Schnabel said he only performed music that was better than it could be rendered. Joyce makes every line seemingly better than it truly is. She extracts the highest expression from what ever music she sings. They say Schwarzkopf was a perfectionist . Well Joyce is too a perfectionist but so communicative and warm and alive even in bits of syllables. I wont compare but likevPrice and Sills she is unforgettable and when you hear her- you believe there is noone else alive that can make Music like this! Every syllable is with Joyce a chance to extract meaning snd express a living sentiment. Lucky are those who studied in classes with her snd saw this growth. I watch every masterclass she gives. If there was ever a voice to excite a generation as Callas did it is this tremendously alive woman. She mskes us all better musicians. I love her voice like no other living thing on this planet. Im glad to be alive while she toured. I csnt believe any other experience will be so rich.
I just discovered this song. It is wonderful. Composing, conducting, playing and singing at their best levels. Thank you so much for sharing this moment of grace...
She's right up there with Montserrat Caballe whom I think set the gold standard for this aria. Donato has the same wonderful technique and breath control.
Dopo l'oscuro nembo Il Ciel sperai seren, E al mio tesoro in sen Goder la calma. Ma così bella speme Va rapida a sparir! E al primo suo martir Ritorna l'alma! Parte, e poi riede il sol Di luce a sfavillar... E a me non sa tornar L'amato oggetto!
Although much influenced by the music of Gioachino Rossini, Adelson e Salvini exhibits some of the characteristic tuneful style and delicate vocal line that Bellini achieved in his mature works. Characteristically, Bellini was to re-use some of the music from this opera in later works, notably Nelly's act 1 Romanza "Dopo l'oscuro nembo" which became Giulietta's aria "O quante volte" in I Capuleti e i Montecchi.
Adelson e Salvini: "Dopo l'oscuro nembo" (Nelly) song lyrics by Vincenzo Bellini official Dopo l'oscuro nembo Il Ciel sperai seren, E al mio tesoro in sen Goder la calma. Ma così bella speme Va rapida a sparir! E al primo suo martir Ritorna l'alma! Parte, e poi riede il sol Di luce a sfavillar... E a me non sa tornar L'amato oggetto! !
The aria is VERY like Amina's aria from Sonnambula, so Bellini did what Rossini did - plagiarised his own compositions! I love Joyce's voice - none of that dreadful vibrato, so common in Mezzos, where one wonders what note they're actually supposed to be singing.
Don't speak about what you don't know please ! This aria is from the first opera by Bellini but has nothing to do with Amina's aria ( which one...by the way ) but has been rewritten for Giulietta in Capuleti e Montecchi. The fact that musicians used to re-employ a theme in their scores is not the only point of Rossini and Bellini but quasi all of them.
Joyce deploys vibrato as she sees fit. You can plagiarise your own compositions. You can or reuse ideas which mozart most composers do. Lots of vibrato I associate with 19th opera rather than a voice type.
One of the most overrated singers of the century. I don't know what you people have been listening to honestly. Go listen to Scotto, 70 years old, singing this. Way healthier, true Bel Canto school. Even Elina Garança, which I also find to be a heavy marketing product like DiDonato, have more class in singing this. Don't get me wrong, Joyce is energetic, seems like a good colleague, a very captivating teacher in all those masterclasses she gives.
I contradict. Joyce DiDonato's flawless technique is convincing, she has an amazing ambitus, her dynamic range is ravishing even in highest height when a pianopianissimo has to be sung. Her expression is genuine and touching. Experience her in a live concert and you will be convinced, too.
This has to be my favourite performance of this lovely aria ❤️
Schnabel said he only performed music that was better than it could be rendered. Joyce makes every line seemingly better than it truly is. She extracts the highest expression from what ever music she sings. They say Schwarzkopf was a perfectionist . Well Joyce is too a perfectionist but so communicative and warm and alive even in bits of syllables. I wont compare but likevPrice and Sills she is unforgettable and when you hear her- you believe there is noone else alive that can make Music like this! Every syllable is with Joyce a chance to extract meaning snd express a living sentiment. Lucky are those who studied in classes with her snd saw this growth. I watch every masterclass she gives. If there was ever a voice to excite a generation as Callas did it is this tremendously alive woman. She mskes us all better musicians. I love her voice like no other living thing on this planet. Im glad to be alive while she toured. I csnt believe any other experience will be so rich.
Моя любимица! Все партии, которые она поет лучшие! Была у нас в Петербурге с концертом, не забуду его!
Joyce DiDonato sounds magnificent in every way. I would like to add my compliments to the flutist and clarinetist for their beautiful playing as well.
