Mãos mágicas de Maria Teresa Madeira, nos entregando poesias sonoras do Maestro Ernesto Nazareth. Ah, como é bom estar vivo !!! 💌 Τα μαγικά χέρια της Maria Teresa de Madeira, ερμηνεύοντας την ηχητική ποίηση του μαέστρου Ernesto Nazareth. Αχ τι ωραία ζωή!!!
Saudades do mais puro que há...do meu Rio, com respeito de quantos paulistas, mineiros e gaúchos me leiam. Só falta o Noel Rosa...mas "Se alguém perguntar por mim/diz que fui por aí"....
Beautiful music :) I'm so glad that I discovered this composer. I like to listen and play his music very much, but I must say that I never played tango-like music before and it's quite difficult for me :D Greetings from Poland
Just to point out that the "Brazilian Tango" is completely different from the original Argentine Tango. Making a long story short, this that Ernesto Nazareth plays is actually named Choro
In late 19th + early 29th c. composers in several countries in the Americas were creating huge no. of very similar styles of musics that overlapped to great degree Brasil, Argentina, US. all are W Hemisphere societies that were full of all sorts of music styles--.Indigenous, African, European---.each of these 3 had many sub styles. These werensources for huge no.. of local rural.folk + urban popular music song dance. The remarkable 2? 3? generations of composers applied Euro music forms + W & E Euro contents---Euro folk + popular music song dance. 1 Brazilian musicologist calls this a "cultural cauldron" into which all of above elements were mixed that produced all sorts of resulting creations. Brazilian composers include Ernesto Nazareth. Chiquinha Gonzaga, Marcelo Tupinamba, Joaquim, Callado, Heitor VilaLobos, etc. Mexican---Juventino Rosas, etc. Cuban---Manuel Saumel, Gonzalo Roig. Ernesto Lecuona, etc. Puerto Rican--- Juan Morel Campos, etc. Plus many other Mexico. C + S American + Caribbean Example--- Venezuelan waltz Dama. Antanona Also Mazurek was popular in some countries. Today, mainly Martinique (songs in French or in local French creole), Puerto Rico. Argentina, a little.In past, as we hear here, Brazil. All Carib, + S America + Mexico (in general) dropped real.mazurek steps for simple waltz steps, though 1 area in Mexico (name??) still uses Mazurek steps (on youtube, forgot which region). Hope that these help. Eternal thanks to Polish composers. musicians, dancers for the gift to the world of Mazurek. !!! Dziekuje !!!
1) Much of music og Ernesto Nazareth, Chiquinha, etc. has great deal of influence of US mid 1800s, but mainly 1900 to 1920 ragtime (= syncopated rhythm) music--- mainly 1 step + 2 step dances (also animal.dances like fox trot grizzly bear hug, kangaroo hop.? and others. ragtime is US s 1st W Africa + C Africa + W Europe + E Europe (mazurek) influenced Brazil s own W + C + SW + SE Africa + W Europe + E Europe (again, mostly mazurek) music song dance combination. ( Later. US jazz inBrasil gave rise to bossa, nova. plus rock, other versions of jazz, rap, etc. ) Brazil, Argentina, US, all created many similar (within each country) music song dance styles. Composers, musicians, dancers mixed + matched.their, many y
... their many national styles AND also borrowed other countries styles. 1 Brazilian.music historian calls this putting all into "cultural cauldron". N Americans, W + E Europeans all borrowed Argentine tango (even now, Olga M.(?) performs on youtube many Polish Yiddish tangos). Brazilian maxixe was briefly done by foreigners, later stuck in 1920s samba, now learning samba percussion + 1 sort of samba solo dance, etc.slso, Cuban salsa, etc. Notice the mazureks of Ernesto Nazareth, Chiquinha Gonzaga, etc. Good luck + learning Brazilian + Argentine + their early 20th century mutually influencing but still distinct music styles (since then, less mutual ...)
Por isso que o legato não funciona no piano quando se toca Ernesto Nazareth. O piano tem que ter aquela percussividade sem ser percussivo. O segredo? Stacatto, portanto, quasi martellato. Tudo menos legato.
Oh, my God! What a music!
Mãos mágicas de Maria Teresa Madeira, nos entregando poesias sonoras do Maestro Ernesto Nazareth. Ah, como é bom estar vivo !!! 💌
Τα μαγικά χέρια της Maria Teresa de Madeira, ερμηνεύοντας την ηχητική ποίηση του μαέστρου Ernesto Nazareth. Αχ τι ωραία ζωή!!!
Τα μαγικά χέρια της Maria Teresa de Madeira, ερμηνεύοντας την ηχητική ποίηση του μαέστρου Ernesto Nazareth. Αχ τι ωραία ζωή!!!
Que música gostosa, nos traz uma volta ao passado, ao período da Belle Époque Brasileira. Sensacional
Maravilha das maravilhas.
Saudades do mais puro que há...do meu Rio, com respeito de quantos paulistas, mineiros e gaúchos me leiam. Só falta o Noel Rosa...mas "Se alguém perguntar por mim/diz que fui por aí"....
Viva as raízes da música popular brasileira!!!
