Beautiful, resilient African Culture that has survived in Latin America/Caribbean. Much love to the Africanos of Latin America/Caribbean who kept our cultures alive even at the cost of their lives. Ase...
So different than what you normally hear. Different instruments. The badass fact that it's 6/8. And it doesn't feel like 3/4 (grouping 2 notes instead of 3). Soooooper cool!
It's great how you can see everyone starting to loosen up as the performance goes on. The guy at the end was feeling it from start to finish, the woman in the blue was totally grooving by minute three. The guy on the first drum started loosening up around the same time, and even the guy in the middle that looked like he didn't wanna even be here starts to crack a smirk near the end.
I'm learning this beautiful rhythm. much love to the cubana culture for keeping it alive for those like me who has the rhythm in them. this IS the spirit of mama Africa!!!
One of my favorite vids on U-tube, had to watch again + again, play along with it, what a sound lead singer is great and cowbell 6/8 groove , melody + conga polyrhythms Chant for Ellegua deep groove yes !
I like to set this afro cuban music straight this music originated in africa.because of the slave trade it went to Cuba and the Caribbean. So get it together and know where it came from
Whether it’s Bembe being played beautifully by masters like these in perfect ternary and binary time cycles simultaneously or an Orthodox Christian icon of the resurrection; the core idea(s) are the same fundamentally. The idea being the ultimate triumph and transcendence of the intangible ternary/spiritual nature and propensity of human kind over this temporal, binary world. Time spent being consciously present in these moments reminds us What is truly important. I suggest David Penalosa’s book the “Clave matrix” and “ rhumba quinto” (ie pt. 2). Clave Matrix changed me forever.
A pesar de que este ritmo fue traido a Cuba por los esclavos Africanos e indiscutiblemente forma parte de la cultura y folkore Cubanos y teniendo el legitimo derecho de reclamarlo como nuestro, siempre reconoceremos que vino de Africa.Nosotros los hijos de Cuba, no necesitamos robarle musica ni ritmos musicales a ningun pais ; Siempre que hemos interpretado musica ajena , lo hemos declarado. A pesar de ser un pais tan pequeño, percapitamente hablando, es el pueblo que mas generos musicales a creado. Exorto a aquellos fascinerosos usurpadores que se retracten de reclamar como propios ciertos ritmos que indiscutiblemente son genuinamente Cubanos; Verguenza os debiera dar el querer usurpar lo que otro sembro y logro con sacrificio. Nosotros los Cubanos amamos que cualquier persona del mundo toque y disfrute nuestra musica; como no?Pero no trates de adueñarte de lo que es ajeno, de lo que tomo a generaciones de musicos crear y desarrollar, y que luego venga cierta gentusa a bautizatlos de nuevo y cambiarles el nombre; Acaso no les da verguenza? Aprovechen pues, inmorales ladrones ya que todo ,eventualmente regresara a la normalidad y lo nuestro sera reconocido por fin como NUESTRO"....😉
my dream is to be in a drum circle and be the guy improvising in the middle! cause i love experimenting with how certain signatures or modulations sound over ostinato's but my ideas are too complex for me to play! i want a drummer that can keep in time no matter how much i shake up the feel! it comes natural to me, i've always had an understanding of how you can change the feel of a song by playing off of the down beat and up beat, it's like i'm singing through my playing, it's beautiful!
Does anybody can help me with undertsanding exactly what is this? 1) Youruba chant for Orisha Eleggua played with congas instead of bata? If so what toque is it? 2) Rumba columbia? 3)....what else? Thanks
It seems a fairly typical three-conga Bembe with the song leader apparently running through several chants to different Orishas including Eleggua, Ochosi, Orishas in general.
Coros: (I'm no expert, so corrections and additions are welcome) Iba o iba orisha ache moyuba orisha eleggua ago, eleggua ago an ya, (repeat those 2) alaroye masankio, eleggua ago an ya eleggua ago an ya ago eleggua abukenke, ago eleggua abukenke abukenke abukenke awanile o, obumari ibo ? ? eh ariwo ya ya ? ...
Beautiful, resilient African Culture that has survived in Latin America/Caribbean. Much love to the Africanos of Latin America/Caribbean who kept our cultures alive even at the cost of their lives. Ase...
6/8 rhythm penetrates way down to the innermost recesses of my mind, body & soul.
Thank you Mama Afrika for all the blessings.
So different than what you normally hear. Different instruments. The badass fact that it's 6/8. And it doesn't feel like 3/4 (grouping 2 notes instead of 3). Soooooper cool!
It's great how you can see everyone starting to loosen up as the performance goes on.
The guy at the end was feeling it from start to finish, the woman in the blue was totally grooving by minute three.
The guy on the first drum started loosening up around the same time, and even the guy in the middle that looked like he didn't
wanna even be here starts to crack a smirk near the end.
Baya el ritmo mas sabroso que hay El Bembe,y con unos tambores y unos interpretes pa quitarse el sombrero.
I'm learning this beautiful rhythm. much love to the cubana culture for keeping it alive for those like me who has the rhythm in them. this IS the spirit of mama Africa!!!
Yes it is, the rhythm is in you from the internal veins that we share from our mother Alkebulan.
truly amazing, wish i was there to feel the the music surround me!
