MadRasana Tinge | 5 concerts 5 colours | Muddugare | All singers on one stage
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- Опубліковано 2 жов 2024
- Happy Vijayadashami.
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Song details
Song - Mudduragare Yashodha
Composer: Annamacharya
Tuned by: Nedunuri Krishnamurthy
In this song Muddgare , Annamayya compares Krishna during his various acts(leelas) to the nava ratna(9 gems) and at the same time also describes the people related to Him in each verse.
Each planet (graha) has a gem stone associated and hence the famous navaratna for 9 planets. The nine gem stones for the nine planets are as follows in english and telugu:
1. For the Sun it is ruby, maanikyam in Telugu.
2. For the moon it is pearl, and muthyam in Telugu.
3. For the mars it is red coral, pagadam in telugu.
4. For mercury it is emerald, Garudapachcha in telugu.
5. For jupiter it is yellow saphire, called pushyaraagam in Telugu.
6. For venus it is diamond, and vajram in Telugu.
7. For saturn it is blue saphire, Neelamu in Telugu.
8. For rahu/uranus it is hassonite( garter), Gomedhikamu in Telugu.
9. And finally for ketu/neptune it is cats eye, Vaidooryamu in Telugu.
Over the course of this month you have listened to the individual virutham from each artist of Madrasana Tinge and this is the final piece that links all of them together. The festival starts in a few weeks time, Oct 27-31, with replay available till Nov 7th.
Credits
M.S. Krsna - Acoustic and Electric Guitar
Sumesh Narayanan - Mridangam and Percussion Arrangement
Ravi G - Piano Bass | M. T. Aditya - Tabla
S. Sayee Rakshith - Violins and arrangement
The artists line-up for MadRasana-Tinge are-
Red - S.Adithyanarayanan (Vocal) | Vittal Rangan (Violin) | R Akshay Ram (Mridangam) | T.S Sahana (Tambura)
Yellow - Anahita & Apoorva (Vocal) | Ananthakrishnan B (Violin) | NC Bharadwaj (Mridangam) | Srimathi M S (Tambura)
Green - Spoorthi Rao (Vocal) | Sayee Rakshith (Violin) |
Saigiridhar Mridangam (Mridangam) | T.Yuvaraj (Tambura)
Blue - Aditya Madhavan (Vocal) | M Vijay (Violin) | Akshay Anantapadmanabhan (Mridangam) | Geetha Raghavan (Tambura)
White - Sunil R Gargyan (Vocal) | R Raghul (Violin) | Sumesh Narayanan (Mridangam) | K. Chandrika (Tambura)
Artistic direction by Vinay Varanasi
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#madrasana #colour #concert #onlineconcert #carnaticmusic #southindianmusic #indianmusic #chennaimusicseason
I remember my mothers and grandmothers words.while we r praying we should sing loudly.bcz the plants and animals will listen it and they can grow fast...
❤❤❤
This is a very sweet keerthanam by Ananmacharya that oozes out with his love for the Lord Krishna and his knowledge about the jewels(gems). In this work, Annamayya compares Krishna during his various acts(leelas) to precious gems or nava ratna(9 gems) and at the same time also describes the people related to Him in each verse. The comparison and the adjectives Annamayya uses are simply enthralling, as seen always in his other works.
Apparently, each planet (graha) has a gem stone associated and hence the famous navaratna for 9 planets. The nine gem stones for the nine planets are as follows in english, hindi, and telugu:
