I absolutely agree. I was blown away when I first really listened to what he was doing. At the very beginning of the police , with their first big hit here in Germany SOS.
They were all perfect. With all their bitching and fighting they made some of the greatest music ever ! Unbelievable music . Wrapped around my finger is outstanding
But every one can do that, i resolve in the drums even without delay he does to use. To Caesar thats belong him, but every drummer can do that without delay.
Yeah he played the transcription, but I hopefully he's seen Stewart Copeland live I did live with the police and after the police and Stuart does different fills almost every night except for the two big films with on the snare those are always consistent (he had to, because everyone was air drumming those in the bars they had to play on their first tour) but he did a little time and they all sounded great. First time I saw a couple live was when Roxanne had just hit the radio on alternative rock wxrt in Chicago barely anyone has heard of them two weeks later they were to play at Danny serafin's club called beginnings named after the Chicago tune that serafin is the drummer of of course, Nick Lowe and rock pile were the headliner, police was the warm up. 4/5 of the crowd there and it was packed to the rafters air conditioning broken 83° outside, like Blarney's Island girls with their tops off nobody cared, 4/5 of the audience were there for the police but about half of them still stayed for Nick Lowe and rockpile who, blades are two hits and then new stuff by the middle of the third song first of the new song, the club pretty much emptied out except for about maybe 80 people. Kind of sad for Niccolo. But the police, oh my God they had a somebody with them who played the piano off in the distance a Yamaha electric grand for when they needed the piano
What's really weird is here I don't know what what recording that you're playing to but the guitar is way more present than the single release and maybe picture playing too because that's the guitar part no way is it that far forward I mean you can hear it but it's wow it's really good
Yeah Stewart Copeland definitely switch the switch on in me it changed my approach on how I played drums and then when I saw him live and flipped another switch because I realized that he was playing parts in ways that you would not expect, like left-handed and I mean it in every sense of the word
John bonham, Craigslist Annette when he was with the Maynard Ferguson Big band, Buddy rich, a couple of Dixieland drummers that I saw when I was a kid and then later was playing the music,, oh yeah Barrett deems out of Chicago definitely. Joe vargula my drum teacher who I only actually saw Play once live. And he was great was a trio I think it was an organ in a club in highland Illinois called the Nightingale and the club is still there I don't know if they still have. Brent Zweir, drummer for some of those religious ball chicks, you know who they are, Cruise ships, NIU 1:00 jazz band back in the day I think in the middle 80s, Vinny, Weckl
I was thinking a bit like this is how Stuart would say you are meant to play it except he never does. Copeland is plain about it that he never plays things the same way, I suppose he ad libs it a bit. Anyway Stuart is one of my drum heroes because he puts backbone into the Police songs while adding something extra without doing loud look at me stuff.
its a really interesting song, what I hear is a shift that causes the guitar and piano to serve as the glue of the song, that way the rythym section can come forward and be more intricate
Sting's bass part helps - it's written really well, but it's also recorded on two basses layered over top of one another. One's fretted & one's definitely fretless. The fretless gives much more expression with the sliding between notes and intonation.
Perfectly played. So many people take liberties with SCs playing, himself included seeing as he never plays the same thing twice live, but the style and feel was masterfully delivered. Well done.
That's my favorite way to hear music. The Allman Brothers Band was well-known for that. They *never* played anything the same way twice while live. It's also what makes it worth getting your hands on any live performance you can from them, since you get a different version of their songs every time. Them bring likely the first rock back to use 2 drummers was really cool, too. Duane Allman picked that trick up from James Brown. Duane said they also used 2 drummers so one cat didn't have to try and kill himself playing it all. By the end of the The Allman Brother Band's run last year, they had moved to 3 percussionists, something Duane was looking at doing when he was killed. So they eventually came full circle and fulfilled that vision of how he wanted the band. Duane actually wanted what amounted to an orchestra? to join the band, also from what I understand. That's why Gregg's solo album after Duane passed had that orchestra on it. Gregg did that for Duane because he had wanted that for ABB. I still don't think the world fully grasps just how much we lost when Duane Allman was killed that October day in Georgia in 1971. Smh. If only...
Rob "Beatdown" Brown. I started playing drum in January, at the age of 49 with no musical background, because we didn't have a drummer at our church and I felt the drums looked and sounded bad. I've learned so much from you -- from tunning the drums, playing the shout beat as a beginner, to working on my double stroke. Thank you sir. Great post and great drum cover by the way.
I have gone back into education at 40 to learn music and play the drums especially. Although I wanted to play since before my twenties I never really did it outside of a mess around. Good luck man and you are never too young... I hope :)
Keep it up! I started many years ago. My parents couldn’t afford lessons. I learned from the internet. With hard work and learning from guys like Rob, you’ll get to where you want to be.
@@davidbaines1425 Nice! And somebody says that the quality of life is going down after the 35. What? By the age of 40 you finally know what do you really want from life.. What the heck they are talking about? :D Keep it up man! Respect from Russia :)
Copeland’s hats are so badass that Peter Gabriel had him play JUST hi-hats on “Red Rain,” and within the first measure of the song you know it’s Stewart Copeland playing. Very few drummers have such a personal signature.
3:16 Nailed the Magic drum fill! Stewart never plays a song the same way twice live, but this drum fill has become the only exception.....if he feels like playing it.
Wow! Blown away! This is the first time I've heard anyone capture Copeland's playing with such fluid groove and accuracy! Shows how much love and time you spent learning. Great tribute to your hero.
It was definitely a distinctive drum sound. I remember hearing that was attributive to tightening the nuts one up - thats why his kit sounded like nothing I'd/we've heard before.
Rob ,I always loved Buddy Rich but I've been watching you for some time now and I have learned so much from you ,you inspire me to play and practice ,I just enjoy watching you play ,I loved the police too ❤I hope you had a good Christmas and I hope your new years is even better ,I love your new cymbal it sounded beautiful!
Not enough people know about Mr. Beatdown Brown. Such a flawless performance. The pocket, the feel, the technique, the dynamics, everything was spot on. This man has mastered the art of serving the song. I was thrilled to see him on Drumeo and I wish him nothing but an abundance of success. Truly astounding.
I saw The Police on their Ghost in the Machine tour and it was an amazing concert. They opened with “Message in a Bottle” then went directly into “Every Little Thing She does is Magic” which was a 1-2 knockout punch ! Stewart Copeland is a hard hitting force of nature and my favorite drummer to have seen perform live. Well done on your cover and tribute.
Excellent choice. There are many drummers who leave you in awe with their technical skills, but Copeland also has exceptional taste, creativity, and extraordinary musical richness.
The first time I heard The Police, I was about nine years old. It was on an old TV, the images were still in black and white. The clip was for "Don't Stand So Close to Me" and it captivated me. Seeing you talk about heroes, about references, deeply moved me. Even though my mother and my older brother loved samba (I grew up in Rio de Janeiro - Brazil), I had more of an ear for rock. But when I heard Copeland... I can't explain it. He is my great hero in music. We were very poor, but after I got my hands on Ghost in the Machine, in a store in the city where I lived, I swore to myself that one day I would play the drums. Thank you, Rob! What a delight to see you play such a special song in such a relaxed manner. It turned out sensational! You make everything seem so easy and anyone who sits their butt on the stool and says, "Ok! "Let's go play The Police," knows that there's nothing easy about what Stewart created. Thank you God for living to hear and see all these guys, including you Rob Brown!
