wow, really cool, congrats. Love the colors, the choice of music and those very close shot on your face. Quick question : how do you manage to deal with that yellowish takumar (I have the same 50mm but it drives me nuts to fix it in post ; how many nodes do you have and on which nodes do you fix this ?) thx for your help.
I’ve been color-correcting using this technique by Oliver Keys ( ua-cam.com/video/Pe3-fdoUgBA/v-deo.htmlfeature=shared ). He says to use 6 nodes, but the raw controls for the BMPCC OG negate the use for one or two of them. Getting everything into the Arri color space really makes a difference. The first shot was with a much higher-contrast SMC Takumar 24mm… but it only required lowering the lift and a little tint-altering to somewhat match up the lenses.
wow, really cool, congrats. Love the colors, the choice of music and those very close shot on your face.
Quick question : how do you manage to deal with that yellowish takumar (I have the same 50mm but it drives me nuts to fix it in post ; how many nodes do you have and on which nodes do you fix this ?) thx for your help.
I’ve been color-correcting using this technique by Oliver Keys ( ua-cam.com/video/Pe3-fdoUgBA/v-deo.htmlfeature=shared ). He says to use 6 nodes, but the raw controls for the BMPCC OG negate the use for one or two of them. Getting everything into the Arri color space really makes a difference. The first shot was with a much higher-contrast SMC Takumar 24mm… but it only required lowering the lift and a little tint-altering to somewhat match up the lenses.
@@bryanhiltner3552 thx for your reply Bryan ;) and your help and infos ;)
@@hugomalpeyrethank you for watching! It’s so encouraging to have people engage with these videos and bounce ideas back and forth ❤️🔥