Angela Gheorghiu as Maddalena in Andrea Chénier: La Mamma Morta
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- Опубліковано 9 лют 2014
- Romanian soprano Angela Gheorghiu's spine-tingling rendition of La Mamma Morta (Aria di Maddalena, act III, Andrea Chénier, 1896; Umberto Giordano). Commenting on Gheorghiu's "fetching musicality", La Cieca/James Jorden (opera critic & the host of the opera blog Parterre Box) summarized this gloriously beautiful rendition with the following words:
"Gheorghiu negotiates the chest voice easily, using mostly a "closed" tone that matches the cool, smoky middle register. For special emphasis, she can also open up the chest to a throaty, throbbing cry. This finesse in the lower register also informs "La mamma morta," where Gheorghiu's very slim tone in the opening section (admittedly not a valid approach in a staged production) suggests Maddalena's emotional fragility. The shift to very soft dynamics early on also enables Gheorghiu to build the climax of the aria into the effect of a fortissimo even though in absolute terms the top of the voice doesn't get all that loud. The long phrases banging at the passaggio (which almost all Maddalenas simplify to save up for the high B) hold no terrors for Gheorghiu: as she leans into the voice more here, the vibrato widens just a bit, thrillingly, and the top note again is in the context of the whole paragraph of music, the crest of the phrase and not a whole separate event."
Check out also the playlist "Angela Gheorghiu - A Vocal Portrait of the Great Diva": it contains 200 clips adding up to more than 25 hours of superb music - it is UA-cam's most comprehensive resource on Angela Gheorghiu (you find the playlist by doing a UA-cam search with the full name of the playlist).
Frequently compared with MARIA CALLAS for her innate musicality, dramatic flair, sense of style, and exquisite musicianship, and with RENATA TEBALDI for the extraordinary quality of her voice and her natural affinity for verismo roles, Romanian soprano ANGELA GHEORGHIU is the most known contemporary soprano and probably the only one from the current generation who will be remembered 100 years from now. Gheorghiu's luscious, ravishingly beautiful timbre is instantly recognizable and her stage presence, glamour, and charisma are legendary. Situated in the transition zone between full lyric and spinto, her velvety, silvery, slightly veiled voice conveys morbidezza and is remarkably phonogenic and rich in harmonics.
"Vocally, Angela is leagues above any other soprano in recorded history. Not only is the voice thick, luscious, and velvety, but she is also able to emote her VOICE in a way that to me is unprecedented. I have yet to hear a singer who carries emotion into the voice better" (comment made on UA-cam by user longliveclassicmusic).
"I continue to feel that Angela Gheorghiu's voice comes the closest to Maria Callas's in tone, texture, and focus. There is a voltage factor in her voice that I have yet to match in any modern classical soprano. I am never disappointed. And I am always energized by her incredible concentration. She always draws me into wanting more....." (comment made on UA-cam by user johntmarohn1)
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Dear Angela ,you are singing like a ANGEL,if Giordano would live today ,he would be impress.Thank you Angela !!!!!!
Mi piace tantissimo la voce della Signora Gheorghiu. 😍
She is world class! The very best ! The only Prima Donna since 1992 !
Fabulous Ange. As always. The age’s only true diva.
Gheorghiu ha una voce precisissima
wow stupenda
Gheorghiu's tone is more beautiful than Callas' but the latter remains totally unique. Not necessary to make comparisons because both are supreme in their own way.
Without any doubt Angela Gheorghiu is the soprano closest to Callas that I have heard
Vito Cortesi I agree completely. :)
Wow this is amazing. It's a stand alone. I was totally prepared to compare her to Callas and found myself only focusing on her voice.
Where did this ever come from? It is totally convincing. A daughter in grief. These were bad times for the uncaring rich and also for their offspring
when did she recorded that? i would love to know
+Pedro Gonçalves The rendition is from Angela's CD album "Homage to Maria Callas", which was released in November 2011. So most likely the actual recording took place in 2010, when Angela was 45.
This interpretation is totally different to that of Callas!! The timbre of the voice is also totally different! Both are excellent, of course. However, there IS yet another soprano who interpreted this aria in quite a superior way: Renata Tebaldi!!!! Listen to her!!!
This is the only version that's just like Callas in Philadelphia.