@@t-man5196 he influenced a whole generation in numerous ways. His use of the hihat was the most obvious but also incorporating different rhythms with no genre limitations, changing things up continuously to propel the musical arc of the song. He wasn't there just to keep time or plod along in the background throwing in predictable fills every four bars. The drums were an intrinsic part of the musicality of The Police in a way that was not at all typical at that time e.g. Blondie. Punk had (thankfully) shaken up music in the UK but we were still taken aback when The Police hit the charts. They weren't the first power trio but even Cream sounded nothing like that despite Ginger's jazz background. The closest I can think of for a before and after of that magnitude is Eddie van Halen. Everyone else instantly became "old school" unless they upped their game.
Carter Beauford does a lot of that also. It’s like he’s a lead drummer. Don’t get me wrong, Beauford and Copeland got serious groove but they play their part with the intricacy, color and confidence of a soloist. Sorry just a guitar player😁🍻🤘
I started out playing drums when I was six years old in my dads basement studio/office. In 1985 (I was 10-11 years old), my parents moved us to Las Vegas where there are no basements and no room in my new bedroom for my drum kit so I became a bassist… drummers/percussion will always hold my heart. That being said, my first and foremost drum hero is Stewart Copeland. He was the reason I begged my dad to buy me a drum set so early on. Watching Stewart was and still is mesmerizing… there are many more but he’s my favorite.
People always look at me like I'm crazy because the bridge to this song is probably my favorite music theme and I try to explain to people that the drumming in this bridge isn't straight forward with all the nuances. You play this perfectly, and although I will never be this caliber of drummer you inspire me to pursue my other endeavors. You are my hero, you definitely have the spirit in you.
I'm a guitarist, started on violin at 4 and switched to guitar at 10. Playing in garage bands in the 80s and 90s, some live gigging in the 90s and studio work, both live and studio engineering and guitar work, in the 90s-10s I realized not long ago that the reason I didn't switch to drums at 10 was simply I preferred to listen to them, enjoy them as opposed to work them, be impressed by them as opposed to impressing others through them. Nothing inspires or brings a good melody out of a stringed instrumentalist better or more consistently than a good sounding well played drum kit. NOTHING, period. I'm a HUGE fan of the drums and I appreciate the drumming community because it seems to have the tightest comradery of all the musical sphere. Drummers meet for the first time and it's like a family reunion just happens. Believe me, all the other musicians NOTICE that and we wish it were more like that for us. In this world, where money is TIGHT and so are the opportunities to land a safe accommodating place to play, every drummer is my hero - you guys and gals have to weather double the muck to be able to do your thing that the rest of us depend upon with our musical lives. The machines will never replace you, only give you more outlets and avenues as they remind us all that the machines run by non-drummers are cold, lifeless and they degrade the human element of music - which, to me, mostly resides in the beat, that pulse you can only really HEAR 2 blocks away at the far end of the parking lot and you say "WOW!" when it dawns on you it was always there.
This is the best hommage to drums and drummers I ever red. I am a young drummer, despite my age. But every single day I look forward to go home and grab my sticks. I close my eyes playing my beloved 80’s songs and it’s like a time machine. God bless you. Ps: sorry for my bad english…
Yes, a Stuart Copeland cover brilliantly done. His style of drumming is my favourite, he was the reason I took up playing the drums too. Edit: that snare snap, gives me an eargasm.
Rob, Peter Erskine, Roy Haynes, Steve Gadd, Dave Weckl, and Phil Collins are five of my heroes. They have inspired me with their performances and innovations to keep practicing and growing. We all need some inspiration to overcome the hurdles and the time required to become competent drummers. And, when competence emerges, however painfully, we feel pride in ourselves, joy in the musical experience with our friends and audiences, and continued admiration for those who helped us get there. Thanks to all of you who have inspired me! While I am an amateur musician, playing drums and percussion have added enormous joy and a sense of community to my life. Keep playing...keep giving to the music. Jeff
Stewart Copeland is a drummer I was studying back in the 80's when I was taking lessons. I love his command of syncopation. He is probably in my top 4 drummers. Billy Cobham, Sheila E, Stewart Copeland, and Keith Moon. Now maybe you Rob Brown you were getting those beats
The drums have always been my favorite part of Every Little Thing She Does is Magic. You played it beautifully. Stewart’s work on the high hat and cymbals while driving that steady rhythm is incredible. Thanks for honoring an amazing drummer. The Police were a huge part of my youth and I saw them live on The Ghost in the Machine and Synchronicity tours.
I came of age in the early/mid 80's and hard rock was kind of king in America, so my first big influence was Vinny Appice. Then my drum teacher (who was more a Steve Gadd type of player who could read drum music) said to me "if you like that type of music you should listen to Tommy Aldridge". I didn't know who he was at the time. My teacher played some old blank cassettes that were taped over that had Alrdridge going wild on them and that was IT. Couldn't believe my ears (again - you have reference the time - early mid 80's). Then when I saw Tommy live on video I was really hooked, such a great showman. Tommy will never get the credit he truly deserves as a pioneer of that style of playing in my view. I also (later on) became a big fan of Carmine Appice when the debut album from Blue Murder came out in 1989. Carmine really tore it up on that album. Honorable mentions for me would be Mikkey Dee (King Diamond) and Scott Travis. As for Copeland what I'll say is that: when I was younger I remember all of those Police songs on the radio and on MTV. Because I was so rock/double bass oriented I never truly "got it" when it came to Copeland. As I aged however, played in a lot bands, eventually graduated from P.I.T. (not bragging - I'm no Colaiuta), and my mind became much more open to different styles of music, I now look at Copeland as BRILLIANT. Copeland's playing and style are simply sublime.
It’s amazing when you can hear two seconds of a song and immediately recognize who the drummer is. Like, pretty much no one has that in their band. Bonham, Peart, Collins, Copeland. I might be missing some but drums should be more like this! It’s own unique contribution to a song.
Geez, my friend, your performance was perfect, and reaching that level is a very complicated thing.... but your speech at the end (at 4:42) was also epic!!! Regards from Mexico!!
I have a huge deal against nylon tip sticks, but that performance was amazing and the speech after was even better. Beautiful said and actually hits home. I was burned out in drums, it was only my income back in my city. Now, 3 years later, without touching a pair of sticks, so far away, a miracle occured, as i never thought i could fall in love again with drumming or regain my technique. Now i have a band and we have like 40 tunes, over 5 weeks. Thank you, Lord. Thank you, Music. Thank you, Mr. Rob Brown. P.D.: About heroes, i'll only say that, many years ago, a girlfriend of mine was telling me about this theory in which people could reincarnate in objects. I responded, without a blink: In that case, i would love to come back as a couple of sticks for Jeff Porcaro
Rob, you're one of MY heroes. I've been playing forever too. I love your playing. I love your teaching. I love the way you connect to us. Being watching for over a year now. You keep it real.
I admire Ringo Starr's style of "less is more". "In My Life" is a perfect example, he comes up with the simplest beat that is tailor made to what the song requires.
Rob has a pure love for his craft, a modern day master. If I had to choose one drummer for a hero (which is no easy task,so many) it would be Copland. Not only due to his incredible individualistic style but his ability to write music as well. Oh, and there’s that little thing where he has influenced generations of drummers, Rob, thank you brother 🤙🏼
The intro to that song almost moves me to tears. I’m not even sure why, I was a kid when it was in the charts maybe it triggers something from then. I’m not even a huge Police fan but that intro stops me dead whenever I hear it.
Heroes? Actually Beat Down Brown - YOU are up there. So many of your vids over recent years have helped me, and I've come to greatly admire your humble style, accessible education and super-tasteful playing. All completely embodied in this performance. Thank you
Hi Rob, I just want to thank you for your motivating way to talk about drumming. Fantastic. My hero was always Tony Williams. In terms of motivation: not an easy target, I guess. And then there was a long time (20 years! when I didn't touch my drums for several different reasons which can be summarized under the phrase: that's life. And then I found a new hero who got me going again. And this was Chris Dave. Man, what a drummer, fantastic. Greetings across lake Atlantic from Germany. I love your channel. It is an inspiration. And you are absolutely right. Inspiration is the main ingredient when it is about motivation and improving on anything, I guess, not only the drums. Have a good time with your drums everybody.
