This video helped me study Leyendecker’s works so I wrote down some rough translations (so not really accurate just what I understood😓). I'm really late to the part ahhh regardless I hope someone finds it useful when studying his works! The pens he's using is explained by another comment! so I'm just translating in clumps of what they are saying 3:30 When painting this man I'm using lines, Leyendecker often draws lines with brushes, starting from dark colors to lighter ones and then the highlight. Make sure to leave these lines visible at the end. 3:50 Here I'm painting an arm from one of his works. Starting with the dark colors making sure to take into account the direction of the brush lines to evoke three-dimensionality, and then painting in the lighter colors. 4:18 There 2 points I'd like to mention regarding Leyndercker-san’s works (he’s talking about types of processes of painting here I'm pretty sure) 1- Starting with the darker colors and then using a translucent brush to color over it and then adding highlights 2- This is the case with this man with the helmet. Where it's colored thinly with paint before adding the darker colors and then lastly the highlight. Though this is not the general of painting imo. Between these two ways of painting processes, I'd like to show what I think is closer to showing that Leyendecker-ness 5:10 Here I'm starting with a smudged ink pen to do the draft. These lines will remain till the end so be aware of that. 5:25 painting the underpainting with ‘nikko rull wet’. Now regarding the underpainting, in Leyendeckers works usually you can see it in the final result. Ex: on the side of this man's jaw. So we’re gonna do that too. 6:00 Fill in the darker colors, here I’m using ‘nikko rull wet’ to paint in the dark lines. In this reference, the light is coming from the top right so I'm filling in most of the shadows on the bottom left. 6:26 After this I'm using ‘nikko rull wet’ to paint in the lighter colors. Leaving the brightest parts exposed I'm going to add the highlights in the end either way. 6:42 Now this part I think I could have done better, I feel I should have made it more simpler. Moreso I think the mistake made here is that Leyendecker often goes ‘zombie mode’, as in, when painting skin he tries to let the colors come through as little as possible and in the end add warm colors--- that’s his kind of style. 7:00 For example this boy, if you remove the redness on his cheeks his face becomes less of this reddish hue it had going on before. 7:10 This man as well, aside from his nose and cheeks. 7:14 So that’s why I think I used too much warm colors in this. 7:19 Leaving as many brush lines as possible, I'll now move to using the brush pen as shown before. Adding the highlight and the environmental light reflected on the skin to the edges here[neck and face]. 7:39 Now, especially for Leyendecker-san, the edges of the shadows, or like here [pointing at the shadow on the eyelid], those places as well as this yellow line I just added on the cheeks, leaving clear brush strokes is important. 7:56 [pointing out the dynamic lines he placed purposefully on the cheeks, chin, and in between them around the corners of the mouth] 8:27 In regards to the hair, not only just painting in the shadows and the highlight but also the reflective light above and below it gives it a glossy sheen which is also important I think. 8:58 Talking about the hand and arms it’s the same process, here for the brightest parts I'm utilizing the underpainting, that’s what Leyendecker often does so I'm taking that into account. Also when painting shadows I’m trying to leave the underlying lines of the hatching visible. 9:21 The clothes again same process, painting lines for the shadows and mid-tones, and lastly for the highlight I'm using the brush pen so basically the whole process I'm using the ‘nikko rull wet’ and brush pen. I'm sure there better brushes out there though. 9:52, In the end, I put lines here and here with the ‘Nikko rull wet’ (pointing to the shirt's ribbon ends) to give it the clean-esque vibe as you see with this man's collar here. conclusion 10:05 ok yes so in this video there's a lot of excess in my drawing it doesn’t have that beauty and elegance that you see in Leyendecker-san’s work. painting process-wise-from the shadow hatching-> paint in the colors. I feel if I held back on the intermediate colors (I'm not sure of the eng word it's colors between warm and cool colors) it would have been better I think. 10:42 Now I've said this before in the previous video but I think the most important part evaluated about Leyendecker's works is what impact it had on American culture as well as designing many magazine covers for merchandise during the rise of posters. So this kind of illustration style is like a bonus. So yeah if you want please get this art book or just look at his art and absorb the knowledge ( 11:47: I think this person's speedpaint would come in handy to study as well as many other videos that are already there about Leyendecker-san’s art so please check them out.
Hi for the english speakers I will try to translate some stuff for you since I understand japanese a little bit. for the first part he said try to play around with the brush "nikko rull" and check the dynamics and change it to wet mix. and you can play with the grain to your liking (This will then be the background and to do the main colors). the brush he use to color the dark colors is the procreate brush pen.you color it first using the darker colors then lighter then highlighter.
