Ustad Amir Khan - Raag Yaman Kalyan - kajaraa kaise DaarooM & aiso sughara sundaravaa
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- Опубліковано 1 жов 2024
- Ustad Amir Khan - Raag Yaman Kalyan - kajaraa kaise DaarooM- ati vilambit in Jhoomra taal & aiso sughara sundaravaa- drut in teentaal
There is a saying.."an excellent singer is judged by the way he sings a vilambit"..same goes for listeners..if you can't listen to a vilambit properly then you are not a good listener of Indian classical music. Everything that a raga is capable of delivering, inherently lies in the vilambit composition. Close your eyes and listen to this yaman kalyan. I have heard many versions of yaman kalyan from many Ustads, but this is matchless. Ustad rahid Khan's yaman kalyan come close to this, but innocence of Khan sahib's voice is something, that you can't learn or copy.
sudhanshu shekhar jha totally agreed
totally agree with you sir
Purity and Piousness besides innocence.
Well expressed Sudhanshu ji...Completely agree with it
Thx Sir, in stories heard only about one another singer with this meditative mood is Great Abdul Karim Khan Sahib, but not lucky to hear to enjoy, if anyone have the recording of Ustad Abdul Karim saheb's 40-50 minutes recordings and kind enough to share with this generation, all music lovers would be indebted, another one is Ustaad Faiyaz Khan sahib but probably no good quality recording of his singing available
Possibly the greatest Yaman Kalyan that was recorded. Immortal genius
True. But try Kishori Amonkar’s yaman kalyan too. It’s ethereal.
@@gauravdjgm Dagar Sahab's Yaman is like the best on Rudra Veena
@@sangeetmayshivam1424 No doubt. Absolutely stunning.
I will humbly suggest Mallikarjun Mansur
Don't agree at all 😅 I have heard so many great yaman kalyans till now on UA-cam(especially starting around pre pandemic time). Some that straight away come to mind are specific recordings by pt. Kumar Gandharva, pt. Bhimsen Ji, pt. jayateerth mevundi, Abhishek raghuram, ust. Rashid Khan and a few more so no need to praise any particular great artist on the expense of other great artists that too so outrageously lol. Everyone have got their unique styles.
As a youngster I had the great good fortune of listening to this very khayal live from Ustadji...it proved to be such a spiritually uplifting experience for me that giving up all fears/ reservations, I went backstage to touch his feet. ... but what is remarkable is the way he stopped me half way with an half embarrassed grin and embraced me instead!! ...What a giant of a genius he was, so dignified, so restrained and refined.... I have ever been so blessed by his benedictions
Lucky you. I could only attend one concert....and within just 2/3 years -no more chance...
ढ
People who have disliked the video are also great in their own opinion because some neha kakar fans have even just wished the hear a LEGENDARY and God like personality and got some blessing to get a good pure ears . Because it takes few minutes to hear to some new brand songs but it takes years to develop a ear for hearing a God and his pure music.😊👍
Claps for you truth telling brother
Sindhhu moose wale fans are also not down from neha kakkar's fans😂
Yes of course true
Keeping track of aavartans is a secondary goal here. The rhythm primarily serves to provide the artist sufficient space to express himself. He needs to be unfettered in his work. The vilambit jhoomra is the perfect vehicle for amir khan sahab's imagination.
I just heard this and concur with Parthapratim's estimate that this was early 70s
I couldn't help laughing at his acerbic comment on people who dozed during Khan Sahab's vilambit.
Actually, AK's music was largely cerebral-- he never sang for the audience, which was incidental. It took me time ( as I matured,musically) to come to grips with and marvel, open mouthed,at AK's genius --- I recall a remarkable instance when Gyan Babu, who occasionally accompanied him on the harmonium, dramatically threw up his hands and closed his instrument when AK was weaving the most mind boggling sur patterns in a recital of Basant Bahar
@SDD41 It's true what he's said,Even Dr Mansurj used to say "while starting to sing any Raga I would concentrate on that Raga, not at audience, that is how I used to pay respects in my own way" I have not missed his programs even when he was founder HoD in PG dept ofUG/PG at Karnataka Univ Dharwad,I's fortunate havin attended at his last rites
As you have pointed out, this "cerebral" part of Khan sahib's treatment of ragas is mentioned by Pt. Gnan Prokash Ghosh in his memoir : ' Tehzeeb-e-mausiki'.