When he does those double hits on the toms twice, my hair stood up. It just sounded so freakin awesome!!! Awesome job man, you KILLED IT!!! Great accents on the ride, too, VERY nice!!
When i first heard their debut when it came out. I'm a guitarist, but, Copeland's drumming just stood out and I was a huge fan ever since then. My drumming heroes are Copeland, Moon, Burke, Bozzio, Bill Stephenson and the list goes on. Rockenfield is another.
Rob Brown you are the man! Whew, that was so tight. As you said drumming Hero's change with the times, over the span of my 40yrs of playing one drummer rises above all the others. For me that drummer is Gavin Harrison. As an adult, Gavin's playing inspired me to reach higher, to push myself, and to play the drums as a form of self expression.
OMg!! I'm in love with the musicality of this drummer..not only he can mimic perfectly Copland, but for me, he adds some personal flavor to the original drum patterns created by steward! Thanks, Rob for this magical moment.
Excellent video. I really liked the end when you discussed the importance of heroes. For me, it's Stewart Copeland, Taylor Hawkins, and Matt Cameron. I actually met Copeland at a meet and greet a few years ago and it was really great to get to see someone who you've looked up to for quite some time and to find out that they're actually a very friendly, warm person. Thanks for the video and awesome drumming.
Stewart Copeland. ALWAYS played EXACTLY what the songs needed. HUGE influence on my young formative years as a player. Articulation, "groove theory", power. He was, and still is JUST A TOTAL PACKAGE. SO MUCH RESPECT!!!!
Thank you for this! I'm a comedian, but my heroes are mostly musicians. The police were the first band that I discovered on my own at the age of 12, when heroes seemed plentiful. In retrospect, they weren't. These guys still are. After one video, you are now among the people I respect as well. Again, thank you.
I also love and respect the drumming and overall percussion skills of Stewart Copeland. Your performance of this great Police song was excellent Rob. You asked who our "hero" was/is, I personally have always been inspired and influenced by Phil Collins. Best wishes to you brother. Thanks for sharing this video.
Yeah. He could really get by with HH, snare, bass drum & it would still be something I’d want to listen to. Hell, I’d listen to Stew play a garbage can lid for that matter...
I'm with you, Beat Down! I started drumming 5+ years ago, age 45 with no prior music experience. My motivators and inspirations are Ringo, Bonhan and Copeland, with Copeland being the last and the one I arrived at by myself. My older sister listened to The Beatles when I was 9-10, so I did; my older brother listened to Zeppelin when I was 13-14, so I did; and when I was in highschool and could drive myself, I listened to The Police when I was 15-16. Whenever I went to a live event, I stretched and ducked and craned so I could see the drummer. That's the only person I wanted to see. ~35 years later, sitting in a hotel room on a business trip, scrolling my FB feed, I saw Rockin' 1000 play Learn To Fly. I was awestruck. I watched is over and over an over till I had goosebumps and I literally was crying. I said to myself, "Why are you crying?" I answered myself, "because they are doing it, and you are not." I went on Amazon right then and ordered a practice pad and sticks; and before bed I called my wife and said, "cutie, I'm going to learn to play the drums." She said, "ok, do it." 5+ years later I have full (Tama, because Copeland and less expensive than Ludwig!) acoustic kit in the basement and I practice literally 1+ hours a day - every single day that I'm at home. I am lucky enough to have found many people to play with, and I play live regularly. Free-Drum-Lessons.com (Drumeo) and Rob Brown are what got me through my first 1.5 years of self-learning. I finally got a teacher/coach, not for the instruction but to help with what to work on next! I LOVE Beat Down Brown. This video is just icing on the cake.
I keep coming back to this video because the drumming, the message and everything about it really motivates me to keep drumming, Stewart Copeland being a personal hero of mine too.
My heroes are: Stewart Copeland for his energy and pocket, ability to push the tempo but also lay it down on a song like Every Breath You Take. His splash cymbals too. Vinnie Colaiuta for his fluidity and creativity. He flows across the toms. But can also just lay down beautiful time that's tasteful, like his rim click rhythm in Sting's Fields of Gold. I love Dave Weckl in the jazz and fusion world for the same thing. Plus Dave gets impeccable drum sounds. Chad Sexton of 311 for his marching chops put into funk, rock, and hip hop grooves. His snare sound is signature and he always keeps it funky yet heavy. A true hybrid of funk tightness and rock looseness. The late great Taylor Hawkins for his energy, his tight pocket yet with power. And his fat snare sound. He really drives the Foo Fighters. He was also so reverent to his heroes and quick to hip younger drummers to them. Manu Katche' for his creativity. I also love his use of splash cymbals and his tom playing. Omar Hakim for his adventurousness. His work with Weather Report is incredible. Plus he can funk up a ride cymbal like no other. Steve Gadd for his versatility. He does Aja and the Hustle. Nite Sprite and Slip Sliding' Away. All with taste. Simon Phillips for his toms and more toms and big open sound. Alex Acuna for making us all dance with fun latin rhythms and world beat groove. He can make anything percussion instrument musical. He just just play percussion, he makes music with it. Steve Jordan for his Funk with a capital 'F". And his shuffles with John Mayer and Alicia Keys? C'mon! Russ Kunkel, who I met at a DW drums event, for his sensitivity, and just great groove on all the James Taylor and Jackson Browne. Bolevaurd by J.B. is just great groove with fun drum fills. Hal Blaine for helping to create true rock drumming as we know it. Big fills and unique parts. Ringo Starr for song based simplicity, yet cool musical hooks. Fun tom based grooves, hi hat swooshes perfectly placed, crazy fills in psychedelic songs, and a nice driving legendary backbeat!
I’m a guitarist that has also played over 30yrs. Huge Police and SC fan. This cover and this man’s words made me smile and gave me some inspiration. You Sir, are motivating me to keep going 👍
Dude! Same here. Ive been working on nailing Spirit of Radio for a year and I’m still hearing things that I was missing. Gonna do a reveal for the family tomorrow complete with fog machine and lasers. Neal, Stewart, Phil, and Keith were the 4 that got me going in 1985....
I'm glad a drumeo appearance has inspired Rob to get some new sticks. I've seen that man use drum sticks so shredded they were defying the laws of physics. Solid playing as usual 👌
So well played! I was lucky enough to follow the Police around London In the days before the hits piled in.. Stuart Copeland was a revolution and revelation to watch and to try to emulate. A true drumming hero in my book. Thank you for this excellent homage.
I thought was just me Lmao but after reading the comments everybody notice it... this dude is great!!!! Just loved it tight... perfect and... no show off!!!!! Every thing just fall in place... he doesn't distract us from the song and he is so good!!!! Amazingly done keep it up! Best on Drumeo till now
Your mentor at this time you taught me a lot I've been playing off and on for 30 years two albums taught myself. Now you are teaching me amazing you are amazing teacher and seasoned drummer thank you for everything I've learned
(2024).....Die hard Police fan - Since they started - And knowing very little about music, I have had little desire to listen to cover bands. That said, Stuart Copeland's style and abilities are beyond belief !! And I was so impressed and pleased that I took the time to listen to this !!.......The ONE thing ( correct me if I'm wrong ) that cannot be produced - the sound that is made from Stuart's SNARE....The drum heads are tightened, etc...creating a sound, that I am able to discern - compared to another drum being played .....It is so CRISP...
