Watching the painting develop as you used the different values was fascinating. I also learned a lot by watching you handle the foliage on the trees and foreground. Lastly, I liked how you added the reflection in the water near the end. Thanks again for a great tutorial!
Rick, so love your work. Your tutorials are so enjoyable and give me confidence as a new artist. Thank you for sharing your wonderful gift! Blessings!!
The techniques used in these types of scenes are very helpful to those of us with similar reference photos....such a pleasing composition with a limited palette.
I really enjoy your tutorials, thank you so much! Question: after removing the masking fluid you tend to paint over some of the reserved white...I am interested in laying down a pale wash (let it dry completely) before splattering masking fluid. Your thoughts on this?
You can mask over painted areas. I rarely do, however, I believe artists who use a "pouring" technique do this often. I think it's difficult on areas that have a dark value heavy pigment.
Thank you for such amazing tutorial. I have a beginner question , which colour can I use instead of raw umber? I don't have the raw umber in my pallette. It is yellow ochre an acceptable option? Thanks for your work and your time
I don't use Raw Umber a lot. I'll often use a mixture of Burnt Sienna and Ultramarine Blue when I want a darker/Brown warm gray tone. These colors vary among brands quite a bit. Any of the darker brownish earth tones will work.
Excellent, as usual. Thank you.
Watching the painting develop as you used the different values was fascinating. I also learned a lot by watching you handle the foliage on the trees and foreground. Lastly, I liked how you added the reflection in the water near the end. Thanks again for a great tutorial!
Thank you for great comments Melanie !
Every time you post a video tutorial it’s like opening a gift! Thanks for today’s gift. I can’t wait to try it.
Super comment ! Thanks Debra !!!
Rick, so love your work. Your tutorials are so enjoyable and give me confidence as a new artist. Thank you for sharing your wonderful gift! Blessings!!
Thank you for sharing your comments Sandy! Best wishes with your painting!!!
The techniques used in these types of scenes are very helpful to those of us with similar reference photos....such
a pleasing composition with a limited palette.
Another seemingly effortless and very useful video Rick.
Than you Barbara !
Nice
Another excellent tutorial, thank you so much. I love how you transform unassuming scenes into the most especial images.
Thank you! I enjoy taking unusual points of view in my compositions.
Another amazing lesson, re brush use, color, composition thank you so much and on top of everything clarity in presentation
Thank you Maureen !
Thank you for another great tutorial. I love this one. It takes me right to the edge of the water. You make it look so easy!
Thanks Kate !
Very helpful tutorial! Thanks!
Thanks Michael !
excellent instruction
Thank you Kathy !
Excellent lesson sir.
Thank you !
I really enjoy your tutorials, thank you so much! Question: after removing the masking fluid you tend to paint over some of the reserved white...I am interested in laying down a pale wash (let it dry completely) before splattering masking fluid. Your thoughts on this?
You can mask over painted areas. I rarely do, however, I believe artists who use a "pouring" technique do this often. I think it's difficult on areas that have a dark value heavy pigment.
Thank you for such amazing tutorial. I have a beginner question , which colour can I use instead of raw umber? I don't have the raw umber in my pallette. It is yellow ochre an acceptable option? Thanks for your work and your time
I don't use Raw Umber a lot. I'll often use a mixture of Burnt Sienna and Ultramarine Blue when I want a darker/Brown warm gray tone. These colors vary among brands quite a bit. Any of the darker brownish earth tones will work.