Mają w sobie coś te stare kamerki cinema. Jedyny ból dla mnie to mocny aliasing i moire. Na ogół nie stanowi to problemu ale jak się pojawi to nic z tym nie zrobisz.
@@sebastianspychala testowałem trochę tego sprzętu w tym roku ale chyba jako drugie, bardziej kinowe body zostawię sobie bmpcc4K. Obrazek nadal inny niż w Sony mimo że na ich matrycach. Ergonomia użytkowania bardzo usprawniona a cena bardzo zbliżona jak bmpcc og czy ten micro.
Man , looks great. I also like you fly fpv and i own blackmagic micro , og and bmpcc4k camera. But micro is my favorite one, looks so organic. How do you grade your footage , nature look great , green and contrast . Tnx
Thanks. I used the colour space transform from 4th generation colour science in the davinci and a one of the Kinetic luta from Gamut. They are based of the Kodak film stock and I think looks just right for a cinema camera footage. I had to give up my micro as I bought too much gear. Maybe one day I’ll get one again.
You pretty much have to use a Variable ND with one of them unless you shoot in a controlled environment. Only other option is to expose with aperture but it’s not what you want to do.
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Mają w sobie coś te stare kamerki cinema. Jedyny ból dla mnie to mocny aliasing i moire. Na ogół nie stanowi to problemu ale jak się pojawi to nic z tym nie zrobisz.
@@LiveMyJourneyTom jak dla mnie to nawet lepszy obraz niż z puszki Sony :) pozdro
@@sebastianspychala testowałem trochę tego sprzętu w tym roku ale chyba jako drugie, bardziej kinowe body zostawię sobie bmpcc4K. Obrazek nadal inny niż w Sony mimo że na ich matrycach. Ergonomia użytkowania bardzo usprawniona a cena bardzo zbliżona jak bmpcc og czy ten micro.
Looks really good. What was the process that you used to upscale?
I used super scale that is built into the Davinci Resolve. Thanks
Man , looks great. I also like you fly fpv and i own blackmagic micro , og and bmpcc4k camera. But micro is my favorite one, looks so organic. How do you grade your footage , nature look great , green and contrast . Tnx
Thanks. I used the colour space transform from 4th generation colour science in the davinci and a one of the Kinetic luta from Gamut. They are based of the Kodak film stock and I think looks just right for a cinema camera footage.
I had to give up my micro as I bought too much gear. Maybe one day I’ll get one again.
You using any filters?
You pretty much have to use a Variable ND with one of them unless you shoot in a controlled environment. Only other option is to expose with aperture but it’s not what you want to do.