STEWART COPELAND IS IN MY TOP 7 FAVORITE DRUMMERS OF ALL TIME I REMEMBER STARTING TO PLAY THE DRUMS AND ACTUALLY PAYING ATTENTION TO THE MUSIC JUST A BIT MORE ESPECIALLY THE DRUM SOUND & THE DRUMMERS THE SONG THAT CHANGE MY LIFE FOR EVER WAS "THE POLICE ~ DON'T STAND SO CLOSE TO ME" THE DRUM BASS KICK INTRO THE HI-HAT WORK WITH THE CROSS STICKING THE SPLASHED IN THE SONG AND OVER ALL THAT DRY CRACK HIGH PITCH SNARE BLEW ME AWAY BOUGHT THAT ALBUM "ZENYATTA MONDATTA" ONE WEEK AND NEXT WEEKEND WENT BACK TO "TOWER RECORDS" AND GOT THE OTHER 4 AND HAD ALL 5 ALBUMS AND WAS VERY ADDICTED TO THEM AND I'M STILL LISTEN TO THEM NOW THAT WAS OVER 2O YEARS AGO WHEN I GOT MY JOURNEY GOING
This is great! I have many drum heroes: Carmine Appice, Mike Portnoy, Danny Carey, Gavin Harrison, Neil Peart and John Bonham. I learn something unique from each of them.
Heroes of the drum world - Bill Ward, Nicko McBrain, Clive Burr, Neil Peart, and now Rob Brown after seeing your Drumeo video about staying in the pocket and playing less, not more. "I'd rather be told to play more than to play less. I never want to be told to play less" (not verbatim)!!! That's an epic line for sure. I finally decided to take up drumming at the tender age of 63. Thankful for electronic drums, or I'd never have done that to my family.
Awesome drum cover Rob, of one of my favs as well. My biggest drum hero is this old dude from the old neighborhood back in the day when I was a kid in New Orleans. His name is Brian Lewis live in the next block down from us. He was part of a band that had a good bit of local and regional success and were very popular in the city. He inspired me as a young 12 year-old to continue playing at a time when I was thinking of quitting for a number of reasons. His inspiration drove me to want to be great on the drums and thanks to him, now at 60 years old, I've experienced a lifetime of great playing and love of the instrument and making music!
Bella Song., Credo che questo pezzo e questo stile di Copeland rimarrà per sempre nella storia. Fantastico e impareggiabile Il drumming E il portamento reggae and roll..anche di questo.insegnante di batteria, molto rilassato E preciso.Grande lezione,,.eccezionale modo di esprimere L'arte di suonare uno strumento.,con la finezza dei particolari,, uso dei piatti. In levare,, sedicesimi,,flam e bordo..e Rulli..suonata simile all originale. Bravissimo,gost in the machine.. album .the Police.. Ottimo capolavoro,,ben riuscito,,grazie!!
Copeland is absolutely one of my guys, too. Half my bag probably comes from his incredible drumming. lol. I love your Police videos, man. The last one where you broke down the hat patterns was awesome.
Love Rob’s groove in all his videos. Years back I had such trouble finding the best tuning for my toms, and could never get them just right. It wasn’t until I found Rob’s videos on tuning that it finally clicked. I recommend any drummer starting out to watch his various videos on tuning, groove, and anything else drum related.
Stewart Copeland is so good that even non-drummers recognize his playing style as soon as they hear it. He was the perfect drummer for that band.
It was very much Copeland's band according to Sting, so Sting was perfect for Police/Copeland.
I absolutely agree. I was blown away when I first really listened to what he was doing. At the very beginning of the police , with their first big hit here in Germany SOS.
Agreed, and it was the perfect time for his style - the world was ready for his off-beat reggae grooves
They were all perfect. With all their bitching and fighting they made some of the greatest music ever ! Unbelievable music . Wrapped around my finger is outstanding
But every one can do that, i resolve in the drums even without delay he does to use. To Caesar thats belong him, but every drummer can do that without delay.
Not over played, not flashy, just pure perfection.
Yeah he played the transcription, but I hopefully he's seen Stewart Copeland live I did live with the police and after the police and Stuart does different fills almost every night except for the two big films with on the snare those are always consistent (he had to, because everyone was air drumming those in the bars they had to play on their first tour) but he did a little time and they all sounded great.
First time I saw a couple live was when Roxanne had just hit the radio on alternative rock wxrt in Chicago barely anyone has heard of them two weeks later they were to play at Danny serafin's club called beginnings named after the Chicago tune that serafin is the drummer of of course, Nick Lowe and rock pile were the headliner, police was the warm up. 4/5 of the crowd there and it was packed to the rafters air conditioning broken 83° outside, like Blarney's Island girls with their tops off nobody cared, 4/5 of the audience were there for the police but about half of them still stayed for Nick Lowe and rockpile who, blades are two hits and then new stuff by the middle of the third song first of the new song, the club pretty much emptied out except for about maybe 80 people.
Kind of sad for Niccolo. But the police, oh my God they had a somebody with them who played the piano off in the distance a Yamaha electric grand for when they needed the piano
What's really weird is here I don't know what what recording that you're playing to but the guitar is way more present than the single release and maybe picture playing too because that's the guitar part no way is it that far forward I mean you can hear it but it's wow it's really good
Yeah Stewart Copeland definitely switch the switch on in me it changed my approach on how I played drums and then when I saw him live and flipped another switch because I realized that he was playing parts in ways that you would not expect, like left-handed and I mean it in every sense of the word
John bonham, Craigslist Annette when he was with the Maynard Ferguson Big band, Buddy rich, a couple of Dixieland drummers that I saw when I was a kid and then later was playing the music,, oh yeah Barrett deems out of Chicago definitely. Joe vargula my drum teacher who I only actually saw Play once live. And he was great was a trio I think it was an organ in a club in highland Illinois called the Nightingale and the club is still there I don't know if they still have.
Brent Zweir, drummer for some of those religious ball chicks, you know who they are, Cruise ships, NIU 1:00 jazz band back in the day I think in the middle 80s,
Vinny, Weckl
I was thinking a bit like this is how Stuart would say you are meant to play it except he never does. Copeland is plain about it that he never plays things the same way, I suppose he ad libs it a bit. Anyway Stuart is one of my drum heroes because he puts backbone into the Police songs while adding something extra without doing loud look at me stuff.
Look how relaxed this guy is! His hands do ALL the talking, that ride is Siiiiiiiiiiiiiinging!
Because he loves the song and how brilliantly it's written so much.
"Every Little Thing" is a cymbal masterpiece. It's amazing how moving that song is, relying mainly on a bass line and CYMBALS.
Another one is _Walking On The Moon_
its a really interesting song, what I hear is a shift that causes the guitar and piano to serve as the glue of the song, that way the rythym section can come forward and be more intricate
Sting's bass part helps - it's written really well, but it's also recorded on two basses layered over top of one another. One's fretted & one's definitely fretless. The fretless gives much more expression with the sliding between notes and intonation.
Perfectly played. So many people take liberties with SCs playing, himself included seeing as he never plays the same thing twice live, but the style and feel was masterfully delivered. Well done.
That's my favorite way to hear music. The Allman Brothers Band was well-known for that. They *never* played anything the same way twice while live. It's also what makes it worth getting your hands on any live performance you can from them, since you get a different version of their songs every time.
Them bring likely the first rock back to use 2 drummers was really cool, too. Duane Allman picked that trick up from James Brown. Duane said they also used 2 drummers so one cat didn't have to try and kill himself playing it all.
By the end of the The Allman Brother Band's run last year, they had moved to 3 percussionists, something Duane was looking at doing when he was killed. So they eventually came full circle and fulfilled that vision of how he wanted the band.
