Channels vs Tracks: Professional Sound Gear
Вставка
- Опубліковано 27 сер 2024
- Professional mixer/recorders often have a complex array of inputs, channels, tracks and buses. In this video I demystify why there are often many more “tracks” than there are “channels” on pro recording devices, and how they are used in practical working contexts. Please LIKE and SUBSCRIBE!
Have a sound-related question or topic you’d like me to explore? Let me know via this form!
forms.gle/4v2V...
Gear I Use To Make My Videos:
Fujifilm XT-4 Mirrorless Camera Body: amzn.to/3OSxgtl
Fujifilm XF23mm 1.4 Prime Lens: amzn.to/424lMWz
Logitech Streamcam: amzn.to/3MSOkOe
Aperture 300d ii LED: amzn.to/3MPr8R0
SSL SiX Small Format Console: amzn.to/43EQ3fR
Sennheiser MKH50 Microphone: amzn.to/433MQX0
Sennheiser MKH416 Microphone: amzn.to/3Mr4wF7
Audioblast Star Quad XLR Cables: amzn.to/420Zyob
Neewer Boom Pole Holder: amzn.to/3Wt4YXM
Rycote Baseball Windscreen: amzn.to/43mZu3b
Lacie Rugged 4 TB Drives: amzn.to/3BT9IfU
Samsung T7 SSD: amzn.to/3OAGQkn
iPad Mini 6: amzn.to/45pow3y
Tentacle Sync MKii Timecode Boxes: amzn.to/43hmS2F
As an Amazon Associate, I earn from qualifying purchases.
Was this video useful? Donate to the channel to say thanks:
www.paypal.me/...
Listen/Download my albums:
www.innertouch....
Instagram:
/ nicolasfield
My official website:
www.nicolasfiel...
Love the video. I just want to mention that I usually just record a polywav file (with all the ISOS) but never the MIX track (mono or stereo). Why? More space on the SD card, bigger Wetransfers and more space in disk that usually result in a poor AAF file on Protools with no names on the tracks and the sound post team wondering which one is BOOM, Wireless 1 or Wireless 2 for a while, just to discover that they are actually listening to MIX L (or Mix R).
I understand that workflow if the picture editor uses the production MIX for editing until Picture lock and then the Sound post team use some reconform software (like KRAKEN), but on indie or local TV stuff, that never happened to me, in my experience. So I just go with the ISO ploywav recording! 😶
Thanks for the comment m! Yeah fair, if it works it works. Every workflow is unique for sure and I know some productions specifically request no mix track these days. I have a friend who only submits discreet ISOs (separate mono wavs) because he encountered too many editors who didn’t know how to open a poly wav file lol! It’s definitely not always straightforward out there. I guess in this video I should have added that including a sound report is helpful for everyone.
Love your bag setup, so compact! I was wondering what sma antennas are those on the mcr54? mine didn't come with jointed ones
Thanks! I picked up mine from Audioroot. You can cut them to the right size. They’re much less expensive than the lectrosonics jointed SMA antennas as well :)
@@nicolasfieldsoundservices I just picked some up from my local sound shop, thanks!
I understand all of that.... don't know how 😂😂😂😂 but I do
lol ya I think I picked it up by osmosis. but I remember being really confused by this when I first got my 633.
@@nicolasfieldsoundservices until it's in your hand and being used do you get to understand it fully by muscle memory.
Where did you get this 633/833 bag?!! I want one so bad
Hey hey! Bag is designed and made by Protogear! Based out of Montreal, Canada. Cheers
Is that a Protogear bag?
Waiting for the exact model reply! 🤓
Protogear is known for their custom bags@@danislug so you may be waiting a while! LOL They are fabulous - you tell them what you will be carrying in your bag and they'll do a scale mock-up and go through design revisions with you till it's perfect. Then you get your perfect custom bag a few weeks later.
Yep! It’s just their standard M sound bag with a few modules. I cover it in a bit more detail in another video (My Production Sound Bag). Cheers!