Antonín Dvořák (1841-1904) Slavonic Dances Op. 46 & 72 by by Karel Šejna. 🎧 Qobuz bit.ly/3lTD0mz Tidal bit.ly/48dU39z 🎧 Apple Music apple.co/3wV5H7S Deezer bit.ly/3zaIvFp 🎧 Amazon Music amzn.to/3wP7PxO Napster bit.ly/3NHymXs 🎧 Spotify spoti.fi/3PN3uEf UA-cam Music bit.ly/3NHQ1eV 🎧 Pandora, Anghami, Soundcloud, QQ音乐, LineMusic 日本… Click to activate the English subtitles for the presentation (00:00-00:58) 00:00 Slavonic Dance in C Major, Op. 46 n° 1, Furiant 03:46 Slavonic Dance in E minor, Op. 46 n° 2, Dumka 08:23 Slavonic Dance in A Flat Major, Op. 46 n° 3, Polka 12:21 Slavonic Dance in F Major, Op. 46 n° 4, Sousedská 18:51 Slavonic Dance in A Major, Op. 46 n° 5, Skočná 22:06 Slavonic Dance in D Major, Op. 46 n° 6, Sousedská 27:37 Slavonic Dance in C minor, Op. 46 n° 7, Skočná 30:56 Slavonic Dance in G minor, Op. 46 n° 8, Furiant 35:21 Slavonic Dance in B Major, Op. 72 n° 1, Odzemekb 39:21 Slavonic Dance in E minor, Op. 72 n° 2, Starodávny 45:16 Slavonic Dance in F Major, Op. 72 n° 3, Skočná 48:22 Slavonic Dance in D Flat Major, Op. 72 n° 4, Dumka 53:29 Slavonic Dance in B Flat minor, Op. 72 n° 5, Špacírka 56:06 Slavonic Dance in B Flat Major, Op. 72 n° 6, Starodávný 59:45 Slavonic Dance in C Major, Op. 72 n° 7, Kolo 1:02:56 Slavonic Dance in A Flat Major, Op. 72 n° 8, Sousedská Czech Philharmonic Orchestra Conductor: Karel Šejna Recorded in 1959 New mastering in 2022 by AB for CMRR 🔊 FOLLOW US on SPOTIFY (Profil: CMRR) : spoti.fi/3016eVr 🔊 Download CMRR's recordings in High fidelity audio (QOBUZ) : bit.ly/2M1Eop2 ❤ If you like CM//RR content, please consider membership at our Patreon page. Thank you :) www.patreon.com/cmrr Antonin Dvořák (1841-1904), a striking representative of Czech national music, had to wait a long time for the recognition of his talent. A large part of his early work came into being without performance and when his music finally became known in Prague concert life - the composer was by then over thirty - the public was amazed to find mature works of real Czech provenance. In the mid-seventies of the 19th century Dvořák also began to become known abroad thanks to his Moravian Duets. The Berlin publisher Dvořák asked for more compositions in the Czech or "Slavonic" style and in 1878 Dvořák composed the first series of Slavonic Dances, originally for piano four hands, shortly after this in the orchestral version. These are mainly idealizations of Czech folk dances the temperamental furiant with its changing rhythm (l and 8), the then popular polka (3), the calm, three-beat sousedská (4 and 6) and the quick skočná dance (5 and 7); only No. 2 is a stylization of the Ukrainian dumka. The first series was so successful that Simrock asked for a continuation, but this took 8 years to complete (1886). The second series of dances is in a different style the composer's further artistic development is clear. The majority of these dances are from other Slavonic nations: Slovak (9), Polish (14), Serbian (15), Ukrainian (10 and 12), only three numbers are of Czech origin (11, 13, 16). The stirring rhythm, brilliant instrumentation and vital optimism - all this makes the Slavonic Dances a real jewel of Czech music. Dvořák - Sonatina for Violin & Piano, Kreisler - Prelude & Allegro (Century’s rc.: Gerhard Taschner): ua-cam.com/video/-TyBSH4B6pU/v-deo.html Antonín Dvořák PLAYLIST (reference recordings): ua-cam.com/play/PL3UZpQL9LIxOmR1pAUFUL-0JK-EcbVFUG.html
Antonin Dvořák (1841-1904), a striking representative of Czech national music, had to wait a long time for the recognition of his talent. A large part of his early work came into being without performance and when his music finally became known in Prague concert life - the composer was by then over thirty - the public was amazed to find mature works of real Czech provenance. In the mid-seventies of the 19th century Dvořák also began to become known abroad thanks to his Moravian Duets. The Berlin publisher Dvořák asked for more compositions in the Czech or "Slavonic" style and in 1878 Dvořák composed the first series of Slavonic Dances, originally for piano four hands, shortly after this in the orchestral version. These are mainly idealizations of Czech folk dances the temperamental furiant with its changing rhythm (l and 8), the then popular polka (3), the calm, three-beat sousedská (4 and 6) and the quick skočná dance (5 and 7); only No. 2 is a stylization of the Ukrainian dumka. The first series was so successful that Simrock asked for a continuation, but this took 8 years to complete (1886). The second series of dances is in a different style the composer's further artistic development is clear. The majority of these dances are from other Slavonic nations: Slovak (9), Polish (14), Serbian (15), Ukrainian (10 and 12), only three numbers are of Czech origin (11, 13, 16). The stirring rhythm, brilliant instrumentation and vital optimism - all this makes the Slavonic Dances a real jewel of Czech music. 🔊 FOLLOW US on SPOTIFY (Profil: CMRR) : spoti.fi/3016eVr 🔊 Download CMRR's recordings in High fidelity audio (QOBUZ) : bit.ly/2M1Eop2 ❤ If you like CM//RR content, please consider membership at our Patreon page. Thank you :) www.patreon.com/cmrr
I noticed you have uploaded another recording also with the Czech Orchestra with the conductor Talich, which is longer by 5 minutes. Will have to compare. And now a third by Antal Dorati! Best wishes from SW Ohio
Being of Austrian descent, listening to Antonin Dvorak's Dances sounds like 'home' to me. Especially in a fabulous rendition such as this one. Thank you for this gem ... from Canada!
I've never of this conductor before but surely these recordings are truly a fine reference of Dvorák Slavonic Dances, always a pleasure to listen the Czech Philharmonic Orchestra.
Lebhafte und wunderschöne Interpretation dieser ethnischen und fein komponierten Tänze mit gut vereinigten und perfekt entsprechenden Tönen aller Instrumente. Der geniale Dirigent leitet das ausgezeichnete Orchester in verschiedenen Tempi und mit möglichst effektiver Dynamik. Die verbesserte Tonqualität ist auch ziemlich hoch als eine Originalinstrumente von dreiundsechzig Jahren vor. Wundervoll und atemberaubend zugleich!
For me the ever best performance. My first contact was with the Op. 4 No. 6: I have a cousin that had this recording, but as far as I know she abandoned it and I wasn't able to get it back.
Recie'n ayer, 23/10/2023,escuche' por primera vez al Maestro Sejna con su interpretacio'n de la 5ta Sinfonia de Dvorak. Entonces,esa grabacio'n ,la puse varias veces para disfrutarla. Gran Conductor,podria ser que Istva'n Kertesz, en sus interpretaciones de las Sinfs de Dvorak,tuvo influencias de Sejna?. Repito, gran interpretacio'n "Bohemia" y excelente Conductor!!!.-
The sound and percussion is wonderful for the date of the recording (stereo), but for a more refined recording turn to Kubelik and Bavarian Radio Symphony or Dorati and the Royal Phil. Orch.
Antonín Dvořák (1841-1904) Slavonic Dances Op. 46 & 72 by by Karel Šejna.
🎧 Qobuz bit.ly/3lTD0mz Tidal bit.ly/48dU39z
🎧 Apple Music apple.co/3wV5H7S Deezer bit.ly/3zaIvFp
🎧 Amazon Music amzn.to/3wP7PxO Napster bit.ly/3NHymXs
🎧 Spotify spoti.fi/3PN3uEf UA-cam Music bit.ly/3NHQ1eV
🎧 Pandora, Anghami, Soundcloud, QQ音乐, LineMusic 日本…
Click to activate the English subtitles for the presentation (00:00-00:58)
00:00 Slavonic Dance in C Major, Op. 46 n° 1, Furiant
03:46 Slavonic Dance in E minor, Op. 46 n° 2, Dumka
08:23 Slavonic Dance in A Flat Major, Op. 46 n° 3, Polka
12:21 Slavonic Dance in F Major, Op. 46 n° 4, Sousedská
18:51 Slavonic Dance in A Major, Op. 46 n° 5, Skočná
22:06 Slavonic Dance in D Major, Op. 46 n° 6, Sousedská
27:37 Slavonic Dance in C minor, Op. 46 n° 7, Skočná
30:56 Slavonic Dance in G minor, Op. 46 n° 8, Furiant
35:21 Slavonic Dance in B Major, Op. 72 n° 1, Odzemekb
39:21 Slavonic Dance in E minor, Op. 72 n° 2, Starodávny
45:16 Slavonic Dance in F Major, Op. 72 n° 3, Skočná
48:22 Slavonic Dance in D Flat Major, Op. 72 n° 4, Dumka
53:29 Slavonic Dance in B Flat minor, Op. 72 n° 5, Špacírka
56:06 Slavonic Dance in B Flat Major, Op. 72 n° 6, Starodávný
59:45 Slavonic Dance in C Major, Op. 72 n° 7, Kolo
1:02:56 Slavonic Dance in A Flat Major, Op. 72 n° 8, Sousedská
Czech Philharmonic Orchestra
Conductor: Karel Šejna
Recorded in 1959
New mastering in 2022 by AB for CMRR
🔊 FOLLOW US on SPOTIFY (Profil: CMRR) : spoti.fi/3016eVr
🔊 Download CMRR's recordings in High fidelity audio (QOBUZ) : bit.ly/2M1Eop2
❤ If you like CM//RR content, please consider membership at our Patreon page.