Only 19 comments and a viewership of over 33k....hmmm....surprising with such an obvious display of greatness being showcased!
how beautiful!!!
Astounding and a breathtaking blessing to hear this piece. What an honour.
I just discovered this song. It is wonderful. Composing, conducting, playing and singing at their best levels. Thank you so much for sharing this moment of grace...
Gorgeous in every aspect ! BRAVISSIMO!!!!!!!!!!!!
Superstar! Every note perfect!
Bellini, talentueux, et servi magnifiquement par Joyce di Donato
Francisco muy bien elegida musicas, en lo que a mi respecta. Gracias
素晴らしいです！！大好きです！
Beautiful! Thank you for posting!
Wonderful!
Very nice! Thanks!💓
She comes on stage, and on her way every musician of the orchestra is watching her. This is dramatic. She sang it so wonderfully sad.
MARAVILLOSA
I think she has crisp and clear voice and I just love it.
Glorious.
Bravissimo!!!!!!!!
BELLÍSIMO
Musica celestiale!
Восхитительно!
5:18 ist ja fast schon ein sphärischer Ton. Beeindruckend...
She's right up there with Montserrat Caballe whom I think set the gold standard for this aria. Donato has the same wonderful technique and breath control.
RECORDANDO UNA GRAN VOZ
Dopo l'oscuro nembo
Il Ciel sperai seren,
E al mio tesoro in sen
Goder la calma.
Ma così bella speme
Va rapida a sparir!
E al primo suo martir
Ritorna l'alma!
Parte, e poi riede il sol
Di luce a sfavillar...
E a me non sa tornar
L'amato oggetto!
I like to hear this with Cecilia Bartoli. She also does the best.
Omg georges 🌹🌹
Giovanissimo Bellini: è già grande!
Devine voice and tunes! A pity the sound quality is so horrible
Брависимо!
Although much influenced by the music of Gioachino Rossini, Adelson e Salvini exhibits some of the characteristic tuneful style and delicate vocal line that Bellini achieved in his mature works. Characteristically, Bellini was to re-use some of the music from this opera in later works, notably Nelly's act 1 Romanza "Dopo l'oscuro nembo" which became Giulietta's aria "O quante volte" in I Capuleti e i Montecchi.
Adelson e Salvini: "Dopo l'oscuro nembo" (Nelly) song lyrics by Vincenzo Bellini official
Dopo l'oscuro nembo
Il Ciel sperai seren,
E al mio tesoro in sen
Goder la calma.
Ma così bella speme
Va rapida a sparir!
E al primo suo martir
Ritorna l'alma!
Parte, e poi riede il sol
Di luce a sfavillar...
E a me non sa tornar
L'amato oggetto!
!
¡Música!
Beautiful, but Anyone doesn't superates La Superba
Ааааааа😊😂 какой сложный пассаж в конце 🤯🤯🤯🤯😮😮😮
УВЫ ..... ....
Splendida ma sbaglia il testo, no?
The aria is VERY like Amina's aria from Sonnambula, so Bellini did what Rossini did - plagiarised his own compositions! I love Joyce's voice - none of that dreadful vibrato, so common in Mezzos, where one wonders what note they're actually supposed to be singing.
Don't speak about what you don't know please ! This aria is from the first opera by Bellini but has nothing to do with Amina's aria ( which one...by the way ) but has been rewritten for Giulietta in Capuleti e Montecchi. The fact that musicians used to re-employ a theme in their scores is not the only point of Rossini and Bellini but quasi all of them.
@@angalafan Don't be so rude. If your intention was to belittle me, you've only succeeded in making yourself look an idiot.
Joyce deploys vibrato as she sees fit. You can plagiarise your own compositions. You can or reuse ideas which mozart most composers do. Lots of vibrato I associate with 19th opera rather than a voice type.
thanks for setting this straight. I recognise the melody but never heard of this opera before
Not bad, but no one can come close to Elina Garanca
One of the most overrated singers of the century. I don't know what you people have been listening to honestly. Go listen to Scotto, 70 years old, singing this. Way healthier, true Bel Canto school. Even Elina Garança, which I also find to be a heavy marketing product like DiDonato, have more class in singing this.
Don't get me wrong, Joyce is energetic, seems like a good colleague, a very captivating teacher in all those masterclasses she gives.
I contradict. Joyce DiDonato's flawless technique is convincing, she has an amazing ambitus, her dynamic range is ravishing even in highest height when a pianopianissimo has to be sung. Her expression is genuine and touching. Experience her in a live concert and you will be convinced, too.
I guess most opera lovers disagree with you. Elina's version is breathtaking
divin!