Nathanamakriya is a Nishandantya Raga while the highest note sung is the Nishadam (N3).....Probably rhe first song I have listened n enjoyed in this ragam may be "Payyeda Paimida"/Kshetrayya. kriti sung by S.Sowmya,,years' back,,,,later this itself sung by TMK .....Apart from this..'Jagadeesha' by Maharaja Swati Thirunal, other krities popular in the cutchery circle are,,,,'Karuna Jalade' by Thyagaraja; Arar Asaipadar by Muthu Thandavar, and 'Bhajasva Sri' by Oothukadu Venkata Subbaiyer !!! Here just like TMK the Vocalist -Kunnakudi Balamrali too did commence the recital with the Anupallavi,,,"Yogijaata hrdayaabha sadanaadbhuta',,,Sung he last Charanam - "jalajanaabha pada nalina bhajanaradaakhila shubhada paripaalaya maam" ,,,,,,Presented a good recital...best wishes
The Singer must also concentrate on pronunciation . “Jagadee” “sha” doesn’t Make any meaning. The entire bhavam of the song lies in rendering it with correct meaning. Not only does the ragam add beauty to a composition, but also the errorless pronunciation.
Can’t find the words to describe the joy felt listening to this very wonderful rendition by Sri K Balamurali Krishna! Many many thanks🙏
👏.. melodious rendition..🔥✌️Radhe Krishna 💐🌹🙏🏻
what a great singer you are tq so
much for the lovely song kbmk
padma mohan usa
Thank you to this amazing singer
God bless him & Madrasana abundantly for this precious gift of music
Goosebumps, what voice and rendition.
Nathanamakriya is a Nishandantya Raga while the highest note sung is the Nishadam (N3).....Probably rhe first song I have listened n enjoyed in this ragam may be "Payyeda Paimida"/Kshetrayya. kriti sung by S.Sowmya,,years' back,,,,later this itself sung by TMK .....Apart from this..'Jagadeesha' by Maharaja Swati Thirunal, other krities popular in the cutchery circle are,,,,'Karuna Jalade' by Thyagaraja; Arar Asaipadar by Muthu Thandavar, and 'Bhajasva Sri' by Oothukadu Venkata Subbaiyer !!! Here just like TMK the Vocalist -Kunnakudi Balamrali too did commence the recital with the Anupallavi,,,"Yogijaata hrdayaabha sadanaadbhuta',,,Sung he last Charanam - "jalajanaabha pada nalina bhajanaradaakhila shubhada paripaalaya maam" ,,,,,,Presented a good recital...best wishes
Happy Birthday Shri Balamurali ,Stay Blessed
Wow ... Such involvement in the singing and every bit sounds sculpted... And in a flow...
Beautiful song and superb singing.
What a beautiful rendering. God bless you Balamurali. ThanjavurBalakrishnan
The more Ihear, the more its mesmerizing. Great rendering of nadanamakriya.
This singing shows how life enters, how it sustains and finally exits at end.
Excellent rendition by KBMK. Thanks KBMK for giving us your best.
We are blessed to hear this. Thanks
Bala rocks as usual.from the first phrase..!!
Amazing, balanced in all aspects: made my evening !
Beautiful marvelous
What a beautiful rendition! Meditative. Too good
Awesome rendition! Meditative and mesmerising!
All your videos are awesome team madrasana! Could you make one with Dr sriram parasuram? Thanks
Wonderful singing.Thanks
Pleasant to listen. 👌👏👏👌
Simply awesome rendition 🙏
Arumai
Very divinely! Soulful!
Awesome, awesome.
this is absolutely wonderful
Soulful rendering!
Very nice.
pallavi
jagadIsha pancashara sUdana nigamAgama vEdya paripAlaya mAm
caraNam 1
yOgijAta hrdayAbha sadanAdbhuta nAgabhUSaNa paripAlaya mAm
caraNam 2
pAda vinata bhavakhEda daLana caNa sAdhu sEvita paripAlaya mAm
caraNam 3
pura jalada pavana purandarAdi su-pUjita caraNa paripAlaya mAm
caraNam 4
girijA su-hrdaya kuvalaya shashAnka karuNAvAsa paripAlaya mAm
caraNam 5
jalajanAbha pada naLina bhajanaradAkhila shubhada paripAlaya mAm
Lovely rendition
Lovely talent
Wonderful. Melodious!!❤❤❤
Awesome!!
So meditative. Wonderful voice.
awesome
pallavi
jagadIsha pancashara sUdana nigamAgama vEdya paripAlaya mAm
caraNam 1
yOgijAta hrdayAbha sadanAdbhuta nAgabhUSaNa paripAlaya mAm
caraNam 2
jalajanAbha pada naLina bhajanaradAkhila shubhada paripAlaya mAm
Ilike both but i like more balamuralikrishna's jagadeesha
Looks like TM Krishna's desciple
PS Narayanaswamy
Mind blowing!
Ramakrishnan Janakiraman O.
The Singer must also concentrate on pronunciation . “Jagadee” “sha” doesn’t Make any meaning. The entire bhavam of the song lies in rendering it with correct meaning. Not only does the ragam add beauty to a composition, but also the errorless pronunciation.