Listen to the rat-ta-ta-ta-tat Pau does on the tom during the bridge. She could have easily gone simple but chose to make the beat more complex. You can tell that they purposely take opportunities to enhance a part of a song to make it better even when it's not necessarily. This is a great skill to have.
Also to ensure that there is no copy & paste for different verses as Pau defines each with various drum patterns. 0:45 to 0:48 they go downhill with the chords. Most bands would have stayed in the original minor chord. But then they aren't The Warning. It was risky because a bit further into that progression Dany would have gone off scale. Such is their level of experimentation in this song. And on top of that Pau is breaking the rhythm into pieces only for Ale to stitch it back with a groovy bassline. Their subtlety reflects their intellectualism. And then there are people who think that the girls are ordinary because they don't do solos.
I'm surprised no one has mentioned how Dany deviated from the main riff and added licks from 2:17 to 2:22, which she did not do in the Aguascalientes premiere of this song -- so good! I hope the studio version is like this!
If Muse and Halestorm had a lovechild, it would be THIS song. 🤘😍🤘 They know we love it! 🔥⚡🔥
The MORE I listen, the better it gets. The bridge is awesome👌
⚡✌️🤟⚠️⚡So Freaking Good!⚡✌️🤟⚠️⚡
Thanks for the video A A Ron! Love this song.
"The Warning", Best Rock Band Anywhere! You have been Warned!
Listen to the rat-ta-ta-ta-tat Pau does on the tom during the bridge. She could have easily gone simple but chose to make the beat more complex. You can tell that they purposely take opportunities to enhance a part of a song to make it better even when it's not necessarily. This is a great skill to have.
Also to ensure that there is no copy & paste for different verses as Pau defines each with various drum patterns.
0:45 to 0:48 they go downhill with the chords. Most bands would have stayed in the original minor chord. But then they aren't The Warning. It was risky because a bit further into that progression Dany would have gone off scale. Such is their level of experimentation in this song.
And on top of that Pau is breaking the rhythm into pieces only for Ale to stitch it back with a groovy bassline.
Their subtlety reflects their intellectualism. And then there are people who think that the girls are ordinary because they don't do solos.
I love Danny’s grungy outfit!
Great recording! It sounds even heavier than the videos posted last week! Can't wait for the video!
"Love it! Hell yeah!" Right on, crowd dude! I'd launch my shirt or jacket or whatever too. Great closeups! Thanks for the video👍👏
Hitttt 🤘
Two words I couldn't make out until this video are "stranded" and "grounded" in the second verse. Got it now.
Was that you, Aaron, who yelled, "You know we love it!"? That's a good line.
I'm surprised no one has mentioned how Dany deviated from the main riff and added licks from 2:17 to 2:22, which she did not do in the Aguascalientes premiere of this song -- so good! I hope the studio version is like this!
I said on another video Dany would say, "Do you want . . . MORE?" I know it was an obvious joke but I totally called it.
Dany playing in drop D. Sweet!!!
⛈️🌩️⚡
I LOVE IT
Great spot, as usual!
Is Pau using a cowbell instead of the block she used at Feria de San Marcos? There is definitely a difference.
I think you're right. This one sounds like a cowbell. I picked up on that too. There's a distinct difference.
Sounds better with a cowbell than a block.
But Pau has a bigger problem.
we need ****MORE**** cowbell.
@@kevinthetruckdriver353 iseewhatyoudidthere
El rock en las manos de The Warning, cambia y cambia constantemente ,sus riff,sus letras,su musica ,pero su actitud no ,MORE ????
🤘🙂👍
is it just me, or did Pau get a real cowbell for this show.......👀👂
Peter Gabriel and Lzzy had a child!