One of my favorite vids on U-tube, had to watch again + again, play along with it,
what a sound lead singer is great and cowbell 6/8 groove , melody + conga polyrhythms
Chant for Ellegua deep groove yes !
This sounds so goood:) Im here because of my college Jazz history class...so far Im loving it
Isla group is always excellent. Thank you.
I have set of these drums. Isla percussion hand made by the drummer on the quinto. If anyone is intrested let me know thanks
you still have the drums ?
Wooooo!!! The Ochosi piece was great! I love when Drummers free-style like that! Great, job!
Damn that's Eddy from LA I used to sing along in tambores like 20 years ago
Beautiful!!!
BRAVO!!!!!!!!!!! merci et à bientôt à Paris
Maferefun Eleggua bless us all and open our path to creation and well being.
GREAT! I Wanna See More Like This!
Ethereal. The quinto(highest pitch) is on the left, the tumbao (bass) is in the middle,& the segundo is on the right. I hope this will help.
FYI, those drums are Isla Percussion. All hand made by the brother on the Quinto drum on the left. His name is Mario Punchard.
Maferefun Eleggua, Oggun, Y Ochosi!
NICE!!
great ! Yoruba Lives !
acheeeeeeeeee ,,, mi saludos , saludo prosperidad para todos ,,peace love art ,,,,,tierra libre viviremos!!!
maferefun olodumare
maferefun gbogbo egungun
maferefun gbogbo orisa
ago lona ago
Esto si esta bueno bendisiones
I like to set this afro cuban music straight this music originated in africa.because of the slave trade it went to Cuba and the Caribbean. So get it together and know where it came from
muy muy muy buenos de verdad.... ashe to!!! saludos desde venezuela
Whether it’s Bembe being played beautifully by masters like these in perfect ternary and binary time cycles simultaneously or an Orthodox Christian icon of the resurrection; the core idea(s) are the same fundamentally. The idea being the ultimate triumph and transcendence of the intangible ternary/spiritual nature and propensity of human kind over this temporal, binary world. Time spent being consciously present in these moments reminds us What is truly important. I suggest David Penalosa’s book the “Clave matrix” and “ rhumba quinto” (ie pt. 2). Clave Matrix changed me forever.
Great video!
mi vida - salut from Berlin Germany , michael ace
Dope!
A pesar de que este ritmo fue traido a Cuba por los esclavos Africanos e indiscutiblemente forma parte de la cultura y folkore Cubanos y teniendo el legitimo derecho de reclamarlo como nuestro, siempre reconoceremos que vino de Africa.Nosotros los hijos de Cuba, no necesitamos robarle musica ni ritmos musicales a ningun pais ; Siempre que hemos interpretado musica ajena , lo hemos declarado. A pesar de ser un pais tan pequeño, percapitamente hablando, es el pueblo que mas generos musicales a creado. Exorto a aquellos fascinerosos usurpadores que se retracten de reclamar como propios ciertos ritmos que indiscutiblemente son genuinamente Cubanos; Verguenza os debiera dar el querer usurpar lo que otro sembro y logro con sacrificio. Nosotros los Cubanos amamos que cualquier persona del mundo toque y disfrute nuestra musica; como no?Pero no trates de adueñarte de lo que es ajeno, de lo que tomo a generaciones de musicos crear y desarrollar, y que luego venga cierta gentusa a bautizatlos de nuevo y cambiarles el nombre; Acaso no les da verguenza? Aprovechen pues, inmorales ladrones ya que todo ,eventualmente regresara a la normalidad y lo nuestro sera reconocido por fin como NUESTRO"....😉
100% de acuerdo!
MAFEREFUN TODOS LOS ORISHAS...
my dream is to be in a drum circle and be the guy improvising in the middle! cause i love experimenting with how certain signatures or modulations sound over ostinato's but my ideas are too complex for me to play! i want a drummer that can keep in time no matter how much i shake up the feel! it comes natural to me, i've always had an understanding of how you can change the feel of a song by playing off of the down beat and up beat, it's like i'm singing through my playing, it's beautiful!
Great
bravo bravissimo
mi Hermanos Pili..Mario..
Eddy!! MoDupe Ashe
Gbona eyi ni
2020
Excelente vídeo. Te pregunto. De pronto tienes la letra de la canción? La podrías compartir por favor y muchas gracias.
Does anybody can help me with undertsanding exactly what is this? 1) Youruba chant for Orisha Eleggua played with congas instead of bata? If so what toque is it? 2) Rumba columbia? 3)....what else? Thanks
It seems a fairly typical three-conga Bembe with the song leader apparently running through several chants to different Orishas including Eleggua, Ochosi, Orishas in general.
Search this video "Da'ood solo Darbuka with kick and hi-hat (samba) "
Coros: (I'm no expert, so corrections and additions are welcome)
Iba o iba orisha
ache moyuba orisha
eleggua ago, eleggua ago an ya, (repeat those 2) alaroye masankio, eleggua ago an ya
eleggua ago an ya
ago eleggua abukenke, ago eleggua abukenke
abukenke abukenke
awanile o, obumari ibo
?
?
eh ariwo ya ya
?
...
ellegua aggo elegua aggo Aña
excelente xD
1:41 - 1:56 That woman fine as hell.