1. For the Sun it is ruby, called manik in Hindi, and maanikyam in Telugu.
2. For the moon it is pearl, called moti in HIndi and muthyam in Telugu.
3. For the mars it is red coral, moonga in Hindi, and pagadam in telugu.
4. For mercury it is emerald, panna in Hindi, and Garudapachcha in telugu.
5. For jupiter it is yellow saphire, called pukhraj in Hindi and pushyaraagam in Telugu.
6. For venus it is diamond, heera in Hindi, and vajram in Telugu.
7. For saturn it is blue saphire, neelam in hindi, Neelamu in Telugu.
8. For rahu/uranus it is hassonite( garter), gomedha, Gomedhikamu in Telugu.
9. And finally for ketu/neptune it is cats eye, Lahsunia in Hindi and Vaidooryamu in Telugu.
The seven main planets rule the seven days of the week. Sun rules Sunday. Moon rules Monday. Mars rules Tuesday. Mercury rules Wednesday. Jupiter rules Thursday. Venus rules Friday. Saturn rules Saturday. Rahu and Ketu do not rule any day
Muddu gAre YashodA mungita muthyamu veedu
Diddaraani mahimala Devaki suthudu
Muddu= Kiss, lovely; gAre= (kAre) to pour; Yashoda= Yashoda, Krishna's mother;
mungita= court yard's ; muthyamu= pearl ; veedu= He (is)
Diddaraani= cannot be altered; mahimala=greatness; Devaki= Devaki suthudu= son
Meaning:
He is the pearl of the courtyard of Yashoda, who(Yashoda) showers/pours out love;
He is the son of Devaki, the one whose greatness/miracles cannot be altered
Discussion:
Here Annamayya describes the two mothers of Krishna. Yashoda is the foster mother and nurtures him until He kills Kansa and meets his birth mother Devaki. So Annamayya describes Yashoda as the one who showers/pours out Kisses/love, in other words, a benevolent woman. Another word Annamayya uses to hint us about her fostering him is "mungita", the courtyard. Since Krishna grew up in Yashoda's house, He bejewels the courtyard of her house like a pearl.
Devaki herself had to undergo many haardships and miracles to give birth to Kishna. So Annamayya describes how miraculous/great she was to give birth to Krishna. So he says, "He is the son of Devaki, the one whose greatness/miracles cannot be altered".
In this stanza, Annamayya adeptly praises Yashoda, Devaki and Krishna at the same time.
Anthanintha gollethala arachethi manikyamu
Panthamaade Kamsuni pali vajramu
Kaanthula moodu lokala Garudapachhaapoosa
Chenthala malonunna Chinni Krishnudu
Anthanintha =(Antha+intha) that much and this much; gollethala =(Golletha+la) of the shepard-woman; arachethi= palm; manikyamu= Ruby
Panthamaade= (Panthamu+ade= obstinate+play) one who acts stubbonly; Kansuni= Kansa's;పాలి paali= one who reigns; Vajramu= Diamond
Kanthula= of spledour, lustre ; moodu= three; lokala= worlds; GarudaPachha= Emerald; poosa= bead
chenthala= within vicinity, neighborhood; maalonunna= one who is within us; chinni= little
Meaning:
He is the Ruby in every( small and big, this and that) shepard-woman's palm
He is the Diamond that reigns over the stubbornly acting Kansa
He is the Emerald bead of the splendid lustrous three worlds
He is the little Krishna within everyone's reach.
Discussion:
This stanza is self explanatory. I guess Annamayya stresses the little Krishna, (in his physical form)is adored by shepard-woman of all ages(young and old) when he says that he fits in their palms as Ruby.
rathikeli rukhminiki rangumovi pagadamu
mithi govardhanapu Gomedhikamu
sathamai Shankhachakrala sandula vaidhooryamu
gathiyai mammu gAche Kamalakshudu
Rathi= love; rathi, wife of CUpid;Keli= sport,play, dance rathikeli= (Rathi+keli) amorous sport; Rukminiki=To Rukmini; Rangu= elegant,colorful; moovi= (movi=a lip); moova=a bell or tinkiling ornament(derived from muvva); Pagadamu=coral
mithi=bound,limit ; Govardhanapu= The Govardhana mountain's; gomedhikamu = A precious stone of yellowish color, Hassonite.
sathamei=permanently, longlasting; shanka= conch shell; chakrala= of the Chakra/(Krishna's weapon , the wheel/circular saw) sandula= in the hole, in between; vaiduryamu= cat's eye
gathi+ayyi= Destiny/fortune+become; mammu= us, gaache=guard, watch, protect, Kamala+akshudu=The lotus eyed one
Meaning:
To amorous Rukmini, He is the coral of the her lip
He is the Hassonite (stone) of the limited Govardhana mountain
He is the cat's eye that is permanently situated in between Shanka and Chakra
He is the little Krishna who protects us as destiny/the only alternative.