Is there any way to provide english subtitles? This information is of incredible value! This looks to be one of the most thorough and in depth leyendecker style deconstructions.
Hi for the english speakers I will try to translate some stuff for you since I understand japanese a little bit. for the first part he said try to play around with the brush "nikko rull" and check the dynamics and change it to wet mix. and you can play with the grain to your liking (This will then be the background and to do the main colors). the brush he use to color the dark colors is the procreate brush pen.you color it first using the darker colors then lighter then highlighter.
This video helped me study Leyendecker’s works so I wrote down some rough translations (so not really accurate just what I understood😓). I'm really late to the part ahhh regardless I hope someone finds it useful when studying his works!
The pens he's using is explained by another comment! so I'm just translating in clumps of what they are saying
3:30 When painting this man I'm using lines, Leyendecker often draws lines with brushes, starting from dark colors to lighter ones and then the highlight. Make sure to leave these lines visible at the end.
3:50 Here I'm painting an arm from one of his works. Starting with the dark colors making sure to take into account the direction of the brush lines to evoke three-dimensionality, and then painting in the lighter colors.
4:18 There 2 points I'd like to mention regarding Leyndercker-san’s works (he’s talking about types of processes of painting here I'm pretty sure)
1- Starting with the darker colors and then using a translucent brush to color over it and then adding highlights
2- This is the case with this man with the helmet. Where it's colored thinly with paint before adding the darker colors and then lastly the highlight. Though this is not the general of painting imo.
Between these two ways of painting processes, I'd like to show what I think is closer to showing that Leyendecker-ness
5:10 Here I'm starting with a smudged ink pen to do the draft. These lines will remain till the end so be aware of that.
5:25 painting the underpainting with ‘nikko rull wet’. Now regarding the underpainting, in Leyendeckers works usually you can see it in the final result. Ex: on the side of this man's jaw. So we’re gonna do that too.
6:00 Fill in the darker colors, here I’m using ‘nikko rull wet’ to paint in the dark lines. In this reference, the light is coming from the top right so I'm filling in most of the shadows on the bottom left.
6:26 After this I'm using ‘nikko rull wet’ to paint in the lighter colors. Leaving the brightest parts exposed I'm going to add the highlights in the end either way.
6:42 Now this part I think I could have done better, I feel I should have made it more simpler. Moreso I think the mistake made here is that Leyendecker often goes ‘zombie mode’, as in, when painting skin he tries to let the colors come through as little as possible and in the end add warm colors--- that’s his kind of style.
7:00 For example this boy, if you remove the redness on his cheeks his face becomes less of this reddish hue it had going on before.
7:10 This man as well, aside from his nose and cheeks.
7:14 So that’s why I think I used too much warm colors in this.
7:19 Leaving as many brush lines as possible, I'll now move to using the brush pen as shown before. Adding the highlight and the environmental light reflected on the skin to the edges here[neck and face].
7:39 Now, especially for Leyendecker-san, the edges of the shadows, or like here [pointing at the shadow on the eyelid], those places as well as this yellow line I just added on the cheeks, leaving clear brush strokes is important.
7:56 [pointing out the dynamic lines he placed purposefully on the cheeks, chin, and in between them around the corners of the mouth]
8:27 In regards to the hair, not only just painting in the shadows and the highlight but also the reflective light above and below it gives it a glossy sheen which is also important I think.
8:58 Talking about the hand and arms it’s the same process, here for the brightest parts I'm utilizing the underpainting, that’s what Leyendecker often does so I'm taking that into account. Also when painting shadows I’m trying to leave the underlying lines of the hatching visible.
9:21 The clothes again same process, painting lines for the shadows and mid-tones, and lastly for the highlight I'm using the brush pen so basically the whole process I'm using the ‘nikko rull wet’ and brush pen. I'm sure there better brushes out there though.
9:52, In the end, I put lines here and here with the ‘Nikko rull wet’ (pointing to the shirt's ribbon ends) to give it the clean-esque vibe as you see with this man's collar here.
conclusion
10:05 ok yes so in this video there's a lot of excess in my drawing it doesn’t have that beauty and elegance that you see in Leyendecker-san’s work.
painting process-wise-from the shadow hatching-> paint in the colors. I feel if I held back on the intermediate colors (I'm not sure of the eng word it's colors between warm and cool colors) it would have been better I think.
10:42 Now I've said this before in the previous video but I think the most important part evaluated about Leyendecker's works is what impact it had on American culture as well as designing many magazine covers for merchandise during the rise of posters. So this kind of illustration style is like a bonus. So yeah if you want please get this art book or just look at his art and absorb the knowledge (
11:47: I think this person's speedpaint would come in handy to study as well as many other videos that are already there about Leyendecker-san’s art so please check them out.
