This is the best recording I've ever heard of this piece - especially the last variation. Most often it's played so fast you can barely hear the notes - you can hear that they are being played but not what's being played. That's not the case here - every note is a gem!
Late to the party, but I actually stumbled on this link while I was searching for Lynn Harrell's Decca recording. Mr. Harrell is very generous with his comments here (how cool!), but IMHO his is the best-ever recording of this piece (including the classic Rostropovich recording).
Super weird and super jarring. Interesting, nonetheless. It caught me even slightly more off guard than his choice of detache bowing for the second part of the octaves.
What do you mean by 'partitures'? Are you meaning bowing and fingerings for each variation? If so, you can reach me at Idaglia.florez@dla.mil in Richmond, VA. I've got Rose's markings.
OMG Yes.. Slava, myself, Yo Yo, all the new comers like Weilerstein should take a lesson! I think after the Octave passage, the tempo to the end should be faster , however, because it comes from a different variation in the original last variation ,,Lynn Harrell
This is the best recording I've ever heard of this piece - especially the last variation. Most often it's played so fast you can barely hear the notes - you can hear that they are being played but not what's being played. That's not the case here - every note is a gem!
When a piece is so beautiful it brings tears to your eyes .........
Those beautiful singing tones, those gorgeous harmonics. Rose is just superb! What an eloquent performance. Thank you viool7.
Maestro Rose gives us the finest ever rendition of this masterpiece.
Yes, and a great accompanist! Myself, Perlman, Zukerman, Yo Yo LOVED playing with him... Lynn Harrell
Talking about Ormandy
Ormandy is one of the most sensitive conductors I've ever heard and Rose is so underrated
I can imagine the audience loved it too!!
And a pleasure to hear from you, Mr Harrell.
the rubato in the third variation is fantastic
Late to the party, but I actually stumbled on this link while I was searching for Lynn Harrell's Decca recording. Mr. Harrell is very generous with his comments here (how cool!), but IMHO his is the best-ever recording of this piece (including the classic Rostropovich recording).
Csodálatos szépségű zene!
I saw this live Saturday night in Winnipeg, so beautiful :)
Leonard Rose was tremendous- the most classic and beautiful sound of all cellists. A true aristocrat. Eric Shumsky
Beautiful ! Thank you for uploading :)
Indeed!! Lynn Harrell
perfect octaves 16:17
Gorgeous recording. Very weird to do semi tone trolls at 7:00 though?
Super weird and super jarring. Interesting, nonetheless. It caught me even slightly more off guard than his choice of detache bowing for the second part of the octaves.
Can someone lend me the partitures of tchaikovsky rococo variations ONLY for the cello ?
What do you mean by 'partitures'? Are you meaning bowing and fingerings for each variation? If so, you can reach me at Idaglia.florez@dla.mil in Richmond, VA. I've got Rose's markings.
OMG Yes.. Slava, myself, Yo Yo, all the new comers like Weilerstein should take a lesson! I think after the Octave passage, the tempo to the end should be faster , however, because it comes from a different variation in the original last variation ,,Lynn Harrell
Nothing extraordinary here; there are much superior renditions on UA-cam.
There's no cure for tin ears.
Such as?