Discussion:
Here, Annamayya describes Rukmini and the three things associated with Krishna and Vishnu. movi means lip while muva means bell. He says that Krishna is Rukmini's tinkling coral of her colourful lip. For the region with in mountain Govardhana, since he lifted the mountain, He is strong as the Hassonite, bearing the burden. The Shanka and Chakra are permanently situated on two sides of his face. So Annamayya refers to Vishnu as the "Vaiduryamu/cat's eye" jewel between the two objects(shanka and chakra). finally, Krishna is the one that protects us as destiny.
kalinguni thalalapai gappina pushyaragamu
yeleti Sri Venkatadri Indraneelamu
paalajalanidhilona bayani Divya ratnamu
baaluneevale dirige Padmanabhudu
Kalinguni= The serpent Kalinga's ;talapai= on head , gappina= to spread; pushyaragam= yellow Sapphire
Yeleti= to reign; Venkatadri= The Venkata Hill; Indraneelam= Blue Sapphire
Pala+jala+nidhula+lona= the milky(Pala) ocean's(jala) treasure (nidhi) in(lona); Divya= Divine; Ratnam= precious gem.
baaluni vale= like a child/boy; dirige(thirige)= to roam around; padmanabhudu= The one whose navel is the root for lotus
Meaning:
He is the yellow Sapphire that spread over the Serpent Kalinga;
He is the Blue Sapphire,reigning over the Venkata Hills;
He is the Divine jewel/gem that was distinct(even) among the milky water's( Pala Samudra) treasure.
He is the Padmanabha(the origin for this world) who roams around like a boy.
Discussion:
I'm guessing that Annamayya is refering to the ksheerasamudra manthan,(churning of milky ocean) which resulted in many treasures, like the kalpataru(wish fulfilling tree), kamadhenu(wish-fulfillinf cow), Lakshmi( fortune), amruthamu(elixir) etc. Even when all the treasures were churned out, the foundation for churning was given by Kurma/tortoise (Vishnu's incarnation). Annamayya says that even among the most enviable treasures, he is distinct and more precious than all of them. Or, Annamayya could be referring to the point that among the various treasures the milky ocean holds, Vishnu who resides in it, is the most precious gem.
A detailed and nice explanation!
Such a beautiful explanation, thank you! 🙏
Wonderful explanation
Listening for more than a year and counting... Any bigger fan than me for this version 😇
So happy to see the next generation of Carnatic artists on stage. May god bless you all with a wonderful musical life 🙏🙏🙏
pallavi:
Muddu gare Yashoda mungita muthyamu veedu
Diddaraani mahimala Devaki suthudu
Charanam1:
Anthanintha gollethala arachethi manikyamu
Panthamaade Kamsuni pali vajramu
Kaanthula moodu lokala Garudapachhaapoosa
Chenthala malonunna Chinni Krishnudu
Charanam2:
rathikeli rukhminiki rangumovi pagadamu
mithi govardhanapu Gomedhikamu
sathamai Shankhachakrala sandula vaidhooryamu
gathiyai mammu gAche Kamalakshudu
Charanam3:
kalinguni thalalapai gappina pushyaragamu
yeleti Sri Venkatadri Indraneelamu
paalajalanidhilona bayani Divya ratnamu
baaluneevale dirige Padmanabhudu
Thanks ❤
I feel rejuvenated whenever I listen…..AWESOME 👏🏽👏🏽👏🏽👏🏽👏🏽👏🏽👏🏽
L
This concept is so unique and stunning!
Plants as the audience is such an amazing idea!
Thank you so much
Meanwhile India is the biggest plastic polluter on earth. Jai Hind! 😂😂😂
I don't understand why Carnatic music should have chords in the background. It only ruins the beauty of our gamakas and anuswaras. It has become a trend these days. Aurally obnoxious!