Thank you :) www.patreon.com/cmrr
Antonin Dvořák (1841-1904), a striking representative of Czech national music, had to wait a long time for the recognition of his talent. A large part of his early work came into being without performance and when his music finally became known in Prague concert life - the composer was by then over thirty - the public was amazed to find mature works of real Czech provenance. In the mid-seventies of the 19th century Dvořák also began to become known abroad thanks to his Moravian Duets. The Berlin publisher Dvořák asked for more compositions in the Czech or "Slavonic" style and in 1878 Dvořák composed the first series of Slavonic Dances, originally for piano four hands, shortly after this in the orchestral version. These are mainly idealizations of Czech folk dances the temperamental furiant with its changing rhythm (l and 8), the then popular polka (3), the calm, three-beat sousedská (4 and 6) and the quick skočná dance (5 and 7); only No. 2 is a stylization of the Ukrainian dumka. The first series was so successful that Simrock asked for a continuation, but this took 8 years to complete (1886). The second series of dances is in a different style the composer's further artistic development is clear. The majority of these dances are from other Slavonic nations: Slovak (9), Polish (14), Serbian (15), Ukrainian (10 and 12), only three numbers are of Czech origin (11, 13, 16). The stirring rhythm, brilliant instrumentation and vital optimism - all this makes the Slavonic Dances a real jewel of Czech music.
Dvořák - Sonatina for Violin & Piano, Kreisler - Prelude & Allegro (Century’s rc.: Gerhard Taschner): ua-cam.com/video/-TyBSH4B6pU/v-deo.html
Antonín Dvořák PLAYLIST (reference recordings): ua-cam.com/play/PL3UZpQL9LIxOmR1pAUFUL-0JK-EcbVFUG.html
These are easily among the tastiest Slavonic Dances I've ever heard.
Tasty IS the word
Antonin Dvořák (1841-1904), a striking representative of Czech national music, had to wait a long time for the recognition of his talent. A large part of his early work came into being without performance and when his music finally became known in Prague concert life - the composer was by then over thirty - the public was amazed to find mature works of real Czech provenance. In the mid-seventies of the 19th century Dvořák also began to become known abroad thanks to his Moravian Duets. The Berlin publisher Dvořák asked for more compositions in the Czech or "Slavonic" style and in 1878 Dvořák composed the first series of Slavonic Dances, originally for piano four hands, shortly after this in the orchestral version. These are mainly idealizations of Czech folk dances the temperamental furiant with its changing rhythm (l and 8), the then popular polka (3), the calm, three-beat sousedská (4 and 6) and the quick skočná dance (5 and 7); only No. 2 is a stylization of the Ukrainian dumka. The first series was so successful that Simrock asked for a continuation, but this took 8 years to complete (1886). The second series of dances is in a different style the composer's further artistic development is clear. The majority of these dances are from other Slavonic nations: Slovak (9), Polish (14), Serbian (15), Ukrainian (10 and 12), only three numbers are of Czech origin (11, 13, 16). The stirring rhythm, brilliant instrumentation and vital optimism - all this makes the Slavonic Dances a real jewel of Czech music.
🔊 FOLLOW US on SPOTIFY (Profil: CMRR) : spoti.fi/3016eVr
🔊 Download CMRR's recordings in High fidelity audio (QOBUZ) : bit.ly/2M1Eop2
❤ If you like CM//RR content, please consider membership at our Patreon page.