@@suranjanghosh9410 dear can we talk of the book
@@abdulwasy6607 I would love to....
@@abdulwasy6607 Ji, I'll surely get in touch. I am bed-ridden at this moment, recuperating from Covid Pneumonia & on O2 support. Movements & conversations restricted, I can chat / msg though... Give me a few days 😊
I had tears in my eyes.... no one can match his skill in these fast times. Such soothing rendition. Hats off to the great masters
I wish we had an option to travel back in time. We could listen to him live🙌🏻🙏🏻🙌🏻
kya baat hai!
Me too....I would go back in the 30s and travel all over India Listening to especially ut.Abdul Karim khan sahab , and all the great pandits
Don't cry because it's gone, smile because it happend
We all
Undoubtedly, UAK could induce a sense of meditation with his cerebral rendering of any raga. And this is undoubtedly one of his best.
Correct Analysis ...
42:45 Aiso sughara sandarwa
Sounds like Yaman, not Yaman Kalyan. I don't hear the Shuddha Madhyam G-M-G sequence typical of the latter. Gurus and experts may opine please?
I feel the same
You can wait all you want, but that rendition of the Chota Khyaal is inimitable. The precision in the taans is wonderful. There are some things you just can't teach. The inventor of the Indore Gharana; he who effortlessly combined the Bhol-Alaap of Ati-Vilambit Bada Khyaal-s with Drupad Chota-Khyaal-s.
Juspreet Sandhu
as you rightly said one becomes more matured listening regularly and develop analytical skills and then real enjoyment comes when one listens to vilambit which elaborates raag, then one starts appreciating Dhruad style.
Bhol- alap?
@@abdulwasy6607 : Typo - Bol-Alaap. Autocorrect is not forgiving. Sorry. : )
@@juspreetsandhu8446 oh its ok dear, and if we can talk more about music at whatsapp?
I am eternally grateful to 🙏 God for sending me as human being and gratfull to my Guruji to give me new musical ear to listen this Great heavenly music. ❤️💕💓🙏💐
😞It is very sad for those who have been born as human beings in this world and have got the ears of Asura. And they are truly Tune Blind who click Dislike button 😔
Which 19 loafers disliked this?
Unearthly. Music from another world.
Must thank RA for quality upload. Heard in entry level hi fi ( Oberon 7 driven by Marantz sr 5014 also Senn HD 660 S ). Audiophile level
jiska bhi ek dislike hai uski surat pe lanat usse fir kuch nhi ata
Agree with you Taji
Taji Khan
Taji Khan
iam from afghanistan i love all ustad yeh log ab kabi nah wapas milte
Bilkul brother me Pakistan se hn love to all ustad g
Lucky to have heard him live a few times. He created an atmosphere of pure spiritual bliss.
Duniya ka best singer.
i think this is one of the best music one will ever hear
Aqsar mere khawaabon mai ate rahte hai..shyd mai hee is duniya mai ekk Esa khush kismet insanhoon ,Jesse yeh khawaabon mai milne ate hai, allah magfirat farmaye or jannatula firdous mai Ala se Ala maqaam Ata farmaye zeenat dadi ke husband the mere dada the
No match of late Ustad ji. Thanks once again Raju.
आमचे दुर्दैव कि आम्ही उस्ताद आमिर खान साहेबांचे स्वर्गीय गाने ऐकायला नव्हतो. एवढी सुंदर गायकी वा कया बात है.
He has no parallel. Such dignified singing.
Meditative music..which nurtures soul,mind and body.so o o soothing.
Yaman raag 🎼🎤👌🍂🙏
APRATIM. DIL AUR DIMAKH KO SANTI MILEE.
What a privilege it is to be able to listen to this majestic performance. Ustad Amir Khan sahab ko koti koti pranaam.