Duane actually wanted what amounted to an orchestra? to join the band, also from what I understand. That's why Gregg's solo album after Duane passed had that orchestra on it. Gregg did that for Duane because he had wanted that for ABB.
I still don't think the world fully grasps just how much we lost when Duane Allman was killed that October day in Georgia in 1971. Smh. If only...
Awesome dude you are on the money we’re hundred percent keep on rocking the police still number one
@@JC-11111 Dickey Betts was an incredible player too. Dickey and Duane together was magic.
Yeah, I expected him to go crazy on the double bass towards the end. Would have been fine with me tho, lol.
Rob "Beatdown" Brown. I started playing drum in January, at the age of 49 with no musical background, because we didn't have a drummer at our church and I felt the drums looked and sounded bad. I've learned so much from you -- from tunning the drums, playing the shout beat as a beginner, to working on my double stroke. Thank you sir. Great post and great drum cover by the way.
same story here, though I beat you by 2 years :-)
Amen to that
I have gone back into education at 40 to learn music and play the drums especially. Although I wanted to play since before my twenties I never really did it outside of a mess around.
Good luck man and you are never too young... I hope :)
Keep it up! I started many years ago. My parents couldn’t afford lessons. I learned from the internet. With hard work and learning from guys like Rob, you’ll get to where you want to be.
@@davidbaines1425 Nice! And somebody says that the quality of life is going down after the 35. What? By the age of 40 you finally know what do you really want from life.. What the heck they are talking about? :D
Keep it up man! Respect from Russia :)
Apparently every little thing he does is magic
Well played 😂
indeed
And every breath he takes is rhythmic.
....send him a message in a bottle........from Roxanne! but he can't stand losing it.......
That's what she said!
Copeland’s hats are so badass that Peter Gabriel had him play JUST hi-hats on “Red Rain,” and within the first measure of the song you know it’s Stewart Copeland playing. Very few drummers have such a personal signature.
GTFO!!!
no wonder why i love that song so much!!
thanks !
He's on a Tom Waits Album (I think it's Rain Dogs) credited as playing High Hats.
all about money
Going to check that out now. Thank you for sharing.
I didn't know that. Holy shit.
this guy was my drum teacher 25 years ago in Ajax, Ontario. So wild to see him on here. He was very good then, and is truly a master of his craft.
3:16 Nailed the Magic drum fill! Stewart never plays a song the same way twice live, but this drum fill has become the only exception.....if he feels like playing it.
Wow! Blown away! This is the first time I've heard anyone capture Copeland's playing with such fluid groove and accuracy! Shows how much love and time you spent learning. Great tribute to your hero.
This dude is cool as a cucumber - looks like he’s just hanging out chillin’, meanwhile he’s laying down a note-perfect cover. Awesome
How drums *should* be played. I sigh every time I see a drum video online and they look like they're TRYING to break something. . .
Exactly!
Give him a subscribe and follow man. I’ve been hooked since I first found him 5 years ago
It was definitely a distinctive drum sound. I remember hearing that was attributive to tightening the nuts one up - thats why his kit sounded like nothing I'd/we've heard before.
Man, I'm sweating my pants of when playin' Police songs (and not as accurate). And this dude.....AWESOME INDEED!!!!!!!!!
I love Rob Brown. What a fantastic drummer and person.
Rob ,I always loved Buddy Rich but I've been watching you for some time now and I have learned so much from you ,you inspire me to play and practice ,I just enjoy watching you play ,I loved the police too ❤I hope you had a good Christmas and I hope your new years is even better ,I love your new cymbal it sounded beautiful!
Me too! He’s my favorite clinician and personality.
Not enough people know about Mr. Beatdown Brown. Such a flawless performance. The pocket, the feel, the technique, the dynamics, everything was spot on. This man has mastered the art of serving the song. I was thrilled to see him on Drumeo and I wish him nothing but an abundance of success. Truly astounding.
I saw The Police on their Ghost in the Machine tour and it was an amazing concert. They opened with “Message in a Bottle” then went directly into “Every Little Thing She does is Magic” which was a 1-2 knockout punch ! Stewart Copeland is a hard hitting force of nature and my favorite drummer to have seen perform live. Well done on your cover and tribute.
This guy is pure emotion. Got touched by his feeling and words. Well done, great cover
totally man! so much passion, you can tell he truly believes what he's saying
Those 73 people that thumbed downed this video, must dislike stellar relaxed drumming. Rob Brown nailed the cover.
I'm sure that Stewart Copeland will be highly flattered after he sees this video. You nailed this song Rob. My personal drum hero is John Bonham.
The ultimate compliment. Thanks!
Mine is David Garibaldi
Fun fact: John Bonham was a Copeland fan.
@@gonzorudeboy How can any drummer not be a Copeland fan as well? My kids get a kick out of me playing Copeland's part from "Roxanne."
Stewart is definitely one of my top favorites. My personal hero is Neil Peart
Excellent choice. There are many drummers who leave you in awe with their technical skills, but Copeland also has exceptional taste, creativity, and extraordinary musical richness.
The first time I heard The Police, I was about nine years old. It was on an old TV, the images were still in black and white. The clip was for "Don't Stand So Close to Me" and it captivated me.
Seeing you talk about heroes, about references, deeply moved me. Even though my mother and my older brother loved samba (I grew up in Rio de Janeiro - Brazil), I had more of an ear for rock.
But when I heard Copeland... I can't explain it. He is my great hero in music. We were very poor, but after I got my hands on Ghost in the Machine, in a store in the city where I lived, I swore to myself that one day I would play the drums.
Thank you, Rob! What a delight to see you play such a special song in such a relaxed manner. It turned out sensational! You make everything seem so easy and anyone who sits their butt on the stool and says, "Ok! "Let's go play The Police," knows that there's nothing easy about what Stewart created.
Thank you God for living to hear and see all these guys, including you Rob Brown!
There was drumming before Copeland and drumming after Copeland. Massive game-changer.
Agreed!
Yep. After I really listened to the Police for the first time it nearly changed my drumming and bass playing overnight.
What did he change about drumming?
@@t-man5196 Interested about that answer too!
@@t-man5196 he influenced a whole generation in numerous ways. His use of the hihat was the most obvious but also incorporating different rhythms with no genre limitations, changing things up continuously to propel the musical arc of the song. He wasn't there just to keep time or plod along in the background throwing in predictable fills every four bars. The drums were an intrinsic part of the musicality of The Police in a way that was not at all typical at that time e.g. Blondie. Punk had (thankfully) shaken up music in the UK but we were still taken aback when The Police hit the charts. They weren't the first power trio but even Cream sounded nothing like that despite Ginger's jazz background. The closest I can think of for a before and after of that magnitude is Eddie van Halen. Everyone else instantly became "old school" unless they upped their game.
Everyone else: hi-hats are just for keeping straight time
Copland: Hold my beer
Everyone else: virtuoso drummers don't use silence as a note.
Copeland: hold my beer.
Carter Beauford does a lot of that also. It’s like he’s a lead drummer. Don’t get me wrong, Beauford and Copeland got serious groove but they play their part with the intricacy, color and confidence of a soloist.
Sorry just a guitar player😁🍻🤘
Yeah no one has even come close to using the hat as means of conveying a groove than Stewart. It's nuts. His h-hat sounds like it's own drum set.
@@SteveHolmesDrums rob brown has an old video of him playing walking on the moon by police. Hihat work beyond great!
@@toms3158 Agree completely. Probably one of the multitudinous reasons he and Sting clashed so much
One of the few songs where the drums shine well above everything else. Iconic
I started out playing drums when I was six years old in my dads basement studio/office. In 1985 (I was 10-11 years old), my parents moved us to Las Vegas where there are no basements and no room in my new bedroom for my drum kit so I became a bassist… drummers/percussion will always hold my heart. That being said, my first and foremost drum hero is Stewart Copeland. He was the reason I begged my dad to buy me a drum set so early on. Watching Stewart was and still is mesmerizing… there are many more but he’s my favorite.
