Here's another idea for a cover: Johann Christian Bach's (one of J.S. Bach's sons) "Sonata 2 in c minor (Prestissimo)" I know you'd really make something special and rockin' out of it! \m/
Oh my god, you did it before me!!! I studied harspichord as a metalhead teenager and my dream was to start a metal band and play bunch of Scarlatti sonatas...
typical ignorant comment with binary mentality, its not about how much feel you can put to the notes as if every music genre is based on soul/blues, its about the attitude you need to display when playing CLEANLY an intricate composition, how he achieves this? by connecting different shapes and articulating them. So not only you need to feel and understand the flow of the melody, but you also need a pretty solid technique to be able play this music first cleanly and then with a musical sense, theres no hiding in this music you either did the homework or you didnt, many actually do the homework but forget about the attitude part and play like a midi file, my guy Mats knows his shit and puts his technique to good use, have a nice day
@@crocodilegamer93 Some artists play it really fast (like Marta Argerich). I personally prefer Scott Ross when it comes to Scarlatti who relies on a steadier pace which puts more emphasis on the interplay and discourse between the voices: ua-cam.com/video/fhqiy7KNGHU/v-deo.html But it's definitely not without precedent to play it really fast.
![Classical Metal - Appassionata Op. 57 - 3rd Movement - Beethoven [Metal]](http://i.ytimg.com/vi/oFRGg2kiu2k/mqdefault.jpg)
Well done! Scarlatti is one of my favorites, and this piece at the speed you went sounded really good :)
That was really polished and beautiful.
awsome. truly genius
Here's another idea for a cover: Johann Christian Bach's (one of J.S. Bach's sons) "Sonata 2 in c minor (Prestissimo)"
I know you'd really make something special and rockin' out of it! \m/
I love this
@@matskleppe7667 Bring it on! 🤘🤓👌
That's a beast of a rendition (!!)
Beautiful homage to the classic
Oh my god, you did it before me!!! I studied harspichord as a metalhead teenager and my dream was to start a metal band and play bunch of Scarlatti sonatas...
Yes finally! I knew Scarlatti would suit you well!
0:27 1:10 1:49, but part in 2:27 is played the most beautifully🙂
🙌 yes 👍
Amo la música clásica y el metal! Ambos generos tienen esa energía brutal que los caracteriza
Awesome job 👏👏
Bestått.
can u make Liszt’s mephisto waltz?😊
Typical swede... Yngwie Malmsteen style: only fast, without soul.
typical ignorant comment with binary mentality, its not about how much feel you can put to the notes as if every music genre is based on soul/blues, its about the attitude you need to display when playing CLEANLY an intricate composition, how he achieves this? by connecting different shapes and articulating them. So not only you need to feel and understand the flow of the melody, but you also need a pretty solid technique to be able play this music first cleanly and then with a musical sense, theres no hiding in this music you either did the homework or you didnt, many actually do the homework but forget about the attitude part and play like a midi file, my guy Mats knows his shit and puts his technique to good use, have a nice day
Wisdom has been chasing you, but you have always been faster. I am, in fact, Norwegian!
lol have you heard the original on harpsichord? its just as fast and loud as this
@@crocodilegamer93 Some artists play it really fast (like Marta Argerich). I personally prefer Scott Ross when it comes to Scarlatti who relies on a steadier pace which puts more emphasis on the interplay and discourse between the voices:
ua-cam.com/video/fhqiy7KNGHU/v-deo.html
But it's definitely not without precedent to play it really fast.