Truly divine music. Can't find a comparable Vilambit in Yaman
Maddening!!
Lots of love pyare khan sahib ji
Kia kahen khuda ap gayn kar
Rahey hain
Ahaaaa kia shabad liye hn bhai aapny
kis badtameez ne isko dislike kiya, pehle sunna sikho tab is gaane ko dislike karna, kaun hai yeh badtameez aur jahil.
Beautiful rendition of late Ustadji. Thanks a lot Shri Rajuji Asokan.
very very original🎉🎉
Merukhand at it's best !!!
Fantastic musical interpretation of Merukhand while performing the sublime Yaman, by the greatest artist of all times,Ustad Amir Khan. Every time I listen to this Yaman I find a different dimension accorded to this melody by the Ustad.
Thank you for the upload.
ऐसों यमनीय होवे मन ...सुध बुध मे बसे आमीरी यमन.
Great ❤
Vocals for the soul...............total class and mesmerizing
DIVINE
🙏🙏🙏🙏
This voice and raag really spiritual.
I am blessed to get a chance to learn indore gharana gaiki, and Indian classical music in particular.
Dear brother i am also learning, can we talk?
Ethereal....!!!
Thanks a lot for sharing.
امیر خان کا ایمن تو پوری کاٸنات پہ بھاری ہے ❤❤❤
Ustad Amir khan shb bhi puri kainaat p bahut bhaari hn
कृपया बड़े ख्याल के बोल बता दीजिए।🙏
ये ऐसे उस्ताद हैं..जिनोहे बहोत उस्तदानको जनम दिया हैं.....
इनकी गायकी .. बहोत लोगों को गायक बना चुकी हैं
और बहुत कलंदर कलाकारो को भी.....
Really soul touching!
Namaskar hay Khan sahib ji ko.
Thank you sir for sharing great music
Which taal is this?
Vilambit- Jhoomra taal (14 beats)
Drut- Teentaal (16 beats)
divine
Marvalus octave, no words to express..
I wonder if there is an artist of the calibre of Ustad Amir Khan who is in the musical circuit. This music is an ultimate one for not only its technical soundness but the very purpose of Music,which is communion with the Almighty, is shown by the way the Ustad intonates each note and connects it to the next. It is a perfect search and meditating on the swaras of the mortal soul to seek the Almighty. An aural beauty in musical expression.
There was never an artist like this Ustad and can never be as times have changed towards faster pace.
U elaborated good
God
Wow 🙏🙏🙏❤️
Kya khoob sur sajaye hain, Wah Wah. Yeh aap hi ka malika tha.
No doubt you were unmatched.
Very nice sound and melody sung by ustad amir khan thank you for uploadin this yaman raag
divine!
Great panditji 🙏 yaman
उस्ताद को प्रणाम ......
wah wah khan sab ustad amir khan dobara nahi milega
Unique heavenly voice.
Profound!
💐
🙏🙏🙏👏👏👏
Simply amazing .. mesmerzing
Glad you liked it
i thought this was bhageshwari
Is this an early recording? perhaps 1950's? his voice is in good form and he is not driving in 1st gear in the vilambit...
Think you are a driver only. Enjoy the depth and serenity if you can.
he never drove in first gear if you are familiar with his music.
very familiar..like scores of others in the audience I have snoozed thru many of his performances in the 70s
This is a late sixties or early seventies performance, by no means 50s. However there always are some morons who fall asleep during the vilambit - though Khan Sahib's Vistaar was always gamak and taan-kartab based.
I just heard this and concur with Parthapratim's estimate that this was
early 70s
I couldn't help laughing at his acerbic comment on people who dozed
during Khan Sahab's vilambit.
Actually, AK's music was largely cerebral-- he never sang for the
audience, which was incidental. It took me time ( as I
matured,musically) to come to grips with and marvel, open mouthed,at
AK's genius --- I recall a remarkable instance when Gyan Babu, who
occasionally accompanied him on the harmonium, dramatically threw up his
hands and closed his instrument when AK was weaving the most mind
boggling sur patterns in a recital of Basant Bahar
Ś lic z