!
Why is this version not more popular than the Pergolesi? Frankly, only the first movement of this last version has any merit while the Vivaldi is excellent from beginning to end. Especially the 7th part is a stroke of genius, just violins and violas without bass. It is almost minimal music.
I love both, and they are both very popular works, perhaps Pergolesi's is only more popular because Bach did a arrangement of the work... just a guess.
Also Pergolesi's Ave Regina is coming soonish, I already complete the score video for it ages ago.
I disagree. I think Pergolesi's Stabat Mater is much better from the beginning to the end. But Vivaldi's setting is still very enjoyable.
Of course it's just my opinion and I respect yours.
I agree with you. Pergolesi thing is boring except the first movement.
0:01 Stabat Mater dolorosa
2:53 Cuius Animam gementem
4:43 O quam tristis et afflicta
6:37 Quis est homo
9:27 Quis non posset contristari
11:30 Pro peccatis suae gentis
13:20 Eia Mater, fons amoris
16:07 Fac ut ardeat cor meum
17:43 Amen
Like it. Beatiful music...❤
Божественная неземная музыка
Do you have any songs in this genre that have moments like 1:42 - 2:05 that you can recommend? Everything about that moment there, and later on in this just does things for me that I can't fully put into words.
Zelenka's Miserere uses a similar harmonic progression. You can find it on this channel, I think.
@@dzinypinydoroviny There are too many works that use a similar progression to name.. but the autograph manuscript score of Zelenka's C Minor Miserere (ZWV 57) utilises it in the opening and closing movements, score here:
ua-cam.com/video/HtbENq_Oxc0/v-deo.html
@@TheOneAndOnlyZeno It may even be the most typical baroque chord progression (well, I don't have any research behind that claim but if it's not this, then I don't know what is).
However, the Miserere is my favourite example ❤️
Exactly the same for me. This specific part is what stole my heart (;
I think i know what you mean... i recommend Vitali´s Chacone, but look for the version played by Heifetz accompanied with an organ. Another one is Albinionis Adagio, in which i recommend listening first to the one directed by Von Karajan; Also, Bach Violins Sonatas B minor BWV 1014 and 1016, performed by Grumiaux.
Música impecável
Sublime! Danke schön.
El Señor Jesucristo los continúe bendiciendo grandemente, la voz del contratenor es perfectamente afinada, estoy maravillado de como un varón pueda cantar tan agudo como la contralto. Solo a DIOS la gloria, nuestro maestro Bach perfeccionó la técnica del contratenor. El Señor JESUCRISTO los bendiga. Amén ❤❤❤😊😊😊😊
I just realized, for baroque singers, they have to retrain their singing pitches for A=415Hz, no? That must be quite the feat, if you have years of singing in the A=440-443Hz range.
I just use whatever A they give me. Notes aren't real.
Listening to my neighbors fucking and my other neighbors celebrating the new year, whatever A any baroque singer uses is respectable to me.
Happy 2023.
@@Lawh Happy New Year!:)
yes, this thing is written in F minor but is played in E minor. perhaps only an issue for the 1 in 10,000 people who have perfect pitch
@@edwardj3070 perfect pitch isn't real. Notes aren't even real.
Perełka wśród podobnych.
Od 18 minuty podsumowanie piękne
Can’t help but wonder if this was some inspiration to Bach while composing his bwv 4
Le style meme de l ecriture est epure vers la beaute, magnifique, vraiment une oeuvre musicale majeure....
Amazing piece. Thank you!
Thank you!
preciosa version beutiful.
i love this one
Beautifully Done!!❤❤❤
Impresionante! Gracias
Muzyka niebiańska!
Holy
9:55
Chulada. 😌👌🏼
Many errors in the latin text, but an incredible recording!
Przenika do kości.
❤
12:30, p. 24
Sheet music is transposed up a semitone?
Anything is possible with baroque tuning
Кое где ноты не соответствую пению
The score has errors of notes ...they are not the same of what sounds....compas 2, it is written in the last two beats, a G, but it sounds an A flat.... And it is presented in several parts later ...
A questa velocità il tempo non è LARGO! Forse il solista non è in grado di sostenere tempi lenti...?
183. Beğeni (;
oha türk
@@lawly6329 elbette 😁
Bei Vivaldi sangen das damals die teuersten Sänger der Welt, es waren glaube kastrierte Männer oder eher……ich hoffe das ist jetzt kein Schimpfwort! Es sangen die sogenannten Eunuchen.
13:21