Thank you! There is a big truth in Segovia's introduction to his 20 studies: those pieces can very well be played on stages. They must be understood and interpreted more than learned as simple exercises or technical lessons. That's what I try to point out. :-)
Love it. Great analysis.
Thank you! To me this piece gained all a different expression when I learned to notice the absence to a bass.
Some great advice in this tutorial, Joachim! I especially liked the period guitar performance at the end.
Thank you!
There is a big truth in Segovia's introduction to his 20 studies: those pieces can very well be played on stages.
They must be understood and interpreted more than learned as simple exercises or technical lessons. That's what I try to point out. :-)
Very insightful lesson, Joachim. I am also a big fan of Sor's music.
Thanks Brad. Sor is so much more than just exercises and studies for playing technique. Those are very often real gemstones: perfect miniatures.
Excellent breakdown of this piece, I’m a new subscriber.
Thank you Todd! There could be said much more, obviously; but I'm happy if my work can add some thoughts to the understanding if Sor's music. :-)