Alt det som ingen ser - Denmark 1992 - Eurovision songs with live orchestra
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- Опубліковано 19 вер 2024
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CREDITS:
"Alt det som ingen ser"
Country: Denmark
Year: 1992
Performed by: Lotte Nilsson & Kenny Lübcke
Lyrics: Carsten Warming
Music: Carsten Warming
Arrangement: Henrik Krogsgård
Conductor: Henrik Krogsgård
Still listening 30 years later 😀❤️🧡💛💚💙
Loved this....92 and 93 were such good years.
Lovely Danish entry. And those brilliant lyrics. When every other entry sang about love, the Danes sang about a one night stand 😂
Brilliant song and performance, I even bought the album!
One of my faves from 92 and from Denmark in general - great song.
This song is my # 1 favourite from ESC 1992.
I die every time i hear 01:00, that male voice is incredible
And he still sings like crazy!!
In 1991 Kenny Lübcke was the singer of Zoser Mez, danish heavy metal band Mercyful Fate oriented.
She's so so cute!!!!!😍😍😍😍😍😍
Such a fun song which was well performed
Kenny is a great singer! I love his work with the fantastic band Royal Hunt and with André Andersen
check out Rockstarz
es la mas bonita pareja que se ha visto en el festival.Magnifica cancion y mucha simpatia de ambos cantantes.
lotte çok sempatik ve harika sesi var ve uyum...
3 of the backing singers and Lubcke would later back up Michael Teschl & Trine Jepsen 7 years later in Jerusalem
part 2/2 The EBU should instead have introduced measures to modernize and ensure the quality of the band/orchestra. My suggestions is to handpick a team of good band/orchestra-musicans and sound people from around Europe to be used every year in the contest. That way we would be sure that the the quality of the music production would not change from one country to another.
10 points from Saudi Arabia.
Canción festivalera y alegre que invita a escucharla.
and about the balance, that's the sound man's responsibility. Anders Berglund (one of Swedens regular conductors at that time and chief conductor that year) handpicked an orchestra himself and which mainly consited of pop/session-musicans. Only the strings and some wood wind came from the Malmö symphony orchestra. When listening to the british song that year you really hear the bands abilty to accompany modern popsong.other example: "Som om himlen brann" from the local final.(the same orchestra)
1992 was the best year of ESC....Deb=nmark should have won
I'm sure the backing singer second from the left, backed up Tommy Nilsen on En Dag. Great song when shaggy perms were the rage 🤣❤️👍
Sorry, that was not him. This guy is called Peter Busborg, the blonde guy in Tommy Nilsson's choir was Tommy Ekman.
@@marbe166 many thanks for that they look very alike but
It was number one
I still think the final result was good enough. But off course when analyzing this performance there are things which could have been better. The music is quite over-arranged ( to many instruments playing at once, for instance the oboe part in the verses is unnessasary) So then we maybe have to blame Henrik Krogsgaard for that. In live performance there is alot of things that has to work together, sound engineers, musicans, microphones, conductor/ band leader and off course musical arrangements.
It is very over-arranged. The studio version is surprisingly contemporary and this live version just sounds like a cheesy schlager. Possibly Henrik Krogsgaard's fault but I'd lean more towards Anders Berglund because a lot of the songs had this feel to them, and it's more the style of the orchestra that year. 1983 are the best ever orchestra IMHO.
Omg, Kenny is so hot!🔥🔥 And he's voice🥵 but I love song too❤️
Fine Job by Henrik and the orkestra sadly she drifts off key several times is that a Swede a backing singer
I think the live performance was good, both from the singers and the orchestra. What in the live performance is bad, according to you?
Kenny was too overpowering, I hardly remember Lotte
Jeg elsker hører diskofil jeg kan neste lige alle sangene☀️🌙
Den er god
Sexy love it so much😭❤❤❤🥰🥰
Miss the dancers from dansk melodi grand prix
part 1/2 I'm happy you want the live music in Eurovision back too. I think the way they did in the past was not always good enough. For instance, some orchestra were not suitable for all kind of music, as the RTE Concert Orchestra (spain 93). But it think it was a great failure by the EBU to ban live music alltogether, taking away some of the essence of the contest.
I liked the RTÉ Concert Orchestra's take on Spain's 1993 song!
@@JeSuisRene Yes! Me too. It seems that I've changed my mind since 7 years ago. ;)
The DMGP version sounds much more uptempo than this one. Am I wrong ?
Same arrangement, completely different sound mixing. :-)
@@danielbeach7177 Prefer the one from DMGP..
You're not wrong, the DMGP version is quicker than the ESC one.
@@marbe166 Thanks!
1-4! I'm for Germany but you deserve it tonight!
Wishing luck to Denmark in 2021?!
Kenny Roxxx
Lotte should’ve gone when she was with snapshot
No doubt the singing was excellent but the live band just didn't suit a fun, uptempo number. For starters there is hardly any beat, Kenny's voice is louder than the orchestra, Lotte's voice is overpowered by the band, and the whole thing is pretty much a mess. That's probably why the song didn't end up top-7, which is what it deserved. A similar case for me is Spain '93. Overall I want the live orchestra back though!
Good but misses the dancers
Does an uptempo song have to have a beat? I wouldn't agree really.
Actually, this fantastic song was pretty much ruined by the live orchestra...
I do think this year's orchestra tended to schlager-ise everything; Yugoslavia is a good example of this. I was surprised when I heard the preview of this song and it sounds quite modern, but the arrangement is too cheesy and lets it down.
@@spannamatronic It's not the orchestra who decides how the music is arranged. It's the various arrangers from each country which writes out the orchestrations.
Very good dance song ruined by orchestra😭😭😭😭😭
If you don't like this particular orchestration why don't you write that instead than blaming the whole orchestra? The Danish delegation and Henrik Krogsgaard were responsible for their own orchestration/arrangement. They could have written it in a different way if they wanted to. Some think it's over-arranged, but I like the schlagerish approach pretty well. But I can understand there are different opinions about that. In general I would say the 1992-orchestra was really good and lifted many songs to a new level.
@@escLIVEmusic1 A lot of Henrik Krogsgaard arrangements were "heavy", which I think works better sometimes than others. The arrangements on Vi Maler Byen Rod and 1988 (can't be bothered to type out that title!) are similar, but they worked whereas this one doesn't. I'd put that down to the musical directors and how they wanted their orchestras to sound. Berglund wanted a really big sound, and he says in the interview on your site that he reworked a lot of the arrangements - maybe he went too far with this one?
Den er god