Jathiswaram : Kharaharapriya Raag (Learning Mode)
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- Опубліковано 4 жов 2024
- WhatsApp - +91-8072415626 for online classes. Kharaharapriya is a rāga in Carnatic music. It is the 22nd melakarta rāga (parent scale) in the 72 melakarta rāga system. It is possible that the name of the ragam was originally Harapriya but it was changed to conform to the Katapayadi formula. Kharaharapriya has a distinct melody and brings out the Karuna rasam, invoking pathos in the listeners. The Kafi thaat of Hindustani music is the equivalent of Kharaharapriya.
Jathiswaram Raag : Kharaharapriya Thala : Aadhi
Composer : Veena sheshanna
Arohaṇa : S R2 G2 M1 P D2 N1 Ṡ
Avarohaṇa : Ṡ N1 D2 P M1 G1 R2 S
Pallavi
1 M ; ; G ; R ; n | S ; ; d | n S R G ||
2 M ; ; G ; R ; n | S ; ; n S | R S R G R G ||
3 M ; ; G ; R ; n | S ; ; R G | R S n D n S R G ||
4 M ; ; G ; R ; n | S ; ; M G | R S n d n S R G ||
1st Charanam
M , G R P M G R P D N P D | P M G P M G M | G R n S R G || (M )
2nd Charanam
R G M G M P M G R G M N D P M G |
R G M Ṡ N D P M | R G M R G S R G || (M )
3rd Charanam
G , M P M G R G , R S n S R | G , n d n S R | G , p d n S R ||
G , M P M G R G , Ṡ N D P M | G , R G M S | R G M n S R G || (M )
4th Charanam
M , G M P M G M G R S n S R G | M , G M R G S | G R S n S n d p ||
m p d n S R G M P D P N D P | M P D N Ṡ Ṙ Ġ | Ṁ Ġ Ṙ Ṡ N D P ||
M S R G M R G M P M D P M N D |
p m Ṡ N D P M D | P N D Ṡ N D P || (M )
5th Charanam
P D N D N P N D P M G R G M | P , D P M G P | M , G R G M ||
P M G R S M G R S G R n S | R G M P M G R | G M P D N D P ||
M P M D D P D P N N D P M G | P M G R S R G | M P D N Ṡ d n ||
Ṡ Ṙ Ġ Ṙ Ġ Ṡ Ṁ Ġ Ṙ Ṡ N D P M | P Ṡ N D P M P | , M G R S R G || (M )
Lesson by Mrs.Sandhya Sankar
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Madam, your Sing Together is as useful for me as your Sing Along series is. Please give us more.
Thank you for your feedback! We're delighted to hear that you find both our Sing Together and Sing Along series useful for your learning journey. We're always striving to provide valuable content for our viewers, and your encouragement motivates us to create more. Stay tuned for upcoming videos, and we'll certainly keep your request in mind to produce more content in both series. If you have any specific topics or songs you'd like us to cover, feel free to let us know. Happy singing!
Madam, I am a Kolkata based (Bengali) musician and singer who received regular formal training in Hindustani vocal classical music and is now, at age 69 years, sincerely trying to learn the rudiments of Carnatic Music. I am finding a great help in the "SING ALONG" videos you have made. I strongly feel you should think of followers like me and make an entire series of Sing Along and other lessons on as many Carnatic ragas as possible. I will wait for your response. Madam, you are making an excellent contribution towards spreading the great Carnatic ragas to people like me who do not speak your languages but look up to Carnatic Raga Music to expand their musical experience, exposure and knowledge. Best regards, Kabir Suman.
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Loved this so much. Thanks to the wonderful teacher . She is beyond amazing.
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I pickedup Karaharapriya very well. Many thanks for the expert way of teaching.
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Lovely step by step teaching.
made the learning very tasty.
amazed.
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Thank you so much for uploading the swaras I love your teaching I am practicing everyday watching your you tube please keep uploading
as many as you could.God bless you!
