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  • @soundsosound
    @soundsosound 2 роки тому

    In the meantime I finished the symphony. You can listen to and download it for free on: soundsosound.bandcamp.com/album/symphony-no-3

  • @aleksandarstojceski3139
    @aleksandarstojceski3139 2 роки тому +1

    Excellent old school piece! Is that the old Berlin Strings or latest?
    Which patch is the violins at 5:07?

    • @soundsosound
      @soundsosound 2 роки тому

      Thanks. 🙂
      No, it's the Berlin Symphonic Strings.
      At 5:07 I use the spiccato patches on 2nd violins and celli - with a few rapid legati thrown in on the Celli (5:22).

  • @-Meric-
    @-Meric- Рік тому

    Out of curiosity why did you opt for Opus for perc over Berlin perc? Fantastic work by the way, it sounds great

    • @soundsosound
      @soundsosound Рік тому +1

      Thank you! The answer is very simple. I recently switched from EWQLSO to Orchestral Tools and my budget simply did not allow me to buy all the packages at once. With the percussion section the upgrade seemed the least urgent to me.

  • @anggawbsn
    @anggawbsn 2 роки тому

    Do you tweak the mic position? Cause it sounds too wet when I try to compose this kind of music

    • @soundsosound
      @soundsosound 2 роки тому

      Yes, this is a combination of Spot+Tree mics in equal amount and just a bit of the AB mics. For the Brass I used a little less Spot than Tree.

    • @anggawbsn
      @anggawbsn 2 роки тому

      @@soundsosound So the Spot+Tree mics applies on Strings and Woodwinds right? Thanks for the reply, appreciate

    • @soundsosound
      @soundsosound 2 роки тому

      ​@@anggawbsn Spot, Tree and AB. Usually when I want more Reverb, I take more of the Tree, and if I want it drier, I take more of the AB and less of the Tree mics. When reducing the amount of Tree without adding AB, it sounds unnatural and loses stereo width.
      But this is only my experience from a bit testing. I did not even bother to use the other mic positions, as it soon becomes too resource heavy.