That's ok. You like some and some you don't. But we will keep to the tradition mostly and at times we will nudge ourselves outside of that, even if it is obnoxious for some. We are cool with that. Thanks for your feedback in any case.
Amazing to see the ocean of Carnatic music of different schools in Unison on the stage. Music is divine indeed 🤩
వీనులవిందుగా , పరమాధ్భుతంగా ఉంది.
పవిత్రంగా స్వచ్ఛమైన చిరునవ్వు తో.. మీరందరూ పాడుతుంటే ... పదే పదే వినాలనిపిస్తోంది.
కానీ *** ల పలకడం ( pronounce) చూస్తే... తెలుగు మీ మాతృభాష కాదేమో అనిపించింది. కానీ మీ అందరి voice పరమాధ్భుతం .
Bharath maatha muddu biddalu vandanam excellent devotional therapy 👌
You are all the Sangeetha vaaradhi to the future generations
concept is great; however, background music is too loud, and would be nice if artistes sit still rather than swaying
True. They should be sitting still. The guy on the extreme right, in particular, is too casual. I wish he had shown more reverence while still enjoying the singing. This is a devotional piece, after all!
Best version of this song ever❤on repeat mode❤thank you for the very divine experience 🙏
A novel concept. Looking forward to seeing and hearing more from these young artistes👍
Muddu gare Yashoda mungita muthyamu veedu
Diddaraani mahimala Devaki suthudu
Anthanintha gollethala arachethi manikyamu
Panthamaade Kamsuni pali vajramu
Kaanthula moodu lokala Garudapachhaapoosa
Chenthala malonunna Chinni Krishnudu
rathikeli rukhminiki rangumovi pagadamu
mithi govardhanapu Gomedhikamu
sathamai Shankhachakrala sandula vaidhooryamu
gathiyai mammu gAche Kamalakshudu
kalinguni thalalapai gappina pushyaragamu
yeleti Sri Venkatadri Indraneelamu
paalajalanidhilona bayani Divya ratnamu
baaluneevale dirige Padmanabhudu
Well coordinated.. Pleasant. Some Telugu words are not pronounced correctly except by Spoorthi Rao
Thanks for the feedback. The singers have taken a note of this already
Thank god, Its not sung by ppl from Hyderabad
I can imagine how horrible it'd be.
Despite not their mother tongue these boys, girls sung this song really well.
please do not regionalise the issue. Singers from every region have their shortcomings - we need to help everyone improve .🙏
Great line up! Look forward to listening to my favorite young duo, Anahita Apoorva! Best wishes
I'm not a south Indian but this song is just fixed up in my heart and mind. ❤️🥺
That's because you're Indian, classical music is heritage of all India just like our culture, tradition and history is
music touches every heart
My baratha versha is swinging in full zoom. Many years ago when I was studying sanskrit and pursuing mathematics at uni, all were thinking of USA UK as the pinnacle of life. A few of us left to sing for Bharath. I am now pleased y Nava barath has resurfaced. Baratha versha is led by young a privilege to watch and be part. My Mathru barathi pranamam
BGM not at all needed as it suppresses the main vocal voices
BGM enhances the rendition, but in this case it is overpowering.
Musical bliss .lovely rendition by all youth
Am from north but I can connect with lord krishna with the help of carnatic music ❤❤
beautiful rendition ..all singers did a amazing job...wonderful 🕉🕉
Beautiful…. All singers did an amazing job. Just a couple of suggestions… 1. Make sure they know the meaning and say the words correctly especially splitting & joining and 2. Have some Bhavam that syncs with the lyrics
Well said
I totally agree
Unique concept, appreciate the effort.
