Very much appreciate that it's dynamic.. It's a story, it invites you to react and play with it.. most playalong tracks is basically 6 or 7 times copy-pasta.
I have Band In a Box but I have no idea how you made it sound so good. The only Blue and Green MGU tracks I've found online were in Bossa Nova feel. I love how your version goes into double time. I am a piano player who would love a version without the piano. Would you be willing to sell me the MGU file, or an audio file without the piano?
Thanks for your comment Ken. I don't remember wich BiaB style I've user, but was a real tracks style for sure. Anyway, I usually export the tracks and edit it in my daw with some plugin.
@@Felipe-zm3pf after Miles plays the melody, the chords are played twice as fast during the piano and sax solos. The slow tempo doesn’t change, but most of the chords are only played for 2 beats, instead of a whole measure as they were under the melody.
It's a modal tune. Looking at chords and analyzing the melody you can find the best scale for every chord. Or try to analyze Miles solo (you can find it online)... I hope it will help you!
The main key is D minor but it is swapping all the time. From a scale perspective, my choice would be: Gm6 - G dorian (D minor) A7#5#9 - A altered scale (Bb melodic minor) Dm9 - D minor Db7 - lydian b7 (Ab melodic minor) Cm9 - C minor F7b9 - F altered scale (Gb melodic minor) Bbmaj7#11 - Bb lydian (F major, D minor major relative) A7#5 - A altered scale (Bb melodic minor) Dm69 - D minor E7#9 - E altered scale (F melodic minor) Am9 - A minor Dm9 - D dorian My choice minimizes the time the tune is in a different key than D minor. In any case, to improvise over this kind of jazz standard it is more practical to think of arpeggios. Jazz was born to break rules, so forget D minor and think in the chromatic scale. I hope it is of help, Cheers.
This is such an amazing reply, thank you. I'm new to modal jazz and this makes a lot of sense. So really, it's just treating each chord individually and applying the appropriate scale(s) that would fit that chord?
Said like that it sounds a bit too simplified. The key is in the chord extensions. Let's say you have the following progression: C F G You can't just force Clydian, Flydian and Glydian b7 (it would sound forced and blunt). One way to catalyze that kind of sound would be adding the following chord extensions: Cmaj7#11 Fmaj7#11 G7b5 With the #11 and a major third you force lydian. With b7, major third and b5 you force lydian dominant. For this tune, I would actually say that it is not specially modal. It sounds more like chord substitution, a very popular resource to spicy up your progressions in jazz. For example, the Dm9 Db7 Cm9 F7b9 is not more than Dm G C F (circle of fifth) where you add some chord extensions, conduct a tritone substitution for G7 (substituting it for Db7), change C to C minor (as you come from the dominant you can either resolve in C or Cm), make F into F7b9 so that you can resolve in Bb. I'm sure there are many things I'm overseeing. In any case, please bare in mind that I'm just another amateur hobbie musician (don't take me too seriously). It is always a pleasure to be of help!
![Chet Baker LIVE Blue in Green [HD]](http://i.ytimg.com/vi/839s_2m7ipo/mqdefault.jpg)
Thank you! A longer play back is very useful for studying, and more beautiful.
Very much appreciate that it's dynamic.. It's a story, it invites you to react and play with it.. most playalong tracks is basically 6 or 7 times copy-pasta.
Thank you
Yes...i Love jazz,...very good Ricky...
I am play piano...is Nice this arrangement.. thanks!!!!
Thank you. Very well done...great mixing...beautiful chord voicing!
Just what I needed.... THANKS!!
Thanks Ricardo....i Love jazz...i am beguiner piano jazz....i Like this
Amazing....the best Blue in green backing track ........thank you very much
Grazie Paolo
Thank you great.
C'est magnifique, c'est tout.
Excelente!
This is great.!
bellissima
grazie mille!!! molto bello e accordi avanzati!
Grazie a te del commento! Sei un chitarrista?
Delightful!!! I loooove playing with this track. WIsh you uploaded a version without bass please
thsnks for that
Thank you!!!!
Very helpful learning tool! Will definitely be subscriving!!
nice
Ottimo! è la migliore versione che ho sentito!
ci sono tracce simili senza basso?
Grazie mille! magari la posterò a breve senza il basso
Great recording and production, sounds so live ...real instruments ...?
