One of 3 musical pieces I would want to have a recording of if stranded on a deserted island. Cannot live without the first movement to this Leclair violin concerto. This is a wonderful performance... thank you for posting! And including the violin solo score, yes!!!
@@Musica-xo3uv Leclair was influenced by his mentor Giovanni Battista Somis, who was a follower of Vivaldi. In fact, it was Vivaldi who originated what eventually became known as the "Galant style", through his "Lombard" rhythm, in the mid-1720s. There are many features that point toward Vivaldi, such as the wonderful adoption of the the Vivaldi "ritornello" form, the tripartite layout, the balance between lyricism and bravura (all of these characteristics not practiced in French music of the time at all) so very characteristic of Vivaldi's music before and especially after 1725, etc. etc. In fact the elation of the first movement of Leclair's Op.7 No.3 recalls the elation of the first movement of Vivaldi's "La Primavera", RV 269. For studies on the influence of Vivaldi on Leclair, please, read Marc Pincherle and Michael Talbot--both supreme scholars on Vivaldi and the Baroque.
@@IbisSanchezSerrano My opinion is from what I hear. As I said before, this concert does not sound like Vivaldi, but composers like Graun or Quantz. Vivaldi is very monotonous and repetitive, always with the same sequences and cadences. Very predictable music. For example, Albinoni's music is much more contrapuntal and varied.
@@Musica-xo3uv I won´t argue with someone who knows very little--almost nothing--based on the things you are saying, about Vivaldi, Albinoni, Leclair, et al. Vivaldi´s fugal writing is unparalleled in Italian music of his time and far superior and way more complex than Albinoni. My advice is that you should study and read more about the subject before arguing. Cheers!
@@IbisSanchezSerrano Vivaldi always composed in his typical Venetian baroque style, monotonous and predictable. He was not the creator of the Galant and Preclassic style. The early classical style developed mainly with the famous Manheim school, with great composers, today unfairly undervalued. They deserve all the credits
It sounds like it may be Jaap Schroeder and Concerto Amsterdam. Schroeder was a wonderful early exponent of the baroque violin and only sadly passed away recently...aged 96! Thank you JS for all your recordings they are truly inspiring.
One of 3 musical pieces I would want to have a recording of if stranded on a deserted island. Cannot live without the first movement to this Leclair violin concerto. This is a wonderful performance... thank you for posting! And including the violin solo score, yes!!!
Especially 1:44 - 2:13. Very unique style and also very moving. I've played it back so many times :)
JEAN-MARIE LECLAIR
( Lyon 1697-1764 Paris )
JEAN-MARIE VIOLIN CONCERTOS OP.7 No3.Magnifique grandiose une merveille merci pour cette vidéos sublime.
¡Muchas gracias por subir este video!
une pure merveille le sens de leclair n'a jamais été aussi loin;sublissime
Allegro: 00:00
Adágio: 05:18
Allegro Assai: 09:57
Valeu Henri!
Very nice.
Божественно !)
This is a very delightful concerto. So Vivaldian, yet so Leclairan at the same time!
This concert doesn't sound like Vivaldi at all. It has a style more similar to the Galant style of composers such as Graun or Quantz
@@Musica-xo3uv Leclair was influenced by his mentor Giovanni Battista Somis, who was a follower of Vivaldi. In fact, it was Vivaldi who originated what eventually became known as the "Galant style", through his "Lombard" rhythm, in the mid-1720s. There are many features that point toward Vivaldi, such as the wonderful adoption of the the Vivaldi "ritornello" form, the tripartite layout, the balance between lyricism and bravura (all of these characteristics not practiced in French music of the time at all) so very characteristic of Vivaldi's music before and especially after 1725, etc. etc. In fact the elation of the first movement of Leclair's Op.7 No.3 recalls the elation of the first movement of Vivaldi's "La Primavera", RV 269. For studies on the influence of Vivaldi on Leclair, please, read Marc Pincherle and Michael Talbot--both supreme scholars on Vivaldi and the Baroque.
@@IbisSanchezSerrano My opinion is from what I hear. As I said before, this concert does not sound like Vivaldi, but composers like Graun or Quantz. Vivaldi is very monotonous and repetitive, always with the same sequences and cadences. Very predictable music. For example, Albinoni's music is much more contrapuntal and varied.
@@Musica-xo3uv I won´t argue with someone who knows very little--almost nothing--based on the things you are saying, about Vivaldi, Albinoni, Leclair, et al. Vivaldi´s fugal writing is unparalleled in Italian music of his time and far superior and way more complex than Albinoni. My advice is that you should study and read more about the subject before arguing. Cheers!
@@IbisSanchezSerrano Vivaldi always composed in his typical Venetian baroque style, monotonous and predictable. He was not the creator of the Galant and Preclassic style. The early classical style developed mainly with the famous Manheim school, with great composers, today unfairly undervalued. They deserve all the credits
2:25 Linley Schema? (Note).
someone know where i find the score?....thanks?
Which recording is this?
4:00
Jó cigány volt ez a Leclair!
violinist ?????!!!!!
It sounds like it may be Jaap Schroeder and Concerto Amsterdam. Schroeder was a wonderful early exponent of the baroque violin and only sadly passed away recently...aged 96! Thank you JS for all your recordings they are truly inspiring.