Adithyanarayanan & Aditya Madhavan...you ppl just amazed me with the voice... great team work. I'm listening this everyday morning for last few months. thank you all who behind this work. ❤️ Best version of this song
Muddu gare Yashoda mungita muthyamu veedu
Diddaraani mahimala Devaki suthudu
Charanam1:
Anthanintha gollethala arachethi manikyamu
Panthamaade Kamsuni pali vajramu
Kaanthula moodu lokala Garudapachhaapoosa
Chenthala malonunna Chinni Krishnudu
Charanam2:
rathikeli rukhminiki rangumovi pagadamu
mithi govardhanapu Gomedhikamu
sathamai Shankhachakrala sandula vaidhooryamu
gathiyai mammu gAche Kamalakshudu
Charanam3:
kalinguni thalalapai gappina pushyaragamu
yeleti Sri Venkatadri Indraneelamu
paalajalanidhilona bayani Divya ratnamu
baaluneevale dirige Padmanabhudu
యేలేటి శ్రీ వేంకటాద్రి .... వేంకటాద్రి ..
the only way to have improved this excellent rendition if you had added subtitles to the song. this beautiful annamayya composition on lord Krishna deserves to be understood by even non-Telugu speakers.
True. By the way, the singers are non Telugu too
Nannaayi... Kurinji raagam... Enikkishtappetta raagam
Deserve standing applause, eagerly waiting.. Stay blessed
Waiting for the concert as all best gems of this youngest generation vidwans and vidhushis singing. God bless them all.
Amazing please continue to give us such content in future too.
Thank you. Will do.
Thank you will do
Excellent rendition 🎉by all the young singers with a fantastic. Musical future ! May goddess Saraswati less them all with long happy healthy artistic career and more of the same in future!!
Very lovely and homely 👏🏼👏🏼👌👌🙏🏼🙏🏼🙏🏼🕉🕉🕉
பூர்ண சரஸ்வதி கடாக்ஷ்மஸ்து.. தீர்காயு சு
Very nice❤ I love it and listen it every night without missing it. Im 10 year girl from india
All round perfection from the conception to execution. The definition of bliss....
I suggested to our AAPI in USA annual convention to sing this song for invocation. Hope my son and myself will be able to sing with others. The concept is brilliant.
Wddd
Sdd
Words to be spelt more clearly...Good music 🎶 in the background!! Nedunuri has tuned the classic song most intricately!! Swaras most delicately!!!
Thank you for this beautiful musical treat😍❤️
The rendering of the song is beautiful but i must say there are some pronunciation mistakes, especially the guy in the blue who sang part of first charana, the la sound in 'Gollethala' should be pronounced similar to 'laya' , it shouldn't be pronounced like the la sound in the word 'Tamil' for example
...transmitting an air of love and happiness.... magnificent and electrifying....
Beautiful signing... Loved the concept of 🌱💐.
They should really work on telugu pronounciation. I am from tirupati and having listened to various versions of Annamacharya keertanas all my childhood, i find this version not doing enough justice to Pada Kavita Pitamaha Tallapaka Annamacharya. That is the reason most of us here have commented on the pronounciation.
@Anupama. Not contesting what you said. Please point out few examples with the meaning. So it will be more educational to persons like me.
With Full of positive vibrations and positive energy ,these singers are great.
Great concept ,Mahesh ,awesome singers and rendition
Thanks to Madrasana for making this appealing to listen
Literally u rocked ittt....
Standing avaition🙇🙇🙇
I don't know how many times I watched this beautiful rendation. All the best,all of you....❤❤❤❤❤❤❤
Just great.Any amount of appreciation is too less.we wish to listen more and more from them.God bless you all.
Traditional way of singing sitting in the floor & less artificial swaying coupled with more melodious music score would have made it more presentable
Thanks for your feedback. There is no one way of presenting music and enjoying the same. We understand different people have different choices, but they need not be a norm. We do stick to the traditional way most of the time but we will indulge ourselves to present some of these in different ways and we also know not all will enjoy it. But we are cool with that. We dont have to satisfy all the them all the time. But allow us to experiment and allow yourself to also experience something different from the usual eventhough you may not enjoy the same. Having said that - we are listening to your feedback.
Unique concert by a group of young singers WITH ONLY VARIOUS PLANTS AS Audience!!
