Had an opportunity to play on one last year (although "play" is being generous, as I haven' performed since 2006) I recall it feeling pretty solid in my hands, and the "throw" of the valves was so small compared to a traditional style...I could see how Thomas can play some of the stuff he plays with Mnozil Brass (Roman a well).
I love the Ganschhorn. It's a great example of ingenious design under acoustic constraints. That said, I'd love a modal synthesis simulation of the instrument that I could just drop into Ableton. Hardware is cumbersome and requires minerals and metals for construction. We now have convincing modal synthesis models of instruments like the trumpet, the grand piano and the cello. The problem is how to control these models similarly to how we control our physical instruments. Lots of research is being done in this field and I feel like we're getting there. But without the original designs, modal synthesis would have nothing to work with.
Congratulation "Didl" Schagerl and Thomas Gansch! This wonderful instrument sounds very well! I wish you both all the best for the Future! Ich freue mich, daß das Gansch-Horn I und II besonders gut gelungene Trompeten für Jazzmusiker besonders geeignet sind. Eine besondere Erfolgsgeschichte so denke ich, ist das. Vielen Dank! Alles Gute! Euer Manfred Lagler-regall
Супер!!!
Спасибо за видео!!!
In case anyone wonders, at the end he is imitating a Maynard Ferguson recording of "Maria", from Leonard Bernstein's West Side Story
Had an opportunity to play on one last year (although "play" is being generous, as I haven' performed since 2006)
I recall it feeling pretty solid in my hands, and the "throw" of the valves was so small compared to a traditional style...I could see how Thomas can play some of the stuff he plays with Mnozil Brass (Roman a well).
Cool horn!
I love the Ganschhorn. It's a great example of ingenious design under acoustic constraints.
That said, I'd love a modal synthesis simulation of the instrument that I could just drop into Ableton. Hardware is cumbersome and requires minerals and metals for construction.
We now have convincing modal synthesis models of instruments like the trumpet, the grand piano and the cello. The problem is how to control these models similarly to how we control our physical instruments. Lots of research is being done in this field and I feel like we're getting there. But without the original designs, modal synthesis would have nothing to work with.
I'm just enjoying Gansch horn.
Congratulation "Didl" Schagerl and Thomas Gansch! This wonderful instrument sounds very well! I wish you both all the best for the Future! Ich freue mich, daß das Gansch-Horn I und II besonders gut gelungene Trompeten für Jazzmusiker besonders geeignet sind. Eine besondere Erfolgsgeschichte so denke ich, ist das. Vielen Dank! Alles Gute! Euer Manfred Lagler-regall
Can he make a 4th value for quarter tones?
Realize meu sonho me dê um trumpet desse de presente!!!!!
This is the horn.
👌
確かに鳴りの質が全然違う
プロジェクションが凄い。
めっちゃ反応いいんだろな
Does anyone sell these in America (USA)? I'll look online to see. Is it possible to try one before you buy it? I would hope so. I'd love to try one.
Check Levin's near D.C. does
Austin Custom Brass, Kansas City MO
I.have my!!!!
HOW MUCH £ ?
5500€
Can't you just put the stand to the side and play that way instead of the impossible and useless pursuit of keeping the bell above the stand?
TheZacman2 that’s not the point 😂😂😂 they needed to bend the bell so that the valves didn’t hit the bell
@@gman131214 That, and it looks way cooler with the bend 😎 😁
Its everything but a horn