People always look at me like I'm crazy because the bridge to this song is probably my favorite music theme and I try to explain to people that the drumming in this bridge isn't straight forward with all the nuances. You play this perfectly, and although I will never be this caliber of drummer you inspire me to pursue my other endeavors. You are my hero, you definitely have the spirit in you.
I'm a guitarist, started on violin at 4 and switched to guitar at 10. Playing in garage bands in the 80s and 90s, some live gigging in the 90s and studio work, both live and studio engineering and guitar work, in the 90s-10s I realized not long ago that the reason I didn't switch to drums at 10 was simply I preferred to listen to them, enjoy them as opposed to work them, be impressed by them as opposed to impressing others through them. Nothing inspires or brings a good melody out of a stringed instrumentalist better or more consistently than a good sounding well played drum kit. NOTHING, period. I'm a HUGE fan of the drums and I appreciate the drumming community because it seems to have the tightest comradery of all the musical sphere. Drummers meet for the first time and it's like a family reunion just happens. Believe me, all the other musicians NOTICE that and we wish it were more like that for us. In this world, where money is TIGHT and so are the opportunities to land a safe accommodating place to play, every drummer is my hero - you guys and gals have to weather double the muck to be able to do your thing that the rest of us depend upon with our musical lives. The machines will never replace you, only give you more outlets and avenues as they remind us all that the machines run by non-drummers are cold, lifeless and they degrade the human element of music - which, to me, mostly resides in the beat, that pulse you can only really HEAR 2 blocks away at the far end of the parking lot and you say "WOW!" when it dawns on you it was always there.
My man,much love from this drummer to you,the guitarist.Like you,but opposite,I like to listen 👂
To the guitar.Stupendous comment paison
What a great description of what drummers try to do. Thanks very much. Bill.
This is the best hommage to drums and drummers I ever red. I am a young drummer, despite my age. But every single day I look forward to go home and grab my sticks. I close my eyes playing my beloved 80’s songs and it’s like a time machine. God bless you. Ps: sorry for my bad english…
Well that ending speech was inspirational. Like the stellar playing wasn't enough.
I'm with you, man. Stewart was the first drummer that really got me listening to the drums. Still one of my favorites.
Feel is dead-on. I would have thought this was the legendary Mr. Copeland himself. Beautiful!
He's right. Very important to have heroes, people that we admire and we wan't to mimic or do things they do. In every aspect, music, sports etc.
Yes, a Stuart Copeland cover brilliantly done. His style of drumming is my favourite, he was the reason I took up playing the drums too.
Edit: that snare snap, gives me an eargasm.
Yup. Stewart Copeland was the reason I started playing drums at 12 years old. Neil Peart was the reason I wanted to keep playing.
@@tricky92x ah yes, I love Rush. And I guess Neil peart was to you, as Mike Portnoy was to me.
Many hero’s, Neil Peart, Mitch Mitchel, Stewart Copeland, Recerly Larnel Lewis. Many more. I only got to start drumming this year at 68 but loving it.
He’s having so much fun and you can tell how much he loves Stewart’s amazing parts. I think he’s also so comfortable flowing through it with ease.
Rob,
Peter Erskine, Roy Haynes, Steve Gadd, Dave Weckl, and Phil Collins are five of my heroes. They have inspired me with their performances and innovations to keep practicing and growing. We all need some inspiration to overcome the hurdles and the time required to become competent drummers. And, when competence emerges, however painfully, we feel pride in ourselves, joy in the musical experience with our friends and audiences, and continued admiration for those who helped us get there. Thanks to all of you who have inspired me! While I am an amateur musician, playing drums and percussion have added enormous joy and a sense of community to my life. Keep playing...keep giving to the music. Jeff
Awww...I always love it when I see other musicians pay homage to the one and only Stewart Copeland!! It's not easy to play like the master!!
Watching someone with the self confidence not to overplay is so refreshing.
Stewart Copeland is a drummer I was studying back in the 80's when I was taking lessons. I love his command of syncopation. He is probably in my top 4 drummers. Billy Cobham, Sheila E, Stewart Copeland, and Keith Moon. Now maybe you Rob Brown you were getting those beats
Neil Peart doesn’t even make the top 4? Wild
The drums have always been my favorite part of Every Little Thing She Does is Magic. You played it beautifully. Stewart’s work on the high hat and cymbals while driving that steady rhythm is incredible. Thanks for honoring an amazing drummer. The Police were a huge part of my youth and I saw them live on The Ghost in the Machine and Synchronicity tours.
Soo relaxed soo calm sooo perfect
I came of age in the early/mid 80's and hard rock was kind of king in America, so my first big influence was Vinny Appice. Then my drum teacher (who was more a Steve Gadd type of player who could read drum music) said to me "if you like that type of music you should listen to Tommy Aldridge". I didn't know who he was at the time. My teacher played some old blank cassettes that were taped over that had Alrdridge going wild on them and that was IT. Couldn't believe my ears (again - you have reference the time - early mid 80's). Then when I saw Tommy live on video I was really hooked, such a great showman. Tommy will never get the credit he truly deserves as a pioneer of that style of playing in my view. I also (later on) became a big fan of Carmine Appice when the debut album from Blue Murder came out in 1989. Carmine really tore it up on that album. Honorable mentions for me would be Mikkey Dee (King Diamond) and Scott Travis.
As for Copeland what I'll say is that: when I was younger I remember all of those Police songs on the radio and on MTV. Because I was so rock/double bass oriented I never truly "got it" when it came to Copeland. As I aged however, played in a lot bands, eventually graduated from P.I.T. (not bragging - I'm no Colaiuta), and my mind became much more open to different styles of music, I now look at Copeland as BRILLIANT.
Copeland's playing and style are simply sublime.
It’s amazing when you can hear two seconds of a song and immediately recognize who the drummer is. Like, pretty much no one has that in their band.
Bonham, Peart, Collins, Copeland. I might be missing some but drums should be more like this! It’s own unique contribution to a song.
I'd say Porcaro should be there. Not sure what's Portnoy's signature technique but his drumming style is pretty recognizeable
Matt Cameron
@@0megalul309 Absolutely! Porcaro is a legend as well. You can even sometimes recognize when he has influenced any drummer's playing style
Billy Cobham enough said!
3 other instantly recognizable drummers for me are John Bonham, Carl Palmer and Bill Bruford. Steve Gadd is pretty unmistakable too ;)
Geez, my friend, your performance was perfect, and reaching that level is a very complicated thing.... but your speech at the end (at 4:42) was also epic!!! Regards from Mexico!!
He is my hero too. Thank you for reminding us of our life influencers. Stewart Copeland is one of a kind.
I have a huge deal against nylon tip sticks, but that performance was amazing and the speech after was even better. Beautiful said and actually hits home. I was burned out in drums, it was only my income back in my city. Now, 3 years later, without touching a pair of sticks, so far away, a miracle occured, as i never thought i could fall in love again with drumming or regain my technique. Now i have a band and we have like 40 tunes, over 5 weeks. Thank you, Lord. Thank you, Music. Thank you, Mr. Rob Brown.
P.D.: About heroes, i'll only say that, many years ago, a girlfriend of mine was telling me about this theory in which people could reincarnate in objects. I responded, without a blink:
In that case, i would love to come back as a couple of sticks for Jeff Porcaro
Rob, you're one of MY heroes. I've been playing forever too. I love your playing. I love your teaching. I love the way you connect to us. Being watching for over a year now. You keep it real.
Great rendition of a master of the masters! For me Jeff Porcaro and Stewart Copeland were models that inspired me! Thanks Rob!