Excellent work! Splendid. I have a request! In the credits section, kindly add people who're technically involved. Neatly spaced mix and master! Couldn't find the person's name here! Kudos to him as well! 💖🎶
It is there in the video under audiography.
@@MadRasana Thank you!
@@MadRasana can u please name all the singers...
Wow...carbon neutral idea is amazing
Wonderful rendition by all the singers. Superb 🙏🏽
ధన్యవాదములు🙏🙏
While I understand that the singers' mother tongue is not Telugu, I also suggest you to put some more efforts on pronunciation
Yes point taken.
Deepthi. Not contesting what you said. Please point out few examples with meaning to add value to what you are saying.
What a hypnotizing singing!!! Listen to that little girl Spoorthi Rao from Bengaluru. What a powerful hypnotizing voice. Orchestra is fantastic!!
My heart is filled with so much happiness and thrill on seeing this group singing this kriti. So vibrant… all of them , their dress colour code, infectious smile. Understanding and appreciating each other…everything unique. Keep continuing your new ideas madrasana!!!!!!
Well said Sarojini garu! I agree with you 100%!
Thank you so much
my only suggestion to improve this excellent attempt is this - please brush up your Telugu diction ...Spoorti is good but others ? ....no offence meant I hope .
Thank you for your feedback.
Superb! Eagerly waiting 🙏
P
Spoorthi has very powerful voice like Aruna Sairam❤
You are singing traditional ly. If you can sit in a traditional position it looks more classical
It is essential that those who sing such songs learn Telugu first
💐💐Super singers and super rendition. 👌
The background instrument is overpowering the music. The vocalists are getting lost!!
Agree. Only Spoorthi's voice could rise above the music. Not saying others didn't do a great job.
This is so so beautiful! It just filled me with positivity, thank you singers and instrumentalists!
Reminded me of marghazi ragam.. brilliant rendition brilliant setup...thank u team ...
Excellent fusion singing by very good individual singerd❤
Creativity= Madrasana..
Thanks so much
Great Performance! Congrats and Best Wishes to All the Singers!
Wow, Listening for the 4th time.
Listening to this gives somuch happiness
It's much energetic... Really loved listening
There is no need to go to temples to witness divine...its here...in such pure art...taking one close to the divine...wonderful rendition and melodious team work...👍
Very well rendered and presented!
Amazing beautiful singing 😍great team and theme. Plants do listen to and enjoy music.
Spoorthi looking forward to see you backin your beautiful tresses. That is our culture and Indian women look more classic in long hair 😍
A musical treat.... Blessed to be a part of ur journey.
Awesome performance
Awesome performance
Awesome rendering, one small request please reduce background instruments tad bit.
Next time.
What a fantastic work ❤. This song is so soothing and refreshing ❤
Concept good ......but the BGM is overpowering the vocal presentation
Too beautiful..romantic...melodious..after a long time gentle flow of music
Wonderful. For the last few days I have been listening to these wonderful souls singing this wonderful song. Pure joy!
Becoming daily addiction 🤩
❤❤❤
I love this, wonderful so happy to listening 🙏🙏
Super
Beautiful
Really making the audience mad rasana elevate to madness. Your title is apt
Excellent
Tallapaka Annamacharyula Sankeerthana...
తేట తేనెల తెలుగు...వినసొంపుగా...
తాళ్ళపాక అన్నమాచార్యుల సంకీర్తనగా...
ముద్దుగారే యశోద...అనిర్వచనీయంగా...
Great energetic songs n nice team pair
An excellent presentation,really enjoyable. 🙏🙏🙏
Thank you so much
Simple, supernatural, at ease and magical rendition...Madrasana is doing a great job here
Beautiful unique concept and the best audience ever👌
To much orchestration
No words ✨🙏🏻
Would be nice to also mention the tunesmith of this song - Sri Nedunuri Krishnamurthy garu.
Yes. Absolutely. Thanks for pointing out. It got missed in the video. But got added to the description. It was a miss from our side.
Santhosam