Com Ernesto Nazareth meu coração explode neste agradável cair da noite em setembro de 2020
Beautiful music :) I'm so glad that I discovered this composer. I like to listen and play his music very much, but I must say that I never played tango-like music before and it's quite difficult for me :D Greetings from Poland
Just to point out that the "Brazilian Tango" is completely different from the original Argentine Tango. Making a long story short, this that Ernesto Nazareth plays is actually named Choro
In late 19th + early 29th c. composers in several countries in the Americas were
creating huge no. of very similar styles of
musics that overlapped to great degree
Brasil, Argentina, US. all are W Hemisphere societies that were full of all sorts of music styles--.Indigenous, African, European---.each of these 3 had
many sub styles. These werensources for huge no.. of local rural.folk + urban
popular music song dance. The remarkable 2? 3? generations of composers applied Euro music forms +
W & E Euro contents---Euro folk + popular
music song dance. 1 Brazilian musicologist calls this a "cultural
cauldron" into which all of above elements were mixed that produced all
sorts of resulting creations.
Brazilian composers include Ernesto
Nazareth. Chiquinha Gonzaga, Marcelo
Tupinamba, Joaquim, Callado, Heitor
VilaLobos, etc.
Mexican---Juventino Rosas, etc.
Cuban---Manuel Saumel, Gonzalo Roig.
Ernesto Lecuona, etc.
Puerto Rican--- Juan Morel Campos, etc.
Plus many other Mexico. C + S American + Caribbean
Example--- Venezuelan waltz Dama. Antanona
Also Mazurek was popular in some countries. Today, mainly Martinique
(songs in French or in local French
creole), Puerto Rico. Argentina, a little.In past, as we hear here, Brazil. All Carib, +
S America + Mexico (in general) dropped
real.mazurek steps for simple waltz steps, though 1 area in Mexico (name??)
still uses Mazurek steps (on youtube,
forgot which region).
Hope that these help.
Eternal thanks to Polish composers. musicians, dancers for the gift to the
world of Mazurek. !!! Dziekuje !!!
1) Much of music og Ernesto Nazareth,
Chiquinha, etc. has great deal of influence of US mid 1800s, but mainly 1900 to 1920 ragtime (= syncopated
rhythm) music--- mainly 1 step + 2 step
dances (also animal.dances like fox trot
grizzly bear hug, kangaroo hop.? and others. ragtime is US s 1st W Africa +
C Africa + W Europe + E Europe (mazurek) influenced Brazil s own W + C + SW + SE Africa + W Europe + E Europe
(again, mostly mazurek) music song dance combination. ( Later. US jazz inBrasil gave rise to bossa, nova. plus
rock, other versions of jazz, rap, etc. ) Brazil, Argentina, US, all created many
similar (within each country) music song dance styles. Composers, musicians,
dancers mixed + matched.their, many y
... their many national styles AND also
borrowed other countries styles. 1
Brazilian.music historian calls this putting all into "cultural cauldron".
N Americans, W + E Europeans all
borrowed Argentine tango (even now,
Olga M.(?) performs on youtube many
Polish Yiddish tangos). Brazilian maxixe
was briefly done by foreigners, later stuck in 1920s samba, now learning
samba percussion + 1 sort of samba solo dance, etc.slso, Cuban salsa, etc.
Notice the mazureks of Ernesto Nazareth, Chiquinha Gonzaga, etc.
Good luck + learning Brazilian + Argentine + their early 20th century
mutually influencing but still distinct
music styles (since then, less mutual
...)
Magnífico, deslumbre total o Ernesto Nazareth !
Músicas das Esferas superiores 😍
Perfeição!
Eu não posso dizer que tenho mais preferência por um ou pela a outra, me refiro a Ernesto e Chiquinha, pois suas melodias são 1000!
Os dois são mega show!!
Ernesto e Chiquinha!! Amo! E detalhe! Chiquinha Gonzaga que lançou Ernesto no meio artístico!!! 👏👏👏👏😁❤️
Dois talentos que fazem parte de nossa música maravilhosa!!
Tem toda a razão!
Os, dois sao ums dos, Strauss Brasileiros. !!!
Lindo demais
Amei músicas para meus ouvidos! Parabéns!
Muito bom!
Que alegria!
Maravilhoso!
Música maravilhosa! Amo Chorinho ❤
Faixas:
1 - Odeon - 0:00
2 - Digo - 3:05
3 - Cubanos - 9:42
4 - Não Caio N'outra - 12:40
5 - Turbilhão de Beijos - 15:42
6 - Remando - 21:47
7 - Exuberante - 25:10
8 - Floraux - 27:07
9 - Eponina - 31:00
10 - Menina de Ouro - 37:28
11 - Atrevidinha - 40:55
12 - Nove de Julho - 44:20
Maria Tereza , você é simplesmente uma manifestação teofanica
Tenho certeza que o genial e divino Ernesto Nazareth está Muito feliz c a sua existencia
Muito obrigado pela cronometria
fantastico
Por isso que o legato não funciona no piano quando se toca Ernesto Nazareth. O piano tem que ter aquela percussividade sem ser percussivo. O segredo? Stacatto, portanto, quasi martellato. Tudo menos legato.