Hi for the english speakers I will try to translate some stuff for you since I understand japanese a little bit. for the first part he said try to play around with the brush "nikko rull" and check the dynamics and change it to wet mix. and you can play with the grain to your liking (This will then be the background and to do the main colors). the brush he use to color the dark colors is the procreate brush pen.you color it first using the darker colors then lighter then highlighter.
you are definitely angel.
Is there any way to provide english subtitles? This information is of incredible value! This looks to be one of the most thorough and in depth leyendecker style deconstructions.
自己の添削がしっかりしていて、非常に分かりやすいです。
iPad Pro持っているので、もっと極めたくなる動画でした
エージェ工房さん、
ご視聴頂きありがとうございます😊
今回私自身も勉強になり、視聴者様にもそのように仰って頂けて嬉しいです‼︎
これからもデジタルお絵描き上達のお役に立てるよう情報発信頑張ります😆✌️
This is one of the best Leyendeckers tutorial. Wish i could understand what he says
こういう動画をずっと見たかったです。私もリアル系イラストを描いていますが、UA-camでリアル系イラスト解説ってあんま無いので、ずっと探してました。笑
ご存知かとおもいますが、Tom LovellやDean Cornwel 、Glen Orbikなどもとてもクオリティが高いリアル系アーティストですので、ぜひ紹介してみてください。
YOU ARE A GOD!
That's really helps a lot thank you
Hello i am sorry! Whats the brush used to make the white background? I love it
This is original brush😭☝️
デジタル（procreate)で石膏デッサンとか見てみたいです。
んぬーさん、
ご視聴頂きありがとうございます😊
これはとても興味深いテーマですね‼︎
是非とも取り上げさせて頂きます😆✨
お疲れ様です😭😭😭
ライエンデッカーの作画をほとんどそのまま再現できていて本当に驚きました😭😭
アドさんが反省点としてあげていた肌の明度について僕もインスタの方でコメントしようと思っていたのでびっくりした反面意見が被っていたことがアドさんの1ファンかつライエンデッカーを崇拝するものとして本当に嬉しいです😊
もしよろしければアドさんが模写されたライエンデッカーの絵を資料として活用したいので頂くことは出来ませんか？？🧐🧐
転載などは一切しない事を誓いますので、、
検討のほどよろしくお願いします🥺
Cashさん、
今回もご視聴頂きありがとうございます😆
この様に模写したり挑戦する事でまた自分の不足な点が分かり成長の兆しが見えた気がします✨
そうなんです‼︎
お肌の具合が少しめちゃくちゃ難しい…筆跡がなかったりと出掛が少ないです…
ぜびぜひご活用くださいませ‼︎
レイヤーごとに分裂してて線画だけ私がトレースした練習用データもあるのでそちらもお届けしますね✌️
ぜびぜひインスタまでお届け先アドレスをご連絡くださいませ⸜(๑⃙⃘'ω'๑⃙⃘)⸝
i wish i understood
Hi for the english speakers I will try to translate some stuff for you since I understand japanese a little bit. for the first part he said try to play around with the brush "nikko rull" and check the dynamics and change it to wet mix. and you can play with the grain to your liking (This will then be the background and to do the main colors). the brush he use to color the dark colors is the procreate brush pen.you color it first using the darker colors then lighter then highlighter.
おうらいのりよし(漢字難しい)
日本で一番上手いと思ってるイラストレーター。昔の映画ポスターで知ってる人いるかも
かたなさん、
ご視聴頂きありがとうございます😊
生頼 範義…
調べましたよ〜‼︎
ヤバすぎましたね😭✨
これはカッコよすぎます🔥
取り上げないわけにはいかないです😆
貴重なコメント頂きありがとうございます‼️
コメント失礼致します！
いつも使われてる「滲んだインク」はデフォルトのものではないですよね？
プッカ星人様、
ご視聴頂きありがとうございます( ˊᵕˋ )
こちらの下書きで使用している滲んだインクは、デフォルトのものだと思うのですが、またインスタグラムにて設定を掲載しておきますね☺️✌️
O.U.C 2017
そうでしたか！💦
早とちりでしたすみません...w
最近Procreateを触り始めて、分からないことだらけなのですがO.U.C2017さんの動画とてもタメになり助かってます！
Instagramの方もやってらっしゃるのですね、フォローさせていただきます！
これからも動画投稿頑張ってください！
インスタもフォロー頂きありがとうございます😆
これからも少しでもお役に立てるよう頑張りますのでどうぞよろしくお願いいたします☺️‼️
Very good study but I can’t speak Japanese 😂