Thanks for all of the great content on this channel! This makes me wonder about another very similar turnaround: 3 - b3 dim - 2 - 5. In this case, do you think about the 4 dominants related to the b3 dim?? So if the tonic is G as in your example the b3 dim would be Bb flat dim with C7, Eb7, Gb7, and A7 as the related dominants. Does this work in this situation, or do you think about the diminished without reference to those dominants? Thanks again!
Thank you for sharing. You truely are an amazing teacher! A question I've got: Do you know any concepts about double time/ sixteenth note lines in terms of half step rules and beat placement? Excited for the next vid! Best
He talks about playing major triads in this chromatic manor in the dvds, but I don’t think it is put into much context besides that we should practice it.
Every time that I see you've posted a new video, I can't wait to dig in. This is no exception. Thanks for the inspiration!
Thanks James. The inspiration comes from Barry.
Nice ideas. Thank you for share
Thank you. Please share with your musician friends.
nice lesson. Really appreciate these.
Thank you. Please share with your musician friends.
Yes! New video, fantastic!
Thanks for all of the great content on this channel! This makes me wonder about another very similar turnaround: 3 - b3 dim - 2 - 5. In this case, do you think about the 4 dominants related to the b3 dim?? So if the tonic is G as in your example the b3 dim would be Bb flat dim with C7, Eb7, Gb7, and A7 as the related dominants. Does this work in this situation, or do you think about the diminished without reference to those dominants? Thanks again!
Looks like you answered my question in the next video! Ha! Thanks.
Maybe this will help.
ua-cam.com/video/V7aR5J94e64/v-deo.html
Thank you for sharing. You truely are an amazing teacher!
A question I've got: Do you know any concepts about double time/ sixteenth note lines in terms of half step rules and beat placement?
Excited for the next vid! Best
Thanks for the kind words.
The rules would stay the same if you play double time.
Please share with your musician friends.
@@thingsivelearnedfrombarryh2616 Thank you.
Basically instead of 1 bar of D7 in 16th note, you just play 2 bars of 8th notes but with the tempo doubled, hence the rules still apply
maple neck strat sounds great for jazz lol
Thanks a lot! I just discovered ur channel and i think u ll be my new online teacher! Great material! How is it possible to contact you?
My email is chrisparksjazz22@gmail.com
should this be reserved for when this is the standard progression of the song, or could you use this approach on any turnaround like a 1 6 2 5?
also could i approach this 3 b3 2 progression like a normal turnaround and play 1 major scale to 5 dominant scale?
Yes
You can use it on most turnarounds
Are these teachings in his coarse?
If you mean his videos, I don't know .I've never seen them.
Everything I've learned from him was at his workshops in Manhattan.
He talks about playing major triads in this chromatic manor in the dvds, but I don’t think it is put into much context besides that we should practice it.