Thank you :) www.patreon.com/cmrr
I noticed you have uploaded another recording also with the Czech Orchestra with the conductor Talich, which is longer by 5 minutes. Will have to compare. And now a third by Antal Dorati! Best wishes from SW Ohio
Being of Austrian descent, listening to Antonin Dvorak's Dances sounds like 'home' to me.
Especially in a fabulous rendition such as this one. Thank you for this gem ... from Canada!
I've never of this conductor before but surely these recordings are truly a fine reference of Dvorák Slavonic Dances, always a pleasure to listen the Czech Philharmonic Orchestra.
아름다운 연주곡 잘 들었습니다~감사합니다~🎻🎻🎻📯🌿🍀☘🌹🌹☘🍀🌿❤❤수고 많으셨습니다~☕
These recordings are my favourites in the cd collection. Old but sparkling !
My favorite rendition. Wonderful remastering, to complement Sejna's conducting. Bought this from Quobuz.
TODAS Y CADA UNA ES UNA OBRA MAGNIFICA , GRACIAS DVORAK UNO DE LOS GRANDES,
Antonin Dvorak:Orgulho da República Theca ou antiga Tchekoslovaquia. Adoro sua música 🎶 🎶 principalmente as danças eslavas.!!!!!!
This music deeply moves my hearth...my second family lived in Prague and I was there many times...
I've enjoyed listening the whole video of Dvorak! Thank you for sharing this.
Great sound/remastering for 1959! I like the aggressive percussion!
I love Dvorak's music 😊😊
Then listen also to James Newton Howard! He copies the style most proficiently. [I've corrected "The" into "Then" after 1 upvote.]
@@HansDunkelberg1 Thank you for the recommendation :)
Lebhafte und wunderschöne Interpretation dieser ethnischen und fein komponierten Tänze mit gut vereinigten und perfekt entsprechenden Tönen aller Instrumente. Der geniale Dirigent leitet das ausgezeichnete Orchester in verschiedenen Tempi und mit möglichst effektiver Dynamik. Die verbesserte Tonqualität ist auch ziemlich hoch als eine Originalinstrumente von dreiundsechzig Jahren vor. Wundervoll und atemberaubend zugleich!
For me the ever best performance. My first contact was with the Op. 4 No. 6: I have a cousin that had this recording, but as far as I know she abandoned it and I wasn't able to get it back.
懐かしい。
Karel Sejna & Czech Philharmonie の
Slavonic dance。
LPレコード時代の愛聴盤。
今、聴いても素晴らしい演奏。
LEA MEJOR, SEJNA ES EL DIRECTOR NO EL AUTOR
Recie'n ayer, 23/10/2023,escuche' por primera vez al Maestro Sejna con su interpretacio'n de la 5ta Sinfonia de Dvorak. Entonces,esa grabacio'n ,la puse varias veces para disfrutarla. Gran Conductor,podria ser que Istva'n Kertesz, en sus interpretaciones de las Sinfs de Dvorak,tuvo influencias de Sejna?. Repito, gran interpretacio'n "Bohemia" y excelente Conductor!!!.-
Ottima musica, conosco Dvorak.
大好きな名盤!
Op 72, no. 6 is my favourite.
The sound and percussion is wonderful for the date of the recording (stereo), but for a more refined recording turn to Kubelik and Bavarian Radio Symphony or Dorati and the Royal Phil. Orch.
Great sellections
Thank you for sharing
May I know the picture's reference please?
Have a nice day
I think these paintings are by a Czech Artist.
It certainly is by the Czech painter Alphonse Mucha, and is in the Art Nouveau style.
Lot of thanks!
@@thomasdiot4642 Alfons Mucha, Right, and this is not a painting but an advertising poster :)
@@classicalmusicreference thank you very much! 😁
❤de l'Europe
I'm unfamiliar with Sejna. Thank you.
LEA MEJOR, SEJNA ES EL DIRECTOR NO EL AUTOR
@@metanoia322 are you retarded?
THE REFERENCE RECORDING
Utterly wistful, just like the work demands it.
Art nouveau
???
@@HansDunkelberg1 - The painting
@@declamatory Ah, yes. Of course! I just only thought of the music. The picture is a lithograph, by the way (by Alphonse Mucha).
Mmm...
Thompson Donald Smith Christopher Wilson Edward
Ads in between pieces I can handle: ads in the middle of a piece is ignorant. No subscription from me!!!
UA-cam places the ads, not the channel moderator
Upgrade to premium and you won’t get ads ever again.
EL TITULO ESTA MAL REDACTADO Y LA GENTE CREE QUE SEJNA ES EL AUTOR.