I admire Ringo Starr's style of "less is more". "In My Life" is a perfect example, he comes up with the simplest beat that is tailor made to what the song requires.
Bernard Purdie says thanks.
@@roomdog40 I laughed 😂
Man, He's my hero too
Rob has a pure love for his craft, a modern day master. If I had to choose one drummer for a hero (which is no easy task,so many) it would be Copland. Not only due to his incredible individualistic style but his ability to write music as well. Oh, and there’s that little thing where he has influenced generations of drummers, Rob, thank you brother 🤙🏼
I'm so used to watching Rob on his channel doing tutorials that's it's weird seeing him on another channel actually playing a full song.
I was wondering why his studio and background changed! Class act
Not weird... cool
Rob Brown on Drumeo. Dude is legit.
The intro to that song almost moves me to tears. I’m not even sure why, I was a kid when it was in the charts maybe it triggers something from then. I’m not even a huge Police fan but that intro stops me dead whenever I hear it.
Rick Beato says "Lydian mode".
Rob killed this
He sure did!
Heroes? Actually Beat Down Brown - YOU are up there. So many of your vids over recent years have helped me, and I've come to greatly admire your humble style, accessible education and super-tasteful playing. All completely embodied in this performance. Thank you
Hi Rob, I just want to thank you for your motivating way to talk about drumming. Fantastic. My hero was always Tony Williams. In terms of motivation: not an easy target, I guess. And then there was a long time (20 years! when I didn't touch my drums for several different reasons which can be summarized under the phrase: that's life. And then I found a new hero who got me going again. And this was Chris Dave. Man, what a drummer, fantastic. Greetings across lake Atlantic from Germany. I love your channel. It is an inspiration. And you are absolutely right. Inspiration is the main ingredient when it is about motivation and improving on anything, I guess, not only the drums. Have a good time with your drums everybody.
When he does those double hits on the toms twice, my hair stood up. It just sounded so freakin awesome!!! Awesome job man, you KILLED IT!!! Great accents on the ride, too, VERY nice!!
When i first heard their debut when it came out. I'm a guitarist, but, Copeland's drumming just stood out and I was a huge fan ever since then. My drumming heroes are Copeland, Moon, Burke, Bozzio, Bill Stephenson and the list goes on. Rockenfield is another.
Have a listen to Vinnie colaiuta on Sting's Seven days . There's a live version set in a beautiful looking room. 👍.
The 10" Splash Cymbal is dancing, its Magic too ;D
Rob Brown you are the man! Whew, that was so tight. As you said drumming Hero's change with the times, over the span of my 40yrs of playing one drummer rises above all the others. For me that drummer is Gavin Harrison. As an adult, Gavin's playing inspired me to reach higher, to push myself, and to play the drums as a form of self expression.
OMg!! I'm in love with the musicality of this drummer..not only he can mimic perfectly Copland, but for me, he adds some personal flavor to the original drum patterns created by steward!
Thanks, Rob for this magical moment.
Excellent video. I really liked the end when you discussed the importance of heroes. For me, it's Stewart Copeland, Taylor Hawkins, and Matt Cameron. I actually met Copeland at a meet and greet a few years ago and it was really great to get to see someone who you've looked up to for quite some time and to find out that they're actually a very friendly, warm person. Thanks for the video and awesome drumming.
Nice playing. What version of the song is that? That's not the regular album version.
One of the greatest and most unique songs of all time IMO
Christopher from a unique (and mostly underrated) band
Stewart Copeland. ALWAYS played EXACTLY what the songs needed. HUGE influence on my young formative years as a player. Articulation, "groove theory", power. He was, and still is JUST A TOTAL PACKAGE. SO MUCH RESPECT!!!!
Thank you for this!
I'm a comedian, but my heroes are mostly musicians. The police were the first band that I discovered on my own at the age of 12, when heroes seemed plentiful. In retrospect, they weren't. These guys still are. After one video, you are now among the people I respect as well.
Again, thank you.
Wow! This has to be one the BEST drum covers I've head yet! Your a fantastic drummer ! Thank you so much for your video! Xx
I also love and respect the drumming and overall percussion skills of Stewart Copeland. Your performance of this great Police song was excellent Rob. You asked who our "hero" was/is, I personally have always been inspired and influenced by Phil Collins. Best wishes to you brother. Thanks for sharing this video.
Copeland taught me how versatile and important the hi-hats can be... what a legend
Yeah. He could really get by with HH, snare, bass drum & it would still be something I’d want to listen to. Hell, I’d listen to Stew play a garbage can lid for that matter...
I'm with you, Beat Down! I started drumming 5+ years ago, age 45 with no prior music experience. My motivators and inspirations are Ringo, Bonhan and Copeland, with Copeland being the last and the one I arrived at by myself. My older sister listened to The Beatles when I was 9-10, so I did; my older brother listened to Zeppelin when I was 13-14, so I did; and when I was in highschool and could drive myself, I listened to The Police when I was 15-16. Whenever I went to a live event, I stretched and ducked and craned so I could see the drummer. That's the only person I wanted to see. ~35 years later, sitting in a hotel room on a business trip, scrolling my FB feed, I saw Rockin' 1000 play Learn To Fly. I was awestruck. I watched is over and over an over till I had goosebumps and I literally was crying. I said to myself, "Why are you crying?" I answered myself, "because they are doing it, and you are not." I went on Amazon right then and ordered a practice pad and sticks; and before bed I called my wife and said, "cutie, I'm going to learn to play the drums." She said, "ok, do it." 5+ years later I have full (Tama, because Copeland and less expensive than Ludwig!) acoustic kit in the basement and I practice literally 1+ hours a day - every single day that I'm at home. I am lucky enough to have found many people to play with, and I play live regularly. Free-Drum-Lessons.com (Drumeo) and Rob Brown are what got me through my first 1.5 years of self-learning. I finally got a teacher/coach, not for the instruction but to help with what to work on next! I LOVE Beat Down Brown. This video is just icing on the cake.
I keep coming back to this video because the drumming, the message and everything about it really motivates me to keep drumming, Stewart Copeland being a personal hero of mine too.
My heroes are:
Stewart Copeland for his energy and pocket, ability to push the tempo but also lay it down on a song like Every Breath You Take. His splash cymbals too.
Vinnie Colaiuta for his fluidity and creativity. He flows across the toms. But can also just lay down beautiful time that's tasteful, like his rim click rhythm in Sting's Fields of Gold.
I love Dave Weckl in the jazz and fusion world for the same thing. Plus Dave gets impeccable drum sounds.
Chad Sexton of 311 for his marching chops put into funk, rock, and hip hop grooves. His snare sound is signature and he always keeps it funky yet heavy. A true hybrid of funk tightness and rock looseness.
The late great Taylor Hawkins for his energy, his tight pocket yet with power. And his fat snare sound. He really drives the Foo Fighters. He was also so reverent to his heroes and quick to hip younger drummers to them.
Manu Katche' for his creativity. I also love his use of splash cymbals and his tom playing.
Omar Hakim for his adventurousness. His work with Weather Report is incredible. Plus he can funk up a ride cymbal like no other.
Steve Gadd for his versatility. He does Aja and the Hustle. Nite Sprite and Slip Sliding' Away. All with taste.
Simon Phillips for his toms and more toms and big open sound.
Alex Acuna for making us all dance with fun latin rhythms and world beat groove. He can make anything percussion instrument musical. He just just play percussion, he makes music with it.
Steve Jordan for his Funk with a capital 'F". And his shuffles with John Mayer and Alicia Keys? C'mon!
Russ Kunkel, who I met at a DW drums event, for his sensitivity, and just great groove on all the James Taylor and Jackson Browne. Bolevaurd by J.B. is just great groove with fun drum fills.
