Antonio Vivaldi - Stabat Mater, RV 621
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- Опубліковано 31 лип 2024
- The COMPLETE score /sheet music to Antonio Vivaldi's setting of the Stabat Mater - one of his finest works, and extraordinarily beautiful...
I: Stabat Mater dolorosa - 00:00
II: Cuius animam gementem - 2:54
III: O quam tristis et afflicta - 4:42
IV: Quis est homo - 6:35
V: Quis non posset contristari - 9:26
VI: Pro peccatis suae gentis - 11:31
VII: Eia mater, fons amoris - 13:21
VIII: Fac ut ardeat cor meum - 16:05
XI: Amen - 17:44
Performer(s): Ensemble 415, Andreas Scholl - recording: • Video
My other score-videos of Vivaldi > ua-cam.com/play/PLafpqg3vsKmdME7CunDm5ziflieQ3li03.html
Amazing - no words to describe the beauty of this piece of music!!
Andreas Scholl voce sublime che adoro!
Wunderschön!! ❤ 😊
Still my favourite recording of this piece, ever since it first came out. Thank you for the score-video (always interesting)
Amazing piece. Thank you!
So glad you used the best recording, too: Andreas Scholl and Ensemble 415. They strike an incredible balance between a forward-moving tempo and the occasional dramatic rubato for Scholl--this music needs to move! But it's not a train 😅it has to breathe, too
Needs to move but not a train😂
Le style meme de l ecriture est epure vers la beaute, magnifique, vraiment une oeuvre musicale majeure....
Why is this version not more popular than the Pergolesi? Frankly, only the first movement of this last version has any merit while the Vivaldi is excellent from beginning to end. Especially the 7th part is a stroke of genius, just violins and violas without bass. It is almost minimal music.
I love both, and they are both very popular works, perhaps Pergolesi's is only more popular because Bach did a arrangement of the work... just a guess.
Also Pergolesi's Ave Regina is coming soonish, I already complete the score video for it ages ago.
I disagree. I think Pergolesi's Stabat Mater is much better from the beginning to the end. But Vivaldi's setting is still very enjoyable.
Of course it's just my opinion and I respect yours.
I agree with you. Pergolesi thing is boring except the first movement.
El Señor Jesucristo los continúe bendiciendo grandemente, la voz del contratenor es perfectamente afinada, estoy maravillado de como un varón pueda cantar tan agudo como la contralto. Solo a DIOS la gloria, nuestro maestro Bach perfeccionó la técnica del contratenor. El Señor JESUCRISTO los bendiga. Amén ❤❤❤😊😊😊😊
Música impecável
Божественная неземная музыка
Sublime! Danke schön.
0:01 Stabat Mater dolorosa
2:53 Cuius Animam gementem
4:43 O quam tristis et afflicta
6:37 Quis est homo
9:27 Quis non posset contristari
11:30 Pro peccatis suae gentis
13:20 Eia Mater, fons amoris
16:07 Fac ut ardeat cor meum
17:43 Amen
Impresionante! Gracias
Perełka wśród podobnych.
Od 18 minuty podsumowanie piękne
preciosa version beutiful.
Beautifully Done!!❤❤❤
Can’t help but wonder if this was some inspiration to Bach while composing his bwv 4
Muzyka niebiańska!
Chulada. 😌👌🏼
I just realized, for baroque singers, they have to retrain their singing pitches for A=415Hz, no? That must be quite the feat, if you have years of singing in the A=440-443Hz range.
I just use whatever A they give me. Notes aren't real.
Listening to my neighbors fucking and my other neighbors celebrating the new year, whatever A any baroque singer uses is respectable to me.
Happy 2023.
@@Lawh Happy New Year!:)
yes, this thing is written in F minor but is played in E minor. perhaps only an issue for the 1 in 10,000 people who have perfect pitch
@@edwardj3070 perfect pitch isn't real. Notes aren't even real.
Holy
Do you have any songs in this genre that have moments like 1:42 - 2:05 that you can recommend? Everything about that moment there, and later on in this just does things for me that I can't fully put into words.
Zelenka's Miserere uses a similar harmonic progression. You can find it on this channel, I think.
@@dzinypinydoroviny There are too many works that use a similar progression to name.. but the autograph manuscript score of Zelenka's C Minor Miserere (ZWV 57) utilises it in the opening and closing movements, score here:
ua-cam.com/video/HtbENq_Oxc0/v-deo.html
@@TheOneAndOnlyZeno1889 It may even be the most typical baroque chord progression (well, I don't have any research behind that claim but if it's not this, then I don't know what is).
However, the Miserere is my favourite example ❤️
Exactly the same for me. This specific part is what stole my heart (;
I think i know what you mean... i recommend Vitali´s Chacone, but look for the version played by Heifetz accompanied with an organ. Another one is Albinionis Adagio, in which i recommend listening first to the one directed by Von Karajan; Also, Bach Violins Sonatas B minor BWV 1014 and 1016, performed by Grumiaux.
Przenika do kości.
13:21
9:55
Many errors in the latin text, but an incredible recording!
Sheet music is transposed up a semitone?
Anything is possible with baroque tuning
183. Beğeni (;
oha türk
@@lawly6329 elbette 😁
The score has errors of notes ...they are not the same of what sounds....compas 2, it is written in the last two beats, a G, but it sounds an A flat.... And it is presented in several parts later ...
A questa velocità il tempo non è LARGO! Forse il solista non è in grado di sostenere tempi lenti...?
Bei Vivaldi sangen das damals die teuersten Sänger der Welt, es waren glaube kastrierte Männer oder eher……ich hoffe das ist jetzt kein Schimpfwort! Es sangen die sogenannten Eunuchen.