2/4 Turner's Thames

Поділитися
Вставка
  • Опубліковано 12 вер 2024
  • First broadcast: Jun 2012.
    In this documentary, the presenter and art critic Matthew Collings explores how Turner, the artist of light, makes light the vehicle of feeling in his work, and how he found inspiration for that feeling in the waters of the river Thames.

КОМЕНТАРІ • 9

  • @robertfontaine356
    @robertfontaine356 Рік тому

    A thoughtful and engaging film about Turner. The cinematography by Patrick Duval is outstanding. A film both gorgeous and informative.

  • @calvingrondahl1011
    @calvingrondahl1011 Рік тому

    I enjoy the energy you bring to the story. Your words and movements in front of the paintings are perfect for television.

  • @organizedcrockery
    @organizedcrockery 8 років тому +8

    the eloquence of Matthew is astonishing

  • @warrenstutely7151
    @warrenstutely7151 7 місяців тому

    I wish he was still making programmes. !!! How about one on Peter lanyon , ivon hitchens , Patrick heron. ????
    Warren

  • @manjarichatterji9349
    @manjarichatterji9349 9 місяців тому

    I really like the way they morph from India via the Midfle east to Europe based on cultural priorities

  • @durango-CODEBUILDER
    @durango-CODEBUILDER 3 місяці тому

    I value Matthew Collings greatly. So well spoken... but dude keeps walking in front of the paintings while hes talking! Can't bloomin see the work you're on about Matthew
    I know its an old doc but still...

  • @byronbuchanan3066
    @byronbuchanan3066 3 роки тому +1

    Quit walking in front of the paintings.

    • @janehollander1934
      @janehollander1934 3 роки тому +1

      That is what my first impression was as well✌🏻.
      ......Then I started to notice that the presenter would quite "the frame" and let us look at the particular painting, he had been talking about, and give time to contemplate: what he had just shared. 😊

    • @triconcert
      @triconcert 7 місяців тому

      LOL! Quite irritating! I still prefer the voice-over to be more predominant than on-camera narrative. You begin to listen with your heart and let your eyes do their work.