Hal Blaine for helping to create true rock drumming as we know it. Big fills and unique parts.
Ringo Starr for song based simplicity, yet cool musical hooks. Fun tom based grooves, hi hat swooshes perfectly placed, crazy fills in psychedelic songs, and a nice driving legendary backbeat!
I’m a guitarist that has also played over 30yrs. Huge Police and SC fan. This cover and this man’s words made me smile and gave me some inspiration. You Sir, are motivating me to keep going 👍
yeah i love em too i thought they went way overboard with the keys on this track cant even hear andy :(
@@666Haverswatch the rigby Otto [rick beato] interviews and he explains how this song was formed .
Never would’ve thought robs inspiration was Stewart
I Love Stewart Copeland but I don't play anything like him ! :)
Not a bad one
He said about it in on his channel in hi hat video
Me either just goes to show you Rob's got great taste
Was thinking quest love or something????
Stewart Copeland is my personal favorite also, I like a myriad of drummers but Stewart was the one that got me started!! Pure Greatness!!!
My Dad (He’s a musician himself). He’s the one that got me started on my music journey and got me inspired by other heroes that I adore now
Neil Peart. I've been playing for 30 years and still feel like I'm chasing his shadow. Thanks for the great cover. Stewart is way up on my list too.
Dude! Same here. Ive been working on nailing Spirit of Radio for a year and I’m still hearing things that I was missing. Gonna do a reveal for the family tomorrow complete with fog machine and lasers. Neal, Stewart, Phil, and Keith were the 4 that got me going in 1985....
I'm glad a drumeo appearance has inspired Rob to get some new sticks. I've seen that man use drum sticks so shredded they were defying the laws of physics. Solid playing as usual 👌
Outstanding cover. The nuances are all there (tuning of the snare, dynamics, feel). Very impressive.
So well played! I was lucky enough to follow the Police around London In the days before the hits piled in.. Stuart Copeland was a revolution and revelation to watch and to try to emulate. A true drumming hero in my book. Thank you for this excellent homage.
I agree Stuart Copeland has his own signature and it is unmistakable. The Police unique sound starts with Stuart’s drumming style.
Ghost In The Machine is easily my favorite Police album. Such a solid album!
Shout out to Rob Brown for his solid drum cover!
This is shot really well -- Drumeo's really stepping it up!
Thanks so much, Brad!
I thought was just me Lmao but after reading the comments everybody notice it... this dude is great!!!! Just loved it tight... perfect and... no show off!!!!! Every thing just fall in place... he doesn't distract us from the song and he is so good!!!! Amazingly done keep it up! Best on Drumeo till now
Absolutely, Stewart Copeland for drumming hero! Cheers
Your mentor at this time you taught me a lot I've been playing off and on for 30 years two albums taught myself. Now you are teaching me amazing you are amazing teacher and seasoned drummer thank you for everything I've learned
Loving everything here.
Also : great to see Rob Brown on Drumeo ! Learnt a ton through his YT channel in the past years.
Are you also a guitarist?
@@JohnPaul-kr8xq Yes. Why ?
@@djabthrash I find it amazing when someone can play different instruments
@@JohnPaul-kr8xq alright :)
Not surprised at all!!been playing over 40yrs!and Neil from Rush!!inspired me!!👍
So smooth! This performance was breathtaking. Absolutley perfect.
(2024).....Die hard Police fan - Since they started - And knowing very little about music, I have had little desire to listen to cover bands.
That said, Stuart Copeland's style and abilities are beyond belief !! And I was so impressed and pleased that I took the time to listen to this !!.......The ONE thing ( correct me if I'm wrong ) that cannot be produced - the sound that is made from Stuart's SNARE....The drum heads are tightened, etc...creating a sound, that I am able to discern - compared to another drum being played .....It is so CRISP...
STEWART COPELAND IS IN MY TOP 7 FAVORITE DRUMMERS OF ALL TIME I REMEMBER STARTING TO PLAY THE DRUMS AND ACTUALLY PAYING ATTENTION TO THE MUSIC JUST A BIT MORE ESPECIALLY THE DRUM SOUND & THE DRUMMERS THE SONG THAT CHANGE MY LIFE FOR EVER WAS "THE POLICE ~ DON'T STAND SO CLOSE TO ME" THE DRUM BASS KICK INTRO THE HI-HAT WORK WITH THE CROSS STICKING THE SPLASHED IN THE SONG AND OVER ALL THAT DRY CRACK HIGH PITCH SNARE BLEW ME AWAY BOUGHT THAT ALBUM "ZENYATTA MONDATTA" ONE WEEK AND NEXT WEEKEND WENT BACK TO "TOWER RECORDS" AND GOT THE OTHER 4 AND HAD ALL 5 ALBUMS AND WAS VERY ADDICTED TO THEM AND I'M STILL LISTEN TO THEM NOW THAT WAS OVER 2O YEARS AGO WHEN I GOT MY JOURNEY GOING
This is great! I have many drum heroes: Carmine Appice, Mike Portnoy, Danny Carey, Gavin Harrison, Neil Peart and John Bonham. I learn something unique from each of them.
Yes! Thanks Drumeo!
Very welcome!
Rob is a great teacher and player. I really like his work.
Heroes of the drum world - Bill Ward, Nicko McBrain, Clive Burr, Neil Peart, and now Rob Brown after seeing your Drumeo video about staying in the pocket and playing less, not more. "I'd rather be told to play more than to play less. I never want to be told to play less" (not verbatim)!!! That's an epic line for sure. I finally decided to take up drumming at the tender age of 63. Thankful for electronic drums, or I'd never have done that to my family.
Awesome drum cover Rob, of one of my favs as well. My biggest drum hero is this old dude from the old neighborhood back in the day when I was a kid in New Orleans. His name is Brian Lewis live in the next block down from us. He was part of a band that had a good bit of local and regional success and were very popular in the city. He inspired me as a young 12 year-old to continue playing at a time when I was thinking of quitting for a number of reasons. His inspiration drove me to want to be great on the drums and thanks to him, now at 60 years old, I've experienced a lifetime of great playing and love of the instrument and making music!
Here here. I’m only 49, but our story’s line up nicely .. thank you for sharing!
Bella Song., Credo che questo pezzo e questo stile di Copeland rimarrà per sempre nella storia. Fantastico e impareggiabile Il drumming E il portamento reggae and roll..anche di questo.insegnante di batteria, molto rilassato E preciso.Grande lezione,,.eccezionale modo di esprimere L'arte di suonare uno strumento.,con la finezza dei particolari,, uso dei piatti. In levare,, sedicesimi,,flam e bordo..e Rulli..suonata simile all originale. Bravissimo,gost in the machine.. album .the Police.. Ottimo capolavoro,,ben riuscito,,grazie!!
Copeland is absolutely one of my guys, too. Half my bag probably comes from his incredible drumming. lol. I love your Police videos, man. The last one where you broke down the hat patterns was awesome.
Oh I gotta go check that out. I love how subtle they can be..
@@tonyscholer1493 ua-cam.com/video/KJp13pYjjz8/v-deo.html
I already know this will be an amazing performance!
Edit: this cover is amazing!
Such an amazing cover of this song. I rarely comment. But this is tasty and so so clean. Love it 🥁❤️
Love Rob’s groove in all his videos. Years back I had such trouble finding the best tuning for my toms, and could never get them just right. It wasn’t until I found Rob’s videos on tuning that it finally clicked. I recommend any drummer starting out to watch his various videos on tuning, groove, and anything else drum related.
Never seen so much joy in joyless precision. What a performance.
this so cool, I love it. Especially the feeling Rob's seems to be in, the groove. Awesome.