No, real tracks by Band in a Box
Edited by me
I have Band In a Box but I have no idea how you made it sound so good. The only Blue and Green MGU tracks I've found online were in Bossa Nova feel. I love how your version goes into double time. I am a piano player who would love a version without the piano. Would you be willing to sell me the MGU file, or an audio file without the piano?
Thanks for your comment Ken. I don't remember wich BiaB style I've user, but was a real tracks style for sure. Anyway, I usually export the tracks and edit it in my daw with some plugin.
@@RiccardoTagliabue_guitartips would you provide/sell me an audio track without the piano part?
@@kenkimura2989 I'm sorry, I don't have that files anymore
very good backing track! Do you also have one without the piano? I am a pianist and would like to practice with your track :)
Really sorry, Erwin! I made this backing track years ago...
@@RiccardoTagliabue_guitartips It's still great in 2021! I play with it often. Thanks
Podes pasarme el track sin el bass? Gracias.
Is this faster than recording, cause I don't feel like I can play the intro melody the right way? Or I should play slower>?
if you start from miles solo it's much easier to feel the changes
Can I use track on my channel?..
Of course
cool ! but the chords on the solos are in double time
is that a problem?
Same thing bro
@@Felipe-zm3pf after Miles plays the melody, the chords are played twice as fast during the piano and sax solos. The slow tempo doesn’t change, but most of the chords are only played for 2 beats, instead of a whole measure as they were under the melody.
Hello Riccardo, I would like to use your backing track in a recording of mine. Do you authorize me?
No problem for me, but I create this backing track with a software that use virtual instruments. I only did an edit of that.
@@RiccardoTagliabue_guitartips bella backing! che software hai utilizzato per crearla?
@@AndreaResta band in a box
@@RiccardoTagliabue_guitartips grazie mille 🙂
any idea what the key is? I'm terrible at figuring it out
It's a modal tune. Looking at chords and analyzing the melody you can find the best scale for every chord. Or try to analyze Miles solo (you can find it online)... I hope it will help you!
The main key is D minor but it is swapping all the time. From a scale perspective, my choice would be:
Gm6 - G dorian (D minor)
A7#5#9 - A altered scale (Bb melodic minor)
Dm9 - D minor
Db7 - lydian b7 (Ab melodic minor)
Cm9 - C minor
F7b9 - F altered scale (Gb melodic minor)
Bbmaj7#11 - Bb lydian (F major, D minor major relative)
A7#5 - A altered scale (Bb melodic minor)
Dm69 - D minor
E7#9 - E altered scale (F melodic minor)
Am9 - A minor
Dm9 - D dorian
My choice minimizes the time the tune is in a different key than D minor. In any case, to improvise over this kind of jazz standard it is more practical to think of arpeggios. Jazz was born to break rules, so forget D minor and think in the chromatic scale.
I hope it is of help, Cheers.
This is such an amazing reply, thank you. I'm new to modal jazz and this makes a lot of sense. So really, it's just treating each chord individually and applying the appropriate scale(s) that would fit that chord?
Said like that it sounds a bit too simplified. The key is in the chord extensions. Let's say you have the following progression: C F G
You can't just force Clydian, Flydian and Glydian b7 (it would sound forced and blunt).
One way to catalyze that kind of sound would be adding the following chord extensions:
Cmaj7#11 Fmaj7#11 G7b5
With the #11 and a major third you force lydian. With b7, major third and b5 you force lydian dominant.
For this tune, I would actually say that it is not specially modal. It sounds more like chord substitution, a very popular resource to spicy up your progressions in jazz.
For example, the Dm9 Db7 Cm9 F7b9 is not more than Dm G C F (circle of fifth) where you add some chord extensions, conduct a tritone substitution for G7 (substituting it for Db7), change C to C minor (as you come from the dominant you can either resolve in C or Cm), make F into F7b9 so that you can resolve in Bb. I'm sure there are many things I'm overseeing.
In any case, please bare in mind that I'm just another amateur hobbie musician (don't take me too seriously). It is always a pleasure to be of help!
D Minor
What is Bbtriangle?
its Bbmaj7#11
Luke thank you
Means major 7th.
It’s a delta symbol 😂
means u gota 2 5 1 to get to it