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Wow very good teaching ! The jadheeswaram is very pleasant to hear
Thank you for your comments. Your kind words motivate us to keep producing quality content. Kindly subscribe to our channel for more videos: ua-cam.com/users/octavesonline For private online classes and more videos please visit: www.octavesonline.com/instructors Music Learners, to sharpen your ears and get better at landing your notes - Checkout our Android app: play.google.com/store/apps/details?id=com.octavesonline.musicbot
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Dear teacher thank you very much for hearing you.i am following lesson .May the god bless you.
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Sandhya madam thank you very much. I am following your lessons.your teaching way is very nice. Thank you once again .
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Best way to learn raga, excellent way of teaching
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🙂😘 nice
Mam, I am learning Carnatic music. Your lessons are excellent and an additional aid for me.
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Very nice class
Keep watching
Madam, you singTogether is as useful mam thank you mam
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maam we request u to sing krithis as ur teaching is very helpful and outstanding .we want it as soon as possible and thank you very much.
Thank you for your request. We will try & schedule it in our recording pipeline.
Super madam
Thanks !
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❤
Thank you for the love! If you have any more questions or if there's anything else I can assist you with, feel free to ask. Have a great day! ❤️❤️
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Thanks
Thank you for the love! If you have any more questions or need further assistance in the future, feel free to reach out. Happy teaching, and best of luck to your student! 😊🎶|
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Thank God, now I could find these most needed lessons.
Is the lesson done in B-scale?
This lesson is in the scale of *G* . You can use our app to check the scale of any song/video & can also help you hit the right notes : play.google.com/store/apps/details?id=com.octavesonline.musicbot
Please post the last 6th charana.
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Having tasted Karaharapriya Jathi
can we have thr privilege of learning a kriti Rama nee samanamevaru
teaching?
we are eager
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Any fee for this class
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Can someone explain y arohanam is Sudha gandharam but v weite as G2?
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Mam, why G is in capital and n in small? I am confused with notation? Is G supposed to be ‘g’ as well? Has this something to do with full note and semi-note??
In music notation, uppercase letters typically represent notes in the higher register or octave, while lowercase letters represent notes in the lower register or octave. For example, 'G' typically represents a note in a higher octave, while 'g' represents the same note in a lower octave. This convention helps musicians distinguish between notes that sound similar but are located in different octaves.
However, it's important to note that this convention may vary depending on the context or the specific notation system being used. In some cases, uppercase and lowercase letters may both refer to notes in the same octave. Additionally, the use of capitalization may differ between different types of notation (e.g., Western classical notation, Indian classical notation, etc.).
Regarding your question about full notes and semi-notes (which are typically referred to as whole notes and half notes in Western notation), the use of uppercase and lowercase letters is not directly related to note duration. Note duration is usually indicated by the shape of the note (e.g., whole note, half note, quarter note, etc.) and associated symbols such as flags or stems.
If you encounter notation where uppercase and lowercase letters are used to represent different notes, it's important to refer to the specific context or notation system to understand their meaning accurately. If you have a specific example or context you'd like clarification on, feel free to provide more details, and I'd be happy to help further!
Thank you for the detailed explanation. Now it makes sense. Btw, i was referring to the lower octave notes on the screen displayed in the video. Btw, i am interested in online lessons. I am a male, any male teachers?
Madam, Please give us more.
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Nice
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Please post more madam 🙏
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First thank you so much for the quality lessons you offer ! ! 🙏🙏🙏
Could someone help me with the rythm of the first line of pallavi ?
Is it ?
M . . . . . G . . . R . . . n . / ??
I am a little bit confused with this line.
Thanks to anyone who would tell me if this is it or another way 😊😊
Its M .. G.. R.. S..
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Ma’am is the online for free? My friend wants to join
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hi
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Please teach us in jathiswaram chenchurittiand devamanohari ragam.
❤
Thanks !
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